steidl edition 7l germany (12 risultati)

Hardcover. First Edition. White and color-photo-illustrated DJ with black lettering; beige cloth over boards with grey lettering; 63 unnumbered pp.; richly illustrated in color. Serving alongside infantry and artillery, military engineers designed a network of outposts throughout Kandahar Province. Built on natural promontories with multiple lines of sight, they formed a protective visual architecture. These images are the latest phase in Wylie's interrogation of the architecture of modern conflict. -- WorldCat. VG (DJ has some light shelfwear and smudging; interior is in excellent condition.).

Hardcover. Condizione: Very Good. 1st Edition. 4to, Hardback with slipcase, pp. 288. Red cloth with pictorial cover and red and black lettering to front board and to spine.Pages are clean, binding is tight and overall condition Very Good. Faint traces of soiling to slipcase.

Hardcover. White and color-photo-illustrated DJ with black lettering; beige cloth over boards with grey lettering; 63 unnumbered pp.; richly illustrated in color. Signature of the photographer on the title page. "Serving alongside infantry and artillery, military engineers designed a network of outposts throughout Kandahar Province. Built on natural promontories with multiple lines of sight, they formed a protective visual architecture. These images are the latest phase in Wylie's interrogation of the architecture of modern conflict." -- WorldCat. VG (DJ has some light shelfwear/toning and smudging; interior is in excellent condition.) Signed by the Photographer / First Edition.

Hardcover. Condizione: Very Good+. No Jacket. 1st Edition. First edition, hardcover, has a slight lean to the binding, mild bumps to the spine ends and cover corners, some rubbing to the covers, a touch of wear to the tail of the back cover, and faint sunning to the spine. Otherwise, this is a solid, tight, clean Very Good+ copy.

Rilegato. Condizione: nuovo. prima edizione. Designed by Hans Werner Holzwarth 156 pages Hardback / Clothbound 12 x 22.5 cm ISBN 978-3-88243-754-6 1. Edition 08/2001 Out of print.

Rilegato. Condizione: nuovo. Condizione sovraccoperta: nuovo. Roni Horn (illustratore). prima edizione. What do you see when you look at water? Here are ninety-five answers, ninety-five directions, ninety-five possibilities. Here is water in it's endlessly new nature. Here in a dictionary because water is the ultimate lexicon. Only recently Scalo of Zurich published Horn's Another Water (The River Thames, for Example). A separate work, Still Water is presently being shown at Castello di Rivoli, Torino and soon to be viewed at the Whitney Museum of Art, New York. Another installation titled Some Thames has been shown at the Whitney Museum, New York. With the assistance of Nic Tenwiggenhorn, Horn draws from the River Thames instances of water towards a language without words.

First Edition. First edition and first printing. Hardcover. A collection of black and white photographs taken by Slimane over the course of a two year period in the title city. Includes 92 tritones. A fine copy in black cloth boards and in a very near fine slipcase and with laid in tear sheet from D.A.P. No dust jacket as issued.

Wraps. Condizione: Fine. Limited Edition. Black wooden box containing 6 reproduced publications by noted photographers Daido Moriyama, Nobuyoshi Araki, Takuma Nakahira, Yutaka Takanashi, and Koji Taki. Three issues of Provoke Magazine as well as three individual catalogues. Black paper wrapper that enclosed books has tears from transport, two red rubber bands supple and intact, one printed with "The Japanese Box" in black. Housed in original shipping box. This production of "The Japanese Box" was conceived of by printer Gerhard Steidl and fashion designer Karl Lagerfeld to celebrate the avant-garde of Japanese photography in the late 1960s and early 1970s. All of the work is in black and white. A vanguard of that movement was the publication of "Provoke" magazine by Takuma Nakahira in 1968 and represented by facsimiles of the first three issues. English translations of the publications: "Provoke" No. 1, (1968); "Provoke" No. 2, (1969); "Provoke" No. 3, (1969); "For a Language to Come" (1970) by Takuma Nakahira; "Sentimental Journey" (1971) by Nobuyoshi Araki; and "A Farewell to Photography" (1972)by Daido Moriyama. Produced in an edition of 1500 copies, this is copy #644.

