1974 paris (26 risultati)

Paperback. Condizione: Very Good. French edition Very Good paperback with light shelfwear - NICE! Standard-sized.

Condizione: Good. Envoi rapide Très Bon Etat de conservation outre la couverture un peu ternie. in8. 1974. Broché. Good.

First Edition. Near fine copy in the original title-printed, stiff-card wrappers; edges very slightly dust-dulled and nicked. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. ; 319 pages; Description: 319 p. ; 18 cm. Subjects: Social ethics --Communism --France --Moral conditions --Social conditions. 1 Kg.…

First Edition. Near fine copy in the original title-printed, stiff-card wrappers; edges very slightly dust-dulled and nicked. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. ; 319 pages; Description: 319 p. ; 18 cm. Subjects: Social ethics --Communism --France --Moral conditions --Social conditions. 1 Kg.…

Softcover. Condizione: VG. White wraps. [38] pp. 23 bw plates. Nine-page introduction by Jean Callieux, biographic chronology, catalogue of 22 works, several interesting plates. Text in French.

147 Lose mit französischen Beschreibungen, mit Fotos, teils farbig. Preise teils handschriftlich notiert, wohl in frz. Franc. Interessanter Auktionskatalog. Cover etwas gebräunt, innen gut.

Großes Original-Porträtfoto (kl. 8 to, Studio Loder, Paris, Knickecke hinterlegt), mit eigenhändiger Widmung, Empfehlung, Unterschrift signiert.

Couverture souple. Condizione: Bon état. In-4 26,5 x 19 cm. Broché, dos noir muet, couverture illustrée en noir & blanc, 74 pp., 113 reproductions en noir & blanc, catalogue. Exemplaire en bon état. Petite déchirure en tête du plat de dos.

Condizione: Très bon. Nos envois se font avec suivi, pour tout problème n'hésitez pas à nous contacter pour trouver une solution.

Soft cover. Condizione: Poor. Antiquités préhispaniques. Colombie, Perou,AMexique.Art Nègre.236 Lots.Some writing in it.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 86. A perfect gift for your loved ones. Reprinted from 1975 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 86.…

Paris, Ader Picard Tajan, 1974, in-8°, ca 120 nn pp, b/w + coloured plates and ills on almost every page, 233 items, publisher's gilt red boards, , upper joint partly split but a good copy.

Condizione: Fine. Darien, Connecticut, June 2, 1966., 1966. Fine. - Over 230 words typed on 10-7/8 inch high by 8-1/2 inch wide watermarked paper. Writing to the founder of the Oram Group, Harold L. Oram, who raised funds for humanitarian and conservation groups, the famous aviator Charles Lindbergh writes with his suggestions for the World Wildlife Fund's membership drive and letter. "Before I send out another 'conservation' letter, I would like to have a definite understanding of how replies are to be acknowledged by WWF." "In regard to the brochure enclosed with letters such as this, I wonder if it should contain some sort of WWF membership application -- the five-dollar type of thing." He goes on to suggest the possibility that "Membership involves an automatic payment each year, whereas the present contribution form (brochure I am looking at enclosed) casts the contributor loose after his check is sent, and requires new bait for a new bite in another year." He concludes by saying that while he likes the present brochure, he suggests emphasizing the blue whale in the next one. Signed "Charles". Folded for mailing with a minor crease to the top left corner, else fine. The American aviator, military officer and writer Charles Augustus Lindbergh (1902-1974) flew his aircraft, the Spirit of St. Louis, on the first nonstop flight from New York to Paris on May 20 & 21, 1927. In doing so, Lindbergh sent a new flight distance world record and initiated a new era of air transportation. In later life, he became heavily involved in humanitarian and conservation movements and campaigned to protect endangered species and as well as protecting the way of life for native tribes in the Philippines and Africa. Lindbergh's essays introduced millions to the conservation cause. Harold L. Oram (1907-1990) was the founder and president of the Oram Group, a fund raising organization for humanitarian, conservation and environmental causes. Oram started his career in 1939 by aiding the relief efforts for for Spanish Loyalists battling the Falangists led by Francisco Franco. Oram raised money for the NAACP Legal Defense and Educational Fund, The World Population Emergency Campaign (which merged with Planned Parenthood), The Natural Resources Council, the American Civil Liberties Union, and the World Wildlife Fund (WWF), among others.…

Soft cover. Condizione: Fair. 62 Lots,Guinée, haute-Volta,Côte d'Ivoire,Ghana,Dahomey, Nigeria,Cameroun,Congo,Zaire.

