Bartoli giovanni (107 risultati)

Condizione: New.

Condizione: New.

Softcover. Very good condition in decorated slipcase. Slipcase extremities rubbed. ]. Three volumes. Unnumbered pages. Folio. Reprint of the 1691 edition. (The Printed Sources of Western Art: 41/43).

Condizione: Good. 3 vols. Decorative wrappers in matching slipcase. 324 pp. Illustrated. Facsimile reprint of 1691 edition. Text in Italian. Printed Sources of Western Art. Theodore Besterman, editor. Describes the ancient funerary lamps found in the catacombs of Rome. Engravings by Pietro Santi Bartoli. (Brunet I, 759). Pietro Santi Bartoli (illustratore).…

In 8° quadro pp. 96. Brossura editoriale figurata. Copia in stato di nuovo. Collana: Archivi di fotografia, n. 2.

audioCD. Condizione: Wie neu. Seiten; CD + Booklet - 10287 TG-AIEH-4RMP Sprache: Deutsch Gewicht in Gramm: 500.

Brossura. Condizione: new. Sala Bolognese, 1984; br., pp. 100, ill., cm 21x22.(Archivi di Fotografia. 2). Libro.

Condizione: New.

Paperback. Condizione: New.

CD. Condizione: Sehr gut. B1110-97 Sprache: Englisch Gewicht in Gramm: 106.

Paperback. Condizione: New.

Paperback. Condizione: New. Pietro Santi Bartoli (illustratore).

Hardcover. Condizione: Sehr gut. 50 Seiten Ein Buch über die Geschichte der Kastraten in der Musik, präsentiert von der berühmten Opernsängerin Cecilia Bartoli in Zusammenarbeit mit Il Giardino Armonico unter der Leitung von Giovanni Antonini. Zustand: Einband mit geringfügigen Gebrauchsspuren, insgesamt SEHR GUTER Zustand! HC1-576-7/8-00588815 Sprache: Deutsch Gewicht in Gramm: 410. …

Paperback. Condizione: New. Print on Demand. This book presents many significant, well-preserved Roman paintings. The paintings are found in the tombs of ancient Romans and display a variety of historical and mythological scenes. These paintings have been well-preserved within the tufa walls of a burial chamber since they were first painted in the Roman ages. The scenes represented in these paintings include those of daily life, religious ceremonies, and even legendary stories. Experts believe that these paintings were created to give insight into the lives of the deceased and provide a glimpse into their beliefs and social practices. This book offers an analysis of the techniques and styles used to create these paintings, and it provides fascinating insights into the beliefs and practices of the ancient Romans and their place in history. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.…

Condizione: New.

Napoli, 1984, 8vo stralcio con copertina posticcia muta, pp. 71/84 con una piantina, una tabella e tre grafici. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo, completo in se, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perché ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : ?extract? or ?excerpt? means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from? ?to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.…

Paperback. Condizione: New.

Rilegato. Condizione: in ottime condizioni. sovraccoperta. Tre volumi con cofanetto. 1. Vittorio Imbriani, i Romanzi. A cura di Fabio Pusterla, pagg. LXXII, 549. 2. Daniello Bartoli, La Ricreazione del savio. A cura di Bice Mortara Garavelli. Premessa di Maria Corti, pagg. LXXI, 708. - 3. Giovanni Villani, Nuova cronica Volume III (libri XII-XIII), a cura di Giuseppe Porta, pagg. LIX, 691, 3. Collana Biblioteca di scrittori italiani. Tela editoriale. Sopraccoperta. Cofanetto illustrato. Formato in.16 (12x19 cm). Lievi segni. Ottimo stato.…

Soft cover. Condizione: Fine. xxix, 187 pages, 84 unnumbered pages of plates (2 folded) : facsimiles, maps ; 28 cm. Latin text with parallel facing translations in Italian and English; introduction in Italian; summary of introduction and added contents page in English (p. xxvii-[xxx]).

