berlin distanz (590 risultati)

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: No Dust Jacket. A nice, bright copy. ; German Edition; Color Photographs; 12.0 X 9.0 X 1.2 inches; 336 pages.

4°, gebundene Ausgabe. Condizione: Wie neu. 256 Seiten : Fotografien ; 26 cm x 21 cm Wie Neu! In ungeöffneter Originalverpackung, kann minimale Lagerspuren enthalten. Preis inkl. Mwst. B15-01-06F|V15 Sprache: Englisch Gewicht in Gramm: 1230.

Condizione: Sehr gut. 176 SS. mit vielen Abbildungen. Sehr gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 900 4°, Illustriertes Original-Leinen.

Hardcover. Condizione: Wie neu. 1. Auflage. 239 pages with many coloured illustrations on plates; clothbound.

Softcover. Condizione: Very Good. Condizione sovraccoperta: Good Plus. First Edition. [ART]. Ed. Justus F. Kewenig. Contributors: Ghada Amer, Justine Ludwig, Sebastian Preuss, Britta Schmitz, et al. Translated by George Frederick Takis. "Ghada Amer: Ceramics." Berlin: Distanz Verlag. Printed in Germany, 2018. First edition. English language. Softcover with red pictorial wrappers with French flaps inside a semi-translucent red acetate dust jacket. Nonfiction art critical texts with full-color images of Amer's painted ceramics. 10 3/4 x 8 1/4 inches. 50 oz. 300 pp. Scratching on jacket. First page rubbed in spot. Wear. Small tideline on edge. Text clean. Very Good in Good Plus jacket. ISBN: 9783954762606. "Ghada Amer (b.Cairo, 1963) rose to renown in the mid-1990s with depictions of erotic motifs she stitched onto her paintings. These works compellingly interwove an ironic take on traditional role models with a confident reimagination of the painterly medium by combining it with embroidery. In 2014, the artist turned to working with clay, initially using it to produce models for her steel sculptures, then developing increasingly impromptu shapes. After making abstract colorful clay sculptures that stand out for their coarse-grained contours, she was awarded a two-year residency at the Greenwich House Pottery in New York, where she created works that are without parallel in the worlds of fine art or ceramics. Amer starts out with large-format thin slabs of clay that are extraordinarily difficult to handle, painting women's portraits on both sides and then bending the slabs and standing them on edge.".

Hardcover. Condizione: Wie neu. Condizione sovraccoperta: Wie neu. 1. Auflage. 112 pages with many coloured illustrations; with illustrated jacket.

