Bobbin tim collier john (23 risultati)

Condizione: New.

Condizione: New.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. Excellent large facsimile edition published by Morten of Manchester, 1972. 41.5cm x 28cm, 72 pages. Some marks, wear and closed tears to dust-wrapper. Overseas shipping at cost.

Green hardback cloth cover. Condizione: Fair. Reprint. Worn condition. Cover rubbed with creasing to spine. Fep missing. Inner hinges cracked. Content in overall good condition. 220mm x 160mm (9" x 6"). 534pp. 9 b/w plates. John Collier was an English caricaturist and satirical poet known by the pseudonym of Tim Bobbin, or Timothy Bobbin. Collier styled himself as the Lancashire Hogarth.…

Hardcover. Condizione: Good. No Jacket. The primary objective of Curious Remarks—and its 1773 sequel, 8vo, PART 1 - Title Page [modern copy] lacks i to vi; iii, 65pp, some age wear / PART 2 - iv,73pp,viii, some age waer. Both parts bound in modern green cloth with lighter green boards More Fruit from the same Pannier—was to publicly lampoon Dr. John Whitaker, a local clergyman who had just published a highly speculative, overly romanticised, and pompous multi-volume work titled The History of Manchester. Collier, assisted by his friend Colonel Townley, felt Whitaker's history was riddled with self-importance, grand assumptions, and factual leaps regarding Manchester's ancient Roman and British past. Writing as "Muscipula," Collier used his characteristic dry, regional humour to tear Whitaker's grand narrative apart line by line.…

Reprint. Folio, [ff. 3, 19 (2 plates each, numbered 1-38), 5 (1 plate each, numbered 39-43), 1 (1 unnumbered plate titled 'Scotch Politics'), 4 (containing text, 'An Explanation of the Plates)]. Clean and bright within. Dark blue faux leather or perhaps skiver, gilt title to upper board. Endcaps a little bumped, a few tiny marks but very good indeed. Cream illustrated dust jacket, a few smudgy marks, edges a little tattered, very good. First printed and published in 1773 by John Heywood of Manchester.…

Hardback. Condizione: G++. No DW. 1st Thus. Vellum spine and dark green cloth both lettered in gold. Fairly clean tight text has spotted edges. Endpapers browned. Long but very thin scratch mark across front cover else covers quite bright and clean. Spine a bit browned and joints quite tender (hinges sound). SPECIAL POSTAGE RATES APPLY Packed weight 1700g.…

Hardback. Condizione: G++. No DW. 1st Thus. Vellum spine and dark green cloth both lettered in gold. Owners names etc at start. Fairly clean tight book but bit cocked and vellum spine drakened. Book is in good double plus condition with noticeable signs of wear and/or age. SPECIAL POSTAGE RATES MAY APPLY Packed weight 1700g.…

Hardback. Condizione: G++. No DW. The text commences with a portrait frontispiece then title page. Pages 1-240 but 141-4 are used twice. There are an additional 16 bw plates. (Not known if they are complete since there is no list). Ink note on page 112. Fairly clean tight text but with some fairly noticeable spotting in places. In a likely contemporary half leather and marbled boards binding. Spine decorated in gold with a burgundy title label stating simply TIM BOBBIN. Spine presents very well.…

Hardcover. Condizione: Very Good. No Dust Jacket. Later Printing. 12mo 7" - 7½" tall; 212 pages; Complete with 10 copper plate illustrations. Original marbled paper boards and endpapers, sometime rebacked in calf with a red leather lettering label.

Hardback. Condizione: Good. No DW. Frontispiece & 9 other plates (as called for). 24 and 212 pages. No adverts. Clean tight text is very irregularly trimmed (as issued) and is waved, worn and bit dust marked (mainly just at text edges). ALL pages opposite plates are offset/browned. Has been fitted with new endpapers and rebound (?using original paper covered boards) with new cloth spine and recvent papert titel label. Two armorial bookplates (? added later). A good working copy.…

