Wrolstad merald e (22 risultati)

Wrappers (Paperbound). Condizione: Very Good. First Edition. Previous owner's name in pencil on front cover, two small spots on back cover, else Very Good. Includes articles on the alphabet, Quipu as a visible language, and an orthographic way of writing English prosody.

Wrappers (Paperbound). Condizione: Very Good. First Edition. Very Good. Includes articles on what comes after the book, some replies to a George Steiner address, and the origins of polyphonic music as a visible language.

Wrappers (Paperbound). Condizione: Very Good. First Edition. Previous owner's last name in pencil on back cover, Very Good. Includes articles on linguistic features of scribal spacing, automated reading of the printed page, vocalism in silent reading, and durability of 15th-century type.

Wrappers (Paperbound). Condizione: Very Good. First Edition. Previous owner's last name in pencil on contents page, Very Good. Includes articles on typography and the visual concrete poem, a proposal for a diagrammatic language for design, and the orthographic practices of Elias Molee.

Wrappers (Paperbound). Condizione: Very Good. First Edition. Very Good. Includes articles on the typographic element in cubism, the changing responsibilities of the typographic designer, and a program for developing visual symbols.

Softcover. Condizione: Fine. Pp. [33]-67, [1], 8vo, illustrated, stapled self wrapper. This issue largely devoted to Wrolstad's article on effective typographic design. With numerous side-by-side layout variations. Fine copy; spine fold lightly toned.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Good. First Edition. This is a fine, unmarked, hardcover copy of volume 1, in a mylar protected DJ, gray spine. Proceedings of the conference held at the Institute for Perception Research, IPO, Eindhoven, Netherlands, Sep. 1977. MEDIA SHIPPING ONLY.

Softcover. Cleveland, paperback, Near Fine, pages 308- 402, (dp 11/03); E4347 T6T.

Soft cover. Condizione: Near Fine. 1st Edition. First Edition, 1968. 84 pages. Book measures 6 x 9 inches. Includes five essays and book reviews at the end of the text. Cover design by Jack Stauffacher. Near Fine in wrappers showing only faint rubbing. A clean copy.

Condizione: Fine. Cleveland 1973. Volume VII, Number 4, Autumn 1973. Octavo, pp.284-376, illustrations, wraps (cover photograph of New York City graffiti by Marshall Swerman ). Fine.

Soft cover. Condizione: Very Good. 8vo, soft cover, illustrated, 64 p. In very good condition. K1.

Softcover. Condizione: Good. Clean unmarked copy. Paper wraps are yellowed and have some scuffs and stray marks. Features an article by Rudolf Arnheim. Cover design by Jack Stauffacher.

Softcover. Condizione: Good. Paper wraps have yellowed significantly on the edges and spine. clean copy with no notes or underlining. Cover design is by Jack Stauffacher of Greenwood Press. .

Softcover. Condizione: good. Paper wraps are a little soiled and have some foxing. Spine is slightly slanted to the left. Text is free of any marks or notes. Includes articles by Hermann Zapf and Ernest Hoch.

Cloth. Condizione: Good. Condizione sovraccoperta: Good. Type: Book Small label inside cover, some chipping, tearing and slight loss to d/j edges.

Paperback. Condizione: Near fine. First edition. Articles: 'After the Book?', 'From Mistress to Master: The Origins of Polyphonic Music as a Visible Language', 'Visual Language in the Old English "Caedmonian Genesis"'. Illustrated. Spine sunned.

Condizione: Very Good. - Cover edges and corners a little rubbed and creased - Book ow/ solid, clean and bright - xvii/616 pages.

95, (1) S. Orig.-Broschur. - Rücken etwas verfärbt und mit Lesespur. Ansonsten gut erhaltenes Exemplar. Innen sauber.