wright harold j l (55 risultati)

Condizione: New.

Condizione: Good. 1947. Limited Edition no. 208 of 400. 48 pages. No dust jacket. Blue cloth with gilt lettering. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and tanning.

Paperback. Condizione: Softcover. Softcover. Free of any markings and no writings inside. For any additional information or pictures, please inquire.

Hardcover. Condizione: Used - Very Good. 1st Edition. Excellent condition, spine, cover and binding all fine, contents extremely clean. No inscription. Dustcover in very good condition. Being a lecture delivered to the Print Collectors Club on Thursday, 2nd May, 1946, by Harold J. L. Wright. 48 pages.

Condizione: New.

Condizione: New.

Booklet - Unbound Pages. Condizione: Very Good. 6 pages, with illustrations. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Supplied without title page or cover. The Studio: An Illustrated Magazine of Fine and Applied Art was a pioneering British art periodical published in London from 1893 to 1964. Founded by Charles Holme, a former silk merchant with a deep interest in international aesthetics, the magazine became a vital platform for the Art Nouveau, Arts and Crafts, and later Modernist movements. Size: 18 x 24 cms. Category: The Studio Magazine; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on.

Softbound. Printed wraps. 62 pp., 18 bw plates. Catalogue, which comes after a lengthy illustrated essay, lists194 works. May be part of the larger publication titled "The Lithographs of John Copley and Ethel Gabain." Fair - appears to have been removed from it's original covers.

Hardcover. Condizione: Very Good. 27 illus., 10 x 7.5", cloth, 48pp. Endpapers foxed, minor cover wear. David Young Cameron was one of Scotland's most prolific and influential artists, he received the most recognition for his printmaking.

Soft cover. Condizione: Very Good. 39 p. : ill. ; 22 cm. Exhibition originally organized and shown by the Birmingham City Art Gallery, Feb.-Mar. 1952, and subsequently shown elsewhere by the Arts Council. Reprint of the original catalogue compiled by Harold Wright.

Hardcover. Condizione: Very Good. Sir Lionel Lyndsay (illustratore). Ure Smith Miniature Series no.2. Grey decorative boards, a little rubbed. 30 plates. Endpapers and pastedowns a little soiled. Top edges watermarked. Pages very slightly corrugated by damp.

Hardcover. Condizione: Good. First printing. Small folio, brown paper cocvered boards lightly soiled, edge worn and bumped, extremeties frayed, top spine pulled about a half inch. Paper toned.

Condizione: New.

Hardcover. marbled boards w/ quarter-leather spine. 23 pgs w/ 17 bw plates. Pages & plates clean; lightly tanned. 350 copies printed, 300 reserverd for members of The Print Collectors' Club. This is No 234. Good. segment missing from top of spine; ~2inch tear to lower spine. staining & foxing to cover edges. foxing to pastedowns & flyleafs; opening pgs stained to lower edge. spine split; textblock attached.

Hardcover. Condizione: Near Fine. 1st Edition. Cloth, 8vo. Limited edition: #301 of 400. 62 pp. + 16 pages of plates. Turquoise boards with gilt at spine and front. Includes a catalogue by Campbell Dodgson. door shelf.

Hardcover. Sepia paper/boards with dark chocolate leather spine. Gilt lettering on spine. Unpaginated with approx. 200 pp. and 105 bw illus. Text in English. Reprint of the original 1907 French edition. Includes a translator's (Harold Wright) preface and preface to the original 1907 edition. With a 12-page introductory essay about Meryon, followed by the index. The etchings are divided into sections: Early Etchings (1849-1850), Nos. 1-16; View of Paris, Nos. 17-64; Various Views, Nos. 54-74; Portraits, Nos. 74A-86; and Frontispieces, Addresses, Rebuses, and Various Objects, Nos. 87-102. The final section consists of 3 plates wrongly attributed to Meryon. Each section includes the corresponding bw reproductions of the original engravings.Does NOT include the Amand Durand Apse of Notre Dame Heliogravure 1884. VG+ interior, clean, bright, and tight; corners of covers lightly bumped, as are head/tail of spine.

Condizione: VG. 1939. Article on pp. 97-103 with Illustrations in one complete issue of The Print Collector's Quarterly, February 1939. Other articles in issue as well. 12mo., wraps. VG plus. No ownership marks.

