Isbn: 9783791330365 - see the music hear the dance: rethinking african art at the baltimore museum of art (18 risultati)

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: As New. Softcover. Good binding and cover. Light edge wear. (May have a short gift inscription on title page, to those who worked on this project. We have two copies, one doesn't have the inscription.) This is an oversized or heavy book, which requires additional postage for international delivery outside the US.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. A lovely, clean, tight hardcover in very good condition; light shelf wear to edges of boards. Dust jacket in very good condition with mild rubbing small closed tear at rear flap, now in protective mylar cover. We are a brick-and-mortar store and sell our own inventory.…

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover. Condizione: As new. SOFTCOVER BOOK, NO MATTER WHAT AMAZON SAYS!!! Glossy illus. wraps with yellow lettering and spine; 301 pp. with profuse color illustrations. This is a paperback edition. An in-depth look at one of the US's most extensive collections of African art, within the context of the the works' original rituals. I give this book 5 stars because it's clear the author charted his own path here and it makes for an interesting book on African art. There are other books with higher quality photos, slicker paper, that are more "artistic" coffee table material. I love them.not all, but often, if they aren't reprinting the same common photo examples. However,here the author really takes you into the village, introduces you to the tribal members, and you vicariously participate in the dance. It's not only interesting, but it's a record of a way of life that may not be around too much longer. You'll even find out what a heddle pully is and why it's important. You don't get that in the artistic coffee table book! (Jim Gwin). BASEMENT (illustratore).…

Hardcover. Condizione: Fair. Dustjacket included. First Edition. ISBN 3791330365. Hardback. Tight sound copy in Dustjacket with minimal wear overall, but pretty much a tight sound reading copy only due to some highlighting to the interior text. No Signature.

Hardcover. Condizione: New. Orangish cloth with color glossy dj. 301 pp. with profuse color illustrations. "Drawing on The Baltimore Museum's renowned African Collection, this illustrated exploration of African rituals uniquely encourages readers to look beyond the solitary artifact and toward an understanding of African music and dance as fully sensory experiences." "The one hundred objects presented here are parts of ceremonies that rely on sounds, sights, smells, and tastes to deliver their ultimate effects. Color reproductions of the objects, including masks, sculpture, and ceramics, are accompanied by brief essays explaining the contexts within which each was created. The essays focus on costumes; dance, movement and gesture; music and other sounds; storytelling; audiences; staging, and lighting. Field photographs and archival images help bring to life the African ceremonial experience, which we can better understand with the aid of this groundbreaking work."--BOOK JACKET. "Published on the 90th anniversary of the founding of the Baltimore Museum of Art, 2004"--Colophon.…

hardcover. Condizione: Very Good. NEW EU 3 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 301 pages : illustrations (some color) ; 30 cm. Summary:"Drawing on The Baltimore Museum's renowned African Collection, this illustrated exploration of African rituals uniquely encourages readers to look beyond the solitary artifact and toward an understanding of African music and dance as fully sensory experiences." "The one hundred objects presented here are parts of ceremonies that rely on sounds, sights, smells, and tastes to deliver their ultimate effects. Color reproductions of the objects, including masks, sculpture, and ceramics, are accompanied by brief essays explaining the contexts within which each was created. The essays focus on costumes; dance, movement and gesture; music and other sounds; storytelling; audiences; staging, and lighting. Field photographs and archival images help bring to life the African ceremonial experience, which we can better understand with the aid of this groundbreaking work."--BOOK JACKET.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Hardback in overall good shape with light general wear. Binding firm and square. Clean throughout.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good.

Hardcover. Condizione: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Hardcover. English. Pub Year 2004, See images for condition. About the book >.>.> This publication commemorates the ninetieth anniversary of The Baltimore Museum of Art?s founding and the fiftieth anniversary of the donation of the African art collection by Janet and Alan Wurtzburger. Their contribution established a permanent display of African art within the museum, highlighting a significant commitment to this field amidst the institution's ongoing expansion.The Wurtzburger gift reinforced a trajectory initiated by the museum's exhibition programme, beginning with the 1936 exhibition, African Negro Art, and followed by An Exhibition of African Art in 1946, noted for showcasing African art from American collections. Prior to the Wurtzburger's donation, significant contributions included ancient Egyptian and Coptic pieces from Florence Levy and Blanche Adler, alongside numerous gifts from collectors like Saidie A. May and Robert Garrett, which enriched the museum?s offerings.Exploring the aesthetic appreciation for African art, the Wurtzburgers joined a tradition exemplified by other collectors, such as the renowned Cone sisters, who recognised the artistic value of African objects in the context of modern art movements. The collection has continued to grow through the contributions of various donors, including Mr. and Mrs. A. Harvey Schreyer and numerous others, who have provided an extensive array of artefacts that significantly enrich the museum?s narrative.Principal author Dr. Frederick John Lamp has meticulously curated a selection of objects from diverse geographical and cultural contexts across Africa. This collection encompasses various media, including ceramics, textiles, beadwork, and ritual art, chosen for both their aesthetic merit and cultural significance.…