paperback. Condizione: Good. Prima edizione. In 8^ (cm 24,5 x 23,5), pp. (4) con 8 tavole fotografiche su cartoncino emulsionato, intercalate da 7 pagine a stampa in formato cm 7 x 23,5, a commento delle singole illustrazioni. Legatura a spirale metallica e cartone pesante con titolo al piatto anteriore (indebolimento all'attacco del piatto anteriore in corrispondenza della spirale metallica). Rarissima e importante pubblicazione autoprodotta che illustra il lavoro progettuale realizzato da Pier Luigi Nervi nella sua doppia veste di ingegnere e impresario relativamente alla costruzione di serbatoi interrati per idrocarburi e delle celebri aviorimesse realizzate tra il 1935 e il 1942. Queste commesse militari per aviazione e marina furono vinte dallo studio, che vedeva Nervi associato al cugino, in particolare per l'economicità e la velocità di realizzazione dei progetti. Inoltre, il fatto che si trattasse di lavori per l'esercito permetteva, in tempi di rigorosa autarchia, l'utilizzo in deroga del cemento armato, vietato per tutti gli altri ambiti di edilizia civile. Questa serie di esigenze contestuali al momento bellico, darà a Nervi l'occasione di rinnovare completamente le tecniche costruttive in cemento armato, che l'impresa, peraltro, aveva già dato mostra nel 1932 di saper abilmente maneggiare nella costruzione di uno dei suoi capolavori: lo stadio di Firenze. La realizzazione delle aviorimesse a costruzione geodetica a Orvieto tra il 1935 e il 1938 (alla quale sembrerebbe riferirsi questa pubblicazione), rappresenterà l'inizio dell'uso del cosiddetto 'Sistema Nervi', che, attraverso passaggi sperimentali successivi, permetterà di realizzare strutture prefabbricate a terra in casseforme riutilizzabili, unite da congiunzioni in calcestruzzo rinforzato. Il sistema costruttivo sarà oggetto di brevetto nel 1939. In seguito, nel periodo post bellico, le metodologie costruttive sviluppate per questi edifici militari (furono dieci i progetti commissionati, anche se non tutti realizzati), verranno applicate da Nervi per importanti edifici, quali quelli messi in opera in occasione delle manifestazioni di Italia '61, che gli daranno fama mondiale oltre a venire a costituire la sua nota cifra stilistica. 'Un'aviorimessa in cemento armato', In: Casabella, n. 124, Aprile 1938. 'L'aviorimessa di Orvieto', In: L'industria italiana del cemento. N. 6. 1939. Sciotto, 'Pier Luigi Nervi imprenditore'. Tesi di Laurea. Politecnico di Torino, AA. 2019/2020, pp. 28-29. Iori, Pier Luigi Nervi, 2009, pp. 21 e segg.…

Condizione: Good. 3 vols in 1, contemporary calf, gilt decorated spine, leather lettering labels, joints cracked, books plates to front paste-down and front endpaper, folio.22 x 33cm.Wormholes in lower right cortner of first 50 pages, mostly small., Santi Bartoli, Pietro and Giovanni Pietro Bellori.Le Pitture Antiche del Sepolcro de Nasonii Nella via Flaminia.,1 double page and 34 engraved plates, damp-staining to initial leave of text, affecting the engraved plate at corner, Giovanni Battista Bussotti, Rome, 1680; .Menestrier (Claude François) Symbolica Dianae Ephesiae statua. 24 engravings, Rome: Giovanni Giacomo de Rossi, 1688; Writ (Giovanni Michele) Ragguaglio della solenne comparsa. dall'illustrissimo, et eccellentissimo Signor Conte di Castelmaine., engraved frontispiece, one large folding and 14 engraved plates.*** The third work contains an account of the Earl of Castlemaine's embassy to Rome in 1687, on behalf of James II, who wished to return England to the Catholic Church.Text and plates describe wall-paintings and vaults of the ancient tomb of the Nasonii on the Via Flaminia, which had been unearthed in 1674. The work was reprinted throughout the seventeenth, eighteenth and early nineteenth centuries, and served as a pattern book among such Neoclassical designers as Adam, Wyatt, Soane, Percier and Fontaine, Hope and Nash.The plates show: 1. excavation and the façade of the tomb; 2. the plan of the tomb; 3, 4. overall views of two walls of paintings; 5-20. details of the paintings; 21. overall view of a painted ceiling; 22-35. details of the ceiling paintings. The paintings show Greek mythological subjects, hunts and the seasons. The book also carries decorated initials.Bartoli's drawings of the murals are preserved in the Royal Collection at Windsor Castle. They were used by G. Turnbull for some plates in A curious collection of ancient paintings (1741).OCLC Number / Unique Identifier:702324701;OCLC Number / Unique Identifier:1085650529; OCLC Number / Unique Identifier: 800892296.Provenance: Thomas Longueville, Skene Library, Ampleforth Abbey Library.…

