Angela esterhammer (185 risultati)

Condizione: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Condizione: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Near Fine. 1st. 152 clean, unmarked pages.

Hard Cover. Condizione: As New. Condizione sovraccoperta: As New. (F-2.).

Hardcover. Condizione: Good. No Dust Jacket. First Edition; First Printing. 6 X 0.75 X 9 inches; 109 pages; moderate, faint foxing to the exterior edges of textblock. Good condition otherwise. No other noteworthy defects. No markings. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be packaged with care and ship on the same or next business day. Buy with confidence.…

First edition As new and bright glossy stiff wraps with excellent square spine and crisp bright text throughout. Handsome all around. New and bright all around, gift quality.

Hardcover. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Hardcover. Condizione: Very Good. ***Please Read*** Dust Jacket is faded along spine - No marks on text - My shelf location - 61-a-45*.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Text clean and solid; 8vo 8" - 9" tall; 384 pages.

hardcover. Condizione: Fine. **HARDBACK** In unclipped dustjacket No stamps or inscriptions.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. First Printing. Book is a clean tight unmarked copy.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Minor shelf wear to book and dust jacket. Otherwise a tight, unmarked book. Index. xvii, 245 pp.

paperback. Condizione: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Softcover. Condizione: Very Good. No Jacket. First Edition. Advance Uncorrected Proof. Very Good in wrappers. Unless otherwise noted, our first editions are first printings.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good. Text clean and tight; Cambridge Studies In Romanticism, Series Number 77; 8vo 8" - 9" tall; 290 pages.

Condizione: As New. Unread book in perfect condition.

Cloth. Condizione: Near Fine. Near Fine. Remainder mark on top edge. A nice, bright copy. ; Cambridge Studies in Romanticism; Vol. 77; B & W Illustrations; 6.25 X 1 X 9 inches; 269 pages.

Condizione: new.

Condizione: New.

Illustrated. 16 x 24 cm. 336 pages. HC Versand aus Deutschland / We dispatch from Germany via Air Mail. Einband bestoßen, daher Mängelexemplar gestempelt, sonst sehr guter Zustand. Imperfect copy due to slightly bumped cover, apart from this in very good condition. Stamped. Sprache: Englisch.

Paperback. Condizione: Like New. First Edition. In nearly new condition: firm and square with strong joints, no creases. Just a few hardly noticeable rubs or very mild bumps. Hence a non-text page shows a small 'damaged' stamp. Despite such this book looks and feels unread. Thus the contents are crisp, fresh and tight. And so a very nice book in great condition, now offered for sale at a reasonable price.…

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. In a light olive-green hardcover with black titles to spine. With an unclipped brown dust jacket with white titles to spine and light brown and white titles and a black and white illustration to front. Grey end papers. 306 pp., with a number of black and white illustrations. The book is in near fine condition. The cover is free of shelf-wear and the binding is tight. There are the traces of a few pencil underlinings and notes to the introduction, otherwise the pages are clean and unmarked. The dust jacket is also near fine with just a trace of shelf-wear to the extremities of the cover. Gift Aid no. 1712. This item is being sold under the Retail Gift Aid scheme to support Amnesty International UK Section Charitable Trust. Gift Aid enables us to increase the value of donations by 25%. Amnesty International UK Section is acting as an agent selling this item on behalf of one of our Gift Aid Donors. …

Condizione: Good. Volume 17. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1150grams, ISBN:9027234507.…

Hardcover. Condizione: As New. Cambridge University Press, 2020. Hard cover, first edition. Fine condition in Fine dust jacket; 264 pages.

softcover. Condizione: Sehr gut. 245 p. ISBN: 9781442614949 Sprache: Englisch Gewicht in Gramm: 397.

Condizione: New.

Paperback. Condizione: New. During the 1820s, British society saw transformations in technology, mobility, and consumerism that accelerated the spread of information. This timely study reveals how bestselling literature, popular theatre, and periodical journalism self-consciously experimented with new media. It presents an age preoccupied with improvisation and speculation - a mode of behaviour that dominated financial and literary markets, generating reflections on risk, agency, and the importance of public opinion. Print and Performance in the 1820s interprets a rich constellation of fictional texts and theatrical productions that gained popularity among middle-class metropolitan audiences through experiments with intersecting fantasy worlds and acutely described real worlds. Providing new contexts for figures such as Byron and Scott, and recovering the work of lesser-known contemporaries including Charles Mathews' character impersonations and the performances of celebrity improvvisatore Tommaso Sgricci, Angela Esterhammer explores the era's influential representations of the way identity is constructed, performed, and perceived.…