auguste rosalie bisson (9 risultati)

Loose Leaf. Condizione: New. Reproduction. Original title: [Basilica of Maxentius and Constantine, Rome] German: [Basilika von Maxentius und Konstantin, Rom] French: [Basilica de Maxentius et Constantine, Rome] Spanish: [Basilica de Majencio y Constantino, Roma] High-quality fine-art reproduction based on an original work from the Met. Creation period: 19th century (ca. 1861). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Paperback. Condizione: Fine.

Softcover. Condizione: VG. French language text. Black wraps. 229 pages : illustrations. German edition of the catalog entitled: Brothers Bisson: Rise and Fall of a Photography Company in the 19th Century / Catalog of an exhibition held in Museum Folkwang Essen (February 7-March 28, 1999), Fotomuseum in Münchner Stadtmuseum (April 11-May 30 , 1999), and Bibliothèque nationale de France, Paris (June 15-August 15, 1999) ./ Includes bibliographical references (pages 204-206) and index.

(35x43.5 cm,), photographie originiale, albumen print, montée sur carton d?origine, signée en bas a droite ?Bisson Frères? + cachet ?Dépôt général de Photographie?, support légèrement taché, Karton schmutz- u. stockfl., kl. Randläs. - Bild tls. etw. fleckig. Sign.: Stamp u. in d. Photographie rechts unten. Les frères Bisson ont séjourné en Suisse au début 1855, (Oberland-Bernois et le Valais). Le cachet ovale à été utilisé selon le catalogue de la Bibliothèque Nationale à Paris, de 1856 à 1857. Vue prise en 1855, avant le 25 juillet, et probablement publiée au début de 1856 (après leur rentrée à Paris). Très recherchées, les photographies alpines des frères Bisson sont parmi les premières en grand format.Am 25 Juli 1855 gab es ein furchtbares Erdbeben im Vispertal, ?der grösste Schrecken herrschte in Visp, obschon das Erdbeben in St.Niklaus wegen der Felsstürze viel grauenhafter und drohender als dort auftrat? (Aus dem Tagebuch von Herrn Pfarrer Tscheinen in Törbel. Aus: Der Wahrheit näher v. Taugwalder & Jaggi)). Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. Les Frères Bisson photographes. De flèche en cime 1840-1870. (Cat. de la Bibl. Nat. à Paris, 1999), p. 195. (pour le facsimilé de la signature ainsi que pour le cachet ovale à bord chantouré cf. p. 198).

Vintage photographic map, with the names of the glaciers, peaks and altitude printed on the photograph in black. Albumen print mounted on cardboard sheets, comprises two sections. Folding strengthened with cloth. Item dimensions: 545 × 650 mm (in two parts). Photograph dimensions: 395 × 489 mm (in two parts). Scarce, nineteenth-century photographic map of the Mont Blanc, created by the French pioneer photographer, Auguste-Rosaline Bisson. The original, 1:40000 scale relief map, which served as the basis of the present photographic map, was made by Libre-Irmand Bardin (17941867), a former professor of the École Polytechnique in Paris who created a series of topographic maps of the most important French mountain ranges between 18641866. The relief was made after several topographic surveys, conducted by Bardin between 18631864 and it was exhibited at the International Exposition of 1867 in Paris. As such maps were expensive to produce and difficult to handle, Bardin commissioned Auguste-Rosaline Bisson (18261900) to make photographic reproductions of his maps in order to make them affordable for a larger audience. Thanks to his refined lighting, Bisson's images represented the maps in an almost tactile manner achieving the praise of his contemporaries. Auguste-Rosaline Bisson (or Bisson jeune) is most famous for being the first photographer to take photos from the summit of Mont Blanc. With 25 porters carrying his equipment, he climbed the mountain in July 1861 and took three images on large collodion plates. From the 1840s until 1863 he worked together with his brother, Louis-Auguste Bisson (18141876) whom with they run a truly successful photographic firm, employing about 200 people at the peak of their career. In the 1850s, the Bisson fréres "were known as one of the most important photographers not only in France, but in Europe as well." (Hannavy, 2008) They were active in all genres of the medium, taking portraits, architectural, landscape and reproduction photographs. They met the Alsatian industrial and geologist, Daniel Dollfus-Ausset (17971870) in 1854 who commissioned them to take photographs of the Alps for his research on the glaciers. As a result, the Bisson brothers created a great number of remarkable images of the French, Swiss, German and Italian Alps. After their firm got bankrupt in 1863, mainly because of these expensive expeditions, August-Rosaline and Louis-August continued their career separately. Extremely scarce, we could trace only one copy of this sheet of Bardin's maps in institutional holding, in the National Museum of Natural History in Paris. Bibl.: Bardin, Christophe. Relief du Mont-Blanc. In: Le Globe. Revue genevoise de ge?ographie, tome 5, 1866. pp. 195-207.; Dollfus-Asset, Daniel; Savy, F.: Matériaux pour L'étude des Glaciers par Dollfus-Asset. Paris: Libraire des Sociétés Géologique et Météorologique de France, 1868. 480485 pp.; Hannavy, John: Encyclopedia of Nineteenth-Century Photography. Volume 1 AI. New York: Routledge, 163 p.; LeBleu, M.: Rapport de M. LeBleu, inge?nieur des mines, sur les plans en relief, pre?sente?s par M. Bardin, a? la Socie?te? industrielle de Mulhouse. Se?ance du 27 Juin 1866. In: Bulletin de la Société Industrielle de Mulhouse. Mulhouse: Imprimiere de P. Baret, 1866. 387394 pp. . Modest cockling to the cardboard. Small tears to the left margin of both cardboard sections not affecting the photographs. The photographs are in fine condition. Overall in very good condition. Albumen print mounted on cardboard sheets, comprises two sections. Folding strengthened with cloth Vintage photographic map, with the names of the glaciers, peaks and altitude printed on the photograph in black.

