Officina libraria it (50 risultati)

Paperback. Condizione: New. Raphael arrived in Rome in 1508 and remained there until his death in 1520, working as painter and architect for popes Julius II and Leo X and for the most prestigious patrons. Here the artist changed his painting style several times, looking at the works of Michelangelo, Sebastiano del Piombo and the vast repertoire of ancient painting and sculpture. In the Eternal City Raphael practised architecture for the first time, designing buildings that reflected the models of Antiquity such as the Pantheon, the descriptions deriving from written sources such as Vitruvius' treaty on architecture, and the examples of modern architects like Donato Bramante.This guide supplies essential and up to date information on all the civil or religious buildings designed or built by Raphael in Rome, and the frescoes and paintings, housed in churches or museums, whether executed in the city or arrived there at a later stage. …

Paperback. Condizione: New. Santa Maria Assunta in Cremona, among the great Romanesque cathedrals of the Po Valley in northern Italy, is not only one of the most renowned for its artwork, but also one in which the slow stratification of time is most evident. The names of the greatest masters, in the first person or in the medieval sense of workshop, follow one another in quick succession: Wiligelmo, Antelami, the excellent Marco Romano, the Campionesi, enrich the façade with grandiose and superb sculptures, aristocratic and earthy. In the interior, the cycle of frescoes in the main nave with the Stories from the Life of the Virgin and Christ shows, as nowhere else, the symptoms of the pressing renewal taking place in early 16th century Italian painting, from the faultless classicism of Boccaccio Boccaccino to the eccentric Altobello Melone and Gianfrancesco Bembo, the Brescian Romanino and the Friulian Pordenone, who is given the grand finale with the resounding Crucifixion on the counter façade. Alongside these two poles, the façade and the nave, there are masterpieces from all centuries: paintings, sculptures, and goldsmithing, including frescoes and canvases by the Campi, the greatest exponents of the 16th-century Cremonese school of painting.…

Hardback. Condizione: New. The Book of Tea (1906) by Okakura Kakuzo has long become a classic. Its title notwithstanding, the book is not a manual on tea. Rather it is an essay, better a hymn, to culture, aesthetics and the spirit of tea as a symbol, a paradigm, of the Asian soul. It was created by a passionate Japanese scholar whose life was devoted to renew and spread the values of the East in the same moment in which his own country seemed to deny them in order to embrace Western culture. This new edition has an important apparatus of over 200 notes to explain the contents of the book and supply all the information needed to understand it fully (concepts of Eastern philosophy, history, geography, biographical information), something that so far has never been done. It also contains an important essay by Giancarlo Calza on Okakura and his role to foster intercultural understanding and the development of spirituality through the aesthetics and practice of the tea ceremony as a style of life. Contents: The Cup of Humanity; The Schools of Tea; Taoism and Zennism; The Tea-room; Art Appreciation; Flowers; Tea-masters; Okakura: A Life in Style by Giancarlo Calza.…

Paperback. Condizione: New. The Medici family ruled unofficially and later as dukes the city of Florence and Tuscany, from the end of 14th to the end of the 18th century. Under their patronage the Renaissance was born.The members of this powerful family were able to build their public image in a sophisticated cultural environment where famous artists such as Raphael, Pontormo, Bronzino, Vasari, as well as poets, men of letters, scientists, humanists, were active. Portraits played an important role in this public relations strategy. The portrait types were quite different: from State portraits to family portraits, from those depicting the young heirs of the family name to those of the women that either ruled or played important roles in the dynastic allegiances.In this guide the marvellous works, held in Florence's Uffizi Gallery and Palazzo Pitti, are presented in chronological order making possible to trace the main stages in the history and genealogy of the Medici family.…

Paperback. Condizione: New. Published in conjunction with the exhibition Roma pittrice. Artiste al lavoro tra XVI e XIX secolo (Rome paints. Women Artists at Work Between the 16th and 19th Centuries), at the Museo di Roma in Palazzo Braschi, this guide highlights to an even wider audience the presence of several women artists who where either born in Rome or made the eternal city their place of study and work. Starting from the artists represented in the Capitoline collections, such as Maria Felice Tibaldi (Subleyras), Angelika Kauffmann, Laura Piranesi, Luise Seidler and Emma Gaggiotti (Richards), the book includes other important artists who worked in the city, such as Lavinia Fontana, Artemisia Gentileschi, Giovanna Garzoni and many others, sometimes less known, whose oeuvre has been discovered in recent decades. The initial essay presents the gradual integration of women painters into the cosmopolitan Roman art market, with their laborious achievement of full access to education and to the most prestigious art institutions of the city and then explores the numerous pictorial genres to which they devoted themselves. The second part of the guidebook includes 56 biographies of these artists, revealing a rich and varied production until recently overlooked.…