Hardcover. Condizione: Near Fine. Oblong album (265 x 180mm). Engraved title and 11 copperplate engravings by Pietro Santi Bartoli (16151700) after Giulio Romano [or Giulio Pippi] (ca. 14991546), pupil of Raphael. Nine of the prints consist of a single oblong image, two of the prints consist of two images printed side by side from a single plate, and one print consists of three such images. Bound out of order, the first two in this copy are of St. Sylvester chaining the dragon and St. Helen embracing Constantine, captioned "Draconem laethali alitu, homines enecantem Silvester obsignatum signo Crucis." All engravings signed by "Apud Io. Iacobum de Rubeis." i.e. Giovanni Giacomo de Rossi (16271691), the Roman publisher. The engraved title signed "Romae Apud Ioan. Iacobum de Rubeis. Alla Pace Sup(er) permissu(s)." Dedicated to Giacomo Filippo Nini (16291680), prominent cardinal of Rome, with Nini's arms at head. Contemporary vellum with colorful paint markings suggesting the front cover was once used as an artist's palette; (internally some thumbsoiling and light edgewear, one margin trimmed, otherwise good). Front pastedown inscribed in a late 17th-century hand "Julisis Romanus inventor Petrus Bartolus ." referring to the artistic partnership of Giulio Romano and Pietro Bartoli and the name, possibly owner, "Muhelis" short for Latin "Samuhelis." Verso of first set of engravings with list of 16 unrelated French words in an 18th century hand, suggesting some time in France, and a skillful pencil sketch of a figure in the left margin of the engraved title, likely dated around the same time. Rare set of bound engravings by Pietro Santi Bartoli (16151700), prolific student of the renowned French painters Jean Lemaire and Nicolas Poussin, which memorialized the frescoes in the Sala di Costantino of the Vatican Palace. Gaining recognition in the Eternal City, Bartoli was commissioned to create these plates after the monochrome frescoes by Giulo Romano (ca. 14991546) near the windows in the basamenti of the Sala di Costantino, beneath Romano's four larger frescoes. The monochrome paintings are significant for they were designed to mimic sculptural art. Bartoli's series of 12 engraved plates, including the title page, reproduced scenes from the life of Constantine and deeds of the patron Pope Clement VII (15231534). The publisher Giovanni Giacomo de Rossi (16271680), signed the engravings "Io. Iacobum de Rubeis" and was known for his many other history works. The dedication begins, "Illustriss. ac reverendiss. D. D. Iacobo Ninio Senensi S. D. N. Alexandri VII Pontificij cubiculi praefecto ." suggesting that the engravings were first published before Giacomo Filippo Nini was created cardinal in 1664, but after Pope Alexander VII ascended to the papacy in 1655 (and died 1667). The bound engravings remain rare; this is a remarkable copy with its ample artistic interest beyond the etchings: a near contemporary marginal sketch of figure in contrapposto and an utmost unique binding.…

16, 35-50, 65-76 pp. 35 leaves of fine engraved plates (one double page). Folio, old full mottle calf; gilt spine with five raised bands. First edition. Bookplate on pastedown; same owner's 3/4" circular private library sticker at the lower corner of one text page; some scattered age-toning to text; three consecutive pages with marginal ink spotting; tiny chip at the top of the spine; tight and sound. …

Full Calf. Condizione: Very Good Plus. Book measures 41x25,cm. 2 works bound in 1 volumes. Veterum Sepulcra seu Mausolea Romanorum et Etruscorum & Veterum Lucernae Sepulcrales. Both volume printed in 1728. Collation, 60pp, 44 plates, half title, & , 64pp, 37 plates, half title. Bound in full modern antiquarian panelled leather, raised bands, leather title labels. Binding in fine condition. Internally, pages and plates in very good clean condition. A very nice well bound copy. F Size: Folio.…

Condizione: Good. Folio. 37 x 49 cm. New half calf and marbled boards by the artisan bookbinder, Sasha Mosalov. Part of original spine preserved (35cm).Waterstain on the corners of some plates and text pages, but most are not not affected.Collation: XII, 1-66pp, Plates I-XXXV, 67-82pp, Plates I-XVI, 83-110pp, Plates I-XXIV, unnumbered doube page plate.OCLC Number:5005579.Notes: Four groups of engraved plates (24, 35, 16, 19 [i.e. 21]), each group followed by descriptive text.Translated from the Italian edition, originally published at Rome, 1706.With bookplate of Townshend.Includes index.Description: xii, 110 pages illustrations, plates 51 cm.This work was first published in 1738. It is a Latin translation of the book published in 1706 in Italian, entitled Le Pitture Antiche Delle Grotte Di Roma, E Del Sepolcro De' Nasoni Disegnate, & intagliate . Da Pietro Santi Bartoli, E Francesco Bartoli . Descritte . Da Gio: Pietro Bellori, E Michelangelo Causei Dela Chausse. (An earlier Latin account of the tomb of the Nasonii by P. Santi Bartoli had been published in 1699, and an Italian version in 1680.) The 1706 Italian version of the book had only three groups of plates with explanatory texts. This Latin edition is published 'cum Appendice nunquam edita', i.e. with a fourth group of plates and explanatory text.The painted walls and vaults of the tomb of the Nasonii on the Via Flaminia had first been unearthed in 1674.The plates of both the Latin and the Italian editions show not only paintings of this and other tombs but also stucchi, mosaics, lamps, vases and other objects. …

