Artemide edizioni (420 risultati)

Trade Paperback. Condizione: Very Good. No Jacket. First Edition. 8vo - over 7¾" - 9¾" Nice clean copy. Text in Italian.

Paperback. Condizione: Very Good+. Binding sound, text clean, very light shelf wear. 414 pages. Italian text.Heavy book: priority or international shipping may require additional charges. Book.

Paper bound. Fine condition. . 174p. Illus.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,900grams, ISBN.

Paper Back, Shelf Worn. Condizione: New. No Jacket. 140pp. Fully illus in col. Painted porcelian in the traditional taste, from the studio of Agatina Mileto. Italian/English text.

paperback. Condizione: Very Good. Rome, 1995; Italian text; illustrated paper covers; corner wear; 4to,9 3/4" to 12" tall; Interior is clean and unmarked; 151 pages; Additional shipping charges may need to be requested due to size or weight of book. From the library of Thomas Willette, University of Michigan professor.…

Paperback. Condizione: Very Good. First of this edition. Very good paperback. No former owner marks. Bright, tight, square, inside and out. Ships same or next business day from Dinkytown in Minneapolis, Minnesota.

Condizione: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This is a pamphlet. Clean from markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,200grams, ISBN.…

Condizione: New.

Brossura. Condizione: new. A cura di Amadio M. Roma, 2021; br., pp. 166, ill. col., cm 17x24. (Arte e Cataloghi). Libro.

Condizione: NUOVO. Roma, Artemide Edizioni cm.12x24, pp.60, illustrazioni. brossura con copertina figurata. Collana Quaderni/Notebook, 2. Edizione italiana e inglese. «Nel 1624 Urbano VIII Barberini decise di avviare il restauro del Battistero Lateranense per ripristinare l'organicità che era andata perduta con i vari interventi cinquecenteschi, promossi a partire da Giulio II della Rovere. L'incarico di supervisionare i lavori fu affidato ad Adriano Ceva che nel 1632 fu sostituito da Angelo Giori, mentre il restauro architettonico fu eseguito da Domenico Castelli e, successivamente, da Gian Lorenzo Bernini che vi lavorò sino al 1635. Nel 1636 fu commissionata ad Andrea Sacchi la decorazione interna - terminata soltanto nel 1649 - che prevedeva la suddivisione degli spazi con due serie di storie: nel tamburo della cupola furono collocati otto dipinti con episodi della vita di San Giovanni Battista, mentre le pareti laterali furono affrescate con cinque scene della vita di Costantino. A queste lavorarono Andrea Camassei, Giacinto Gimignani, Carlo Magnoni e Carlo Maratti, che eseguirono rispettivamente la Battaglia di Ponte Milvio e il Trionfo di Costantino, la Visione della Croce, il Costantino brucia gli scritti di Ario al primo Concilio di Nicea e la Distruzione degli idoli pagani. Il bozzetto [Costantino brucia gli scritti di Ario al primo Concilio di Nicea, Spoleto, Fondazione Marignoli di Montecorona], non menzionato nei contributi più recenti dedicati a San Giovanni in Fonte, mostra delle differenze con la redazione finale dell'episodio e quindi non può essere né una copia né una memoria eseguita successivamente. Il recupero del dipinto è un'acquisizione importante per la conoscenza di Carlo Magnoni».…

Brossura. Condizione: new. A cura di Leonardo Capezzone. Roma, 2021; br., pp. 208, cm 17x24. (Atlante del Vicino Oriente Antico). (Atlante del Vicino Oriente Antico, 4). This volume aims to explore some aspects of the multifaceted modalities with which classical and pre-modern Islamic thought (with two final glances at modern and contemporary times) has imagined and narrated the past, entering into a dialogical relation with its questioning nature, developing an intellectual and interpretative attitude to the past from different points of view - literary, historical, philological, political, religious, or at the level of collective imagination -, and articulating a complex discourse on antiquity, its memory and its persistence in the cultural and geographical spaces of the Muslim Near East. From different perspectives and with different approaches, the scholarly contributions here collected investigate how the pre-modern Muslim Near East imagined and gave meaning to a past which emerged in the form of traces (a?tha?r - a word which appears, in the Islamic historiographical tradition, every time the description of the landscape meets the desire or the anxiety of interpreting it in a historical framework) before Western archaeology, since the late 18th century, established the epistemic framework of the scientific knowledge of the past. Beyond the political and cultural theme of continuity with the past - understood as an ideal, if static, time of classicism to be retrieved - which has long innervated the research paradigm on the relationship of medieval Islamic culture with the past, a field of investigation still remains largely unexplored, except for isolated studies dedicated to individual places of particular resonance. Much remains to be said on the different ways by which the past appears in the form of object (the ruins, the monument, the inscription); how it shapes, or is concealed in, the landscape; how the past and the discovery of the antique (as a form of written knowledge) becomes a substantial tool in order to justify, vindicate, legitimize or confirm the victory of Islam as the ultimate religion of the Book as well as a political rule; how the ineffable persistence of the past reveals an intrinsic nature capable of asking questions that interacts with the present and calls upon the historian as well any cultural operator to an instance of interpretation. But, above all, much remains to be done in order to shed light on the approaches of pre-modern Arabic Islamic culture to an understanding (and fruition) of the past as it appears in its multiple interpretative arrangements - or, in the words of a crucial definition of Michel Foucault: in its very episteme. The essays collected in this volume investigate precisely the ways in which the historic culture of the pre-modern Arabic Islamic world constructed epistemic frameworks in order to understand and narrate the past, utilizing categories and methods (sometimes in conflict with each other) that sought to define the conditions of truth of the historic narrative and to control the conditions of the use of sources. Libro.…

Brossura. Condizione: new. English Text.Roma, 2016; paperback, pp. 240, col. ill., cm 17x24.(Arte e Cataloghi). Libro.

