Steidl matthew marks gallery (29 risultati)

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. No marks in text. Not a library book. Ships today in a cardboard enclosure.

Hardcover with dustjacket, unpaginated, very good condition; clean and crisp; owner's stamp to first blank page; no other internal marks. Foreign shipping may be extra.

Hardcover. Condizione: NF. Hardback in Near Fine condition with Near Fine dust jacket. 10.2 X 0.8 X 12.2 inches. 128 pages. * Quick Shipping * All Books Mailed in Boxes * Free Tracking Provided *.

First Edition. Trade softcover. First Edition. Two volumes. Fine and unread in a card slipcase as issued, in publisher's shrinkwrap.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. No marks in text. Not a library book. Ships today in a cardboard enclosure. Tim's Used Books, open shop in Provincetown USA, good books at fair prices since 1991. (shelf B).

Hardcover. Condizione: Sehr gut. Condizione sovraccoperta: Sehr gut. 1. Auflage. Z : 120 pages, Leinen/clothbound with jacket - After completing the installation of his 1996 retrospective at Museum of Modern Art, Jasper Johns retreated to his studio in Connecticut to wipe the slate clean, beginning a body of work that was a dramatic departure from anything he had made before. The first painting in this new series included a string hanging from upper right to lower left, generating a curve called a "catenary," and this curve became the compositional backbone of the entire series. Johns produced a total of 61 paintings, drawings, and prints based on the catenary theme. The work is saturated with autobiographical references, both transparent and opaque, while it simultaneously encourages multiple layers of meaning. Sensual surfaces, fragile constructions, and formal rigor meet allusions to key moments in the history of modern art and motifs from Johns earlier work.…

hardcover. Condizione: Ottimo (Fine). Prima edizione (First Edition). Catalogo dell'omonima mostra alla Matthew Marks Gallery di New York, 27 giugno - 11 agosto 2006, a cura di Charles Ray. Ilustrazioni in b/n e colori di opere di Alberto Giacometti, Edgar Tolson, Jeff Wall, Mark di Suvero, Donal Judd e Charles Ray . Cm 15x22,5. pp. 24. . Ottimo (Fine). . Prima edizione (First Edition). . Quando è stato chiesto di organizzare una mostra su un tema a sua scelta, l'artista di Los Angeles Charles Ray ha scelto quello dello spazio morale e amorale, che ha preso dalla descrizione di una delle opere dello scultore Alberto Giacometti: "Un essere quadridimensionale scrive poesie su un campo con sculture" è il titolo che Ray ha dato sia alla mostra, che si è svolta alla Matthew Marks Gallery di New York, sia a questo piccolo volume splendidamente prodotto, che l'accompagna. Le opere d'arte principali includono "Standing Woman" di Giacometti del 1948; un'opera senza titolo di Donald Judd; un antico kouros greco del 600 a.C. circa; un pezzo scolpito di marmo dell'Attica; "Hankchampion" di Mark di Suvero degli anni '60; "A ventriloquist at a birthday party in October 1947;" di Jeff Wall del 1990; e una serie di sculture del 1969 intitolata "The Fall of Man" dell'artista folk americano Edgar Tolson. Book.…

Erste Auflage. 30 x 25 cm. [64] Blatt. OLeinenband mit illustriertem OUmschlag. Innen papierbedingt minimal lichtrandig, sonst noch sehr gutes Exemplar. Durchgehend mit meist farbigen Abbildungen versehen. Katalogpublikation anläßlich der gleichnamigen Einzelausstellung des amerikanischen Künstlers in der Matthew Marks Gallery, New York, vom 7. Mai bis zum 25. Juni 2005. Texte in englischer Sprache.…

Condizione: fine. 2006, 88pp, Nette hardcover met stofomslag.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. . Catalogue to accompany the exhibition "Ken Price: Sculpture and Drawings, 148 pages with 73 illustrations 66 in color GIFT QUALITY as pictured First edition Very good condition hard cover nice dust jacket gently read clean pages.…

hardcover. Condizione: Very Good. Condizione sovraccoperta: Includes dust jacket. First Edition. Light shelf wear. Else clean and tight.

dj. First Edition. Hardcover. First Edition. Published in conjunction with an exhibition held at Matthew Marks Gallery from May 8 through June 27, 2004. Fine in a Fine dust jacket.

