Achille parboni (67 risultati)

Loose Leaf. Condizione: New. Reproduction. Original title: Landscape with shepherd, shepherdess and herd of oxen German: Landschaft mit Hirten, Hirtin und Rinderherde French: Paysage avec berger, bergeresse et troupeau de boeufs Spanish: Paisaje con pastor, pastora y manada de bueyes High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1800). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condizione: New. Reproduction. Original title: Landscape with walking figures German: Landschaft mit Wanderfiguren French: Paysage avec figures à pied Spanish: Paisaje con figuras caminantes High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1800). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condizione: New. Reproduction. Original title: Landscape with woman, lion and sheep German: Landschaft mit Frau, Löwe und Schafen French: Paysage avec femme, lion et mouton Spanish: Paisaje con mujer, león y oveja High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1800). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condizione: New. Reproduction. Original title: Landscape with river with rapids German: Landschaft mit Fluss mit Stromschnellen French: Paysage avec rivière avec rapides Spanish: Paisaje con río con rápidos High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1800). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condizione: New. Reproduction. Original title: Landscape with restful shepherds and oxen German: Landschaft mit erholsamen Hirten und Ochsen French: Paysage avec bergers et boeufs reposés Spanish: Paisaje con pastores y bueyes descansados High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1800). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condizione: New. Reproduction. Original title: Odysseus on the island of the Phoenicians German: Odysseus auf der Insel der Phönizier French: Odyssée sur l'île des Phéniciens Spanish: Odiseo en la isla de los fenicios High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1800). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Condizione: buono. Italia Centrale Local History Central Italy in 8° oblungo, similpelle edit. con titoli oro al piatto e al dorso, cofanetto rigido con titoli, dati di pubblicazione tratti dal colophon e dal cofanetto, minime tracce d'uso al cofanetto completamente illustrato fuori catalogo.

Acquaforte cm.17x20, parte incisa + grandi marg. bianchi. Incisione eseguita da un a pittura di Cornelis van Poelenburgh.

Hardcover. Condizione: Good. Pages, 60. Illustrated with 120 engraved plates. Plate descriptions in Italian and French. Each 11.5 x 7 cms. Later endpapers, pastedowns and brown cloth binding with title Rome in gilt on front cover. Stains to margins here and there. Plates generally very good. 1802 edition of Images for Collection of the Principal Views of Ancient and Modern Rome Of Rome and Its Vicinity Arranged According To The Method Of The Rome Itinerary Del Vasi. Rare early edition with 120 plates.…

Hardcover. oblong12mo, 16x 22cm, being 102 engraved plates including engraved title page, in contemporary but later full brown calf, gilt ruled raised bands, gilt ruled borders on the boards, all edges gilt, a.e.g., issue without spine titles, some wear at the edges, slight brown stain on the top front text corner, images are good clean clear strike, a very good copy (TR) ~ A series of 102 copper engraved views of Rome and vicinity engraved by Tommasco Cuccioni and Achille Parboni.…

In Roma, Antonelli, sans date, vers 1826. Petit in-4 oblong broché de 21*28.5cm. 51 gravures légendées en Italien et Français. Couverture illustrée. Plat légèrement jauni avec petites taches, planches en très bon état.

Condizione: Buono (Good). 0. In-8° oblungo (mm 210x155). Antiporta incisa. Frontespizio inciso, 87 tavole incise in rame. Legatura in mezza tela al dorso impr. oro. Timbro di antica appart. al frontespizio. L'ultima tav. con tracce di foxing, ma esempl. molto buono. Book.

Condizione: Buono (Good). 0. In-16° oblungo (mm 205x130), con 68 tavole incise in rame. Legatura in tutta tela, piatti con dec. oro e titolo al centro. Book.

