rutland tokyo charles tuttle (976 risultati)

1. Auflage. 104 S. Ill. Orig.-Broschur. - Sehr guter Zustand innen und außen.

kart., 1. 1. Aufl., kl.8°, S.: 190, kart., sehr guter Zustand, Sprache: Englischglisch 0,230 gr.

3. Auflage. 147, (5) S. Orig.-Broschur. - Sehr guter Zustand innen und außen.

2. Auflage. XVIII, 252 S. Ill. Orig.-Broschur. - Vorderer Deckel mit Klebeband am Rücken befestigt; hintere Rückenkante mit Einriß. Papier altersbedingt leicht gebräunt. Einige Seiten mit kleiner Knickspur; Text mit einigen Anstreichungen.

Condizione: DISCRETO USATO. I ED. Arte Treasures of Asia INGLESE Coperta cartonata, muta e rinforzata al dorso con carta adesiva, sovraccoperta illustrata a colori, naturalmente imbrunita e segnata da fattore tempo. Tagli regolari, pagine ben salde alla costa e con minima imbrunitura. Libro completamente fruibile, a cura, con introduzione e note di Emel Esin. Volume appartenente alla collana "Art Treasures of Asia" (Redattore Generale: Jane Gaston Mahler), presenti 12 tavole a colori e 12 illustrazioni in nero, prima edizione, numero pagine 34; da segnalare: il volume potrebbe contenere timbri, il materiale è stato regolarmente acquisito dalla nostra Libreria.

Soft cover. Condizione: Very Good. No Jacket. Ninth Printing. 259 pages, index. A fascinating review of traditional Hawaiian life. Manners and customs relating to birth, death, marriage, sexual practices, religious beliefs and family relationships are all clearly described. Very good condition.

Condizione: good copy. 4. Orig. cardboard hardcover with dust jacket. Fourth printing.; Jahr: 1968; Format: Oktav; Anzahl der Seiten: 247; Auflage: 4.; Zustand: 2 (good copy)Auf Grund der Versandkostenvorgaben von AbeBooks/ZVAB (die Versandkostenkalkulation richtet sich nicht nach Gewicht, sondern nach Anzahl der Artikel), kann es bei Titeln mit über 1000 Gramm Gewicht oder größeren Formaten zu höheren Portokosten kommen. Nach Bestelleingang erfolgt eine Anfrage, ob Sie einverstanden sind. 290 gr. 247 pages.

kart., 1. 1. Aufl., kl.8°, S.: 272, zahl. s/w Fotos, und Zeichn., kart., sehr guter Zustand, Sprache: Englischglisch 0,280 gr.

Condizione: Sehr gut. First English Edition,. nicht paginiert / not paginated; mit 47 Bildtafeln / with 47 Plates; Einband mit leichten Gebrauchspuren, insgesamt sehr schön / Cover with slight traces of use, all in all in very good condition. Sprache: Englisch Gewicht in Gramm: 150 Kl.-8°, ca. 17 x 12 cm, kartoniert / paperback.

4th. Printing. Larger format paperback. (23cm. tall x 15cm.). 120pp. With numerous text figures in line. A fine copy.

kart., 0. Seventh printing, kl. 8°, S.: 165, kart., Ecken und Ränder nur leicht bestoßen, sonst gut erhalten, Sprache: Englischglisch 0,120 gr.

Softcover. Condizione: Sehr gut erhalten. 232 p.

kart., 0. Eighteenth printing, kl. 8°, S.: 231, Ill., kart., Ecken und Ränder bestoßen und fleckig, sonst gut erhalten, Sprache: Englischglisch 0,120 gr.

