Writer reader studies editorial method di gaskell (25 risultati)

Paperback. Condizione: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Hardcover. Condizione: Very Good. No Jacket. Former library book; Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Near Fine. 268 pages; 6 x 9 ".

Condizione: New. 2000. paperback. . Not a first edition copy. . . . Books ship from the US and Ireland.

Condizione: New. 2000. paperback. . Not a first edition copy. . . .

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition; First Printing. First Edition, First Printing (No additional printings stated). Very Good/Very Good with moderate wear to dustjacket and no marks to text. Lit crit. ; 8vo 8" - 9" tall; 268 pages.

octavo, printed wrappers. Condizione: New. octavo, printed wrappers. (xvi), 268pp. St. Paul's, The definitive work on the nature of textual bibliography and criticism which has established itself as an essential tool for students of bibliography and for anyone else concerned witht he editing of serious literature. It is based ont he study of extracts from the early texts of 12 works of literature, ranging from Harington's Orlando Furioso, 1591; to Dickens' David Copperfield, 1850; to Tom Stoppard's Travesties, 1974. By tracing the texts through their many stages from writer to reader, Gaskell reveals how a work is subject to variations of composition (e.g., an author's revision of the printed proof) and variations of transmission, resulting from the process of copying, printing, and publicaiton. Gaskell categorizes the role of the editor as that of textual bibliographer, one who establishes texts and readings by finding out how and with what intentions they were written and reproduced. He presents the editor also as a literary critic who judges texts as works of art and states preferences for different readings. Examples show how, by combining a critical judgment with an understanding of textual bibliography, an editor can establish "critical text" that is as authoritative as the evidence allows, and then present it in the form best suited to its intended audience.…

paper wrappers. 8vo. paper wrappers. viii, 268 pages. Reprint of the first edition. Very small abrasion to spine, else near fine. Most of the major works of English literature are readily available today only in versions that are sadly inadequate. There are few reliable specialist editions; much worse, the majority of the paperback texts of English and American authors that are sold in their millions to students and general readers are corrupt and misleading. This is as unnecessary as it is undesirable. By combining a critical judgement with an understanding of textual bibliography, an editor can establish a "critical text" that is as authoritative as the evidence allows and present it in the form best suited to the intended audience. The examples given in this book show how this may be done. Dr. Gaskell presents extracts from the early texts of twelve works of literature. He has chosen them not only because of their importance as works of art but also on account of the quantity and variety of the surviving textual evidence; and so, by skillfully following each extract through its surviving stages from writer to reader, he encompasses a variety of subjects and treatments.…

Condizione: Very Good. 1st edition. Cloth, dj, F/VG+xiv+268pp, b/w illustrations throughout, index, dustjacket spine faded, otherwise a fine copy. The method of establishing a critical text of a work of literature is explained by way of 12 examples, from Ariosto's Orlando Furioso to Tom Stoppard's Travesties. 850 grams.…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Fine copy. Owner name to frontendpaper.

Condizione: Good. Paperback, illustrations.

octavo, boards in dust jacket. Reissue. Reissue. octavo, boards in dust jacket. (xvi), 268pp. St. Paul's, The definitive work on the nature of textual bibliography and criticism which has established itself as an essential tool for students of bibliography and for anyone else concerned witht he editing of serious literature. It is based ont he study of extracts from the early texts of 12 works of literature, ranging from Harington's Orlando Furioso, 1591; to Dickens' David Copperfield, 1850; to Tom Stoppard's Travesties, 1974. By tracing the texts through their many stages from writer to reader, Gaskell reveals how a work is subject to variations of composition (e.g., an author's revision of the printed proof) and variations of transmission, resulting from the process of copying, printing, and publicaiton. Gaskell categorizes the role of the editor as that of textual bibliographer, one who establishes texts and readings by finding out how and with what intentions they were written and reproduced. He presents the editor also as a literary critic who judges texts as works of art and states preferences for different readings. Examples show how, by combining a critical judgment with an understanding of textual bibliography, an editor can establish "critical text" that is as authoritative as the evidence allows, and then present it in the form best suited to its intended audience. Light scuffing to surface of dust jacket.…

Softcover (Stiff Card). Condizione: Very Good. No Dust Jacket. Second Edition. This book is based on the study of extracts of texts of twelve works of literature. By tracing the texts through their many stages from writer to reader, the author reveals how a work is subject to variations of composition. Size: Octavo (standard book size). Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact, but spine is faded/sunned. No foxing in this copy. Edges very slightly spotted or marked. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Books for Writers; ISBN: 0906795303. ISBN/EAN: 9780906795309. All our pictures shown here are of the actual item, not stock photos. Inventory No: 18719. For further info on this title, click on the "Contact Seller" button within this listing. We will try to reply within 24 hours. Otherwise you can order right now (inclusive of shipping options) from the "Add to Basket" button to the right.…