Hardback. Condizione: New. From medieval manuscript to Japanese prints, from Steinlen's splendid drawings to 17th century prints, the author introduces the reader to the hundreds of books and manuscripts (belonging to the Bibliothèque Nationale de France in Paris) in which the lovely feline is represented. The cat has been the main character of many tales, but also the inhabitant of the most diverse books: from natural histories to household manuals, from medieval prayer books to famous writers' manuscripts. A wonderful selection for all who love cats and books! Contents: Preface by Pierre Rosenberg Chapter I, A History of the Cat Chapter II, Tales of Cats Chapter III, What a Lovely Cat! Chapter IV, Cats and the Feminine Chapter V, The Cat as a Muse.…

Hardback. Condizione: New. The Book of Tea (1906) by Okakura Kakuzo has long become a classic. Its title notwithstanding, the book is not a manual on tea. Rather it is an essay, better a hymn, to culture, aesthetics and the spirit of tea as a symbol, a paradigm, of the Asian soul. It was created by a passionate Japanese scholar whose life was devoted to renew and spread the values of the East in the same moment in which his own country seemed to deny them in order to embrace Western culture. This new edition has an important apparatus of over 200 notes to explain the contents of the book and supply all the information needed to understand it fully (concepts of Eastern philosophy, history, geography, biographical information), something that so far has never been done. It also contains an important essay by Giancarlo Calza on Okakura and his role to foster intercultural understanding and the development of spirituality through the aesthetics and practice of the tea ceremony as a style of life. Contents: The Cup of Humanity; The Schools of Tea; Taoism and Zennism; The Tea-room; Art Appreciation; Flowers; Tea-masters; Okakura: A Life in Style by Giancarlo Calza.…

Paperback. Condizione: New. Palazzo Vecchio, which towers over piazza della Signoria, at the centre of Florence, is an iconic building and from the Middle Ages to the Medici family to present day it has been the seat of civic power.Among its most admired features are the marvellous grotesque decorations which animate the walls and vaults of the courtyard and several rooms. Grotesques are a type of wall decoration, in stucco or fresco, often with the addition of gold, that developed in the Renaissance when the vaults of the Domus Aurea in Rome, which were underground (considered grottos hence the name), were rediscovered by artists who drew inspiration from those designs.Palazzo Vecchio's grotesques are lively, extravagant ornaments, generated by the creativity of artists - among whom Ridolfo del Ghirlandaio (1483-1561) and Marco Marchetti da Faenza (ca. 1526-1588) stand out - and they include, birds, flowers, vegetation and many strange creatures that have a mixture of human and animal traits.…

Hardback. Condizione: New. More than other painters, the Impressionists wanted to shake off the dust of the studio, and swarmed the noisy streets of Paris, filling the cafés and living in garrets and humble little dwellings on the hill of Montmartre, which still seemed like the countryside at the time, its slopes covered with vineyards and vegetable gardens. Nor did they limit themselves to the city, planting their easels in the clearings of the forest of Fontainebleau, on the coast of Normandy, in the rustic villages in the Oise Valley and in Bougival and Argenteuil on the banks of the Seine. Like their Naturalist friends Zola and Maupassant, they liked to mix with the locals so they could experience the places directly, painting everywhere, even on a boat, like the one where Monet had his floating studio.…

Hardback. Condizione: New. From medieval manuscript to Japanese prints, from Steinlen's splendid drawings to 17th century prints, the author introduces the reader to the hundreds of books and manuscripts (belonging to the Bibliothèque Nationale de France in Paris) in which the lovely feline is represented. The cat has been the main character of many tales, but also the inhabitant of the most diverse books: from natural histories to household manuals, from medieval prayer books to famous writers' manuscripts. A wonderful selection for all who love cats and books! Contents: Preface by Pierre Rosenberg Chapter I, A History of the Cat Chapter II, Tales of Cats Chapter III, What a Lovely Cat! Chapter IV, Cats and the Feminine Chapter V, The Cat as a Muse.…

