1230 (254 risultati)

Paperback. Condizione: Good. Meets or exceeds the good condition guidelines. Nice copy. Tear on cover. Five star seller - Buy with confidence!

Paperback or Softback. Condizione: New. Le roman de la rose; Tome 1. Book.

Paperback. Condizione: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condizione: Gut. T/204 S./2 Bl., groß-8°, flex. Gewebebd. m. Buntpapiervorsätzen; leichte Gebrauchsspuren. - In Fraktur. - Hans Berendt 1887 - 1971 - (ZwSt).

PF. Condizione: New.

PF. Condizione: New.

paperback. Condizione: Fine. Stampa su carta Japon eseguita dalle Officine Grafiche Esperia di Milano. Esemplare n. 122. 32mo. pp. 32 non numerate. . Ottimo (Fine). . Prima edizione di 500 esemplari numerati (First edition of 500 numbered copies). . Prima edizione di 500 esemplari numerati (First edition of 500 numbered copies). Book.

Condizione: New. Somos JUANPEBOOKS. Enviamos a todo el mundo por DHL. 100% garantía. Libro nuevo. We ship worldwide by DHL wth tracking. 100% guarentee.

Paperback. Condizione: New.

Broschiert. Condizione: Ausreichend. 1. éd. In-8 (18x12cm.). Collection Les Classiques Français du Moyen Age, 38. XII, 214 p. Broché. Sprache: Französisch, Etat acceptable. Dos endommagé, couverture presque détachée, pages brunâtre. USADO / GEBRAUCHT / USED. Renaud de Beaujeu ou Renaut de Baugé ou de Bâgé est l'auteur d'un roman arthurien de 6266 octosyllabes à rimes plates composé aux alentours de 1200 appelé Le Bel Inconnu. Une chanson et un lai lui sont également attribués. [medieval literature+arthur+ciclo artúrico]. ** 10% DESCUENTO/RABATT/DISCOUNT PRIMAVERA * excl. New German Books * * * * 13,50 (original price 15,00) **.

Paperback. Condizione: Brand New. 610 pages. 11.69x8.27x1.23 inches. In Stock.

Couverture souple. Condizione: bon. RO10005043: 21-27 Juillet 1993. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Non Renseigné. . . . Classification Dewey : 630-Agriculture et techniques connexes.

Copertina morbida. Condizione: Come nuovo. Prima edizione. 64 p., [4] c. di tav. ; 34 x 24 cm. Le Laude di Jacopone da Todi sono componimenti di tema religioso che si rifanno al genere della lauda, assai diffuso in Umbria tra il XII secolo e il XV secolo. Al modulo popolareggiante della lauda, Jacopone aggiunge i toni individuali di un'anima inquieta e tormentata. Jacopo De Benedictis detto Jacopone da Todi (1236-1306) è stato un religioso e poeta italiano venerato come beato dalla Chiesa cattolica. Introduzione di Giorgio Petrocchi. Di questa edizione, stampata a Roma per i tipi dell'Istituto Grafico Tiberino di Stefano De Luca, su carta Affresco Latte delle cartiere Ventura, sono stati tirati 700 esemplari per gli amici della Casa editrice De Luca. Legatura editoriale in cartoncino grezzo muto, sovraccoperta con titolo impresso in nero al dorso, illustrata con disegno in b/n e alette. Sovraccop. con leggeri segni d'uso alla quarta, per il resto pagine interne ottimamente conservate come nuove.

Soft cover. Condizione: Very Good. No Jacket. 1st Edition. 110 pp; 18 figs. Original printed wrappers. Very Good. Contains the Latin text. Franciscan Institute Publications, Text Series No. 16.

Paperback. Condizione: Good. 48 p. ; 25 cm. Heemssen, Jan David Dutch literature Text Dutch De oorspr. tekst wordt toegeschreven aan Johannes Pecham. Overdr. uit: Handelingen [van de] Koninklijke Zuidnederlandse Maatschappij voor Taal- en Letterkunde en Geschiedenis ; 28, 1974. Bevat ook de tekst van Jan David Heemssen.

Hardback. Condizione: New. Large format. Hebrew only. Modern print. Multiple copies of our books may sometimes be available. Please enquire if interested. // En hébreu. De multiples exemplaires de nos livres peuvent parfois etre disponibles. Renseignez-vous.

