zadow mario (90 risultati)

hardcover. Condizione: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

Condizione: As New. Unread copy in mint condition.

Condizione: New. Brand New.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: as new. Wie neu/Like new.

Hardcover. Condizione: Near Fine. No Jacket. (2013); Near Fine/no dj, square large octavo, 63pp., color pictorial gray boards hardcover, b&w & color ill's., binding tight, text unmarked & bilingual: half German with English version opposite 97832936681710.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1100grams, ISBN:3792502674.

Condizione: Gut. 4° (26x21cm). 255 Seiten, zahlreiche, teils farbige Illustrationen. OPappband. Der Buchblock etwas wellig. Ein sauberes Exemplar!

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread copy in mint condition.

Condizione: New. Brand New.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. German language. 96 images, most black & white, some color, plus additional drawings. Detailed chronology. See images for index of contents. Book appears unread, tight and clean. 255 pages, 8 2/4' x 10 1/4".

8° Leinen. mit Schutzumschlag, geringe Gebrauchsspuren an Einband und Block, Block sauber und fest ohne Einträge 256 Deutsch 1080g.

Hardcover. A gray-green fabric casebound book. The title is debossed with black lettering down the spine. There is an illustrated dust jacket, with the title in yellow print on the front cover. The spine is white with the title printed in black. The headband is black. Pages: (4), 5-255. Contains many illustrations, both black-and-white and color. VG+/VG+: Looks like it has never been taken from the shelf.

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

26 x 21 cm, OLn., o. Su. Mit 109 Abbildungen, davon 8 mehrfarbig, 255 S., Name auf Vortitel, sonst sehr gut erhalten. Sprache: Deutsch Gewicht in Gramm: 1021.

26 x 21,5 cm, Ppbd. mit Su. Mit 109 Abbildungen, davon 8 mehrfarbig, 253 S., Sehr gut erhalten. Sprache: Deutsch Gewicht in Gramm: 550.

Softcover. 22 x 15 cm. Originalbroschur mit 223 (1) Seiten und vielen einfarbigen Abbildungen. Wohl unbenutztes Exemplar in gutem Zustand. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Nehmen Sie sich ein gutes Buch mit auf die Sommerwiese. Bei uns werden Sie fündig! -- Wir kaufen Ihre werthaltigen Bücher! Bbg.

Condizione: New. pp. 215 125 Illus.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Sprache: Deutsch Gewicht in Gramm: 500 1. Aufl. Kl.-4°. 255 S. m it zahlreichen sw. Abbildungen. OPappband mit OSchutzumschlag, sehr gut.