Brossura. Condizione: new. English Text. Roma, 2017; paperback, pp. 126, b/w and col. ill., tavv., cm 21x28. (Arte e Cataloghi). Libro.

Condizione: NUOVO. Roma, Artemide Edizioni cm.15x21, pp.278, illustrazioni. brossura con copertina figurata. Collana Proteo, 4. A cura di Emilio Bonfatti e Maria Fancelli.

Brossura. Condizione: new. French Text. Roma, 2018; paperback, pp. 130, ill., cm 14x20. (Proteo). Libro.

Brossura. Condizione: new. Edited by Geat M. French Text. Roma, 2011; paperback, pp. 115, cm 15x21. (Proteo. 54). L'Europa e la Francofonia sono realtà storiche, politiche e concettuali, che hanno legami, anche sorprendenti, analogie e problemi simili da risolvere. La riflessione su queste realtà ci insegna a considerare con più attenzione "l'altro" e il "diverso". Partendo da questa ipotesi, il volume raccoglie i testi di sette esperti per riflettere sulla "Francofonia". Volume in lingua francese con testi di Beida Chikhi, Sara Concato, Stefania Cubeddu, Priska Degras Susanne Heiler, Mark Quaghebeur, Seza. Libro.…

Rilegato. Condizione: new. Roma, Università degli Studi di Roma Tre, September 25 - October 7, 2021. Edited by Iannelli F. and Malaval F. English Text. Roma, 2021; bound, pp. 96, col. ill., cm 21x28,5. (Arte e Cataloghi). Organizing the exhibition "With Hegel in the XXI century - A philosophical Exhibition" to commemorate, 250 years later, the birth of the German philosopher Georg Wilhelm Friedrich Hegel (1770-2020) was first of all and foremost a challenge. As is well known, the philosophy and life of Hegel have been dedicated to music, poetry, famous paintings and novels, but no artistic-philosophical exhibition had yet been designed to reactivate his thought through art. In addition, this adventure was conducted in the middle of the pandemic that has overturned the habits, communication and teaching methods, as well as the fruition and artistic curatorship of the entire globe. With an interdisciplinary and international project, an attempt was made to reactivate the still undiscovered potential of Hegelian philosophy. Libro.…

In 8° (cm 20,4 x 14,5), pp. 158. Bross. tit. bianco al dorso rosso bruciato. Fori di tarlo all'occhietto. tracce di polvere. Condizionni molto buone.

Condizione: BUONO. Roma, Artemide Edizioni cm.20,5x27,5, pp.(4),232, numerose ill. in bn.nt., legatura ed.cartonata, cop.fig. a 2 col.

Goethe a Roma (1786-1788). Disegni e acquerelli da Weimar. Roma, Museo Napoleonico, 10 marzo - 24 aprile 1988. A cura di Paolo Chiarini. Illustr. con 48+14 tavv. b/n col. num. n.t., ill. b/n, cm 22,5x27. Illustr Softcover, in clean fine condition. 207 S.

Brossura. Condizione: new. A cura di Sanna G.Roma, 1993; br., pp. 176, cm 16x24. Libro.

Brossura. Condizione: new. English Text. Roma, 2026; paperback, pp. 270, col. ill., cm 17,4x24,5. (Pensieri ad arte. 19). Mattia Preti (1613-1699) produced in the third quarter of the seventeenth century not less than 17 "banquet scenes", large gallery pictures representing a narrative derived from literary including biblical sources and involving a banquet or "feast". Extant iconographies include the Wedding at Cana, the Feast at the House of the Pharisee, the Feast at the Epulone, the Feast of Herod, the Banquet of Absalom, the Banquet of Belshazzar, Cleito and Progne. Filip Moerman traces the pictorial sources and precedents of this imagery and analyses how Preti's formative years in Rome and early work in Naples equip him to create the banquet scenes as a new paradigm. The banquet scenes themselves are then examined iconographically and stylistically to probe Preti's artistic vision and strategy as well as these pictures' resonance and critical success with patrons, collectors and viewers during the Early Modern period and into our own era. With his banquet scenes, Preti immerses beholders in universal queries of good and evil, hubris, bone-shattering fright but also revelation and redemption. Libro.…

Brossura. Condizione: new. A cura di Jurgenson L. e Pellini P. Roma, 2021; br., pp. 208, cm 15x21. (Proteo). Libro.

Brossura. Condizione: new. Roma, 2015; br., pp. 269, cm 17x24.(Proteo. 90). Libro.

Artemide Edizioni, 2002. In-8, brossura, pp. 116, con numerose illustrazioni in bianco e nero e a colori. In ottimo stato.

Paperback. Condizione: Fine. English and Italian text ; 215 pages.

Condizione: buono. Storia e Critica Literary Criticism History and Criticism Proteo 1 bross. edit. ill., lievi tracce d'uso in cop., timbro d'appartenenza - con dedica autografa dell'autore - prima edizione BUONE CONDIZIONI.

Brossura. Condizione: new. Roma, 2026; br., pp. 66, cm 15,1x21. (Arte Contemporanea). Libro.

Brossura. Condizione: new. Roma, 2025; br., pp. 96, cm 14x21.(Letteratura). In questo volume viene pubblicata, per la prima volta, una raccolta di poesie in versi sciolti di Alessandra Ridolfi; sono 61 componimenti, tra le sue poesie più belle, che disegnano un mondo fantastico, quello notturno di Alessandra che scrive poesie con la sua "penna di luna". Libro.…