deitch projects new york (53 risultati)

Hardcover. Condizione: Very Good. Condizione sovraccoperta: No Dust Jacket.

Paperback. Condizione: Fine. Softcover in glossy pictorial wraps. First printing of first edition. Book is As New, crisp and clean. Published to accompany a 2997 exhibition at Deitch Projects in New York of work by various Japanese artists, curated by Tokyo gallerist Hiromi Yoshii. Essay by Kentaro Ichihara. 4to. Unpaginated.

Hardcover. Condizione: As New. 1st Edition. As new copy. BP/Art History.

Wrappers. Condizione: Fine Condition. Unpaginated (60 pp.), 51 illustrations 43 in color.

Cloth. Condizione: New. First Edition. Slim volume, 45 pages with 14 illustrations in full color. Illustrated boards. Published on the occasion of the exhibition from Deitch Projects, New York NY November 9-December 23, 2006. Select Biography. Book.

paperback. Condizione: Good. Paperback exhibition catalog! Book shows some shelf & handling wear. Pages are minimally worn from reading, but remain intact with unmarked interiors. Good reading copy!

1st edition. Fine copy in the original colour printed boards. Particularly and uncommonly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Physical description; 254 pages: illustrations (chiefly color); 30 cm. Notes; Published on the occasion of the exhibition held at Deitch Projects, New York, 3 May - 2 June 2007. Includes bibliographical references. Text in English and Italian. Summary; The Italian-born painter Francesco Clemente came to prominence in the mid-1970s when intensely subjective yet universal themes filtered into his skewed self-portraiture, witty wordplay and gestural figuration. This volume compiles a decade's worth of works on paper from those early days, many of which were inspired by Italy's political crisis at the time or fellow artists Alighiero Boetti and Luigi Ontani. The Italian artists of the 1970s were working in the context of the "terrorist generation." There was a crisis of capitalism and of Western societal values--both of which informed such major ideas in Clemente's early work as "fragmentation of self" and the "refutation of reason." Suddenly the body became a territory for artistic exploration; it became a border and led to the idea of travel. Here Clemente learned to trust geography over history, and his highly personal symbolism of the time bears proof of an itinerant life spent between homes in Madras (current-day Chennai, India), New York and Rome, with many trips to Dehli, Srinagar and various areas of Afghanistan mixed in.Published on the occasion of Clemente's recent exhibition at New York's Deitch Projects, this deluxe volume highlights the artist's concerns with process and concept--not technical perfection--and his obsession with paper's ephemeral vulnerability. Hints of Clemente's later forays into Surrealism and deep human psychology are also evident, and provide an essential view of the beginning of a masterful career. Subjects; Clemente, Francesco 1952- - Catalogs. Clemente, Francesco 1952- - Criticism and interpretation. Artists - [Late 20th Century - Italy]. Deitch Projects (New York). History of art & design styles: from c 1900 -. Painting & paintings. ART / Individual Artists / General. 3 Kg.

Softcover. Condizione: VG+ (As new). Red-and-black wraps; Unpaginated, approx. 100 pp.; Profusely illustrated with color and bw plates. Accompanied the exhibition held December 10 - 23, 2008; Includes an interview with the artist.

Softcover. Condizione: VG, clean and tight. 1960's-style color-pictorial wraps; 143 pp. with color images throughout; poster included.

1st edition. Fine copy in the original colour printed boards. Particularly and uncommonly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Physical description; 254 pages: illustrations (chiefly color); 30 cm. Notes; Published on the occasion of the exhibition held at Deitch Projects, New York, 3 May - 2 June 2007. Includes bibliographical references. Text in English and Italian. Summary; The Italian-born painter Francesco Clemente came to prominence in the mid-1970s when intensely subjective yet universal themes filtered into his skewed self-portraiture, witty wordplay and gestural figuration. This volume compiles a decade's worth of works on paper from those early days, many of which were inspired by Italy's political crisis at the time or fellow artists Alighiero Boetti and Luigi Ontani. The Italian artists of the 1970s were working in the context of the "terrorist generation." There was a crisis of capitalism and of Western societal values--both of which informed such major ideas in Clemente's early work as "fragmentation of self" and the "refutation of reason." Suddenly the body became a territory for artistic exploration; it became a border and led to the idea of travel. Here Clemente learned to trust geography over history, and his highly personal symbolism of the time bears proof of an itinerant life spent between homes in Madras (current-day Chennai, India), New York and Rome, with many trips to Dehli, Srinagar and various areas of Afghanistan mixed in.Published on the occasion of Clemente's recent exhibition at New York's Deitch Projects, this deluxe volume highlights the artist's concerns with process and concept--not technical perfection--and his obsession with paper's ephemeral vulnerability. Hints of Clemente's later forays into Surrealism and deep human psychology are also evident, and provide an essential view of the beginning of a masterful career. Subjects; Clemente, Francesco 1952- - Catalogs. Clemente, Francesco 1952- - Criticism and interpretation. Artists - [Late 20th Century - Italy]. Deitch Projects (New York). History of art & design styles: from c 1900 -. Painting & paintings. ART / Individual Artists / General. 1.2 Kg.