Hardcover. Condizione: new. Hardcover. Text in German. This monograph was first published in 1980, and appears now in a third, improved edition. It is the first and to date the only book to place Schinkel's life and work in the artistic context of his day. It is devoted to his family and circle of friends, and to his universal artistic, technical and administrative activities. Arranged according to his various spheres of work, it brings together a variety of material from contemporary sources, letters, newspapers, diaries and other writing and presents Schinkel as his contemporaries saw him and in his own words. Authors featured include Bettina and Achim von Arnim, Clemens von Brentano, Johann Wolfgang von Goethe. Wilhelm von Humboldt, Johann Gottfried Schadow, Christian Daniel Rauch, Friedrich Tieck, Carl Friedrich Zelter and many others of his friends, who followed his artistic development sympathetically and also critically. As well as his architectural designs and buildings, a fitting place is found for his publicly exhibited dioramas and the magazine critics' response to them, his oil paintings, which were much loved by the Romantics, his stage sets, which are still admired and not least his arts-and-crafts work.The chosen illustrations underline the diversity of his output. Dankwart Guratzsch wrote about the first edition in the daily paper Die Welt: ".certainly the most moving book of the Schinkel year -- as it shows the setbacks and disappointments, and the physical suffering this tough, tireless, imaginative man had to go through to keep faith in his task as an ennobler of all human circumstances. Heinz Ohff, for many years arts editor for the Berlin Tagespiegel, wrote recently that he still considered the book 'unsurpassed' in terms of its wealth of facts. And Walter Jens referred to it in a lecture as an important cultural-historical analysis". This monograph is the first to place Schinkel's life and work in the artistic context of his day. Arranged according to his various spheres of work, it brings together a variety of material from contemporary sources. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condizione: New. Text in German. This monograph was first published in 1980, and appears now in a third, improved edition. It is the first and to date the only book to place Schinkel's life and work in the artistic context of his day. It is devoted to his family and circle of friends, and to his universal artistic, technical and administrative activities. Arranged according to his various spheres of work, it brings together a variety of material from contemporary sources, letters, newspapers, diaries and other writing and presents Schinkel as his contemporaries saw him and in his own words. Authors featured include Bettina and Achim von Arnim, Clemens von Brentano, Johann Wolfgang von Goethe. Wilhelm von Humboldt, Johann Gottfried Schadow, Christian Daniel Rauch, Friedrich Tieck, Carl Friedrich Zelter and many others of his friends, who followed his artistic development sympathetically and also critically. As well as his architectural designs and buildings, a fitting place is found for his publicly exhibited dioramas and the magazine critics' response to them, his oil paintings, which were much loved by the Romantics, his stage sets, which are still admired and not least his arts-and-crafts work. The chosen illustrations underline the diversity of his output. Dankwart Guratzsch wrote about the first edition in the daily paper Die Welt: ".certainly the most moving book of the Schinkel year -- as it shows the setbacks and disappointments, and the physical suffering this tough, tireless, imaginative man had to go through to keep faith in his task as an ennobler of all human circumstances. Heinz Ohff, for many years arts editor for the Berlin Tagespiegel, wrote recently that he still considered the book 'unsurpassed' in terms of its wealth of facts. And Walter Jens referred to it in a lecture as an important cultural-historical analysis".

Hardcover. Condizione: new. Hardcover. Text in German. Specialist literature on Schinkel has grown enormously since the 200th anniversary of his birth in 1981. But so far questions about the basis of his education and training remain unanswered. No one seems to have seen that Schinkel -- who is often called a classical or a Romantic architect -- was actually a son of the late Enlightenment. This is supported by his teachers' lesson notes (presented here for the first time), the educational periodicals of his period, private letters, exhibition catalogues and also treatises by avant-garde architectural theorists, who also have their say. It was a time of great elation, Kant's cry of 'sapere aude', have the courage to use your own reason, was the motto of this crucial epoch in the history of ideas. Schinkel's father, an unorthodox cleric, fought for the principles of the Enlightenment, and so did the teachers at the two progressive 'model schools' that Schinkel attended. For the first time, these schools brought children from all walks of life together under the same roof -- unheard of in those days. Friedrich Gedike, a leading Enlightenment teacher and the headmaster of Schinkel's grammar school Zum Grauen Kloster, not only tried to impart universal modern knowledge to his pupils, but also to educate them as citizens and servants of the state, with strong characters, and who could cope with life. The state was not just increasingly concerned with schooling, which had been dominated by the Church until that time, but also with education as a whole. The art academy, exhibitions and art as practised were to promote general enlightenment. To a certain extent this also applied to architecture. Friedrich Gilly, Schinkel's fervently revered master, even spoke of an architectural renaissance. The brightest minds of this period -- Schinkel met several of them -- were utterly convinced that the influence of science, culture and the fine arts was powerful enough to refine human nature and to sow peace and concord among nations. And so it is not surprising that the young Schinkel came to Fichte's philosophy at an early stage. Fichte defined the concept of virtue as the good will, which prevailed without exception, to "promote the purposes of humankind to the utmost of one's strength, and to promote them especially in the state, as it instructs". This became Schinkel's life's work. Literature on Schinkel has grown enormously since the 200th anniversary of his birth in 1981, but this is the first book that deals with his education and training. No one seems to have seen that Schinkel was actually a son of the late Enlightenment. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.