Paperback. Condizione: New. Paper scraps, metal filings, wool shearings. dismantled sets, spoiled rags, animal blood.How did these ostensibly worthless by-products of art and industry avoid the flames of the kitchen hearth or the sweep of the apprentice's broom to spark ingenuity, generate new forms, and propel further acts of creation? Wastework moves beyond the well-researched category of spoliation, foregrounding waste as a material expression of the practices of ordering and classification by which people adjudicated between collection and disposal, wanted and unwanted, salvation and loss. Authors follow the afterlives of spent books and soiled textiles, peek behind the curtain of machine theatre, and venture into the smith's foundry and the chemist's laboratory. Bringing together research from historians of art, architecture, science, and the environment, this volume examines acts of disposal and reuse and the consequences these carry for the study of early modern material culture. Drawing from the fields of discard studies and Eco materialism, contributors test the usefulness of contemporary formulations-secondary product cycles, material fatigue, metabolic flows, sustainability, recycling-while also proposing new categories with which to re-imagine the discarded past.…

Paperback. Condizione: New. This volume is the catalogue of the exhibition Depero. Fantastical Ride, held in the historic rooms of the Museum of Palazzo Medici Riccardi.Curated by Sergio Risaliti with Eva Francioli, the catalogue presents the work of Fortunato Depero, a multifaceted artist who was able to combine the popular element with a fervid figurative imagination. Starting with Neighing at Speed, a typically Futurist painting by Depero, the catalogue focuses on some of the most fascinating themes of Depero's production - from the myth of progress and speed, to the small theatres populated by ultra-modern puppets, to the rich production of tapestries, clothing - narrated through works from private collections and from the MART in Trento and Rovereto. It also includes a number of works that Depero made during a stay in New York in 1930.Text in English and Italian.…

Paperback. Condizione: New. This volume collects the papers presented at the international study conference Sculpting in the Renaissance: an art to (com)move / Sculpter à la Renaissance. Un art pour (é)mouvoir organised by the Musée du Louvre in Paris and the Castello Sforzesco in Milan to accompany the exhibition Le corps et l'âme. De Donatello à Michel-Ange. Scultures italiennes de la Renaissance (Officina Libraria, 2020), held between 2020 and 2021. With the involvement of some of the most important specialists in Renaissance sculpture, the aim was to investigate the interactions, influences and exchanges between the plastic arts and other Renaissance art forms capable of revealing feelings through expressions of the body, through the works of Agostino di Duccio, Donatello, Michelangelo and other local sculptors. The aim is also to place within their social, devotional and intellectual context the different manifestations of feeling of which sculpture is one of the privileged media. Sacred art themes in particular were addressed, in an attempt to explain their formal evolution in relation to the socio-cultural transformations of the time, but also to local traditions and their dramatisation.Text in English, French and Italian.…

Paperback. Condizione: New. Luca Giordano (Naples, 1634-1705) was one of Italy's most celebrated Baroque painters when he travelled to Florence, where his art was already appreciated and collected. He received many commissions, but certainly the most prestigious was that for the decoration of the vault of the new wing of Palazzo Medici Riccardi, the ancient house of Lorenzo the Magnificent which was then owned by the Marquis Francesco Riccardi. The Riccardi family was strictly connected to the Medicis and the decorative program of the great hall, known as Gallery of Mirrors, was centred upon the Apotheosis of the Medicis and several mythological scenes which illustrate the progress of humanity. The exhibition and its catalogue document this masterpiece through the ten painted sketches by Giordano (exhibited under the very frescoes) and circa 30 other paintings from his Florentine period (1682-1685) by the aptly named Luca "fa presto" (fare presto = to be fast).…

Hardback. Condizione: New. More than other painters, the Impressionists wanted to shake off the dust of the studio, and swarmed the noisy streets of Paris, filling the cafés and living in garrets and humble little dwellings on the hill of Montmartre, which still seemed like the countryside at the time, its slopes covered with vineyards and vegetable gardens. Nor did they limit themselves to the city, planting their easels in the clearings of the forest of Fontainebleau, on the coast of Normandy, in the rustic villages in the Oise Valley and in Bougival and Argenteuil on the banks of the Seine. Like their Naturalist friends Zola and Maupassant, they liked to mix with the locals so they could experience the places directly, painting everywhere, even on a boat, like the one where Monet had his floating studio.…