Paperback. Condizione: new. Paperback. Who owns the city?In Tulips, artist duo Hannah Quinlan & Rosie Hastings, alongside scholar Christina B. Hanhardt map a terrain where they explore gestures of authority and obedience in the public space within the urban context of gentrification and policing against marginalized queer communities.The work of Hannah Quinlan & Rosie Hastings (b. 1991 in Newcastle and 1991 in London, live and working in London) deals with the socio-cultural and political structures that reinforce conservatism and discriminatory practices within and around the LGBTQIA+ community. In their works the artist duo explores how the queer communitys safe spaces have been displaced by political strategies and how a history of femininity and the colonized body in the transition to capitalism is shaped by rationalization of social reproduction and ownership of the self.Christina B. Hanhardt (lives and works in New York) is Associate Professor in the Department of American Studies. Her research focuses on the historical and contemporary study of U.S. social movements and cities since the mid-20th century, with an emphasis on the politics of stigma, punishment, and uneven development.KONTEXT, a series by DISTANZ, brings together artists and writers for an exchange between the worlds of writing and contemporary art. With commissioned text, reissued essays, or experimental writing, the publication series seeks to look at and comment on current debates through writing and contemporary art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. In Tumbling Ruins, the artist Henrike Naumann, the art historian Angela Schoenberger, and the architect and design theorist Andreas Brandolini develop a project that draws discursive connections between Naumanns work Ruinenwert (2019), Schoenbergers research on Albert Speer, and Brandolinis postmodernist design theory.In the early 1990s, the artist Henrike Naumann (b. Zwickau, 1984, lives and works in Berlin) watched the far-right ideology as the predominant youth culture in her hometown. Her work reflects on the history of right-wing terrorism in Germany and the widespread acceptance of racist ideas in large segments of the population today. She scrutinizes the mechanisms of radicalization and how they tie in with personal experiences and youth culture. Studying the friction between antagonistic political convictions sparked by the ambivalence of personal aesthetic tastes, Naumann builds immersive installations that combine video and sound with scenographic settings.Angela Schoenberger (b. Kaufbeuren, 1945) wrote her dissertation in the 1970s on the new Reich Chancellery building as a central scene of the Nazis crimes and on Albert Speers theory of ruin value, interviewing the architect for her research. After the fall of the Wall, the former managing director of the Internationales Design Zentrum Berlin turned her attention to the structural transformation of the former East Germany and the emergence of new products and designs. Schoenberger was director of the Berlin State Museums Kunstgewerbemuseum, or Museum of Decorative Arts, until 2010.Andreas Brandolini (b. Taucha, 1951; lives and works in Saarbruecken and Petit-Rederching, France) was a cofounder of the avant-gardist New German Design of the 1980s. In 1987, his seminal German Living Room was featured at documenta 8; Jasper Morrison and Axel Kufus were his partners in the studio Utilism International. As a writer and lecturer, Brandolini calls for furniture that elicits or allows for stories and adamantly rejects the dictates of functionalism. In Tumbling Ruins, the artist Henrike Naumann and the art historian Angela Schoenberger develop a collaborative project that draws discursive connections between Naumanns work Ruinenwert (2019) and Schoenbergers research. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Softcover. grey & black pictorial wrappers w/ white & black printing; illustrated french flaps. 87 pgs w/ color illustrations. Text In English. The book presents recent paintings and drawings on steel, copper, acrylic glass, canvas, and paper. Linear or circular marks alternately block the reflection or move the light in an almost kinetic way as the spectator approaches the works or steps away from them. Similarly to the drawings from Tottie's series "Written Language (line drawings)," which were recently shown at the MoMA, New York, these new works often follow a strict making process of repetitive mark making. Instead of being identical copies, however, they prove to be individual and clearly differentiated. In a wideranging conversation with Hal Foster, the artistdiscusses mark making, performative viewing, and other fundamental questions of abstraction. With an essay by Göran Christenson.--Amazon. As New. edge-wear to to lower spine/back cover & spine top. pgs clean & bright. tight binding.

Hardcover. Condizione: VG. Navy blue cloth with brighter blue letters on both covers, 152 pp., color & BW illus. Text is in German and English. Considers artwork and installations created by Czech-born and Berlin-based photographer and artist Katharina Sieverding (b. 1944). With an essay by Diedrich Diederichsen. Includes an artist chronology and many views of her unique work, most often featuring outlines of her own portrait.

[520] pp.; 26.5 x 19.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Art Stations Foundation, Poznan, November 27, 2014 - February 28, 2015. An abridged version of the exhibition traveled to The Drawing Room, London May 21 - July 11, 2015). Edited by Ulrich Loock. Includes an interview between Luc Tuymans and Anda Rottenberg, and conversations between Ulrich Loock and Joanna Kordjak, Dominic van den Boogerd, and Luc Tuymans. Text in English and Polish. Fine. In publisher's shrink wrap. Due to large size and weight of this publication additional shipping charges will be required for international orders.

Halbleinen. Condizione: Gut. 28 x 21,5 cm 128 S. : überw. Ill. Halbleinen (Grüner Leinen). Zustand: Sehr Gut (Innen); Einband Außen hat keine Gebrauchsspuren; Schutzumschlag fehlt, oder es gibt keinen; Deckel min. wackelig; Text dt. und engl.; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.