Hardcover. Condizione: Very Good. From the Library of John Russell Taylor.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 1st Edition. This copy is in near fine condition with a very good dust unclipped jacket. An excellent clean copy.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Taschenbuch. Condizione: Neu. Neuware - 'The Lithographs of John Copley and Ethel Gabain' offers a comprehensive and scholarly examination of the graphic achievements of two of the most significant figures in the early twentieth-century British lithography revival. Written by Harold J.L. Wright, this work serves as an essential reference for the study of modern printmaking, meticulously cataloging the diverse output of these two masterful artists.The volume highlights the technical brilliance and artistic innovation that John Copley and Ethel Gabain brought to the medium. Copley is celebrated for his dynamic compositions and deep exploration of human emotion and movement, while Gabain is renowned for her elegant, atmospheric depictions of figures, often characterized by a delicate play of light and shadow. Together, their work represents a pinnacle of the lithographic art form during a period of renewed interest in the medium's expressive possibilities.Art historians, collectors, and enthusiasts of fine prints will find this book invaluable for its detailed insights into the creative processes and thematic concerns of these influential artists. By documenting their extensive body of work, 'The Lithographs of John Copley and Ethel Gabain' preserves a vital chapter in the history of British art and underscores the enduring legacy of the lithographic tradition.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Paperback. Condizione: new. Paperback. "The Lithographs of John Copley and Ethel Gabain" offers a comprehensive and scholarly examination of the graphic achievements of two of the most significant figures in the early twentieth-century British lithography revival. Written by Harold J.L. Wright, this work serves as an essential reference for the study of modern printmaking, meticulously cataloging the diverse output of these two masterful artists.The volume highlights the technical brilliance and artistic innovation that John Copley and Ethel Gabain brought to the medium. Copley is celebrated for his dynamic compositions and deep exploration of human emotion and movement, while Gabain is renowned for her elegant, atmospheric depictions of figures, often characterized by a delicate play of light and shadow. Together, their work represents a pinnacle of the lithographic art form during a period of renewed interest in the medium's expressive possibilities.Art historians, collectors, and enthusiasts of fine prints will find this book invaluable for its detailed insights into the creative processes and thematic concerns of these influential artists. By documenting their extensive body of work, "The Lithographs of John Copley and Ethel Gabain" preserves a vital chapter in the history of British art and underscores the enduring legacy of the lithographic tradition.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condizione: Good. No Jacket. * PUBLISHER : THE PRINT COLLECTORS' CLUB * YEAR : 1947 * ISBN : N/A * No OF PAGES : 48 * CONDITION : USED - GOOD * OTHER: THE BLUE BOARDS ARE LIGHTLY RUBBED AND WORN. THE LETTERING IS REASONABLY BRIGHT ON THE SPINE. THE BINDING IS FIRM. THE PAGES GENERALLY APPEAR CLEAN AND CREASE FREE. ALL IN ALL A NICE EXAMPLE OF THIS BOOK.

Buch. Condizione: Neu. Neuware - 'The Lithographs of John Copley and Ethel Gabain' offers a comprehensive and scholarly examination of the graphic achievements of two of the most significant figures in the early twentieth-century British lithography revival. Written by Harold J.L. Wright, this work serves as an essential reference for the study of modern printmaking, meticulously cataloging the diverse output of these two masterful artists.The volume highlights the technical brilliance and artistic innovation that John Copley and Ethel Gabain brought to the medium. Copley is celebrated for his dynamic compositions and deep exploration of human emotion and movement, while Gabain is renowned for her elegant, atmospheric depictions of figures, often characterized by a delicate play of light and shadow. Together, their work represents a pinnacle of the lithographic art form during a period of renewed interest in the medium's expressive possibilities.Art historians, collectors, and enthusiasts of fine prints will find this book invaluable for its detailed insights into the creative processes and thematic concerns of these influential artists. By documenting their extensive body of work, 'The Lithographs of John Copley and Ethel Gabain' preserves a vital chapter in the history of British art and underscores the enduring legacy of the lithographic tradition.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Condizione: As New. Unread book in perfect condition.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condizione: New. In.

Condizione: New.

Condizione: New.

Hardcover. Condizione: Very Good. First Edition. Hardback. Dimensions 250mm x 190mm.pp. 80. Original publisher's cloth binding in turquoise blue, lettered gilt at spine, with an attractive Print Collectors Club logo in gilt on upper board. Sixteen Black and white plates by F.L. Griggs. Includes a catalogue by Campbell Dodgson. Very good indeed. Covers very slightly soiled.