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2100grams, ISBN:9783791330365.…

Condizione: fine. vendeur pro, expedition soignee en 24/48h.Le livre peut montrer des signes d'usure dus à son utilisation, etre marque ou presenter plusieurs dommages esthetiques mineurs.

Gebundene Ausgabe. Condizione: Sehr gut. 301 Seiten Text englisch - Leichte äußere Mängel - Buch ansonsten in sehr gutem und ungelesenem Zustand - Jeder Lieferung liegt eine ordentliche Rechnung mit ausgewiesener MwSt. bei Sprache: Englisch Gewicht in Gramm: 2150.

Condizione: Sehr gut. 301 S. Umschlag leicht berieben, sonst gutes Exemplar aus dem Vorbesitz von Hans-Joachim Koloß. . - Weathering, Restoration, and Formal Criticism: a Senufo Figure (Pdrdpya) Till Forster -- Youthful Faces: an Ogoni Mask (Eiu) Keith Nicklin -- Renewable Art of Containment: a Djerma Vessel. F.J.L. -- Surface as Key to Identity and Place: an Egyptian Relief. Thomas Kittredge -- Mask of Wisdom: a We Mask (Gbona Gla) Marie-Noel Verger-Fevre -- Implements of Temple Ritual: an Egyptian Amulet. Thomas Kittredge -- The Body as Billboard: Ndebele Beadwork. F.J.L. -- The Ambiguity of Gender: a Loma Mask (Angbai) and Cow-Tail Switch. Christian K. Höjbjerg -- Embodying the Ancestors: a Kota Reliquary Figure {Mbulu-Ngulu) L. M.B. & F.J.L. -- Countering the Evil Eye: an Egyptian Child's Tunic. Anita Jones -- The Bird Is Faraway Meat: a Hausa Hunter's Headdress. Alice R. Burmeister -- Masking, Dancing, Fighting: Celebrating Male Aggression: an Igede/Ogoja Headdress. Sidney Littlefield Kasfir -- Gestures of Healing: a Kongo Fly Whisk Finial {Nsesa) Robert Farris Thompson -- The Illusion of Lightness: a Baga/Nalu Headdress (Banda) Frederick John Lamp -- Steps of Aggression and Peace: a Loma/Kpelle Mask (Kpakologi Sinei) Christian K. Höjbjerg -- Protecting the Body and Spirit: a Luba Neckrest. L.M.B. -- We Will Fight You Day or Night: a Fante Flag (Frankaa) Doran H. Ross -- The Speed and Color of Aggression: a Mossi Mask (Wan-Zega) Christopher Roy -- Dancing the Heat of Life: a Pende Mask. Z.S. Strother -- Movement in a Funerary Procession: a Kuba Mask Ushyeen Imaalu) David Binkley -- The Transformation into Spirit Through a "Constellation of Arts": a Dan Mask (Tanke'Ge) Daniel Reed -- Songs of Insult: a Senufo Headdress (Daagu) Till Forster -- Attracting the Attention of the Spirit: a Yoruba Divination Tapper and Bowl. F.J.L. -- Tasting the Sweetness of My Songs: a Sukuma Figure (Mabinda) Frank Gunderson -- The World Is Fragile. Life Should Not Be Lived with Force: a Yoruba Headdress (Igi Gelede Onijakadi) Babatunde Lawal -- A Reading of a Statement of Power: Nupe Door Panels. F.J.L. -- When It Lies behind You, Take It: Akan Goldweights (Abrammuo) S.E.G. -- Man Is like Palm Wine: a Kuba Cup. L.M.B -- Personal and Social Messages: a Zulu Beaded Panel (Ubheshwana) Carol Boram-Hays -- Dream Animals as a Link to the Spiritual World: a Bwa Mask. Emily Hanna -- The Asye Usu Can Fall on You: a Baule Figure {Asye Usu) L.M.B. -- The Military Unit, the Festival, the Drama: an Ejagham Mask. P. K. -- A Spectacle of Miracles: the Yoruba