Paperback. Condizione: New. This book addresses a phenomenon that pervades the field of art history: the fact that English has become a widely adopted language. Art history employs language in a very particular way, one of its most basic aims being the verbal reconstruction of the visual past. The book seeks to shed light on the particular issues that English's rise to prominence poses for art history by investigating the history of the discipline itself: specifically, the extent to which the European tradition of art historical writing has always been shaped by the presence of dominant languages on the continent. What artistic, intellectual, and historical dynamics drove the pattern of linguistic ascendance and diffusion in the art historical writing of past centuries? How have the immediate, practical ends of writing in a common language had unintended, long-term consequences for the discipline? Were art historical concepts transformed or left behind with the onset of a new lingua franca, or did they often remain intact beneath a shifting veneer of new words?Includes 10 essays in English, four in Italian, and one in German. Text in English, German and Italian.…

Hardback. Condizione: New. After the season of the great Renaissance painters, the prestige of the figurative arts grew as never before in history. During the 16th century, the artist went from being a common craftsman to holding a status equal to that of the greatest intellectuals of his time. The relationship between poetry and painting was consolidated in the 17th century, and became close, even competitive, when artists and men of letters confronted each other with the same themes. In this framework, the great poetry of Giovan Battista Marino (Naples, 1569-1625) plays a fundamental role. His compositions are rich in visual suggestions, derived as much from direct contact with the art collections he visited during his itinerant life as from the memory of the images of the great artists of the past. The Galeria (1620), one of his most famous books, projects onto the walls of an imaginary gallery the names of the artists and works of art that marked the poet's courtly experience.…

Paperback. Condizione: New. Bilingual - Illustrated. Stucco decorations have traditionally been studied considering their formal and artistic qualities. Although much research and numerous publications have explored the works of stucco artists and their cultural context, little attention has been paid to their professional role in relation to the other actors involved in the decorative process (architects, painters, sculptors, patrons), the technical skills of these artists, and how their know-how contributed to the great professional success they enjoyed. From the 16th to the 18th century, many of the stucco decorations in churches and palaces throughout Europe were made by masters from the border area between what is now Canton Ticino and Lombardy. This collection of essays aims to examine how these artists worked from Spain to Poland, from Denmark to Italy, via the Netherlands, France, Germany, the Czech Republic, Slovenia and Austria, adapting to the realities of the different contexts. The authors examine these issues with an interdisciplinary approach, considering art history and social history, the history of artistic techniques, and the science of materials. Text in English and Italian.…

Paperback. Condizione: New. Bilingual - Illustrated. Stucco decorations have traditionally been studied considering their formal and artistic qualities. Although much research and numerous publications have explored the works of stucco artists and their cultural context, little attention has been paid to their professional role in relation to the other actors involved in the decorative process (architects, painters, sculptors, patrons), the technical skills of these artists, and how their know-how contributed to the great professional success they enjoyed. From the 16th to the 18th century, many of the stucco decorations in churches and palaces throughout Europe were made by masters from the border area between what is now Canton Ticino and Lombardy. This collection of essays aims to examine how these artists worked from Spain to Poland, from Denmark to Italy, via the Netherlands, France, Germany, the Czech Republic, Slovenia and Austria, adapting to the realities of the different contexts. The authors examine these issues with an interdisciplinary approach, considering art history and social history, the history of artistic techniques, and the science of materials. Text in English and Italian.…

Hardback. Condizione: New. After the season of the great Renaissance painters, the prestige of the figurative arts grew as never before in history. During the 16th century, the artist went from being a common craftsman to holding a status equal to that of the greatest intellectuals of his time. The relationship between poetry and painting was consolidated in the 17th century, and became close, even competitive, when artists and men of letters confronted each other with the same themes. In this framework, the great poetry of Giovan Battista Marino (Naples, 1569-1625) plays a fundamental role. His compositions are rich in visual suggestions, derived as much from direct contact with the art collections he visited during his itinerant life as from the memory of the images of the great artists of the past. The Galeria (1620), one of his most famous books, projects onto the walls of an imaginary gallery the names of the artists and works of art that marked the poet's courtly experience.…

Paperback. Condizione: New. Raphael arrived in Rome in 1508 and remained there until his death in 1520, working as painter and architect for popes Julius II and Leo X and for the most prestigious patrons. Here the artist changed his painting style several times, looking at the works of Michelangelo, Sebastiano del Piombo and the vast repertoire of ancient painting and sculpture. In the Eternal City Raphael practised architecture for the first time, designing buildings that reflected the models of Antiquity such as the Pantheon, the descriptions deriving from written sources such as Vitruvius' treaty on architecture, and the examples of modern architects like Donato Bramante.This guide supplies essential and up to date information on all the civil or religious buildings designed or built by Raphael in Rome, and the frescoes and paintings, housed in churches or museums, whether executed in the city or arrived there at a later stage. …