4°, Festeinband. Condizione: Wie neu. 144 Seiten : Fotografien ; 27 cm x 20 cm B06-04-06E Sprache: Englisch Gewicht in Gramm: 814.

4°, Festeinband. Condizione: Sehr gut. 253 Seiten : Illustrationen ; 26 cm Unbenutzt und ungelesen, mit geringen Lagerspuren, daher mit Mängelexemplar-Kennzeichnung. Sollte Ihr Buch tatsächlich erheblichere Mängel aufweisen, was nur äußerst selten wirklich der Fall ist, erstatten wir den Kaufpreis oder leisten Ersatz. B04-04-06C Sprache: Englisch Gewicht in Gramm: 1230.

8° Broschur. Condizione: Wie neu. 220 Seiten : Fotografien ; 25 cm x 19 cm B08-01-04D Sprache: Englisch Gewicht in Gramm: 693.

Couverture rigide. Condizione: Comme neuf. HENTSCHLÄGER, Kurt (illustratore). 1ère Édition. Ouvrage parfaitement neuf, encore sous son emballage cellophane. 88 pages sur papier glacé, nombreuses photographies toutes en couleurs, certaines sur pages dépliantes. ouvrage publié pour accompagner la présentation de "ORT", Le Volcan, Le Havre, France, du 6 au 8 octobre 2017. Textes de Daniel Rourke, en français et en anglais. Livre.

4°, Broschur. Condizione: Wie neu. 128 Seiten : 43 Fotografien, 60 Fotografien ; B05-02-02D Sprache: Englisch Gewicht in Gramm: 694.

21 x 15 cm ; kart. ; Condizione: Gut. 255 S. ; Paperbackausgabe, 255 Seiten mit zahlreichen Fotos. Gutes Exemplar. hw1656 ISBN: 9783942405089.

Sehr guter Zustand Hardcover / Original Pappband. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

4to, 96pp, black and white illustrations. A very good hardback copy.

Small 4to, 112pp, colour and black and white illustrations. A near fine hardback copy. Text in German and English.

Paperback. Condizione: new. Paperback. On occasion of the 375th anniversary of the Peace of Westphalia, the internationally renowned artist Ibrahim Mahama (b. Tamale, Ghana, 1987; lives and works in Accra, Kumasi, and Tamale, Ghana) delves into the history of the city of Osnabrueck as a center of the production of and trade in textiles, especially linen. Linen was not only sold as a raw material, but also used to manufacture apparel for forced laborers on plantations in the West Indies. And it served as a medium of exchange for prisoners from the coastal regions of the African continent. Mahamas research and exhibition project analyzes these intricate cycles of transfer connecting Central Europe and Western Africa that were installed in the shadow of colonialism. The Ghanaian artist wrapped the former Galeria Kaufhof department store building in downtown Osnabrueck in handwoven cotton fabrics and recycled jute bags: zooming out from local history and the experiences of war and the postwar period, Mahamas intervention embeds them in the context of global trade relations and power structures.The publication documents the installation TRANSFER(S), which was on public view in Osnabrueck, as well as the projects second part, a symposium held in Tamale, Ghana. With writings by Akosua Adomako Ampofo, Bernard Akoi-Jackson, Isaac Gyasi, Thorsten Heese, Priscilla Kennedy, Bettina Klein, Koliko, Kwasi Ohene-Ayeh, Zohra Opoku and The Revival, Gabriel Schimmeroth, karikachae seidou, Klaus Weber, and the artist. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Sprache: Deutsch Mit zahlreichen Abbildungen. 272 Seiten. Pappband mit OU. Guter Zustand!