Hardcover. Condizione: New. Large format. Hebrew only. Modern print. Multiple copies of our books may sometimes be available. Please enquire if interested. // En hébreu. De multiples exemplaires de nos livres peuvent parfois etre disponibles. Renseignez-vous.

Opulent ausgestatteter Katalog mit hervorragenden Abbildungen; verzeichnet 236 Manuskripte und wertvolle Bücher.

Bel volumettoi in-16° (cm. 19,2), pp. LXII, (2), 271. Solida bella tela grigia edit. (appena ingiallita dal sole al dorso). WALTHER, il più famoso poeta in medio alto-tedesco, uno dei mitici 12 "alte Meister Minnesänger" .che giravano per le corti. Dottissimo, con profusione di note e varianti.

Leatherbound. Condizione: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 122. A perfect gift for your loved ones. Reprinted from 1911 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Volume no. 82 Language: English Pages: 122 Volume no. 82.

LeatheBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 164. A perfect gift for your loved ones. Reprinted from 1911 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 164.

Leatherbound. Condizione: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 204. A perfect gift for your loved ones. Reprinted from 1908 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 204.

Leatherbound. Condizione: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 218. A perfect gift for your loved ones. Reprinted from 1908 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 218.

Paperback. Condizione: Very Good. Double column, initial strokes and paragraph marks in red. Text in German. Incipit: "Der lieb herr sant Siluester was ein cristen und het got lieb ." Beginning of Life of St. Sylvester (d. 335 AD). (Size: 130 x 90 mm).

Soft cover. Condizione: Very Good. 4to. [ff. 30, incl. final blank]. 123 text illus. (2 full-page). 3 full-page facsimiles, 1 with coloured initial. type specimens in text. Uncut, unopened & unstitched in wrs. Limited to 75 copies printed for the Society plus 50 on Vélin BFK De Rives.

PARIS, Ed. A. & J. Picard & Cie - 1985 & 1977 -4 ème & 8ème tirages - 2 volumes In-8 - Brochés - 582 & 349 pages - très frais, comme neuf - Réf. 48579 Livres 286150239246.

