zoppelli luca (74 risultati)

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

paperback. Condizione: Fine. Brand New! Sealed in publisher's shrinkwrap. Never opened! No signs of wear.

Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Condizione: NEW.

Paperback. Condizione: New.

Originalbroschur. Condizione: Gut. 154 Seiten, m. Abb., teils farbig, Noten u. Fotos, Guter Zustand. Vorwort dreisprachig: ital., dt., franz. - Summary: Der vorliegende Band Schweizer Jahrbuch für Musikwissenschaft empfängt (in Übereinstimmung mit der aktuellen redaktionellen Linie der Zeitschrift) Arbeiten von aktiven schweizerischen und ausländischen Forschern. So wird eine Vielschichtigkeit, nicht nur linguistisch, sondern auch kulturell und methodologisch garantiert, die die wunderbare Vielfalt der Schweizerischen Eidgenossenschaft reflektiert. Im Jahrbuch Nr. 37 berühren die Essays Themen mit antropologisch-kulturellen Ansätzen zur Archivforschung, die vom Mittelalter bis ins 20. Jahrhundert und von der Sakralmusik zur Instrumentalmusik reichen. Sie legen den Schwerpunkt vor allem auf die symbolischen Mechanismen der Parodie in der gesungenen Liturgie (Therese Bruggisser-Lanker), auf die kompositorischen Gründe der Nichtvollendung der 7. Sinfonie von Schubert (Yusuke Takamatsu) und auf die ästhetische Autonomie der Kunst in Krisenzeiten dank den Vergleichen von verschiedenen künstlerischen Erfahrungen in der Mitte des 19. Jahrhunderts (Klaus Heinrich Kohrs). Die Briefe des berühmten Komponisten aus der französischen Schweiz, Gustave Doret, an wichtige französische Musiker (Delphine Vincent) sind in der neuen Dokumentenserie publiziert. - Inhalt / Sommaire / Sommario: Therese Bruggisser-Lanker (Zürich): Die Verkehrung des Allerheiligsten: Liturgieparodie zwischen Kult und Komik -- Yusuke Takamatsu (Zürich): Warum blieb die "Unvollendete" von Franz Schubert D 759 unvollendet? Das Scherzo als möglicher Schlüssel zur Erklärung -- Klaus Heinrich Kohrs (München): Blumenstilleben und Te Deum. Die Avantgarde von 1830 in Februar-Revolution und Second Empire -- Quellen / Sources / Documenti. Delphine Vincent (Fribourg): Correspondances inédites de Gustave Doret avec Théodore Dubois, Gustave Charpentier, Henry Février, Florent Schmitt et Jacques Ibert. ISBN 9783034340861 Sprache: Französisch Gewicht in Gramm: 369.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. In.

Condizione: As New. Unread book in perfect condition.

Condizione: NEW.

Condizione: New.

Condizione: New.

Condizione: New. Illustrates the sources and the reception of the Neapolitans, and foremost of Pergolesi, in Dresden, in Bohemia and in Silesia. This title describes pergolesi sources to details of writing, with an eye both to the critical edition and to historically informed performing practice. Editor(s): Bacciagaluppi, Claudio; Ottenberg, Hans-Guenter; Zoppelli, Luca. Series: Studi Pergolesiani / Pergolesi Studies. Num Pages: 519 pages, 75. BIC Classification: AVA; AVG; AVGC9; AVGD. Category: (P) Professional & Vocational. Dimension: 152 x 231 x 28. Weight in Grams: 720. . 2013. Bilingual. Paperback. . . . .