Paperback. Condizione: New. 1°. The German painter Matthias Grünewald (c. 1480-1528) has remained one of the most enigmatic figures of the Renaissance, his artistic identity defined by stylistic complexity and historical obscurity. In this study, Edoardo Villata reexamines Grünewald's oeuvre through a critical reassessment of sources, stylistic developments, and the broader network of artistic influences. Moving beyond established interpretations, Villata explores the relationship between documentary research and comparative analysis, situating Grünewald within the artistic and intellectual landscape of his time. By integrating stylistic analysis, documentary research, and an expansive perspective that extends beyond painting to sculpture and religious thought (two of the most relevant results are the discovery of the role of the sculptor Tilman Riemenschneider for his training and of Johann von Staupitz, Luther's mentor, for the iconography of the Isenheim Altarpiece), Villata reassesses Grünewald's possible connections to contemporary artistic centres, offering a new reading of his production and its historical significance. Much more than a monograph, this study challenges prevailing narratives and highlights the necessity of methodological stringency in art historical research. Essential reading for scholars and specialists, it provides an indispensable contribution to Grünewald studies and Renaissance historiography.…

Paperback. Condizione: New. 1°. The German painter Matthias Grünewald (c. 1480-1528) has remained one of the most enigmatic figures of the Renaissance, his artistic identity defined by stylistic complexity and historical obscurity. In this study, Edoardo Villata reexamines Grünewald's oeuvre through a critical reassessment of sources, stylistic developments, and the broader network of artistic influences. Moving beyond established interpretations, Villata explores the relationship between documentary research and comparative analysis, situating Grünewald within the artistic and intellectual landscape of his time. By integrating stylistic analysis, documentary research, and an expansive perspective that extends beyond painting to sculpture and religious thought (two of the most relevant results are the discovery of the role of the sculptor Tilman Riemenschneider for his training and of Johann von Staupitz, Luther's mentor, for the iconography of the Isenheim Altarpiece), Villata reassesses Grünewald's possible connections to contemporary artistic centres, offering a new reading of his production and its historical significance. Much more than a monograph, this study challenges prevailing narratives and highlights the necessity of methodological stringency in art historical research. Essential reading for scholars and specialists, it provides an indispensable contribution to Grünewald studies and Renaissance historiography.…

Hardback. Condizione: New. 1°. From the 1950s, Valentino Garavani began to create red clothes that realise, with their identification of a colour with its form, the dynamic vitality of the new world, renewing elegance and ease: his creations in red are guide-signals that connote a turning point in fashion history and give it epochal legibility: it is called style, a subtle and radiant method of marking historical time.This exhibition, with which the Valentino Garavani and Giancarlo Giammetti Foundation in the new building in the very central Piazza Mignanelli in Rome is inaugurated, and its catalogue follows the phenomenology of red in painting and, simultaneously, Valentino's reds: a certain red that becomes indistinguishable from its forms, so much so as to affirm the term 'Valentino red' beyond the field of fashion, conquering its definition outside the specific field of clothing, production and advertising, finding its place in the universal field of meanings. Works by Alberto Burri, Jeff Koons, Andy Warhol, Mark Rothko and Basquiat dedicated or inextricably linked to the 'Valentino red' will be exhibited, among others.Text in English and Italian.…

Hardback. Condizione: New. Hell has been embodied and portrayed in terrifying, bizarre, and occasionally humorous incarnations across religions and cultures for millennia. Whether considered as places of eternal or finite punishment, underworlds provide a rich setting for a potent cast of characters that have caught the imaginations of artists and patrons who have shaped the visual cultures of Asia's systems of belief, particularly Buddhism, Hinduism, Jainism, and Islam. Through masterpieces from West Asia, South Asia, Southeast Asia, East Asia, and the diaspora, paired with essays from renowned scholars, this publication explores both differences and similarities in conceptions of the afterlife and artistic practices from religion to religion and culture to culture. This journey through judgment, punishment, and even the pro-mise of salvation sheds light on the fundamental questions of life, death, and existence.…