Hardcover. Condizione: Fine. Bound in modern vellum. Title with large woodcut showing the author in his study, surrounded by books, lecturing his students, one of whom takes notes. Sessa's cat-and-mouse printer's device appears on the same leaf.,The text is illustrated with 77 woodcut diagrams. A very fine copy, crisp and bright. There is a very light stain on the title page, a bit of soiling in the gutter of leaf A3, and a discreet paper repair to the fore-edge of the final leaf. "The 'Perspectiva communis' was the most widely used of all optical texts from the early fourteenth until the close of the sixteenth century, and it remains today the best index of what was known to the scientific community in general on the subject" (DSB). It was first printed in Milan around 1482, then, in 1503, it was included in a collection by Thomas Bradwardine, "Praeclarissimum mathematicarum opus"(Valencia). This 1504 edition, the first edited by Luca Gaurico, can be considered the third, although another edition of the pre-Gaurico version was also published in 1504, at Leipzig. A mathematician from Naples and teacher of Scaliger, Gaurico, who also edited the works of Archimedes and Ptolemy, completely revised the text. "The work on which Pecham's fame has chiefly rested is the Perspectiva communis, probably written between 1277 and 1279 during Pecham's professorship at the papal curia. In the first book Pecham discussed the propagation of light and color, the anatomy and, physiology of the eye, the act of visual perception, physical requirements for vision, the psychology of vision, and the errors of direct vision. In book II he discussed vision by reflected rays and presented a careful and sophisticated analysis of image formation by reflection. Book III was devoted to the phenomena of refraction, the rainbow, and the Milky Way. "The central feature of Pecham's optical system and the dominant theme of book I of the 'Perspectiva communis' is the theory of direct vision. Here, as elsewhere, Pecham endeavored to reconcile all the available authorities-Aristotle, Euclid, Augustine, al-Kindi, Ibn al-Haytham, Ibn Rushd, Grosseteste, and Bacon. Following Ibn al-Haytham, Pecham argued that the emission of visual rays from the observer's eye is neither necessary nor sufficient as an explanation of sight; the primary agent of sight is therefore the ray coming to the eye from a point on the visible object. But in an attempt to follow Aristotle, al-Kindi, and Grosseteste as well, Pecham argued that visual rays do nevertheless exist and perform the important, but not always necessary, function of moderating the luminous rays from the visible object and making them, "commensurate with the visual power." Thus Pecham, like Bacon, resolved the age-old debate between the emission and intromission theories of vision in favor of a twofold radiation, although, to be sure, priority was given to rays issuing from the visible object. "The rays issuing from points on the visible object fall perpendicularly onto the cornea and penetrate without refraction to the sensitive ocular organ, the glacial humor (or crystalline lens); nonperpendicular rays are weakened by refraction and therefore can be largely ignored. Since only one perpendicular ray issues from each point of the visible object and the collection of such perpendicular rays maintains a fixed order between the object and the eye, a one-to-one correspondence is established between points on the object and points on the glacial humor, and unconfused perception of the visual field is thus achieved. Vision is not "completed," however, in the glacial humor. There is a further propagation of the rays (or species) through the vitreous humor and optic nerve to the common nerve, where species from the two eyes combine, and eventually to the anterior part of the brain and the "place of interior judgment." "Pecham's optical system included significantly more than a theory of direct vision. He briefly discussed the doctrine of species; treated at length the propagation of rays; and developed a theory to explain how solar radiation, when passing through noncircular apertures, gives rise to circular images. He expressed the full law of reflection and applied it to image formation by plane, spherical, cylindrical, and conical mirrors; in this analysis he revealed an implicit understanding of the nature of the focal point of a concave mirror. Although he did not possess a mathematical law of refraction, he successfully applied the general qualitative principles of refraction to the images that result from refraction at plane and circular interfaces between transparent media of various densities. In his discussion of the rainbow Pecham again attempted to reconcile different theories. He argued that all three kinds of rays (rectilinear, reflected, and refracted) concur in the generation of the rainbow. "Pecham's 'Perspectiva communis' is still extant in more than sixty manuscripts and went through twelve printed editions, including a translation into Italian, between 1482 and 1665. It was used and cited by many medieval and Renaissance natural philosophers, including Dominicus de Clavasio, Henry of Langenstein, Blasius of Parma, Lorenzo Ghiberti, Leonardo da Vinci, Albert Brudzewski, Francesco Maurolico, Giambattista della Porta, Girolamo Fabrici, Johannes Kepler, Willebroad Snellius, and G. B. Riccioli. It was lectured upon, in the late Middle Ages, at the universities of Vienna, Prague, Paris, Leipzig, Cracow, Würzburg, Alcala, and Salamanca."(DSB). THIRD OR FOURTH EDITION (of the two editions of 1504, priority has not been determined). THE FIRST TO BE EDITED BY LUCA GAURICO.

