Hardcover. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Hardcover. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Lingua: Inglese
Editore: Smithsonian Institution Scholarly Press, 2002
ISBN 10: 158834021X ISBN 13: 9781588340214
Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Very Good. illustrated edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Hardcover. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Lingua: Inglese
Editore: Smithsonian Institution Scholarly Press, 2002
ISBN 10: 158834021X ISBN 13: 9781588340214
Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Good. illustrated edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. **YOUR PURCHASE SUPPORTS A SMALL BUSINESS!!**.
EUR 9,27
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Lingua: Inglese
Editore: Smithsonian Institution Press, 2002
ISBN 10: 158834021X ISBN 13: 9781588340214
Da: Lake Country Books and More, Excelsior, MN, U.S.A.
Hardcover. Condizione: Good +. Condizione sovraccoperta: Good. Used hardcover copy from library, with expected stickers and stamps. Clean, solid copy with unmarked text. Jacket is protected in clear plastic and has mild surface and edge wear. Binding is tight and square. We are unable to ship oversize books and multi-volume sets internationally.
Condizione: New.
Editore: [London, Patina Press], 1961., 1961
Da: Joseph Valles - Books, Stockbridge, GA, U.S.A.
Soft cover. Condizione: Good. New series, (vol. 1 was published July 1946) ; v.; illustrated in black & white ; 25 cm. ; ISSN: 0003-5866; LCCN: 55-30426 ; serial OCLC: 3583423 ; LC: NK1125 ; color stapled paper wrappers ; three punch-holes along spine ; G. Book.
Condizione: New. pp. 215, Map (Some Col.).
Editore: Dell Books, N.Y., 1967
Da: William L. Horsnell, Aylesford, NS, Canada
EUR 7,09
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Very Good. 1st Printing. A creased spine with edge rubbings. No store stamp. Stories by : Robert J.Tiley, J.G.Balard, R.A Lafferty, Alex Kirs, A.K. Jorgenssen, Josephine Saxton, Walter F. Moudy, Fritz Leiber, Alexander B. Malec, Bob Kuroaska, Alistair Bevan, Johnny Byrne, Thomas M. Disch, Donald Bartheime, E.C.Tubb,Ron Goulart, Tom Herzog, David Bunch, Peter Redgrove, David Rome, Isac Asimov, Arhtur C. Clarke, Alfred Jarry, Gordon R. Dickson, Brian Aldiss, Robert D. Tschirgi, , John Ciardi, Jorge Luis Borges, Harvey Jacobs, George MacBeth, Gerald Kersh, Roald Dahl, David I. Masson, &Bob Ottum, Jr.
HRD. Condizione: Used - Very Good. Used - Like New Book. Shipped from UK. Established seller since 2000.
EUR 36,02
Quantità: 1 disponibili
Aggiungi al carrelloHRD. Condizione: Used - Very Good. Used - Like New Book. Shipped from UK. Established seller since 2000.
Da: Devils in the Detail Ltd, Oxford, Regno Unito
EUR 26,23
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Very Good. Picture Shown is For Illustration Purposes Only, Please See Below For Further DetailsCONDITION ? LIKE NEW ? HARDBACK - dent to corner/edges of boards, shipped from the UK.
EUR 19,07
Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: Fine. Covers & Spine: front and back showing light scuffing & signs of handling otherwise undamaged, minimal wear along edges and at corners, two-staple spine is intact and solid. Binding: firm throughout. Pages & Markings: unstained, no markings, clean throughout. PLEASE NOTE: Due to the size and lighter weight of this item, standard postage cost will be less than what is quoted here. All items are protectively packaged, and a postal tracking number will be sent to all customers whose current email address is registered with AbeBooks.
Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 47,51
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Lingua: Inglese
Editore: Bloomsbury Publishing Plc, US, 2020
ISBN 10: 1501368095 ISBN 13: 9781501368097
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 50,06
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback. Condizione: New. Reprint. The Aesthetics of Nostalgia TV explores the aesthetic politics of nostalgia for 1950s and 60s America on contemporary television. Specifically, it looks at how nostalgic TV production design shapes and is shaped by larger historical discourses on gender and technological change, and America's perceived decline as a global power. Alex Bevan argues that the aesthetics of nostalgic TV tell stories of their own about historical decline and progress, and the place of the baby boomer television suburb in American national memory. She contests theories on nostalgia that see it as stagnating, regressive, or a reversion to outdated gender and racial politics, and the technophobic longing for a bygone era; and, instead, argues nostalgia is an important form of historical memory and vehicle for negotiating periods of historical transition. The book addresses how and why the shows construct the boomer era as a placeholder for gender, racial, technological, and declensionist discourses of the present. The book uses Mad Men (AMC, 2007-2015), Ugly Betty (ABC, 2006-2010), Desperate Housewives (ABC, 2004-2012), and film remakes of 1950s and 60s family sitcoms as primary case studies.
Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 48,64
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Da: The Compleat Scholar, Rochester, NY, U.S.A.
Hardcover. Condizione: As New. Never read, pages are clean and unmarked. Our copy is a new hardback with printed covers, showing only light shelfwear.
Condizione: New.
Lingua: Inglese
Editore: Taylor & Francis Ltd, London, 2026
ISBN 10: 1032752548 ISBN 13: 9781032752549
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. Why do representations of rape tend to look the same? Why do they frequently feature themes of media technology and surveillance? This book traces the role of surveillance technology in film and television depictions of rape in the 2000s. It shows how the stranger rape narrative is popularly used as a sense-making tool for the entanglement of the body, digital technology, and institutions of power. These films and television series interrogate the digital management of self-representation. In a cultural context defined by digitally galvanized feminist movements, a growing awareness of online gender violence, and a global movement aimed at shuttering these discussions, this book is even more pressing if we are to make sense of the relationship between offline and online forms of gender violence and the evolving cultural meaning of the rape narrative. This book traces the role of surveillance technology in film and television depictions of rape in the 2000s. It shows how the stranger rape narrative is popularly used as a sense-making tool for the entanglement of the body, digital technology, and institutions of power. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Taylor and Francis Ltd, GB, 2026
ISBN 10: 1032752548 ISBN 13: 9781032752549
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 59,92
Quantità: 3 disponibili
Aggiungi al carrelloPaperback. Condizione: New. Why do representations of rape tend to look the same? Why do they frequently feature themes of media technology and surveillance? This book traces the role of surveillance technology in film and television depictions of rape in the 2000s. It shows how the stranger rape narrative is popularly used as a sense-making tool for the entanglement of the body, digital technology, and institutions of power. These films and television series interrogate the digital management of self-representation. In a cultural context defined by digitally galvanized feminist movements, a growing awareness of online gender violence, and a global movement aimed at shuttering these discussions, this book is even more pressing if we are to make sense of the relationship between offline and online forms of gender violence and the evolving cultural meaning of the rape narrative.
Lingua: Inglese
Editore: Western Australian Museum, Perth, 1993
ISBN 10: 0730959260 ISBN 13: 9780730959267
Da: Cadeby Books, Grimsby, Regno Unito
EUR 47,68
Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: Very Good. Rare Australian softcover booklet in very good condition. Minor wear, no inscriptions.
Da: Ria Christie Collections, Uxbridge, Regno Unito
EUR 47,14
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. In.
EUR 62,92
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Lingua: Inglese
Editore: Taylor and Francis Ltd, GB, 2026
ISBN 10: 1032752548 ISBN 13: 9781032752549
Da: Rarewaves USA, OSWEGO, IL, U.S.A.
Paperback. Condizione: New. Why do representations of rape tend to look the same? Why do they frequently feature themes of media technology and surveillance? This book traces the role of surveillance technology in film and television depictions of rape in the 2000s. It shows how the stranger rape narrative is popularly used as a sense-making tool for the entanglement of the body, digital technology, and institutions of power. These films and television series interrogate the digital management of self-representation. In a cultural context defined by digitally galvanized feminist movements, a growing awareness of online gender violence, and a global movement aimed at shuttering these discussions, this book is even more pressing if we are to make sense of the relationship between offline and online forms of gender violence and the evolving cultural meaning of the rape narrative.