Hardcover. Condizione: New. BRAND NEW. Still Sealed in Publishers Shrinkwrap.

Hardcover. Condizione: Wie neu. 1. Auflage. This publication is the first to cover all of Smith's 47 monumental outdoor works. 101 Seiten, 32 x 24 cm, 947 g.

hardcover. Condizione: Good.

hardcover. Condizione: Like New. Like New. First Edition. Publisher: Steidl/Matthew Marks Gallery, 2005.FINE hardcover book in FINE mylar-protected dust-jacket. SIGNED by Brice Marden on the title page. Text in English. First Edition, First Printing. As new. Pristine.

Hardcover. Condizione: New. BRAND NEW. Still Sealed in Publishers Shrinkwrap.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

Condizione: Wie neu. 1. Auflage. 32 x 24 cm. 101 S. OLeinen. Neuwertiges Exemplar (OVerschweißt). Text in Englisch. Durchgehend mit Abbildungen versehen.

Condizione: New. New. In shrink wrap. Looks like an interesting title! 1.63.

hardcover. Condizione: As New. Prima edizione (First Edition). Riproduzione anastatica del taccuino 23 di Ellsworth Kelly. Un testo dell'Artista del 2006. Illustrazioni in bianco e nero a piena pagina . Cm 25,5x18,5. pp. 48. . Perfetto (Mint). . Prima edizione (First Edition). . "Questa riproduzione dello Sketchbook 23 di Ellsworth Kelly del 1954 offre un raro sguardo alla rigorosa esplorazione della linea, della forma e della composizione del celebre artista. Disegnata in un unico gesto continuo su 25 pagine di un taccuino bianco mentre l'artista osservava l'andamento delle ombre sulla carta mentre viaggiava su un autobus a Parigi, la linea di Kelly persegue un percorso di eccentrica scoperta e distillazione attraverso sottili variazioni e audaci trasformazioni.". Book.…

Brossura. Condizione: nuovo. prima edizione.

Hardcover with dustjacket, 104 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Rilegato. Condizione: nuovo. prima edizione. Between 1981 and 1987 Marden made a series of 32 paintings on fragments of marble that he gathered on the Greek island Hydra, the location of several ancient marble quarries. These works are presented here for the first time, with an essay discussing their importance in the transition from the earlier monochromatic paintings to the more organic, calligraphic work that followed. Text by Lisa Liebmann. Published by Steidl/Matthew Marks Gallery. First Edition 2006. Pages: 88. Hardcover. Dimensions: 8.58 x 0.47 x 8.98 CONDITION: New, sealed.…

Hardcover. Condizione: gut. 2007. NOT AN OBJECT. NOT A MONUMENT. The Complete Large-Scale Sculpture of Tony Smith. In deutscher Sprache. pages.

Hardcover. Condizione: VeryGood. First edition. 12.25" x 9.25". 101, [3] pp. Photographic plates in blackand white throughout. Publisher's gray textured cloth, lettering stampedin white to boards and spine, black endpapers, black and whitephotographic dust jacket. Minor scuffing and top-edge curling to jacket.Near Fine in like jacket. An impressive catalogue of the large-scalesculptures by Smith (1912-1980), with short introductory remarks by hisdaughters and fellow artists, Seton and Kiki Smith.…

Condizione: As New. 1st Edition. Quarto, unpaginated (48 pages), illustrated throughout. Blue cloth being a facsimile of Giedion's 'Bauen in Eisenbeton' (1928). In original printed cardboard slipcase. As new. - First edition. "In 1954, a few weeks after I returned to New York from six years in Paris, a friend of the author Siegfried Gideon gave me a prototype book with blank pages-a publisher's dummy-which I used as Sketchbook 23 (Drawings on a Bus). The original book was published in 1928, and the cover was designed by Moholy-Nagy. While riding the bus, I noticed that the shadows of the window frames falling across my book changed as the bus moved. With my use of drawing by chance, I quickly marked many pages with outlines of the changing shadows. Later in my studio linked in the drawings in the sketchbook, several of which I developed into paintings." Ellsworth Kelly. October 9, 2006.…