Forest Spirit Mask (Aroni) Henry John Drewal -- The Many Publics of the Bedu Masquerade: Nafana Male and Female Masks. Karel Arnaut -- Chorus of Visual Praise Offerings: a Yoruba Staff (Ose Shango) Henry John Drewal -- The Aura of Power and Mystery: an Asante Figure (Akua'ba) Herbert M. Cole -- Sculptural Biographies: a Lobi Figure. Susan Elizabeth Gagliardi -- The Spectacle of Lineage and Hierarchy: Two Cameroon Headdresses. Tamara Northern -- Air and Water, the Vertical and Horizontal, Tradition Versus Transition: a Baga Headdress (A-Bil-na-Tshol) Frederick John Lamp -- Where Is My Mate? The Importance of Complementarity: a Bamana Headdress (Ciwara) Stephen R. Wooten -- Ideology of Male and Female Movement: a Kuba Mask (Ngady Mwaash) David A. Binkley -- Transcendent Womanhood and the Scavenger: a Mende Mask {Ncloli Jowei) Frederick John Lamp -- Orienting the Body: Egyptian Viscera Jars. Thomas Kittredge -- Seeing between Worlds: a Moba Figure. Christine Mullen Kreamer -- Spaces of Inclusion and Exclusion: an Ibibio/Annang Mask. Jill Salmons -- You Are the Center, You Are the Village: a Pende Rooftop Figure (Kishikishi) L.M.B. -- It Is the East that Has Power: Sapi Stone and Wood Figures. Frederick John Lamp -- Alienating the Living from the Dead: a Senufo Mask (Ponyugu) Till Forster -- I This Opportunity to Dance: Kuba Textiles. L.M.B. -- The Fleeting Flamboyance of the Warrior: Maasai Ornamentation. L.M.B. -- Marking Passage in Momentary Appearances: a Yao Mask. Laurel Birch de Aguilar -- Gendered Seats-Gendered Space and Time: a Lobi Stool. Susan Elizabeth Gagliardi -- Sun, Fire, and Variations on Womanhood: a Baga/Bulunits Mask (D'mba) Frederick John Lamp -- We Cannot Live Without Such Beautiful Things: Weaving Heddle Pulleys. Frederick John Lamp -- The Hidden Power of Status: a Kwele Currency Piece (long) F.J.L. -- i You Haven't Seen the Wild Beast: a Manding Headdress {Komo Kun) F.J.L. -- I The Invisible Scourer of the Deep: a Mau Mask (Komasu) Marie-Noel Verger-Fevre -- I Substances and Smells in the Pursuit of Evil: a Kongo Figure (Nduda) Wyatt MacGaffey -- S Blood Sacrifice and the Official Memory: a Benin Head. F.J.L. -- 1 Fruitfulness, Sensitivity, and the Vow: a Pende Mask (Kipoko) L.M.B. &F.J.L. -- The Aroma of Milk, the Container, and the Body: a Borana Milk Container (Gorfa) Raymond A. Silverman -- I Idiom of Clairvoyance, Healing, and Shared Moral Inquiry: a Kongo Figure {Nkisi lumweno) Robert Farris Thompson -- 1 Cooling Double Trouble: Yoruba Twin Figures (Ere Ibeji) F.J.L. -- A Welcome to the Guest of God: a Gurage Basketry Table. F.J.L. -- Virtuous Meats Against Sorcery: a Numu Mask (Gbain) S.E.G. -- Commenting upon Critical Beliefs and Values: a Mali Puppet (Jine-Faro) Mary Jo Arnoidi -- Celebrating Virtuosity: a Dan Female Figure. F.J.L. -- Each Performance Is Unique: a Lwena Mask (Mwana wa Pwevo) Elisabeth L. Cameron. ISBN 3791330365 Sprache: Englisch Gewicht in Gramm: 2007 Mit zahlr. farb. Abb. Fadengehefteter Originalpappband mit Schutzumschlag.…

Hardcover. Condizione: Very Good. Very Good .Ships From Multiple Locations. book.