First Edition. Fine cloth copy in an equally fine dust wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description: xiii, 268 pages: illustrations; 24 cm. Contents: 1. Harington, Ariosto's Orlando furioso, 1591 -- 2. Milton, A maske (Comus), 1634 -- 3. Richardson, Pamela, 1741 -- 4. Swift, Directions to servants, 1745 -- 5. Scott, The Heart of Mid-Lothian, 1818 -- 6. Tennyson, 'OEnone', 1833 -- 7. Dickens, David Copperfield, 1850 -- 8. Thackeray, Henry Esmond, 1852 -- 9. Hawthorne, The marble faun, 1860 -- 10. Hardy, The woodlanders, 1887 -- 11. Joyce, Ulysses, 1922 -- 12. Stoppard, Travesties, 1974. Subjects: English literature History and criticism. Editing English literature.Editing Decision-making. 1 Kg. …

First Edition. Fine cloth copy in an equally fine dust wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description: xiii, 268 pages: illustrations; 24 cm. Contents: 1. Harington, Ariosto's Orlando furioso, 1591 -- 2. Milton, A maske (Comus), 1634 -- 3. Richardson, Pamela, 1741 -- 4. Swift, Directions to servants, 1745 -- 5. Scott, The Heart of Mid-Lothian, 1818 -- 6. Tennyson, 'OEnone', 1833 -- 7. Dickens, David Copperfield, 1850 -- 8. Thackeray, Henry Esmond, 1852 -- 9. Hawthorne, The marble faun, 1860 -- 10. Hardy, The woodlanders, 1887 -- 11. Joyce, Ulysses, 1922 -- 12. Stoppard, Travesties, 1974. Subjects: English literature History and criticism. Editing English literature.Editing Decision-making. 1 Kg. …

paperback. Condizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:019818171X.…

Cloth, 8vo, 24 cm, xiii, 268 pp, ills. From the blurb: "Most of the major works of English literature are readily available today only in versions that are sadly inadequate. There are few reliable specialist editions; much worse, the majority of the paperback texts of English and American authors that are sold in their millions to students and general readers are corrupt and misleading. This is as unnecessary as it is undesirable. By combining a critical judgement with an understanding of textual bibliography, an editor can establish a 'critical text' that is as authoritative as the evidence allows, and can present it in the form best suited to his intended audience. The examples given in this book show how this may be done. Dr. Gaskell presents extracts from the early texts of twelve works of literature. He has chosen them not only because of their importance as works of art but also on account of the quantity and variety of the surviving textual evidence; and so by skilfully following each extract through its surviving stages from writer to reader he encompasses a variety of subjects and treatments. His authors are Harington (Ariosto's Orlando Furioso), Milton (Comus), Richardson (Pamela), Swift (Directions to Servants), Scott (The Heart of Mid-Lothian), Tennyson (OEnone), Dickens (David Copperfield), Thackeray (Henry Esmond), Hawthorne (The Marble Faun), Hardy (The Woodlanders), Joyce (Ulysses), and Tom Stoppard (Travesties)." Very Good in a dustwrapper which is slightly faded around the spine.…

Hardback. Hardback. 268pp. How to establish an authoritative text a practical guide for editors with 10 examples drawn from writers as diverse as John Milton and Tom Stoppard. Cloth with gilt titles to spine is clean, bright and neat. Dust wrapper is rubbed to edges and unevenly faded. Near fine, bright copy in good dust wrapper Near fine, bright copy in good dust wrapper. …

Reprint ed. Paperback octavo, very good condition, front cover fore-edge & first few pages faintly creased, minor edgewear. 268 pp. The author presents extracts from the early texts of 12 works of literature, chosen because of their importance as works of art, and on account of the quality of surviving textual evidence. Follows the texts through all the editorial stages from writer to reader, giving the reader an insight into the editorial method of shaping composition. This exposition will help all students of literature. Originally published in 1978. SALE PRICE.…

Cloth. Condizione: Near Fine. Condizione sovraccoperta: Very Good. DJ lightly rubbed with a few small scratches to rear and sunning to spine and top. Top edge foxed, else very tidy. Size: 8vo 0.0.

Couverture rigide. Condizione: bon. RO60111589: 1878. In-8. Relié. Etat d'usage, Couv. légèrement passée, Coiffe en tête abîmée, Intérieur acceptable. 268 pages. Illustré de nombreuses photos en noir et blanc dans et hors texte. Jaquette abîmée et défraîchie. Avec Jaquette. . . Classification Dewey : 420-Langue anglaise. Anglo-saxon.…

Hardcover. Condizione: Fine. 270p. Co-published with St. Paul's Bibliographies.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 1st Edition. Hardback, NOT ex-library. Jacket sunned to spine and faces. Black cloth boards very slightly marked. Binding tight. Spotting to upper face of page block. Faint foxing to endpapers and pastedowns. Slight sunning to page edges. No markings or inscriptions. A decent copy. 266pp. (Uc3).…

Oxford: At the Clarendon Press 1978. 8vo. Original cloth. Dustjacket. (268pp.). B/w illusts. Fine. NOTE: Examples of 12 works of literature shows how a combination of critical judgement with an understanding of textual bibliography an editor can establish a critical text.