Couverture rigide. Presso Agapito Franzetti | in Roma 1820 S.d. | 15.50 x 22 cm | reliés | Edition originale illustrée de 159 figures à l'eau-forte figurant des vues de Rome, plus le titre gravé, soit 160. Les gravures portent différentes signatures : Parboni, Franzetti, Olivieri, ou n'en portent aucune, et parfois la date de 1824, 1827 et 1829. Tirage sur vélin fort. Les exemplaires repérés dans plusieurs bibliothèques, notamment celle du Québec, ne contiennent que 60 planches, mais on sait qu'un recueil de planches de Parboni est paru plus tardivement en 1830 contenant des planches de 1824, avec 100 figures, un autre avec 50 planches en 1834 ; notre exemplaire pourrait avoir été truffé des planches de ces éditions. Certaine planches ont des numéros, mais ne semblent pas avoir été reliées dans l'ordre. Les planches ont des formats relativement variable (10,5x14,5cm ; 10x13,5cm). Reliures en demi veau noisette d'époque. Dos lisse orné de fers en long. Un manque en tête du tome 3. Frottements en coiffes, et mors. Quelques pâles rousseurs dans les marges sur un papier bien blanc. Bon exemplaire. Ex-libris Steph. Eglée (Ecclesiae Parisiensis canonici), tampon rouge. Un ex-libris non identifié sur les contreplats du XXe siècle. | [ENGLISH DESCRIPTION FOLLOWS] First edition illustrated with 159 etched figures depicting views of Rome, plus the engraved title, totaling 160. The engravings bear different signatures: Parboni, Franzetti, Olivieri, or bear none at all, and sometimes the dates 1824, 1827 and 1829. Printed on strong laid paper. Copies found in several libraries, notably that of Quebec, contain only 60 plates, but it is known that a collection of Parboni plates was published later in 1830 containing plates from 1824, with 100 figures, another with 50 plates in 1834; our copy could have been grangerized with plates from these editions. Some plates are numbered, but do not appear to have been bound in order. The plates have relatively variable formats (10.5x14.5cm; 10x13.5cm). Contemporary half hazelnut calf bindings. Smooth spines decorated with long ornamental tools. A lack at the head of volume 3. Rubbing to headcaps and joints. Some light foxing in the margins on well-white paper. A good copy. Bookplate of Steph. Eglée (Ecclesiae Parisiensis canonici), red stamp. An unidentified 20th-century bookplate on the pastedowns. *.…

[In Roma], [s.n.], [1860], incisione in rame all'acquaforte, mm 196x245 (l'impronta della lastra), mm 267x406 il foglio. Titolo inciso in lastra, sotto all'immagine, in lingua italiana e francese. Dall'album "Raccolta di n. 40 vedute antiche e moderne della città di Roma e sue vicinanze incise da Morel, Acquaroni, Parboni ed altri celebri bulini", Roma, 1860. Firmata in lastra in basso a destra. Strappo riparato al margine bianco sinistro. Gora sul margine bianco destro.…

Condizione: Gut. Quer-4°. 22 x 30 cm. 52 Tafeln. Leinenband der Zeit mit floraler Blindprägung, goldgeprägtem Deckeltitel und marmoriertem Schnitt. Spätere Ausgabe. Italienischsprachige Ausgabe. Mit gestochenem Titelblatt und 52 Kupfertafeln. Spätere Ausgabe. Italienischsprachige Ausgabe mit gestochenem Titelblatt und 52 Kupfertafeln. Das zeitgenössisch mehrfach aufgelegte Werk enthält eine bemerkenswerte Folge von Ansichten Roms, die überwiegend nach Vorlagen von Silvestro Bossi entstanden. Der größte Teil der Kupferstiche wurde von dem Kupferstecher und Vedutenzeichner Achille Parboni ausgeführt, der einzelne Blätter sowohl zeichnete als auch stach; weitere Tafeln stammen von Pietro Parboni und Giovanni Acquaroni. Sämtliche Tafeln tragen den Blindstempel "G. P. Roma". Exlibris und Buchhändlermarke von Carl Uebelen, München, auf vorderem Vorsatz. Einband stärker fleckig, Rücken aufgehellt, Ecken leicht bestoßen. Blätter von den weißen Rändern ausgehend durchweg mäßig stockfleckig, Bildbereich davon in der Regel nicht oder nur geringfügig betroffen. Einzelne Blätter mit blassem Wasserrand, nur in einem Fall deutlicher gedunkelt und über den Außensteg hinaus leicht ins Bild hineinreichend (nicht gewellt). Trotz der Mängel ein interessantes Exemplar mit Kupferstichen in klaren, kräftigen Abdrucken. Cloth binding of the time with floral blind tooling, gilt lettering on the upper cover, and marbled edges. Later edition. Italian-language edition with engraved title page and 52 engraved plates. A work reissued several times during the period, containing a noteworthy series of views of Rome, mostly after designs by Silvestro Bossi. The majority of the engravings were executed by the engraver and vedute artist Achille Parboni, who both drew and engraved several plates himself; further plates are by Pietro Parboni and Giovanni Acquaroni. Each plate bears the blindstamp "G. P. Roma". Ex-libris and bookseller's label of Carl Uebelen, Munich, on the front pastedown. Binding considerably spotted, spine faded, corners slightly bumped. Leaves moderately foxed throughout, predominantly from the margins inward; the image area is generally unaffected or only minimally touched. A few leaves with pale waterstaining, more pronounced in one instance and extending slightly beyond the fore-edge margin into the image area; the leaves remain unwarped. Despite these defects, an interesting copy, with the engravings in clear, strong impressions.…