First Edition. First edition thus. One of only 1500 copies. Features a text booklet with an essay by Akihito Yasumi in English and Japanese. A facsimile collection of 6 classic Japanese photography books. Includes all three Provoke books, Moriyama's "Bye, Bye Photography Dear/ Farewell Photography,' Araki's "Sentimental Journey," and Nakahira's "For a Language to Come." All six books are in fine condition in wrappers and in a very near fine black wood box that has some light rubbing/wear to the bottom. The rubberbands have decayed and are broken. A lovely set of these important books. Please note that this is a heavy and oversized book and will require extra shipping.

Soft cover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. First edition, first and only printing. Limited edition of 1500 hand-numbered copies (this being #14/1500; edition number noted on bookplate pasted to inside of box lid). Soft cover (all volumes). A collection of six facsimile reprints and an editor's book (all in stiff wrappers), contained in a custom-designed black lacquered wooden box with metal latches (the set of books is wrapped in fine black Japanese paper and bound by 2 wide rubber bands with the title printed). Edited by Christoph Schifferli. Essay (in English and Japanese) by Akihito Yasumi. Designed by Gerhard Steidl and Karl Lagerfeld. Total 892 pp., with 763 black and white reproductions (all six volumes). The box is 10-1/4 (width) x 13 (length) x 4 (height) inches. Out of print (sold out shortly after release). Very scarce. The Japanese Box contains the following collection of 6 facsimile reprints, along with an editor's book that includes translations of the texts: 1) Provoke #1: 68 pp., with 48 black and white reproductions; 2) Provoke #2: 108 pp., with 54 black and white reproductions; 3) Provoke #3: 110 pp., with 55 black and white reproductions; 4) Nobuyoshi Araki: Sentimental Journey: 106 pp., with 106 black and white reproductions; 5) Daido Moriyama: Shashin yo sayonara (Bye, bye photography, dear / Farewell photography): 308 pp., with 308 black and white reproductions. This title is signed in English and kanji in black ink inside the front cover by Moriyama; and 6) Takuma Nakahira: For a Language to Come: 192 pp., with 192 black and white reproductions. As New (in publisher's original packing and box; opened for inspection and to secure books with additional packing material). From Nobuyoshi Araki: "I was jealous of Provoke, especially Moriyama's nudes in the second issue. (.) I wanted to join them but I wasn't allowed (.) So I worked alone." From the publisher: "In 1968, a magazine with the programmatic title "Provoke" was published in Tokyo by the photographer and writer Takuma Nakahira, the art critic Koji Taki, and other members. Investigating the relationship between photography and text, and suggesting new ways for photography to depict Japanese society, the magazine was an artistic and philosophical manifesto, responding to the upheavals of the late sixties. The participating photographers, among them Daido Moriyama (who joined "Provoke" with the second issue) searched for a radically new photographic language, as is reflected in the titles of their books: titles like Moriyama's "Bye, Bye Photography," and Nakahira's "For a Language to Come"; publications that were turning points in postwar Japanese photography. This spectacular limited edition collection of facsimile reprints of six legendary Japanese photography publications from the 1960s and 1970s will undoubtedly be a highly sought-after collector's item. Included are the first three issues of "Provoke" and three books that were inspired by it. Originally published in extremely limited editions ("Provoke" had a print run of 1,000 copies), these publications are very rare today and almost impossible to find. Among the photographers included are Daido Moriyama, Nobuyoshi Araki, Takuma Nakahira, Yutaka Takanashi, and Koji Taki. This set comes in a black wooden collector's box, with an editor's book that includes translations of the texts. A must-have for photography lovers.".