Condizione: Gut. Deutsch/englische Ausgabe. 63 S., überwiegend illustriert. Bastian Börsig. Herausgeber/Editors: Cai Wagner und Susanne Massmann für Galerie Wagner Massmann.Texte/Texts: Isabella Gerstner, Marc Wellmann; Übersetzungen/Translations: Gerrit Jackson. Anlässlich der Ausstellung/On the occasion of the exhibition in der/at the Staatlichen Akademie der Bildenden Künste, Karlsruhe, 20. - 29. April 2016. Guter Gesamtzustand. Sprache: Deutsch Gewicht in Gramm: 544 Lex. 8° (=25-30cm), Leinen. Original-Umschlag teils mit leichten Gebrauchsspuren.

Condizione: Gut. Formateinband: Großformat, Pappband / gebundene Ausgabe 123 S. (27 cm) 1. Aufl.; (Mit zahlreichen Abbildungen); Äußerlich mit leichten Gebrauchsspuren und kleinem Fleck am Vorderdeckel; sonst in gutem Zustand. Sprache: Deutsch Gewicht in Gramm: 800 [Stichwörter: Tanzprojekt].

Hardcover. Condizione: New. Qto., 120 pages, illustrated. A New copy in the shrink wrap as issued. Book.

Hardcover. Pink cloth, gilt letters on spine & front cover, color illus. laid on front cover, 223 pp., BW & color illus., + DVD. Text is in German and English. Considers well the life and work of German abstract artist Katharina Von Werz (b. 1940). Approaches her paintings by theme: family, Munich's bohemians, places and travel, friends and supporters, impulses and inspirations, beautiful women, dance, still lifes, Adam and Eve, self-portraits, breakfast outdoors, cities, Venus and Adonis, and foams. Includes a biography and bibliography. VG (Slight scuffs to cover, an edge or corner may be slightly bumped, otherwise clean.).

Paperback. Condizione: new. Paperback. A World After the AnthropoceneWhat comes after the Anthropocene? Can we depart from our human-centered perspective to build a future for the benefit of all species? What tools and techniques might help us get there? These are the questions investigated by the long-term interdisciplinary project Interspecies Future, which brings together perspectives from art, science, and technology to explore what this future might look like. First initiated in 2022 by LAS Art Foundation, this project explores new pathways for planetary thinking and collective intelligence. With more than 60 contributions, this interactive reader is the first book to provide an extensive foundation of key concepts, debates, and case studies that propose ways to re-frame, repair, and re-imagine interspecies relations. Interspecies Future: A Primer draws on recent advancements in planetary computation and machine learning, new discoveries in non-human intelligence, as well as post-human theory and Indigenous knowledge.The publication offers both critical/concrete and abstract/imaginative propositions, including contributions by artists Jakob Kudsk Steensen, Anicka Yi, Jenna Sutela, Alexandra Daisy Ginsberg, James Bridle, and Tomas Saraceno alongside texts from leading scientists like Karen Bakker, Daniel Chamovitz, Mirjam Knoerschild, Dorion Sagan, and Kristin Andrews, as well as notable philosophers like Sue Donaldson, Tyson Yunkaporta, Vinciane Despret, Benjamin Bratton, among others. The texts are brought to life through interactive augmented reality animations designed by Wang and Soederstroem, as well as video, audio, and 3D content from artists and scientists. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Softcover. glued, ivory wraps w/ black printing & back cover photo. french flaps. 79 pgs w/ color illustrations. In English & German. A wonderful exhibition catalogue of the abstract sculptural duo. Exhibition held at the Galerie Isabella Czarnowska, Berlin, 20. September - 30. November 2013. Includes interviews of the artists. VG+.light scratches to covers. pgs clean & unmarked. tight binding.

Hardcover. Condizione: VG. Coral cloth boards with lettering in white and multiple shades of gray. 224 pp. Mainly color illustrations. "It's Worth Having a Closer Look Time and again, lay people interested in art and professionals alike stand dumbfounded before abstract paintings. Following the invention of photography in the late 19th century, painting gradually liberated itself from a representational depiction of its surroundings and developed its own world of pure form and color. Non-objective works often have something hermetic and mysterious about them; they resist easy interpretation. This book attempts to open up the impenetrable veneer of abstract painting and bring it closer to the viewer." -Amazon.