2. Paris, Hôtel Drouot, 1974, lg in-8°, 45 nn pp, 21 ills., stiff paper wrapper. 62 sixteenth-century editions.

0. Paris, Archives Nationales, 1974, in-8°, frontispiece, 89 + 1 pp, printed paper. Lists 228 items.

Paris, G.Blaizot, C.Guérin, 1974, in-4°, 32 x 24 cm, 147 pp with numerous black/white plates and some tipped in coloured plates . Green coloured full cloth with gilt lettering. (Fifth part of the book auction sale of the Raphaël Esmérian collection).

0. Paris, Yves de Cagny, 1974, in-8°, 178 lots , ca. 40 nn pp, stapled booklet.

Unknown Binding. Condizione: Used: Good. Couverture salie et cornée, sinon bon état.

Condizione: sehr guter Zustand. Pochoir, 1921, auf Bütten. Darstellungsgröße 16,5:13,4 cm, Blattgröße 24,5:19,2 cm. Aus: La Gazette du Bon Ton - No 6, Année 1921. - Pl. 46. Paris, Julien Vogel 1921. Paul Poiret (1879-Paris-1944), französischer Couturier und Parfumeur, bekannt für seinen Wagemut, gilt als Vorläufer des Art-déco-Stils. Er gründete 1903 das Modehaus, das seinen Namen trägt. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. …

Condizione: sehr guter Zustand. Pochoir, 1921, auf Bütten. Darstellungsgröße 17,3:13,6 cm, Blattgröße 24,4:19 cm. Aus: La Gazette du Bon Ton - No 8, Année 1921. - Pl. 60. Paris, Julien Vogel 1921. Paul Poiret (1879-Paris-1944), französischer Couturier und Parfumeur, bekannt für seinen Wagemut, gilt als Vorläufer des Art-déco-Stils. Er gründete 1903 das Modehaus, das seinen Namen trägt. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium.…

Condizione: sehr guter Zustand. Pochoir, 1921, auf Bütten. Darstellungsgröße 17,3:13,6 cm, Blattgröße 24,4:19 cm. Aus: La Gazette du Bon Ton - No 4, Année 1921. - Pl. 32. Paris, Julien Vogel 1921. Paul Poiret (1879-Paris-1944), französischer Couturier und Parfumeur, bekannt für seinen Wagemut, gilt als Vorläufer des Art-déco-Stils. Er gründete 1903 das Modehaus, das seinen Namen trägt. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium.…

Condizione: sehr guter Zustand. Pochoir, 1921, auf Bütten. Darstellungsgröße 17,2:13,5 cm, Blattgröße 24,7:19 cm. Aus: La Gazette du Bon Ton - No 4, Année 1921. - Pl. 26. Paris, Julien Vogel 1921. Rodier ist eine französische Marke von Kleidung ready-to-wear" für Männer und Frauen. Sie ist während der ersten Hälfte des 20. Jahrhunderts eine der größten Lieferanten von Stoffen für Modehäuser gewesen. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium.…

Condizione: sehr guter Zustand. Pochoir, 1921, auf Bütten. Darstellungsgröße 17,9:13,4 cm, Blattgröße 24,1:19 cm. Aus: La Gazette du Bon Ton - No 10, Année 1921. - Pl. 79. Paris, Julien Vogel 1921. Paul Poiret (1879-Paris-1944), französischer Couturier und Parfumeur, bekannt für seinen Wagemut, gilt als Vorläufer des Art-déco-Stils. Er gründete 1903 das Modehaus, das seinen Namen trägt. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium.…

Condizione: sehr guter Zustand. Pochoir, 1921, auf Bütten. Darstellungsgröße 17,2:13,5 cm, Blattgröße 24,4:19 cm. Aus: La Gazette du Bon Ton - No 5, Année 1921. - Pl. 38. Paris, Julien Vogel 1921. Paul Poiret (1879-Paris-1944), französischer Couturier und Parfumeur, bekannt für seinen Wagemut, gilt als Vorläufer des Art-déco-Stils. Er gründete 1903 das Modehaus, das seinen Namen trägt. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium.…

ORIGINAL-AQUARELL (in silberner Holzleiste der Zeit unter Glas gerahmt, Rahmen am Oberrand mit Absplitterungen), unten links eigenhändig signiert P. KÄMMERER MOTIV : Seeidylle (Abbildung zeigt aufgrund der Größe und Rahmen nur AUSSCHNITT).