Hardcover. Condizione: Very Good. 1st Edition. FIRST EDITION. Oblong folio (35 x 45 cm). Title page; engraved dedication to Louis XIV of France; publisher s dedication; 7 unnumbered engraved diagrams of Trajan s Column; 119 numbered engraved plates; 14 pp. of text description by Alfonso Chacón and 2 pp. of index. Richly inked impressions on laid paper, with various watermarks; the majority of the plates with Paschal Lamb within a circle surmounted by letter 'A' and the letter 'N' underneath [cf. Corpus Chartarum Fabriano, dated to 1667]. Wide margins; minor foxing on margins and surface dirt; creases to text pages in closing. Ink manuscript inscriptions of previous owners (see provenance below). 18th century mottled calf; gilt decoration to cover; marbled endpapers; sympathetically rebacked, bumped and scuffed; spine in raised compartments with gilt black label and gilt title; upper cover beginning to start. An excellent copy. Berlin Katalog 3622; Cicognara 3603. Provenance: John Baxter, inscription dated 1770 and crossed out, (Scottish architect, d. 1798) William Oliphant of Leith [ink inscription to title] T. [?] Borthwick, Jan. 20th 1843 [pencil inscription to front free endpaper].…

in-folio, 3 engr. titles + 115 plates (of 116, lacks plate 35), untrimmed, small red school-library stamp on t.p. ?Ecole Sainte Genevieve B.D.J.?, half calf binding on raised bands, gilt bands, two grey title labels on spine with gilt lettering, some rubbing to edges, topedge gilt, corners slightly bumped. Still a very good copy. Second ed. with 115 engraved plates. / Superbe recueil de planches du a' Bartoli (1635-1700), peintre et graveur a' l'eau-forte, eleve de P. Le Maire et de Nicolas Poussin.Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. Brunet I/759.…

Hardcover. Condizione: Good. First Edition. Folio, 35 cm. Three parts in one. Half-title, 116 fine copper engraved plates and 3 engraved sectional titles. Contemporary calf, 6 raised bands. Red leather spine label. Marbled endpapers, page ends washed red. Library stamps to several titles and text pages. Marginal spotting and occasional dampstaining. Plates are generally clean and in excellent condition. An illustrated work on clay oil lamps discovered in ancient Roman catacombs. BMC XXII, 617.2; Cicognara 3609. Provenance: Armorial Bookplate of Fairman Rogers. Rogers subsequently donated this book to the Philadelphia Academy of the Fine Arts in 1881. Rogers was a noted engineer, UPenn professor, member of the American Philosophical Society (at 24), and civil war veteran (served at Gettysburg). Rogers served as the chairman of the building committee of the Philadelphia Academy of the Fine Arts.…

4to. (325 x 230 mm). Irregular pagination: 1-16, 35-50, 65-76. Illustrated with 35 engraved plates, one folding. Contemporary full mottled calf, red leather title label on banded spine, gilt armorial vignette to front and rear boards. Second edition of Bartoli's important study of the frescoes of the tomb of Quintus Nasonius Ambrosius. One of the most important archaeological finds of the period, the tomb of Quintus Nasonius Ambrosius was originally unearthed in March 1674 during the course of excavations of the Via Flaminia. Regarded as one of the most elaborate examples of sepulchral art from the Roman era, painted around 150 AD, its discovery occasioned much excitement, not least because at first it was widely believed to be the tomb of the poet Ovid. The tomb was a family burial place with multiple niches, adorned by frescoes with a series of seven apse paintings, a figured frieze incorporating ten enigmatic mythological figures, and a cassette ceiling. The walls contain scenes referring to death and the underworld, while the ceiling alludes to the soul's liberation after death. Pietro Santi Bartoli (1635-1700), the engraver and draughtsman, was probably engaged by Cardinal Camillo Massimo to produce a record of the frescoes adorning the walls of the tomb. Bartoli was responsible for several publications on Roman sculpture and works of art, such as the 'Admiranda romanarum antiquitatum' of 1693. In 1680, he produced these engravings of the Nasonii tomb paintings, and the work includes a commentary by Bartoli's friend, Giovanni Pietro Bellori (1613-96), the leading theorist of seventeenth century classicism. The work appears to have been so successful that not only was this second edition published in 1702, but the work was also republished as part of a larger work, 'Le pitture antiche delle grotte di Roma, e del sepolcro de' Nasonii' (Rome. Zenobi, 1706), combined in one volume with two other illustrated essays, 'Pitture antiche delle grotte' (begun by Pietro Santi Bartoli and completed by his son Francesco), and 'Appendice di alcune memorie sepolcrali, e di varia cose appartenenti a' defonti'.…

Paperback. Condizione: New.