Hardback. Condizione: New. More than other painters, the Impressionists wanted to shake off the dust of the studio, and swarmed the noisy streets of Paris, filling the cafés and living in garrets and humble little dwellings on the hill of Montmartre, which still seemed like the countryside at the time, its slopes covered with vineyards and vegetable gardens. Nor did they limit themselves to the city, planting their easels in the clearings of the forest of Fontainebleau, on the coast of Normandy, in the rustic villages in the Oise Valley and in Bougival and Argenteuil on the banks of the Seine. Like their Naturalist friends Zola and Maupassant, they liked to mix with the locals so they could experience the places directly, painting everywhere, even on a boat, like the one where Monet had his floating studio.…

Hardback. Condizione: New. From medieval manuscript to Japanese prints, from Steinlen's splendid drawings to 17th century prints, the author introduces the reader to the hundreds of books and manuscripts (belonging to the Bibliothèque Nationale de France in Paris) in which the lovely feline is represented. The cat has been the main character of many tales, but also the inhabitant of the most diverse books: from natural histories to household manuals, from medieval prayer books to famous writers' manuscripts. A wonderful selection for all who love cats and books! Contents: Preface by Pierre Rosenberg Chapter I, A History of the Cat Chapter II, Tales of Cats Chapter III, What a Lovely Cat! Chapter IV, Cats and the Feminine Chapter V, The Cat as a Muse.…

Hardback. Condizione: New. The Book of Tea (1906) by Okakura Kakuzo has long become a classic. Its title notwithstanding, the book is not a manual on tea. Rather it is an essay, better a hymn, to culture, aesthetics and the spirit of tea as a symbol, a paradigm, of the Asian soul. It was created by a passionate Japanese scholar whose life was devoted to renew and spread the values of the East in the same moment in which his own country seemed to deny them in order to embrace Western culture. This new edition has an important apparatus of over 200 notes to explain the contents of the book and supply all the information needed to understand it fully (concepts of Eastern philosophy, history, geography, biographical information), something that so far has never been done. It also contains an important essay by Giancarlo Calza on Okakura and his role to foster intercultural understanding and the development of spirituality through the aesthetics and practice of the tea ceremony as a style of life. Contents: The Cup of Humanity; The Schools of Tea; Taoism and Zennism; The Tea-room; Art Appreciation; Flowers; Tea-masters; Okakura: A Life in Style by Giancarlo Calza.…

Hardback. Condizione: New. In 1922, Léon Bonnat bequeathed to the Louvre a wonderful album of almost forty drawings by one of the most famous painters of the Florentine Renaissance: Baccio della Porta, known as Fra Bartolommeo (1469-1517). The collection traces the career of the artist, who trained in Florence around 1485 with Cosimo Rosselli, but above all in the shadow of the most brilliant workshop of the period, that of Andrea del Verrocchio. Sensitive to the prodigious innovations coming out of this extraordinary environment, which had produced such geniuses as Botticelli, Ghirlandaio and Leonardo da Vinci in the previous decade, Baccio, as he was then known, studied above all with Lorenzo di Credi, to whom Verrocchio had entrusted the running of the workshop when he left Florence for Venice. Baccio also closely followed all the great Florentine painters of the last decade of the fifteenth century, in particular the works of foreigners who had been in Florence for several years, especially Pietro Perugino, and those of Ghirlandaio's workshop, then at the height of their popularity. The two volumes accurately reproduce the almost forty drawings in the Louvre album accompanied by a commentary written by two museum specialists.Text in French.…

Paperback. Condizione: New. Santa Maria Assunta in Cremona, among the great Romanesque cathedrals of the Po Valley in northern Italy, is not only one of the most renowned for its artwork, but also one in which the slow stratification of time is most evident. The names of the greatest masters, in the first person or in the medieval sense of workshop, follow one another in quick succession: Wiligelmo, Antelami, the excellent Marco Romano, the Campionesi, enrich the façade with grandiose and superb sculptures, aristocratic and earthy. In the interior, the cycle of frescoes in the main nave with the Stories from the Life of the Virgin and Christ shows, as nowhere else, the symptoms of the pressing renewal taking place in early 16th century Italian painting, from the faultless classicism of Boccaccio Boccaccino to the eccentric Altobello Melone and Gianfrancesco Bembo, the Brescian Romanino and the Friulian Pordenone, who is given the grand finale with the resounding Crucifixion on the counter façade. Alongside these two poles, the façade and the nave, there are masterpieces from all centuries: paintings, sculptures, and goldsmithing, including frescoes and canvases by the Campi, the greatest exponents of the 16th-century Cremonese school of painting.…