Condizione: Wie neu. First printing. Erstausgabe. 180 (4) Seiten mit vielen Abbildungen. Water-color paintings and calligraphy by Yoshie Noguchi. Black-and-white crests by Hide Doki. Guter Zustand. Schutzumschlag leicht fleckig. Aus dem Klappentext: "In this exquisite volume of haiku, Günther Klinge takes us on a journey through the days and nights of each of the seasons, beginning with the spring dawn and ending with a winter midnight. - Haiku (jap. ??; Plural: Haiku, auch: Haikus) ist eine traditionelle japanische Gedichtform, die heute weltweit verbreitet ist. Das (oder der) Haiku gilt als die kürzeste Gedichtform der Welt. Zu den bedeutendsten Haiku-Dichtern zählen Matsuo Basho (16441694), Yosa Buson (17161783), Kobayashi Issa (17631827) und Masaoka Shiki (18671902). Basho erneuerte mit seinen Schülern die Haikai-Dichtung und ermöglichte ihr die Anerkennung als ernsthafte Literatur. Shiki gilt als Begründer des modernen Haiku. Er war es, der den Begriff Haiku prägte (gegenüber dem älteren Haikai oder Hokku). Japanische Haiku bestehen meistens aus drei Wortgruppen von 5 7 5 Silben (genauer: Moren), wobei die Wörter in den Wortgruppen vertikal aneinandergereiht werden. Es gibt jedoch kritische Stimmen über die Verteilung von Silben wie Vicente Haya oder Jaime Lorente. Unverzichtbarer Bestandteil von Haiku sind Konkretheit und der Bezug auf die Gegenwart. Vor allem traditionelle Haiku deuten mit dem Kigo eine Jahreszeit an. Als Wesensmerkmal gelten auch die nicht abgeschlossenen, offenen Texte, die sich erst im Erleben des Lesers vervollständigen. Im Text wird nicht alles gesagt, Gefühle werden nur selten benannt. Sie sollen sich erst durch die aufgeführten konkreten Dinge und den Zusammenhang erschließen. Von einem Teil der Haijin (Haiku-Autoren) wird das Haiku vom Senryu unterschieden. Der andere Teil sieht in Haiku den Oberbegriff. Formal sind beide identisch, da ihre Kennzeichen jeweils Kürze, Konkretheit, Gegenwärtigkeit und Offenheit sind. Als Senryu werden demnach die Haiku bezeichnet, die sich mehr dem Persönlichen und dem Emotionalen zuwenden. Im Deutschen werden Haiku meist dreizeilig geschrieben. Bis um die Jahrtausendwende galt zudem die Vorgabe von 5-7-5 Silben. Davon haben sich allerdings die meisten deutschsprachigen Haijin entfernt. Sie weisen darauf hin, dass japanische Lauteinheiten alle gleich lang sind und weniger Information tragen als Silben in europäischen Sprachen. So hat Stockholm" zwei Silben, aber sechs Moren. 17 japanische Lauteinheiten entsprechen etwa dem Informationsgehalt von 1014 deutschen Silben. Deshalb hat es sich mittlerweile unter vielen Haiku-Schreibern europäischer Sprachen eingebürgert, ohne Verlust des inhaltlichen Gedankengangs oder des gezeigten Bildes mit weniger als 17 Silben auszukommen. Moderne Haiku-Schulen hinterfragen weltweit zudem nicht nur die traditionellen Formen, sondern auch manche Regeln der Textgestaltung, und versuchen neue Wege zu gehen. . . Aus: wikipedia-Haiku. Sprache: Englisch Gewicht in Gramm: 560 Braunes Leinen mit goldgeprägten Deckelinitalen, mit goldgeprägten Rückentiteln und Schutzumschlag.

Broschiert. Condizione: Sehr gut. kl.oktav orig . Broschur. sehr gutes exemplar. 323 Seiten; Buch im orig. Schuber; unterer Schnitt minimal bestoßen u. fleckig 200 Gramm.

3. Orig. cloth with illustrated orig. dust jacket (23,5 x 29,5 cm) in orig. slip case. Third printing. With 100 color plates, 115 photos and diagrams, 15 basic lessons.; Jahr: 1960; Format: Quart; Anzahl der Seiten: 264; Auflage: 3.; Zustand: 2 (Dust jacket with slight signs of use. Otherwise a flawless copy.)Auf Grund der Versandkostenvorgaben von AbeBooks/ZVAB (die Versandkostenkalkulation richtet sich nicht nach Gewicht, sondern nach Anzahl der Artikel), kann es bei Titeln mit über 1000 Gramm Gewicht oder größeren Formaten zu höheren Portokosten kommen. Nach Bestelleingang erfolgt eine Anfrage, ob Sie einverstanden sind. 1615 gr. 264 pages. Dust jacket with slight signs of use. Otherwise a flawless copy.