Rilegato. Condizione: molto buono. Legatura in pergamena antica da riutilizzo; al dorso, 3 nervi rilevati; al contropiatto anteriore, doppio ex-libris, uno per F. Hopkinson, Malvern e l`altro per Wells - Hans Fürstenberg. 1 carta bianca di epoca successiva con annotazioni a penna sull`opera. 422 carte, le prime 14 con la sola numerazione di registro, le altre 408 con numerazione di registro e numerazione manoscritta a penna. Le prime 14 carte probabilmente da altro esemplare, presentandosi con il margine laterale leggermente più corto di qualche millimetro. All`linterno, numerose incisioni silografiche raffiguranti capolettera, diagrammi, simboli astronomici e segni zodiacali; al recto dell`ultima carta, magnifica marca tipografica dell`editore Ratdolt, impressa in rosso e nero. Collazione: [*]14 a-z A-Z AA-EE8 (*1r register title, *1v preface by Canter, *2r tabula, a1r title, a1v blank, a2r text, EE7v colophon, EE8r printer`s device, verso blank. Types: 7:92G, 8:90G, 9:130G, 12:180G, 4:76G, 15:70G. Testo su 44 linee (variabili). Prima rarissima edizione di questo magnifico incunabolo. L`opera si basa fortemente sugli scritti degli astrologi arabi, di quelli tolemaici e degli scrittori del periodo classico. Bonatti o Bonatus è autore di numerose opere astronomiche e uno degli astrologi più famosi e influenti del XIII secolo. Nel 1260 promosse l` \"Astrologus Communis Florentiae de Forolivio \". L`opera in esame è una storia di scienze magiche e sperimentali. Al loro tempo i sacerdoti babilonesi profetizzavano per il loro re decodificando le osservazioni delle eclissi. Queste previsioni erano divise in sette parti, in quanto sette erano i pianeti celesti tradizionali: Sole, Luna, Mercurio, Marte, Venere, Giove e Saturno. Berosus, sacerdote del tempio di Bel, è considerato il primo autore dei trattati astrologici, anche se Luciano di Samosata pensava che gli etiopi fossero gli astrologi più antichi. Più tardi, gli egiziani svilupparono la vecchia scienza e i greci la presero come l`unico metodo di divinazione e lo perfezionarono; i romani fecero loro queste teorie conidzionando ogni aspetto della loro vita sociale e individuale. La pubblicazione dell`opera in esame influenzò certamente Leonardo da Vinci, come ebbe a scrivere Solmi: \"Che tal opera astrologica fosse posseduta dal Vinci è cosa naturale, prima per la gran fama del Bonatti, poi per le pregevoli nozioni di soda astronomia e di altre scienze, che vi sono contenute\". Esemplare in buone condizioni complessive, su carta croccante, bene inchiostrato e ad ampi margini; prima carta incollata al margine interno alla carta bianca che la precede, così come l`ultima carta, incollata sul foglio bianco che la segue; lievi gore all`interno del margine superiore, che compare e scompare lungo il volume, a cui si accompagna una lieve gora al margine esterno alle ultime carte, sempre lontano dal testo; piccolissimi fori di tarlo alle prime carte, più estesi ultime 4. Opera davvero rara e con il Registro presente, spesso mancate in altri esemplari. Ancient vellum for reuse; bookplates by F. Hopkinson, Malvern and Wells-Hans Fürstenberg. 1 cb. of a later period with pen annotations. 422 leaves. The first 14 leaves with the side margin slightly shorter by a few millimeters. Inside, there are numerous woodcut engravings depicting initials, diagrams, astronomical symbols and zodiac signs; on the obverse of the last leaf, a magnificent typographic mark of the publisher Ratdolt, impressed in red and black. Collation: [*]14 a-z A-Z AA-EE8 (*1r register title, *1v preface by Canter, *2r tabula, a1r title, a1v blank, a2r text, EE7v colophon, EE8r printer`s device, verso blank). This is the first very rare edition of this magnificent incunabulum. The work is heavily based on the writings of Arabic astrologers, Ptolemaic astrologers, and writers of the classical period; a history of magical and experimental sciences. A truly rare work with the Register present, often missing in other copies. Very good impressions inside, clean.

paperback. Condizione: Fine. Con 14 acqueforti originali di cui 10 firmate (cm 17,5x11,7) e 4 non firmate (cm 11x10 e 6x8) di Mario Calandri Edizione composta a mano e stampata su carta Arches. Edizione originale di 100+XX+10 ad personam es. numerati. Esemplare 34/100. 4to (cm34x27). pp. 104 (14). . Ottimo (Fine). . Edizione originale di 100+XX+10 es. numerati. . Edizione originale di 100+XX+10 es. numerati. Book.

Hardcover. Condizione: Good. 4to (200x138 mm), recent gilt-stamped calf to style, original coloured edges, a clean and well preserved copy (leaves signed d3, e6 and e7 shaved at top, just touching a few letters, slight stain on k7 with loss of a few letters). Gothic type, 109 ff. (of 110, lacking final blank), 40 lines, full-page woodcut illustration of an armillary sphere on a2, 35 large illustrations depicting the gods and constellations, 1/3-page illustrations of the 12 signs of the zodiac (plus a smaller series occurring three times), 54 half-page astronomical diagrams, of which 2 are printed in red and black. First edition the only incunable - of this medieval treatise on astrology and meteorology, based on the writings of Albumasar. The section entitled De mutatiore aeris describes the weather signs used by the peasants of the 13th century and gives general descriptions of winds, thunder etc. Ratdolt specialised in printing works on astronomy, and collaborated with the distinguished mathematician Johann Angelis. Hain 10042; BMC II, 382, Goff L185; Zinner 364. Stillwell L161 (under Leupoldus); Klebs 601.1.