Isbn: 9780822323198 - experimental ethnography: the work of film in the age of video (36 risultati)

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  • Lingua: Inglese

    Editore: Duke University Press (edition Illustrated), 1999

    0822323192 / 9780822323198

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    Paperback. Condizione: Fair. Illustrated. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

  • Lingua: Inglese

    Editore: Duke University Press, 1999

    0822323192 / 9780822323198

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    Paperback. Condizione: Good. Suitable for visual anthropologists, as well as film scholars interested in experimental and documentary practices, this book focuses on both the avant-garde and visual anthropology. It provides an analyses of more than thirty-five films and videos from the 1890s to the 1990s.…

  • Lingua: Inglese

    Editore: Duke University Press, 1999

    0822323192 / 9780822323198

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    Condizione: acceptable. All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may be missing bundled media.

  • Lingua: Inglese

    Editore: Duke University Press, 1999

    0822323192 / 9780822323198

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    Paperback. Condizione: Good. Suitable for visual anthropologists, as well as film scholars interested in experimental and documentary practices, this book focuses on both the avant-garde and visual anthropology. It provides an analyses of more than thirty-five films and videos from the 1890s to the 1990s.…

  • Lingua: Inglese

    Editore: Duke University Press, 1999

    0822323192 / 9780822323198

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    Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

  • Lingua: Inglese

    Editore: Duke University Press, 1999

    0822323192 / 9780822323198

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    Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

  • Lingua: Inglese

    Editore: Duke University Press, 1999

    0822323192 / 9780822323198

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    Condizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9780822323198.…

  • Lingua: Inglese

    Editore: Duke University Press, 1999

    0822323192 / 9780822323198

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    Paperback. Condizione: new. New Copy. Customer Service Guaranteed.

  • Lingua: Inglese

    Editore: Duke University Press, 1999

    0822323192 / 9780822323198

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  • Lingua: Inglese

    Editore: Duke University Press, 1999

    0822323192 / 9780822323198

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    PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

  • Lingua: Inglese

    Editore: Duke University Press, US, 1999

    0822323192 / 9780822323198

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    Paperback. Condizione: New. Experimental film and ethnographic film have long been considered separate, autonomous practices on the margins of mainstream cinema. By exploring the interplay between the two forms, Catherine Russell throws new light on both the avant-garde and visual anthropology. Russell provides detailed analyses of more than thirty-five films and videos from the 1890s to the 1990s and discusses a wide range of film and videomakers, including Georges MÉliÈs, Maya Deren, Peter Kubelka, Ray Birdwhistell, Jean Rouch, Su Friedrich, Bill Viola, Kidlat Tahimik, Margaret Mead, Tracey Moffatt, and Chantal Akerman. Arguing that video enables us to see film differently-not as a vanishing culture but as bodies inscripted in technology, Russell maps the slow fade from modernism to postmodern practices. Combining cultural critique with aesthetic analysis, she explores the dynamics of historical interruption, recovery, and reevaluation. As disciplinary boundaries dissolve, Russell contends, ethnography is a means of renewing the avant-gardism of "experimental" film, of mobilizing its play with language and form for historical ends. "Ethnography" likewise becomes an expansive term in which culture is represented from many different and fragmented perspectives.Original in both its choice of subject and its theoretical and methodological approaches, Experimental Ethnography will appeal to visual anthropologists, as well as film scholars interested in experimental and documentary practices. …

  • Lingua: Inglese

    Editore: Duke University Press, 1999

    0822323192 / 9780822323198

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    Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

  • Lingua: Inglese

    Editore: Duke University Press, 1999

    0822323192 / 9780822323198

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    Condizione: As New. Unread book in perfect condition.

  • Lingua: Inglese

    Editore: Duke University Press, North Carolina, 1999

    0822323192 / 9780822323198

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    Paperback. Condizione: new. Paperback. Experimental film and ethnographic film have long been considered separate, autonomous practices on the margins of mainstream cinema. By exploring the interplay between the two forms, Catherine Russell throws new light on both the avant-garde and visual anthropology.Russell provides detailed analyses of more than thirty-five films and videos from the 1890s to the 1990s and discusses a wide range of film and videomakers, including Georges Melies, Maya Deren, Peter Kubelka, Ray Birdwhistell, Jean Rouch, Su Friedrich, Bill Viola, Kidlat Tahimik, Margaret Mead, Tracey Moffatt, and Chantal Akerman. Arguing that video enables us to see film differently-not as a vanishing culture but as bodies inscripted in technology, Russell maps the slow fade from modernism to postmodern practices. Combining cultural critique with aesthetic analysis, she explores the dynamics of historical interruption, recovery, and reevaluation. As disciplinary boundaries dissolve, Russell contends, ethnography is a means of renewing the avant-gardism of "experimental" film, of mobilizing its play with language and form for historical ends. "Ethnography" likewise becomes an expansive term in which culture is represented from many different and fragmented perspectives.Original in both its choice of subject and its theoretical and methodologicalapproaches, Experimental Ethnography will appeal to visual anthropologists, as well as film scholars interested in experimental and documentary practices. Suitable for visual anthropologists, as well as film scholars interested in experimental and documentary practices, this book focuses on both the avant-garde and visual anthropology. It provides an analyses of more than thirty-five films and videos from the 1890s to the 1990s. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

  • Lingua: Inglese

    Editore: Duke University Press, Durham, 2003

    0822323192 / 9780822323198

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    Soft Cover. Condizione: Good. No Jacket. Reprint. From an academic library with the usual stamps etc. Covers have been laminated.

  • Lingua: Inglese

    Editore: Duke University Press, Durham, 2003

    0822323192 / 9780822323198

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    Soft Cover. Condizione: Good. No Jacket. Reprint. From an academic library with the usual stamps etc. Covers have been laminated.