Paperback. Condizione: New. La musica napoletana conosce uno straordinario successo europeo fin dai primi decenni del Settecento. I contributi raccolti in questo volume presentano le fonti e la fortuna dei Napoletani, e di Pergolesi in particolare, a Dresda, in Boemia e in Slesia. Le fonti pergolesiane vengono esaminate fin nei dettagli di scrittura, tanto in vista della nuova edizione critica quanto nella prospettiva della prassi esecutiva storicamente informata. La corrispondenza diplomatica tra Dresda e Napoli si rivela un canale ricchissimo di scambi di informazioni e di partiture. Lontano dalla corte sassone, per la diffusione della musica napoletana giocano un ruolo essenziale alcune famiglie nobiliari boeme. Le case di ordini religiosi (cistercensi, gesuiti) si scambiano tra Boemia e Slesia moltissime composizioni sacre, variamente adattate secondo i bisogni locali. Le opere napoletane sono popolarizzate dalle compagnie girovaghe di cantanti, che solitamente provengono dall'Italia settentrionale. Nuovi elementi biografici e analisi di opere arricchiscono la nostra conoscenza di conterranei o contemporanei di Pergolesi come Giovanni Alberto Ristori, Nicola Porpora, Domenico de Micco e Leonardo Leo. Neapolitan music enjoyed an extraordinary European success starting with the first decades of the 18th century. The contributions to the present volume illustrate the sources and the reception of the Neapolitans, and foremost of Pergolesi, in Dresden, in Bohemia and in Silesia. Pergolesi sources are described down to details of writing, with an eye both to the new critical edition and to historically informed performing practice. Diplomatical correspondence between Dresden and Naples was widely used as a source of musical information and a means of exchanging scores. Far from the Saxon court, the Neapolitan music is encouraged by some prominent Bohemian aristocrats. Different religious houses (cistercians, jesuits) exchange sacred music, variously adapted to local needs. Neapolitan opera is popularised through wandering troupes, coming mostly from Northern Italy. New biographical data and work analyses enrich our knowledge of contemporaries or fellow countrymen of Pergolesi's such as Giovanni Alberto Ristori, Nicola Porpora, Domenico de Micco and Leonardo Leo.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: new. Paperback. La musica napoletana conosce uno straordinario successo europeo fin dai primi decenni del Settecento. I contributi raccolti in questo volume presentano le fonti e la fortuna dei Napoletani, e di Pergolesi in particolare, a Dresda, in Boemia e in Slesia. Le fonti pergolesiane vengono esaminate fin nei dettagli di scrittura, tanto in vista della nuova edizione critica quanto nella prospettiva della prassi esecutiva storicamente informata. La corrispondenza diplomatica tra Dresda e Napoli si rivela un canale ricchissimo di scambi di informazioni e di partiture. Lontano dalla corte sassone, per la diffusione della musica napoletana giocano un ruolo essenziale alcune famiglie nobiliari boeme. Le case di ordini religiosi (cistercensi, gesuiti) si scambiano tra Boemia e Slesia moltissime composizioni sacre, variamente adattate secondo i bisogni locali. Le opere napoletane sono popolarizzate dalle compagnie girovaghe di cantanti, che solitamente provengono dallItalia settentrionale. Nuovi elementi biografici e analisi di opere arricchiscono la nostra conoscenza di conterranei o contemporanei di Pergolesi come Giovanni Alberto Ristori, Nicola Porpora, Domenico de Micco e Leonardo Leo. Neapolitan music enjoyed an extraordinary European success starting with the first decades of the 18th century. The contributions to the present volume illustrate the sources and the reception of the Neapolitans, and foremost of Pergolesi, in Dresden, in Bohemia and in Silesia. Pergolesi sources are described down to details of writing, with an eye both to the new critical edition and to historically informed performing practice. Diplomatical correspondence between Dresden and Naples was widely used as a source of musical information and a means of exchanging scores. Far from the Saxon court, the Neapolitan music is encouraged by some prominent Bohemian aristocrats. Different religious houses (cistercians, jesuits) exchange sacred music, variously adapted to local needs. Neapolitan opera is popularised through wandering troupes, coming mostly from Northern Italy. New biographical data and work analyses enrich our knowledge of contemporaries or fellow countrymen of Pergolesis such as Giovanni Alberto Ristori, Nicola Porpora, Domenico de Micco and Leonardo Leo. Illustrates the sources and the reception of the Neapolitans, and foremost of Pergolesi, in Dresden, in Bohemia and in Silesia. This title describes pergolesi sources to details of writing, with an eye both to the critical edition and to historically informed performing practice. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Taschenbuch. Condizione: Neu. Neuware - (MGB). Reduction for voice and piano based on the critical edition of the orchestral score edited by Luca Zoppelli. Includes details on principal sources consulted, preface, historical introduction, and critical notes.