Condizione: Good. Pocket book, foldable map in pocket in rear, 8vo.; Small red name stamp on title page.

Condizione: Good. 4th Edition. Pocket book, illustrations in b/w, foldable map in rear, small 8vo.; Small red name stamp on title page.

Paperback. Condizione: Sehr gut. 1st printing. 240 p. Vorbesitzer Vermerk auf dem Vorsatz mit Kugelschreiber, der Einband ist leicht berieben, die Seiten sind papierbedingt leicht angebräunt, ansonsten ein sehr gutes und sauberes Exemplar ohne Anstreichungen. Previous owner's note on the endpaper in ballpoint pen, the binding is slightly rubbed, the pages are slightly browned due to the paper, otherwise a very good and clean copy without markings. - (publishing text:) HERE AT LAST is an entertaining account in English of the historical mass seppuku (disembowelment) of the forty-seven ronin, or masterless samurai, shortly after the turn of the 18th century in the feudal Tokugawa days of old Japan. The forty-seven ronin were ordered to commit seppuku for their vindictive slaying of a corrupt court official whom they held ultimately responsible for bringing about the death of their master, Lord Asano. Asano was the brash young daimyo from the country whose ignorance of and unfamiliarity with the changing ways of the Edo court led not only to his own seppuku but also to the complete ruin and dissemination of his family and clan. Though based on an actual incident, many details have been lost to history, and, as a result, several versions of the forty-seven ronin story have been told. But the fact remains that they were given the death penalty for their deed, which, at the time, so embodied the Japanese's ideals of the noble samurai's devotion to his lord that the forty-seven ronin were enshrined at Sengaku Temple beside their beloved master. Thus came to a dramatic close the final chapter of what has been acclaimed the most famous vendetta in the annals of Japan. JOHN ALLYN is a film and music editor in the motion picture and television industries and also a writer/director of industrial films in the aerospace field. Mr. Allyn attended the Army Specialized Training Program at Stanford University in 1944, majoring in the Japanese language, and also attended the Army Intensive Japanese Language School at the University of Michigan in 1945, receiving a B.A. degree from the latter. During the first four years of the U.S. occupation of Japan, he worked as Pictorial Censor of the Civil Censorship Detachment of G2, SCAP, in Osaka and Tokyo. After his return to the United States he entered UCLA in Los Angeles from where he received his master's degree in Theater Arts in 1951. He is currently working toward a Ph.D degree in Theater History at UCLA, specializing in the modern Japanese theater. In addition to The Forty-Seven Ronin Story, Mr. Allyn is now preparing "The History of Modern Theater in Japan." He was born in Los Angeles where he now lives with his wife. Sprache: Englisch Gewicht in Gramm: 250.

Paperback. Condizione: Sehr gut. 3rd printing. xii, 271 p., Ill. Das Exemplar ist in einem sehr guten und sauberen Zustand ohne Anstreichungen. The copy is in a very good and clean condition without markings. - (publishing text:) Readers of medieval Japanese literature; es- pecially those who have been charmed by its romance and attracted by its philosophy, will be pleased to have two more of its masterpieces made available to them in Professor Sadler's pleasant English. The Ten Foot Square Hut offers the memorable reflections of a recluse who has retired in dis- gust from a world too full of violent contrasts and cataclysms. Written some seven hundred years ago, it has an astonishing timeliness today. Tales of the Heike is a kind of Japanese equiv- alent of Tales of a Scottish Clan. Professor Sad- ler's translation presents vivid selections from the story of the Heike clan from the days of its splendour down to its tragic end, when its leaders, utterly defeated by the Minamoto clan and scorning to surrender, throw them- selves into the sea and perish. It is fortunate indeed that Professor Sadler, long a devotee of Japan and its culture, chose to bring these two classics of Japanese literature into the repertory of translations for Western readers. The late A. L. SADLER, M.A., was Professor of Oriental Studies at the University of Sydney from 1922 to 1948, at which time he became emeritus professor. He also served as Professor of Japanese at the Royal Military College of Australia. Among his numerous published works, in addition to the present volume, are The Life of Tokugawa Ieyasu (1936), Three Mil- itary Classics of China (1944), A Short History of Japan (1946), and a number of translations from Japanese literature. His Cha-No-Yu (1933) and A Short History of Japanese Architecture (1941) have recently appeared in reprint versions of the same type as the present volume. Professor Sadler made his home in England until his death in 1970. ISBN 9780804808798 Sprache: Englisch Gewicht in Gramm: 247.