Hardcover. Condizione: Very Good. Achille Parboni's 1824 visual survey of Rome includes 67 full-page engravings issued without text. Published in Rome by Giacomo Antonelli, this octavo-format volume presents Roman monuments from both ancient and modern contexts. The sequence includes recognizable landmarks such as the Colosseum, Saint Peter's Basilica, the Pantheon, the Trevi Fountain, and the Roman Forum. Each engraving displays consistent proportions and architectural framing. Parboni, active in early 19th-century Rome, maintained a clean compositional style across all plates. Very Good condition. Vellum over boards, binding tight, hinges secure, and text block intact. Marginal foxing is present throughout. Collation: [67] engraved plates. Format: (8vo), single volume. Illustrations: 67 full-page engravings. Edition: [1824]. #29818. PHOTOS AVAILABLE UPON REQUEST.…

Tafelband. quer- Lex.-8°. Gestochenes Titelblatt. 52 Kupfertaf. Halbleder-Pappband Umlaufender Gelbschnitt. Vorsätze gemustert. Rückentitel in Goldbuchstaben- mit geprägtem floralem Muster. Sämtliche Taf. mit Seidenpapierschutz. (Taf. an den Rändern stockfleckig, Stiche selbst nicht betroffen; Taf. 21 kleiner Einriss unten links Kapitale rechts minim beschabt; Ecken bestossen) Titelei und Beschriftungen in Italienisch, Rückentitel in Französisch. Achille Parboni (1783-1841) Kupferstecher. Dieses Werk enthält gute Ansichten Roms. Dargestellt ist zum Beispiel der Concordia-Tempel, der Trajansbogen, die Titusthermen und Ansichten von Tivoli. Sehr schön sind Licht und Schatten eingefangen. …

o. Pag. OBrosch. Mit 50 gestochenen Ansichten. - Ebd. fleckig, die ersten fünf Stiche fleckig, R. fachmännisch erneuert. - Schöne frische Abzüge.

Incisione originale su rame (cm. 19,8x14,5 più ampi margini bianchi) edita da Giacomo Antonelli. Lievi fioriture marginali altrimenti ottimo esemplare.

Incisione originale su rame (cm. 19,4x14,5 più ampi margini bianchi) edita da Giacomo Antonelli. Ottimo esemplare.

Incisione originale su rame (cm. 19,4x14,5 più ampi margini bianchi) edita da Giacomo Antonelli. Ottimo esemplare.

Incisione originale su rame (cm. 19,5x14,5 più ampi margini bianchi) edita da Giacomo Antonelli. Ottimo esemplare.

Incisione originale su rame (cm. 19,8x14,5 più ampi margini bianchi) edita da Giacomo Antonelli. Lievi fioriture marginali altrimenti ottimo esemplare.

Incisione originale su rame (cm. 19,5x14,5 più ampi margini bianchi) edita da Giacomo Antonelli. Ottimo esemplare.

Incisione originale su rame (cm. 19,8x14,6 più ampi margini bianchi) edita da Giacomo Antonelli. Ottimo esemplare.

Incisione originale su rame (cm. 19,5x14,8 più ampi margini bianchi) edita da Giacomo Antonelli. Lievi fioriture marginali altrimenti ottimo esemplare.

Incisione originale su rame (cm. 19,5x14,8 più ampi margini bianchi) edita da Giacomo Antonelli. Ottimo esemplare.

Incisione originale su rame (cm. 19,5x14,3 più ampi margini bianchi) edita da Giacomo Antonelli. Ottimo esemplare.

Incisione originale su rame (cm. 21,5x17 più ampi margini bianchi) da un disegno di S. Bossi. Eccellente esemplare.