andriano joseph (29 risultati)

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 182 pages. In good dust jacket.

Paperback. Condizione: As New. Fanzine, intro verse of Clark Ashton Smith.From the collection of Oregon Poet Laureate William Stafford.

8vo, 182pp. A very good hardback copy in like dust jacket.

Cloth. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 1st Edition. Near fine/Very Good++. Bright and attractive black cloth hardcover. First edtiion. Dust jacket has light rubbing and edgewear. very nice copy.

Hardcover. Condizione: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Standard-sized.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Good. No Jacket. Dust jacket missing. Shelf and handling wear to cover and binding, with general signs of previous use. Wear commensurate with age and use. Clean unmarked copy. Light scuffing and smudging to boards and spine strip. Secure packaging for safe delivery.

Condizione: New.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. 196 pages. 8.80x6.00x0.60 inches. In Stock.

Condizione: New. pp. 200 Index.

Condizione: New. Imaginary beasts have figured prominently in literary works since the ancient world when the myths were first formulated. This work links fiction such as "Moby Dick" and "Grendel" with popular cinema such as "Jaws" and "King Kong" to reveal how monstrous image works as icon of human evolution. Series: Contributions to the Study of Science Fiction & Fantasy. Num Pages: 200 pages, index. BIC Classification: 2ABM; APFA; DSB; DSK. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 235 x 155 x 21. Weight in Grams: 422. . 1999. hardcover. . . . .

Condizione: New. pp. 200.

Condizione: New. pp. 200.

Condizione: New. Imaginary beasts have figured prominently in literary works since the ancient world when the myths were first formulated. This work links fiction such as "Moby Dick" and "Grendel" with popular cinema such as "Jaws" and "King Kong" to reveal how monstrous image works as icon of human evolution. Series: Contributions to the Study of Science Fiction & Fantasy. Num Pages: 200 pages, index. BIC Classification: 2ABM; APFA; DSB; DSK. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 235 x 155 x 21. Weight in Grams: 422. . 1999. hardcover. . . . . Books ship from the US and Ireland.

Hardcover. Condizione: Brand New. 179 pages. 9.75x6.50x0.75 inches. In Stock.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Klappentextrnrn The theme of the demonic feminine which has haunted men from time immemorial has been limited in Andriano s very fine study of Gothic fiction. He poses several questions at the outset with regard to the erotic and deadly nature o.

Hardcover. Condizione: new. Hardcover. Imaginary beasts have figured prominently in literary works ever since the ancient world, when these myths were first formulated. But the nineteenth century witnessed the rise of science, the discovery of geological findings that challenged the biblical myth of creation, and the birth of Darwin's theory of evolution. Since then, monsters have evolved from supernatural creatures to natural ones endowed with exceptional size, strength, or intelligence. This book explores both literary and cinematic texts that are especially explicit in their Darwinian portrayal of monstrous beasts, though these creatures retain an archaic mythological quality. The myth of Leviathan and Behemoth, for instance, is as central to Jaws as it is to Moby-Dick; indeed, Jaws inherits the myth directly from Moby-Dick, as does King Kong. These and other monster tales, such as The Creature from the Black Lagoon and Grendel, keep the ancient myth alive and relevant by recasting it in the context of biological and cultural evolution.There is a pattern of alternating bestialization and anthropomorphism in many monster tales, suggesting that these images are being displayed in repeated attempts to define who we are in relation to animals. Thus the more beastly the monster, the more insistently we erect the old paradigm of the Ladder of Being, placing ourselves on a higher and separate rung; but the more human-like the creature, the more readily we shift to the paradigm of the Tree of Life, in which all creatures are more closely related. Since the matter of distinctions between species also involves questions of race, the monster myth is often conscripted to serve racist agendas. But more often than not, the myth has an anti-racist subtext that undercuts the hierarchy. The closing chapters of the volume consider the notion of artificial evolution in works such as The Island of Dr. Moreau, and human-machine interaction in Gravity's Rainbow. As fables of identity, monster tales dramatize our anxieties and fears about our own animal nature and provide a means of coming to terms with our evolution. Links serious fiction such as Moby-Dick and Grendel with popular works such as Jaws and King Kong to reveal how the monstrous image functions as an icon of human evolution. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Taschenbuch. Condizione: Neu. Our Ladies of Darkness | Feminine Daemonology in Male Gothic Fiction | Joseph Andriano | Taschenbuch | Einband - flex.(Paperback) | Englisch | 1993 | Pennsylvania State University Press | EAN 9780271027272 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Our Ladies of Darkness opens with a question raised by Nathaniel Hawthorne in his 1835 sketch 'The Haunted Mind': 'What if the fiend should come in women's garments, with a pale beauty amid sin and desolation, and lie down by your side ' Joseph Andriano boldly attempts to answer this question by examining some fifteen texts in which such a haunting occurs, including Poe's 'Ligeia,' Hoffmann's 'The Sandman,' Irving's 'The Adventure of the German Student,' Cazotte's 'Le Diable amoureux,' and Aickman's 'Ravissante.' His close reading of the individual texts leads to illuminating intertextual parallels, drawn through an archetypal perspective, which creates coherence among the many recurring image-patterns and motifs.The haunting is an incursion into the male ego's dominion: the female demon is seen as a usurper or intruder; she inhabits and insidiously attempts to exert her influence, to feminize the male. These demands include the impelling need to acknowledge male femininity, or androgyny. Ignoring this drive, which Andriano views as instinctual and archetypal, often results in what the Romantics called 'nympholepsy,' and what Carl Jung called 'anima-possession.'Although the notion that men need to acknowledge their own femininity is not new, the realization that doing so involves coming to terms not only with Eros (in its widest sense) but also with Thanatos has never been sufficiently emphasized, except perhaps by the post-Jungian James Hillman, by whose work Andriano is especially influenced. This book clearly and succinctly demonstrates that fear of the inner feminine prevents a man from ever fully maturing; his anima remains that of a child (he can only view women as girls or mothers), and he never comes to know, much less to love, the dark side of his soul, his own 'lady of darkness.'.