Taschenbuch. Condizione: Neu. Maria Di Rohan | Ricordi Opera Vocal Score Series Vocal Score Based on the Critical Edition | Luca Zoppelli | Taschenbuch | Klavierauszug | Englisch | 2003 | Ricordi | EAN 9788875929190 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Condizione: New. Illustrates the sources and the reception of the Neapolitans, and foremost of Pergolesi, in Dresden, in Bohemia and in Silesia. This title describes pergolesi sources to details of writing, with an eye both to the critical edition and to historically informed performing practice. Editor(s): Bacciagaluppi, Claudio; Ottenberg, Hans-Guenter; Zoppelli, Luca. Series: Studi Pergolesiani / Pergolesi Studies. Num Pages: 519 pages, 75. BIC Classification: AVA; AVG; AVGC9; AVGD. Category: (P) Professional & Vocational. Dimension: 152 x 231 x 28. Weight in Grams: 720. . 2013. Bilingual. Paperback. . . . . Books ship from the US and Ireland.

Paperback. Condizione: Brand New. new edition. 232 pages. German language. 9.45x6.50x0.47 inches. In Stock.

Condizione: New. In French.

Paperback. Condizione: New.

Paperback. Condizione: new. Paperback. Die Doppelausgabe 34/35 des Schweizer Jahrbuchs fuer Musikwissenschaft versammelt Studien und Forschungen aus unterschiedlichen internationalen Zusammenhaengen des Fachs. Zugleich will es aber auch der Forschung, die von Schweizer Wissenschaftlern und Institutionen betrieben wird, ein Forum geben. In UEbereinstimmung mit globalen intellektuellen Tendenzen sind in den letzten Jahren vermehrt wissenschaftliche Initiativen entstanden, die sich um methodische Herangehensweisen bemuehen, welche gestatten, die historiographische und identitaetsstiftende Dimension der Schweizer Musik, ihre regionalen und kontinentalen Artikulationsweisen und ihre Stellung im Kanon neu zu bedenken. In diesem Sinn enthaelt der vorliegende Band eine Gruppe von Aufsaetzen, die sich aus unterschiedlichen Blickwinkeln mit einer praegenden Figur der Schweizer Musikgeschichte befassen, mit Hans Georg Naegeli; sie gehen auf Vortraege zurueck, die im Februar 2015 im Rahmen der Tagung Das schweizerische Musikwesen im fruehen 19. Jahrhundert an der Universitaet Bern gehalten wurden. Im selben Sinn enthaelt das Jahrbuch von dieser Ausgabe an Besprechungen ueber musikwissenschaftliche Veroeffentlichungen zur Schweiz. Vervollstaendigt wird die vorliegende Doppel-Nummer durch Beitraege, die verschiedenste Themen behandeln und Methoden verwenden und von Kollegen stammen, die unterschiedlichen akademischen Zusammenhaengen und Generationen angehoeren. Fuer die Mithilfe bei der Redaktion dieses Bandes gilt der Dank Andrea Garavaglia (Freiburg), Miriam Roner (Bern), Louise Sykes und Delphine Vincent (Freiburg), fuer die grosszuegige finanzielle Unterstuetzung dem Forschungspool der Universitaet Fribourg. Die Doppelausgabe 34/35 des Schweizer Jahrbuchs fuer Musikwissenschaft versammelt Studien und Forschungen aus unterschiedlichen internationalen Zusammenhaengen des Fachs. Zugleich will es aber auch der Forschung, die von Schweizer Wissenschaftlern und Institutionen betrieben wird, ein Forum geben. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Originalbroschur. Condizione: Sehr gut. 278 S. Ein gutes und sauberes Exemplar. - MARCELLO SORCE KELLER Was ist Musik? Einige Gründe dafür, warum wir die (Musik) -- nicht mehr als (Musik) bezeichnen sollten -- ADRIANO GIARDINA In principio erat liber : l'organisation du premier livre -- de motets de Tomas Luis de Victoria (Venise, 1572) -- JOACHIM STEINHEUER Jenseits des Stile recitativo. Dialog- und Concertatotechniken im geistlichen Concerto und im Madrigale concertato in Italien ca. 1610-ca.l650 -- LUIGI COLLARILE Milano-Einsiedeln via Bellinzona (1675-1852): circolazione e recezione di musica italiana nei monasteri benedettini délia Svizzera interna -- EVA NEUMAYR, LARS E. LAUBHOLD Die Quellen der Salzburger Dommusik in der Musikbibliothek -- des Benediktinerklosters Maria Einsiedeln -- RAFAEL RENNICKE ". und jede Musik ist unser Schweizer-Kuhreigen": Zum Zusammenhang von Musik, Erinnerung und Heimweh in den Schriften von Rousseau bis Sloterdijk -- MARCO DI PASQUALE Inventing Palestrina: ideological and historiographical approaches in nineteenth-century Italy -- JON KELLER Das Thuner Pianino von Johannes Brahms. ISBN 9783034310468 Sprache: Deutsch Gewicht in Gramm: 550.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - La musica napoletana conosce uno straordinario successo europeo fin dai primi decenni del Settecento. I contributi raccolti in questo volume presentano le fonti e la fortuna dei Napoletani, e di Pergolesi in particolare, a Dresda, in Boemia e in Slesia. Le fonti pergolesiane vengono esaminate fin nei dettagli di scrittura, tanto in vista della nuova edizione critica quanto nella prospettiva della prassi esecutiva storicamente informata. La corrispondenza diplomatica tra Dresda e Napoli si rivela un canale ricchissimo di scambi di informazioni e di partiture. Lontano dalla corte sassone, per la diffusione della musica napoletana giocano un ruolo essenziale alcune famiglie nobiliari boeme. Le case di ordini religiosi (cistercensi, gesuiti) si scambiano tra Boemia e Slesia moltissime composizioni sacre, variamente adattate secondo i bisogni locali. Le opere napoletane sono popolarizzate dalle compagnie girovaghe di cantanti, che solitamente provengono dall'Italia settentrionale. Nuovi elementi biografici e analisi di opere arricchiscono la nostra conoscenza di conterranei o contemporanei di Pergolesi come Giovanni Alberto Ristori, Nicola Porpora, Domenico de Micco e Leonardo Leo. Neapolitan music enjoyed an extraordinary European success starting with the first decades of the 18th century. The contributions to the present volume illustrate the sources and the reception of the Neapolitans, and foremost of Pergolesi, in Dresden, in Bohemia and in Silesia. Pergolesi sources are described down to details of writing, with an eye both to the new critical edition and to historically informed performing practice. Diplomatical correspondence between Dresden and Naples was widely used as a source of musical information and a means of exchanging scores. Far from the Saxon court, the Neapolitan music is encouraged by some prominent Bohemian aristocrats. Different religious houses (cistercians, jesuits) exchange sacred music, variously adapted to local needs. Neapolitan opera is popularised through wandering troupes, coming mostly from Northern Italy. New biographical data and work analyses enrich our knowledge of contemporaries or fellow countrymen of Pergolesi's such as Giovanni Alberto Ristori, Nicola Porpora, Domenico de Micco and Leonardo Leo.

Taschenbuch. Condizione: Neu. Studi Pergolesiani- Pergolesi Studies | Claudio Bacciagaluppi (u. a.) | Taschenbuch | Kartoniert / Broschiert | Englisch | 2013 | Peter Lang | EAN 9783034312066 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Paperback. Condizione: new. Paperback. Schweizer Jahrbuch fur Musikwissenschaft. Bd. 28/29 Herausgegeben von der Schweizerischen Musikforschenden Gesellschaft" Schweizer Jahrbuch fur Musikwissenschaft. Bd. 28/29 Herausgegeben von der Schweizerischen Musikforschenden Gesellschaft" Shipping may be from multiple locations in the US or from the UK, depending on stock availability.