Condizione: Gut. Unpaginated [20 p.], numerous ill. A very good and clean copy. - From the text by Sherilyn Shepperd: The Playful Past: Between Nursery Rhymes and Other Social Myths. The simplest memory game is the nursery rhyme. In the rhymes' structured form, the lines of prose offer an insight of the basic truths of human nature and humanity. The rhymes themselves are seemingly apparent but at its core they operate in a complex interspace of coded language. The child-like particularities of the formal aspects do not undermine the wisdom of its ageless teachings. As a past time for adolescence, amusement and play, the simplest verse provides a passage into the worlds of folk and myth. It is within this uncharted space where Japanese artist Koji Shimizu chose to locate his collaged sculptural installations. Exploring the locations of cultural identity and alienation, Shimizu presents a playful representation of these multiple histones. These mischievously entertaining drawings and sculptural objects present a faceted view of the worlds that it attempts to negotiate, closely operating like a nursery rhyme. Shimizu, unlike many members of his urban-bound generation, grew up outside the metropolis of Tokyo, Japan. Raised in a multi-generational household of farmers, Shimizu's grandparents played a pivotal role in forming the artist's perseption of events in the Second World War. Shimizu utilizes these detailed accounts and intertwines his own subjective history into the social and collective fabric. ISBN 0972799206 Sprache: Englisch Gewicht in Gramm: 550 Original brochure, stapled, 14*19 cm.

Hardcover. Condizione: Fine. 1st Edition. Hardcover, 31 pgs. 12.5 x 9.5 in. Essay, color illus. Catalogue for exhibition held November 5-December 17, 2005. Fine.

Softcover exhibition catalog with dustjacket, 62 pages, very good condition, no internal marks, clean and crisp, with color and b/w reproductions.

Softcover. Condizione: VG+ (As new). Color illus. wraps; Unpaginated, approx. 50 pp.; Profusely illustrated with color and duotone plates and illus. Accompanied the exhibition held July 6 - August 12, 2006; Includes works by Yoshitaka Azuma, Enlightenment, Taro Izumi, Koichi Enomoto, Soshiro Matsubara, Aya Ohki, and Towa Tei; Essay by Kentaro Ichihara; Curated by Hiromi Yoshii.

Soft cover. Condizione: Very Good. Publication accompanying exhibition of the artist known for her time-based public art. Includes exhibition installations and international collaborations carried out between 2005 and 2007. Very slight bend to book. Otherwise a fine, unmarked copy with no noticeable signs of use. 64 pages. s182.

Soft cover. Condizione: Fine. 3 booklets into one. Signed by Chris to Evan. Shipped from the Calico Cat Bookshop, a brick and mortar bookshop established in 1975. Size: Folio. Signed by Author(s). Book.

Softcover. 132, XXXVII S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, kaum Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, few traces of use. 9780977868636 Sprache: Englisch Gewicht in Gramm: 1000.

Hardcover. Oblong Quarto. Hardcover. color illustrated boards. Orange endpapers. 29 pp. 13 color plates. Catalogue of an exhibition held November 5-December 17, 2005. Many bright and colorful illustrations. Essay by Jeffrey Deitch. VG-. Light wear to covers, especially to paper on spine. Contents clean and tight.

Softcover. Glossy softcover book with a white and beige spine. Unpaginated. Illustrated with both color and black-and-white images. VG: Exlibrary book. Sticker at the base of the spine. Sticker, stamp, and due date card on back inside cover.

First Edition. An exceptional copy; fine in the publisher's color-printed boards. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new.; 8vo 8" - 9" tall; 254 pages; Physical description; 254 pages : illustrations (chiefly color) ; 30 cm. Published on the occasion of the exhibition held at Deitch Projects, New York, 3 May - 2 June 2007. Includes bibliographical references. Text in English and Italian. Summary; The Italian-born painter Francesco Clemente came to prominence in the mid-1970s when intensely subjective yet universal themes filtered into his skewed self-portraiture, witty wordplay and gestural figuration. This volume compiles a decade's worth of works on paper from those early days, many of which were inspired by Italy's political crisis at the time or fellow artists Alighiero Boetti and Luigi Ontani. The Italian artists of the 1970s were working in the context of the "terrorist generation." There was a crisis of capitalism and of Western societal values--both of which informed such major ideas in Clemente's early work as "fragmentation of self" and the "refutation of reason." Suddenly the body became a territory for artistic exploration; it became a border and led to the idea of travel. Here Clemente learned to trust geography over history, and his highly personal symbolism of the time bears proof of an itinerant life spent between homes in Madras (current-day Chennai, India), New York and Rome, with many trips to Dehli, Srinagar and various areas of Afghanistan mixed in.Published on the occasion of Clemente's recent exhibition at New York's Deitch Projects, this deluxe volume highlights the artist's concerns with process and concept--not technical perfection--and his obsession with paper's ephemeral vulnerability. Hints of Clemente's later forays into Surrealism and deep human psychology are also evident, and provide an essential view of the beginning of a masterful career. Subjects; Clemente, Francesco 1952- Criticism and interpretation - Catalogs. Artists - [Late 20th Century - Italy]. Francesco Clemente [1952- ]Deitch Projects (New York). History of art & design styles: from c 1900 -. 4 Kg.