  • Lingua: Inglese

    Editore: Duke University Press, 1999

    0822323192 / 9780822323198

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  • Lingua: Inglese

    Editore: Duke University Press 1999-05-12, 1999

    0822323192 / 9780822323198

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  • Lingua: Inglese

    Editore: Duke University Press, 1999

    0822323192 / 9780822323198

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    Condizione: New. Suitable for visual anthropologists, as well as film scholars interested in experimental and documentary practices, this book focuses on both the avant-garde and visual anthropology. It provides an analyses of more than thirty-five films and videos from the 1890s to the 1990s. Num Pages: 416 pages, 56 b&w photographs. BIC Classification: APFA; JHM. Category: (P) Professional & Vocational. Dimension: 234 x 160 x 30. Weight in Grams: 708. . 1999. Paperback. . . . .…

  • Lingua: Inglese

    Editore: Duke University Press, 1999

    0822323192 / 9780822323198

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    Condizione: New. In English.

  • Lingua: Inglese

    Editore: Duke University Press, 1999

    0822323192 / 9780822323198

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    Condizione: New. pp. 416.

  • Lingua: Inglese

    Editore: Duke University Press, 1999

    0822323192 / 9780822323198

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  • Lingua: Inglese

    Editore: Duke University Press, US, 1999

    0822323192 / 9780822323198

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    Paperback. Condizione: New. Experimental film and ethnographic film have long been considered separate, autonomous practices on the margins of mainstream cinema. By exploring the interplay between the two forms, Catherine Russell throws new light on both the avant-garde and visual anthropology. Russell provides detailed analyses of more than thirty-five films and videos from the 1890s to the 1990s and discusses a wide range of film and videomakers, including Georges MÉliÈs, Maya Deren, Peter Kubelka, Ray Birdwhistell, Jean Rouch, Su Friedrich, Bill Viola, Kidlat Tahimik, Margaret Mead, Tracey Moffatt, and Chantal Akerman. Arguing that video enables us to see film differently-not as a vanishing culture but as bodies inscripted in technology, Russell maps the slow fade from modernism to postmodern practices. Combining cultural critique with aesthetic analysis, she explores the dynamics of historical interruption, recovery, and reevaluation. As disciplinary boundaries dissolve, Russell contends, ethnography is a means of renewing the avant-gardism of "experimental" film, of mobilizing its play with language and form for historical ends. "Ethnography" likewise becomes an expansive term in which culture is represented from many different and fragmented perspectives.Original in both its choice of subject and its theoretical and methodological approaches, Experimental Ethnography will appeal to visual anthropologists, as well as film scholars interested in experimental and documentary practices. …

  • Lingua: Inglese

    Editore: Duke University Press, 1999

    0822323192 / 9780822323198

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    Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

  • Lingua: Inglese

    Editore: Duke University Press, 1999

    0822323192 / 9780822323198

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    Condizione: New. Suitable for visual anthropologists, as well as film scholars interested in experimental and documentary practices, this book focuses on both the avant-garde and visual anthropology. It provides an analyses of more than thirty-five films and videos from the 1890s to the 1990s. Num Pages: 416 pages, 56 b&w photographs. BIC Classification: APFA; JHM. Category: (P) Professional & Vocational. Dimension: 234 x 160 x 30. Weight in Grams: 708. . 1999. Paperback. . . . . Books ship from the US and Ireland.…

  • Lingua: Inglese

    Editore: Duke Univ Pr, 1999

    0822323192 / 9780822323198

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    Paperback. Condizione: Brand New. 391 pages. 9.50x6.25x1.25 inches. In Stock.

  • Lingua: Inglese

    Editore: Duke University Press Mai 1999, 1999

    0822323192 / 9780822323198

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    Taschenbuch. Condizione: Neu. Neuware - Experimental film and ethnographic film have long been considered separate, autonomous practices on the margins of mainstream cinema. By exploring the interplay between the two forms, Catherine Russell throws new light on both the avant-garde and visual anthropology. Russell provides detailed analyses of more than thirty-five films and videos from the 1890s to the 1990s and discusses a wide range of film and videomakers, including Georges MÉliÈs, Maya Deren, Peter Kubelka, Ray Birdwhistell, Jean Rouch, Su Friedrich, Bill Viola, Kidlat Tahimik, Margaret Mead, Tracey Moffatt, and Chantal Akerman. Arguing that video enables us to see film differently-not as a vanishing culture but as bodies inscripted in technology, Russell maps the slow fade from modernism to postmodern practices. Combining cultural critique with aesthetic analysis, she explores the dynamics of historical interruption, recovery, and reevaluation. As disciplinary boundaries dissolve, Russell contends, ethnography is a means of renewing the avant-gardism of "experimental" film, of mobilizing its play with language and form for historical ends. "Ethnography" likewise becomes an expansive term in which culture is represented from many different and fragmented perspectives.Original in both its choice of subject and its theoretical and methodological approaches, Experimental Ethnography will appeal to visual anthropologists, as well as film scholars interested in experimental and documentary practices.…

  • Lingua: Inglese

    Editore: Duke University Press, 1999

    0822323192 / 9780822323198

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  • Lingua: Inglese

    Editore: Duke University Press Books, 1999

    0822323192 / 9780822323198

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    paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

  • Lingua: Inglese

    Editore: DUKE UNIV PR, 1999

    0822323192 / 9780822323198

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    Condizione: New. Suitable for visual anthropologists, as well as film scholars interested in experimental and documentary practices, this book focuses on both the avant-garde and visual anthropology. It provides an analyses of more than thirty-five films and videos from th.