Vintage photographic map. Vintage photographic map. Albumen print mounted on cardboard sheets, comprises three sections. Foldings strengthen with cloth. Item dimensions: 555 × 890 mm (in three parts). Photograph dimensions: 395 × 735 mm (in three parts). Scarce, nineteenth-century photographic map of the Dauphiné Alps, created by the French pioneer photographer, Auguste-Rosaline Bisson. The original, hand-painted relief map which served as the basis of the present photographic map was made by Libre-Irmand Bardin (17941867), a former professor of the École Polytechnique in Paris who created a series of topographic maps of the most important French mountain ranges in 18641866. As such maps were expensive to produce and difficult to handle, Bardin commissioned Auguste-Rosaline Bisson (18261900) to make photographic reproductions of his maps in order to make them affordable for a larger audience. Thanks to his refined lighting, Bisson's images represented the maps in an almost tactile manner achieving the praise of his contemporaries. Auguste-Rosaline Bisson (or Bisson jeune) is most famous for being the first photographer to take photos from the summit of Mont Blanc. With 25 porters carrying his equipment, he climbed the mountain in July 1861 and took three images on large collodion plates. From the 1840s until 1863 he worked together with his brother, Louis-Auguste Bisson (18141876) whom with they run a truly successful photographic firm, employing about 200 people at the peak of their career. In the 1850s, the Bisson fréres "were known as one of the most important photographers not only in France, but in Europe as well." (Hannavy, 2008) They were active in all genres of the medium, taking portraits, architectural, landscape and reproduction photographs. They met the Alsatian industrial and geologist, Daniel Dollfus-Ausset (17971870) in 1854 who commissioned them to take photographs of the Alps for his research on the glaciers. As a result, the Bisson brothers created a great number of remarkable images of the French, Swiss, German and Italian Alps. After their firm got bankrupt in 1863, mainly because of these expensive expeditions, August-Rosaline and Louis-August continued their career separately. Extremely scarce, we could not trace any copy of this sheet of Bardin's maps in institutional holding. Bibl.: Dollfus-Asset, Daniel; Savy, F.: Matériaux pour L'étude des Glaciers par Dollfus-Asset. Paris: Libraire des Sociétés Géologique et Météorologique de France, 1868. 480485 pp.; Hannavy, John: Encyclopedia of Nineteenth-Century Photography. Volume 1 AI. New York: Routledge, 163 p.; LeBleu, M.: Rapport de M. LeBleu, inge?nieur des mines, sur les plans en relief, pre?sente?s par M. BARDIN, a? la Socie?te? industrielle de Mulhouse. Se?ance du 27 Juin 1866. In: Bulletin de la Société Industrielle de Mulhouse. Mulhouse: Imprimiere de P. Baret, 1866. 387394 pp. . Cardboard and photograph moderately yellowed, with modest cockling more visibly to the upper and lower sections. Small tear to the upper left part of the upper cardboard section and light water stains towards the left and bottom edge of the lower cardboard section, none affecting the photograph. Upper right corner slightly dog-eared. The photographs are in nearly fine condition. Overall in very good condition. Albumen print mounted on cardboard sheets, comprises three sections. Foldings strengthen with cloth.

Condizione: Wie neu. 230 s. : illustrations, portraits Zustand: neuwertig; UNGELESEN; v11044 Wenn das Buch einen Schutzumschlag hat, ist das ausdrücklich erwähnt. Rechnung mit ausgewiesener Mwst. Sprache: Deutsch Gewicht in Gramm: 1300 Kartoniert, Softcover/Paperback.

S.l., Bisson Frères photographes, 1860. Dimensions (à vue) : 373 x 282 mm. Grande et belle épreuve photographique sur papier albuminé montée sur carton lithographié, réalisée par les Frères Bisson (monogramme en relief de l'atelier en marge inférieure de la photographie et monogramme aux armes de Pie IX). ''Au même titre que Félix Nadar, Édouard Baldus ou Gustave Le Gray, les Frères Bisson ont été les premiers à essayer de se détacher des techniques imposées par l'usage du daguerréotype, notamment en abandonnant la pose photographique au profit de l'instantané. Actifs pendant l'«âge doré» du mécénat photographique, entre 1847 et 1855, les frères Bisson fondent leur originalité sur l'utilisation de très grands tirages (jusqu'à 100 81 cm) et sur la mise en pratique commerciale de leurs techniques. En effet, de 1852 à 1863, la «maison Bisson frères», rue Garancière, compte jusqu'à trente employés et gagne une renommée internationale par l'exécution de commandes très variées.'' Marges blanches présentant un écclat légèrement altéré. Du reste, très belle condition.

Pas de couverture. Condizione: Très bon. 1 grande photographie par Auguste-Rosalie Bisson Jeune, tirage albuminé de l'époque (1867) réalisé par Pierre Petit, photographe de la Commission impériale : EXPOSITION UNIVERSELLE PARIS 1867, vue d'une galerie de sculptures. Tirage albuminé de l'époque contreollé sur carton fort, avec la marque armoriée de l'administration de la concession impériale. Tirage de format : 23 cms x 15 cms (support: 45,5 cms x 42 cms). Auguste-Rosalie Bisson Jeune, 1826-1900. Pierre Petit, 1832-1909. Bel état de conservation (encadrement de l'époque, baguette bois vernis noir de style Napoléon III) Nous consulter au préalable pour les frais de port en mode colissimo, Tarif en vigueur La Poste. Dédicacé par l'illustrateur.