First edition, first printing. Near fine paperback original.

Soft cover. Condizione: Very Good. A very good poster folded. Measure 26 inches across by 11 inches. Small tear top left of poster. Barely visible. See photos.

Trade Paperback. Condizione: Used - Very Good. Light wear near bottom of spine; otherwise, very nice, clean, tight copy free of any marks. Exhibition price list included. Scarce.

Condizione: Sehr gut. No page numbers, brochure, with colour ill., the book is published in conjunction with the exhibition Table Turner at Deitch Projects, November 12 - December 18, 2004. Sprache(n)/language(s): enEinband mit sehr leichten Gebrauchsspuren, sonst tadellos.

Softcover. Condizione: Very Good. First Edition. Small square paperback. First printing. Title in small black lettering on white background. One-page poem by Yoko followed by pages of her photos, one per page, which were shown at the Deitch Projects in 2004. Front is faintly soiled and two corners have creases. Rear cover has a small patch of sticker lift and an oblong shape where the sticker was. 32mo. Unpaginated.

First Edition. An exceptional copy; fine in the publisher's color-printed boards. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new.; 8vo 8" - 9" tall; 254 pages; Physical description; 254 pages : illustrations (chiefly color) ; 30 cm. Published on the occasion of the exhibition held at Deitch Projects, New York, 3 May - 2 June 2007. Includes bibliographical references. Text in English and Italian. Summary; The Italian-born painter Francesco Clemente came to prominence in the mid-1970s when intensely subjective yet universal themes filtered into his skewed self-portraiture, witty wordplay and gestural figuration. This volume compiles a decade's worth of works on paper from those early days, many of which were inspired by Italy's political crisis at the time or fellow artists Alighiero Boetti and Luigi Ontani. The Italian artists of the 1970s were working in the context of the "terrorist generation." There was a crisis of capitalism and of Western societal values--both of which informed such major ideas in Clemente's early work as "fragmentation of self" and the "refutation of reason." Suddenly the body became a territory for artistic exploration; it became a border and led to the idea of travel. Here Clemente learned to trust geography over history, and his highly personal symbolism of the time bears proof of an itinerant life spent between homes in Madras (current-day Chennai, India), New York and Rome, with many trips to Dehli, Srinagar and various areas of Afghanistan mixed in.Published on the occasion of Clemente's recent exhibition at New York's Deitch Projects, this deluxe volume highlights the artist's concerns with process and concept--not technical perfection--and his obsession with paper's ephemeral vulnerability. Hints of Clemente's later forays into Surrealism and deep human psychology are also evident, and provide an essential view of the beginning of a masterful career. Subjects; Clemente, Francesco 1952- Criticism and interpretation - Catalogs. Artists - [Late 20th Century - Italy]. Francesco Clemente [1952- ]Deitch Projects (New York). History of art & design styles: from c 1900 -. 2 Kg.

hardcover. Condizione: Ottimo (Fine). Catalogo di mostra, Deitch Projects, New York, maggio - giugno 2007.  Illustrato con 120 immagini di cui 105 a colori. Testo di Jean-Christophe Ammann. Cronologia e biografia . 4to. pp. 256. . Ottimo (Fine). . . . Book.

Hardcover. Condizione: VG-. A uniquely flawed copy of an exceptional catalogue of black and white patterns, the book having survived the 2019 fire at the Saint Mark's Place flat of the late poet and critic Peter Schjeldahl. The covers & edges are thus smoked and darkened while interior images remain unaffected. We've tested it and note that the soot can be easily erased but we've left it as is for any potential Auerbachian Scheldahlians out there to mend if they think that's heeded. Book designed by the artist and Li, Inc.

Paperback. Condizione: Near Fine. First Edition. Stiff, shiny, yellow wraps with metal spiral binding. Folio. Edition limited to 1000 copies. Book is As New, clean and crisp, with some very light indentations on wraps as if from having been the support for someone's pencil writing. Elegant catalogue designed by Sophie Toporkoff and published to accompany an exhibit of Bevilacqua's work at colette in Paris in 1989. Unpaginated. Heavy--may require additional postage if shipped other than domestic media mail.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: No dust jacket as issued. 1st Edition. First Edition limited to 1000 unnumbered copies. Published for Hirakawa exhibition at Deitch Projects (NYC, NY) and Zeno X Gallery (Antwerp, Belgium), 1988. Bright and tightly bound with fine photographic plates and contents. The covers show a hint of smudging and faint impression (1/4") on the edge, otherwise near fine. A nice copy. No dust jacket as issued.