Hardback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Hardcover. Condizione: new. Hardcover. Imaginary beasts have figured prominently in literary works ever since the ancient world, when these myths were first formulated. But the nineteenth century witnessed the rise of science, the discovery of geological findings that challenged the biblical myth of creation, and the birth of Darwin's theory of evolution. Since then, monsters have evolved from supernatural creatures to natural ones endowed with exceptional size, strength, or intelligence. This book explores both literary and cinematic texts that are especially explicit in their Darwinian portrayal of monstrous beasts, though these creatures retain an archaic mythological quality. The myth of Leviathan and Behemoth, for instance, is as central to Jaws as it is to Moby-Dick; indeed, Jaws inherits the myth directly from Moby-Dick, as does King Kong. These and other monster tales, such as The Creature from the Black Lagoon and Grendel, keep the ancient myth alive and relevant by recasting it in the context of biological and cultural evolution.There is a pattern of alternating bestialization and anthropomorphism in many monster tales, suggesting that these images are being displayed in repeated attempts to define who we are in relation to animals. Thus the more beastly the monster, the more insistently we erect the old paradigm of the Ladder of Being, placing ourselves on a higher and separate rung; but the more human-like the creature, the more readily we shift to the paradigm of the Tree of Life, in which all creatures are more closely related. Since the matter of distinctions between species also involves questions of race, the monster myth is often conscripted to serve racist agendas. But more often than not, the myth has an anti-racist subtext that undercuts the hierarchy. The closing chapters of the volume consider the notion of artificial evolution in works such as The Island of Dr. Moreau, and human-machine interaction in Gravity's Rainbow. As fables of identity, monster tales dramatize our anxieties and fears about our own animal nature and provide a means of coming to terms with our evolution. Links serious fiction such as Moby-Dick and Grendel with popular works such as Jaws and King Kong to reveal how the monstrous image functions as an icon of human evolution. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Gebunden. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Imaginary beasts have figured prominently in literary works since the ancient world when the myths were first formulated. This work links fiction such as Moby Dick and Grendel with popular cinema such as Jaws and King Kong to reveal how monstrous im.

Buch. Condizione: Neu. Immortal Monster | The Mythological Evolution of the Fantastic Beast in Modern Fiction and Film | Joseph Andriano | Buch | Gebunden | Englisch | 1999 | Praeger | EAN 9780313306679 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Imaginary beasts have figured prominently in literary works ever since the ancient world, when these myths were first formulated. But the nineteenth century witnessed the rise of science, the discovery of geological findings that challenged the biblical myth of creation, and the birth of Darwin's theory of evolution. Since then, monsters have evolved from supernatural creatures to natural ones endowed with exceptional size, strength, or intelligence. This book explores both literary and cinematic texts that are especially explicit in their Darwinian portrayal of monstrous beasts, though these creatures retain an archaic mythological quality. The myth of Leviathan and Behemoth, for instance, is as central to Jaws as it is to Moby-Dick; indeed, Jaws inherits the myth directly from Moby-Dick, as does King Kong. These and other monster tales, such as The Creature from the Black Lagoon and Grendel, keep the ancient myth alive and relevant by recasting it in the context of biological and cultural evolution.There is a pattern of alternating bestialization and anthropomorphism in many monster tales, suggesting that these images are being displayed in repeated attempts to define who we are in relation to animals. Thus the more beastly the monster, the more insistently we erect the old paradigm of the Ladder of Being, placing ourselves on a higher and separate rung; but the more human-like the creature, the more readily we shift to the paradigm of the Tree of Life, in which all creatures are more closely related. Since the matter of distinctions between species also involves questions of race, the monster myth is often conscripted to serve racist agendas. But more often than not, the myth has an anti-racist subtext that undercuts the hierarchy. The closing chapters of the volume consider the notion of artificial evolution in works such as The Island of Dr. Moreau, and human-machine interaction in Gravity's Rainbow. As fables of identity, monster tales dramatize our anxieties and fears about our own animal nature and provide a means of coming to terms with our evolution.