Soft cover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. First edition, first and only printing. "Shashin yo sayonara" is signed (in kanji and English) in black marker on the first page by Moriyama. Limited edition of 1500 hand-numbered copies (this being #14/1500; edition number noted on bookplate pasted to inside of box lid). Soft cover (all volumes). A collection of six facsimile reprints and an editor's book (all in stiff wrappers), contained in a custom-designed black lacquered wooden box with metal latches (the set of books is wrapped in fine black Japanese paper and bound by 2 wide rubber bands with the title printed). Edited by Christoph Schifferli. Essay (in English and Japanese) by Akihito Yasumi. Designed by Gerhard Steidl and Karl Lagerfeld. Total 892 pp., with 763 black and white reproductions (all six volumes). The box is 10-1/4 (width) x 13 (length) x 4 (height) inches. Out of print (sold out shortly after release). Very scarce. The Japanese Box contains the following collection of 6 facsimile reprints, along with an editor's book that includes translations of the texts: 1) Provoke #1: 68 pp., with 48 black and white reproductions; 2) Provoke #2: 108 pp., with 54 black and white reproductions; 3) Provoke #3: 110 pp., with 55 black and white reproductions; 4) Nobuyoshi Araki: Sentimental Journey: 106 pp., with 106 black and white reproductions; 5) Daido Moriyama: Shashin yo sayonara (Bye, bye photography, dear / Farewell photography): 308 pp., with 308 black and white reproductions. This title is signed in English and kanji in black ink inside the front cover by Moriyama; and 6) Takuma Nakahira: For a Language to Come: 192 pp., with 192 black and white reproductions. As New, opened for inspection (slight rubbing to the Nakahira dust jacket, endemic to the edition, due to shifting in transit). From Nobuyoshi Araki: "I was jealous of Provoke, especially Moriyama's nudes in the second issue. (.) I wanted to join them but I wasn't allowed (.) So I worked alone." From the publisher: "In 1968, a magazine with the programmatic title "Provoke" was published in Tokyo by the photographer and writer Takuma Nakahira, the art critic Koji Taki, and other members. Investigating the relationship between photography and text, and suggesting new ways for photography to depict Japanese society, the magazine was an artistic and philosophical manifesto, responding to the upheavals of the late sixties. The participating photographers, among them Daido Moriyama (who joined "Provoke" with the second issue) searched for a radically new photographic language, as is reflected in the titles of their books: titles like Moriyama's "Bye, Bye Photography," and Nakahira's "For a Language to Come"; publications that were turning points in postwar Japanese photography. This spectacular limited edition collection of facsimile reprints of six legendary Japanese photography publications from the 1960s and 1970s will undoubtedly be a highly sought-after collector's item. Included are the first three issues of "Provoke" and three books that were inspired by it. Originally published in extremely limited editions ("Provoke" had a print run of 1,000 copies), these publications are very rare today and almost impossible to find. Among the photographers included are Daido Moriyama, Nobuyoshi Araki, Takuma Nakahira, Yutaka Takanashi, and Koji Taki. This set comes in a black wooden collector's box, with an editor's book that includes translations of the texts. A must-have for photography lovers." Signed by Author.

Box. Condizione: Near Fine. First Edition. The 2001 limited edition, #605 of 1,500 copies published. Clean and Near Fine in its striking black lacquered box, with the 6 facsimile re-issues within --all in lovely condition-- of the "rare photographic publications of the Provoke era". From the Introductory essay: "'The Japanese Box' presents six publications by a remarkable group of Japanese photographers and writers whose work was a respone to the climate of political and moral unrest in Tokyo around 1968. The publications include 3 issues of "Provoke" magazine (1968-1969), "For a Language to Come" by Takuma Nakashira (1970), "Sentimental Journey" by Nobuyoshi Araki (1971), and "A Farewell to Photography" by Daido Moriyama (1972)".