Paperback. Condizione: Sehr gut. 10th printing. 324 p. Der Einband ist leicht berieben, ansonsten ein sehr gutes und sauberes Exemplar ohne Anstreichungen. The binding is slightly rubbed, otherwise a very good and clean copy without markings. - CONTENTS -- 1. Assignment: Japan -- 2. The Japanese in the War -- 3. Taking One's Proper Station -- 4. The Meiji Reform -- 5. Debtor to the Ages and the World -- 6. Repaying One-Ten-Thousandth -- 7. The Repayment 'Hardest to Bear' -- 8. Clearing One's Name -- 9. The Circle of Human Feelings -- 10. The Dilemma of Virtue -- 11. Self-Discipline -- 12. The Child Learns -- 13. The Japanese Since VJ-Day -- Glossary -- Index. Sprache: Englisch Gewicht in Gramm: 250.

Paperback. Condizione: Sehr gut. First Tuttle ed. xviii, 178 p., Ill. Das Exemplar ist in einem sehr guten und sauberen Zustand ohne Anstreichungen. The copy is in a very good and clean condition without markings. - Table of Contents -- LIST OF ILLUSTRATIONS -- INTRODUCTION TO THE NEW EDITION -- PREFACE -- I. ART, LIFE, AND NATURE IN JAPAN -- II. ART IN THE HOME LIFE OF THE JAPANESE -- III. THE LIFE AND ART OF THE COURT NOBLE -- IV. THE BEAUTY OF DECADENT SENTIMENTALISM -- V. THE WARRIOR'S LIFE AND ART -- VI. THE LIFE AND ART OF THE BOURGEOISIE -- Postscript: THE NEW AGE. Sprache: Englisch Gewicht in Gramm: 250.

Paperback. Condizione: Sehr gut. 12th printing. xviii, 252 p. Der Einband ist leicht berieben, ansonsten ein sehr gutes und sauberes Exemplar ohne Anstreichungen. - CONTENTS -- Preface -- Introduction -- 1. American Individualism, Japanese Conformity, and Psychoanalysis -- 2. Child Training and Japanese Conformity -- 3. Conformity and Rage in the Japanese Male -- 4. Conformity and Rage in the Japanese Fe-male -- 5. Japanese Conformity and Insanity -- 6. Psycho-Dynamics of Japanese Hate Dispersal -- 7. The Extra-National Dispersal of Japanese Hate -- 8. The Academic and Legal Status of Japanese Psychoanalysis -- 9. Do the Japanase Integrate or Merely Copy Western Psychoanalysis? -- 10. The American Blueprint Copied by Japanese Imperialists -- 11. Japanese Identification with the Enemy. -- 12. The Psychoanalytic Movement in Japan. -- 13. The Key to the Understanding of Japanese Psychoanalysis -- 14. Examples and Interpretations of Japanese Psychoanalytic Writings -- 15. The Goals of Japanese Psychoanalysis -- Acknowledgments -- References -- Index. ISBN 02110002024615 Sprache: Englisch Gewicht in Gramm: 250.

hardcover. Condizione: Ottimo (Fine). ST1098.5 Copertina editoriale in cartone rigido telato e sovraccoperta alettata, in lingua inglese, volume in ottime condizioni, illustrato, copertina e interno in ottimo stato, 208 pagine circa Copertina come da foto.

