Peter cain (53 risultati)

Condizione: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy. Jose Perez Montero (illustratore).

Hardcover. Condizione: Acceptable. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket. Jose Perez Montero (illustratore).

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. Jose Perez Montero (illustratore).

Condizione: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Jose Perez Montero (illustratore).

Condizione: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Jose Perez Montero (illustratore).

hardcover. Condizione: Very Good. Scratch and dent. Cover may have wear, dings, tears, other damage, or be missing dust jacket. Buy multiples from our store to save on shipping. Jose Perez Montero (illustratore).

Hardcover. Condizione: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Jose Perez Montero (illustratore).

Hardcover. Condizione: Very Good. No Jacket. Pages are clean and unmarked. Cover corners and edges are unmarred. Binding is tight. Montero, Jose Perez (illustratore).

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. Jose Perez Montero (illustratore).

Condizione: Fine. Overstock school book. Multiple copies available. May have school barcode/stamp and very minor shelf wear but otherwise in Like New condition.

hardcover. Condizione: New. Jose Perez Montero (illustratore).

Condizione: new. Jose Perez Montero (illustratore).

Soft cover. Condizione: New. No Jacket. Essays by Carroll Dunham and Bob Nickas. This is the first publication about Cain, who died at age 37 having made fewer than 60 paintings. Focusing on Cain's car paintings, this volume illustrates the artist's working process, from initial collage to basic and then more complex drawings to the final large-scale canvas. The critic Jerry Saltz has called Cain's paintings "among the sexiest, strangest and most underrated paintings of the 1990s." Paperback, 64 pages, 44 images, 11 5/8 x 9 5/8 inches, 29.5 x 24.5 cm.…

Softcover.

Condizione: Fine. Overstock school book. Multiple copies available. Rebound by a professional bindery. New cover, property box and strong binding. May still have some writing on inside pages and school barcode. Otherwise in Like New condition.

paperback. Condizione: Very Good. Pages are clean with no markings. Ships promptly.

Softcover staple bound, unpaginated, very good condition, no internal marks, clean and crisp.

Paperback. First edition, first printing. Fine/As New paperback with dust jacket. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Essays by Carroll Dunham and Bob Nickas. Staple-bound stiff wraps; unpaginated [64 pages]; 23 color and 21 b&w illustrations; 9.5 x 11.5 inches. Checklist, biography, exhibition history, bibliography. The first publication on the work of Peter Cain, who died of a cerebral hemorrhage at the age of 37, having made fewer than 60 paintings. Focusing on Cain's car paintings, this publication illustrates the artist's working process, moving from initial collage to basic and then more complex drawings to the final large-scale canvas. The critic Jerry Saltz called Cain's paintings "among the sexiest, strangest and most underrated paintings of the 1990s" in a review in the Village Voice that is LAID IN. …

hardcover. Condizione: As New. New in shrink wrap.

Hardcover. XIX, 94 pages with 24 plates. Original blue cloth binding. 22x14cm. really good specimen. -- XIX, 94 Seiten mit 24 Tafeln. Blauer Original-Ganzleinenband. 22 x 14 cm. richtig gutes Exemplar. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Genießen Sie den goldenen Herbst! Machen Sie es sich gemütlich , bei uns finden Sie sicher die passende Lektüre! -- Wir kaufen Ihre werthaltigen Bücher! Thea.…

Mass Market Paperback. Condizione: Used: Like New. Clean, glossy softcover exhibition catalogue. Has no marks or writing in book. A few very slight signs of handling. Rear dust jacket flap has a crease, possibly occurred in the binding process.

Hardcover. Condizione: Used - Very Good. Very nice clean, tight copy free of any marks. 2 vol set with slipcase.

Hardcover. Condizione: New. 1st Edition. This is the first comprehensive monograph on Peter Cain, who first achieved fame in the early-1990s for his paintings of distorted automobiles. Rendered with precision, their gleaming surfaces intensified the seductiveness of the advertisements on which they were based, leading one critic at the time to call them "literal and figurative icons of autoeroticism." In 1995, in a departure from the car paintings, Cain began a new series of paintings. Each composition part figure study, part landscape depicts his boyfriend Sean's reclining head and shoulders on a beach. These new works signaled, in the words of critic Peter Schjeldahl, "the creation of a new high style able intelligently to capture intimate nuances of contemporary Eros on a public scale." The following year Cain took up another new subject: gas stations and strip malls around Los Angeles. In January 1997, less than a month before their first exhibition, he died tragically from a cerebral hemorrhage. He was thirty-seven years old. Illustrated with more than eighty full-color plates, this book features paintings, drawings, and photographs made between 1987 and 1997. Beau Rutland's essay provides a comprehensive overview of Cain's work and its unique place in the New York art world of the 1980s and 1990s, while Collier Schorr offers a meditation on desire and power inspired by Cain's car paintings. Richard Meyer's essay examines the Sean paintings, which suspend their subject "between intimacy and abstraction." Accompanying these essays are source images, preparatory collages, and historical photos of the artist and his studio, all published here for the first time. Clothbound with jacket. 164 pages, 133 images. 11½ × 10 inches; 29 × 25 cm.…

Hardcover with dustjacket, 164 pages, as new condition; light rubbing to dj; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: As New. No Jacket. 1st Edition. A new copy of this two-volume limited edition (1000 copies) in slipcase. First edition. Over 100 Color & B/w Illustrations (chiefly B/w) (illustratore).

hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Two hardcover books without dustjackets as issued in printed cardboard slipcase; 32 and 100 pages; very good condition; box still sturdy but cardboard starting to separate along bottom edge; no internal marks. Foreign shipping may be extra.

Condizione: Near Fine. Near Fine. New York: Matthew Marks Gallery, 2017. First Edition. Quarto (30x26x2cm); 162pp, including list of exhibitions and bibliography. Color images of Cain's work throughout, with additional background, personal, and studio photographs. Photographic dustjacket. Black boards with blacker lettering on spine and front panel. Both jacket and volume pristine. This is the first major monograph on the paintings of dysmorphic, impossible, but still appealingly sexy cars by Peter Cain (1959-1997)who knew how to compress sizzling cars and sizzling boyfriends into tightly delimited spaces.…

Hardcover. Condizione: Near Fine. No Jacket. First Edition. 4to - over 9?" - 12" Tall (oblong tall). Nice, clean copies in slightly worn slipcase. [ca. 150] pages in all (chiefly unpaginated). Text in English and German. 2-volume catalogue of the exhibition titled 'Peter Cain: The Los Angeles Pictures', held at Galerie Aurel Scheibler, Cologne, October - December 2005. Notable for the 1:1 scale reproductions of the drawings, plus reproductions of the paintings in full color. Essays by Jack Pierson and Terry R. Myers (in 'Paintings' volume); biographical chronology and bibliographical references (at rear of 'Paintings' volume). 2 volumes complete, in gray printed boards; one of 1000 casebound sets (the entire edition). Minor wear to back panel of slipcase (some detachment, with slight bumping), else a fine set internally.Over 100 Color & b/w Illustrations (chiefly b/w).…

Soft cover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated wrappers, with photographically illustrated dust jacket. Paintings by Peter Cain. Essays by Bob Nickas and Carroll Dunham (reprint). Includes an exhibition checklist, biography, exhibition history and a bibliography. Unpaginated (64 pp.), with 22 four-color plates and additional illustrations. 11-1/2 x 9-5/8 inches. Published on the occasion of an exhibition at Matthew Marks Gallery, New York. Fine in Fine dust jacket.…