Paperback. Condizione: Sehr gut. 2nd printing. xii, 241 p., Ill. Das Exemplar ist in einem sehr guten und sauberen Zustand ohne Anstreichungen. The copy is in a very good and clean condition without markings. - Table of Contents -- LIST OF ILLUSTRATIONS -- PUBLISHER'S FOREWORD -- IN GHOSTLY JAPAN -- FRAGMENT. -- FURISODÉ -- INCENSE -- A STORY OF DIVINATION -- SILKWORMS -- A PASSIONAL KARMA -- FOOTPRINTS OF THE BUDDHA -- ULULATION. -- BITS OF POETRY -- JAPANESE BUDDHIST PROVERBS -- SUGGESTION -- ING WA-BANASHI -- STORY OF A TENGU -- AT YAIDZU -- (Publishing text:) "Think not that dreams appear to the dreamer only at night: the dream of this world of pain appears to us even by day." This prophetic admo-nition is taken from an old Japanese poem, but the warning might without any great stretch of the imagination be taken a ghoulish step further to include the ghosts that appear both day and night. Incense, "in ghostly Japan," is still burned in the presence of a corpse with the idea that its fragrance shields both corpse and newly parted soul from malevolent demons; and by the peasants it is often burned also to drive away goblins and the evil powers presiding over diseases. But it was also used to summon spirits as well as to banish them-a fragrance that, in Lafcadio Hearn's own words, conjured up images of "vast silent shadowed avenues leading to weird old shrines; mossed flights of worn steps ascending the temples that moulder above the clouds;-joyous tumult of festival nights;-sheeted funeral-trains gliding by in glimmer of lanterns;-murmur of household prayer in fishermen's huts on far wild coasts; and visions of desolate little graves marked only by threads of blue smoke ascending." Wizard incense had the power of calling up human spirits. In the smoke of the incense, the remem-bered face and form would appear. Here in Hearn's inimitable style are twelve ghostly stories, some of which are reminiscent of Poe's "ghoul-haunted woodland of Weir." In "A Passional Karma," the ninsomi's attention is at-tracted by two new tombs and two ghosts. "An icy trembling seized him; and the hair of his head stood up. For the face was the face of a woman long dead, and the fingers caressing were fingers of naked bone, and of the body below the waist, there was not anything. Where the eyes of the lover deluded saw youth and grace and beauty, there appeared to the eyes of the watcher horror only and the emptiness of death. another wom-an's figure, and a weirder, rose up from within the chamber, and swiftly made toward the watcher," who fled in uttermost terror. The Japanese have two kinds of ghosts proper in their folklore: the spirits of the dead, or shiryo, and the spirits of the living, or ikiryo. In this Hearn classic, you can take your choice, depending upon the type of nightmare you prefer. ISBN 9780804809658 Sprache: Englisch Gewicht in Gramm: 270.

Soft Cover. Condizione: Traces of use. Eighth printing. 373 pp.

Original-kartoniert. Condizione: gut erhalten. Condizione sovraccoperta: Gut. kl8 Original-kartoniert 2nd printing en 67 pp. Schutzumschlag: Gut.

Paperback. Condizione: Good copy. Ninth printing. Book design by Keiko Chiba. Contents: 1). The priceless treasure. 2). About Tahiti. 3). Pillow education in rural Japan. 3). Writing with water. 4). Sweet sour Saliva to young. 5). Two eyes in Fiji. 6). Sweet Samoans. 7). How to solve the world problem. 8). Wandering Japan Alps. 9). The prophet of Tabuse. 10). Tea communication and the Beat generation. 11). Listening to Gagaku with my eyes. 12). Exercise yes exercise no. 13). Going to hell with a Buddhist nun. 14). How to smoke roses. 15). Blind Amma-san. 16). Letter from Buckminster Fuller. 17). Noh as revelation. 18). Norway wedding. 19). School for receiving. 20). School for love. 21). School for see. 22). School for smell. 23). School for touch. 24). School for feel. 25). How to die. 26). My four wives. 27). Rejuvenation and long life. Illustrations 100 + (1) pag. Size: 21cmx15cm.

Condizione: Good. Original purple cloth, gilt lettered spine, dust jacket, frontispiece hotographic portrait by Ichiro Hori, 8vo.; Name on uipper pastedown; name and date on first free endpaper.

Condizione: Good. Original gilt lettered red cloth, dust jacket, numerous colour and b/w illustrations, 8vo.