Leather Bound. pp. 226; pp. 83. 8vo. Bound in contemporary 3/4 maroon leather over marbled boards with gilt rules and lettering to spine over black spine label. Twenty-seven copper engraved plates along with minor illustrations throughout. Light rubbing to boards, slight offsetting to endpapers, lightest occasional foxing (chiefly confined to endpapers), contents remain overwhelmingly clean and unmarked with tight, sound binding. Overall, very good+. Tim Bobbin (pseudonym for John Collier [1708-1786]) was an early English satirist and caricaturist. …

Hardcover. Condizione: Very Good. Rebound in library binding. Early edition. Pages clean, no markings, light wear to edges. NEW EU 5 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.…

Hardcover. Condizione: Good. viii,184pp. Rebound. Spine sunned. Spotted from front flyleaf to page iii, in page 20, 28, 32, 108, 156 & margin of pages with plates (in short, pages spotted near plates). Some pages sl.spotted. 19.5x11.8cm. [L03370-605213].

Hardcover. Condizione: Fair. [British Caricature] Folio; 42 cm. Bound in blue blind-stamped publisher's cloth, title in gilt. Spine perished, pages loose. Marbled endsheets and unprinted tissue guard sheets between leaves. 33 unnumbered leaves : chiefly illustrations, facsimiles. Some chipping to margins. 1858 reprint of the 1773 ed. Publication date from BLC.…

0. Gr.-8°. 494 S. Front. u. 10 Kupf. Leder. Rückenschild. Rücken- u. Deckelvergold, Innenkantenvergold. Calf. Label on spine,gilt on spine and boards, gilt inner edges. Ber.u. best. Tls. gebr. u. stockfl., unbeschn. Schöne Ausgabe. Rubbed and bumped. Partly browned and foxed, edges untrimmed. Very nice copy. Auf Wunsch senden wir gerne ein Foto des Buches via E-mail Sprache: Deutschu 1,149 gr.…

Leather. Condizione: Very Good. A fantastic collection of satirical character sketches and images from the 'Lancashire Hogarth'. Featuring a frontispiece and numerous further plates featuring Collier's humorous illustrations and caricatures. 'Containing his view of the Lancashire dialect, with large additions and improvements: also, his poem of the flying dragon and the man of Heaton; together with other whimsical amusements in prose and verse. To which is added a life of the author'. With armorial bookplate of S. F. Widdrington to front pastedown. In a blindstamped full calf binding. Externally sound although somewhat rubbed. Internally, firmly bound. Many pages age-toned and dusted with occasional marks, but remain very clear and enjoyable to read. Very Good. None (illustratore). book.…

Hardcover. 226pp. Full patterned calf stamped in gold on the front and the back panel, spine elaborately tooled in blind with black label lettered in gold affixed. Marbled endpapers. Frontispiece and nineteen inserted plates. With the armorial bookplate of Charles Napier Lawrence, Baron Lawrence of Kingsgate to front pastedown endpaper. Bound with Plebeian Politics, or the Principles and Practices of certain Mole-Eyed Maniacs Vulgarly Called Warrites. Printed and published by J. Slack, Manchester, 1818. 83pp. Frontispiece and six inserted plates. Mild edge wear else a fine copy. ; Octavo.…

Single engraved sheet with etched image, text and explanations printed below, sheet size 227mm x 278mm, image size 204mm x 216mm, plate mark 224mm x 274mm; plate marks cropped close at head and right margin; sheet mounted on later blue card; sheet somewhat browned, creased and dust-soiled, with a couple of small marginal tears though not touching image, with printer's thumb-mark lower right?; a scarce survivor. A striking late eighteenth century satirical etching depicting a rather terrifying machine which can shave 'from one to twenty persons' in a line using a brush and razor on a trolley, which slides along a track worked by a cogwheel. The mock advertising text below announces that: 'Whereas the wonderful powers of this useful machine are yet but little known and even doubted by those who have not seen it, the Inventor has, for their satisfaction, prefixed a Plate representing his Shaving and Dressing Room. Pledges himself that his Machine will be found to do its work in the most safe, smooth, and efficacious manner, with three scrapes or movements, and that those who shall have once tried it, will no longer entertain any doubts on the subject'. The cogwheel is turned by a man far right. The six customers (or should that be victims?) each sit with their heads resting along what looks horribly like an executioner's block, whilst the barber is seen directing the position of his customer's faces. To the left, three further men are seen, two apparently waiting in turn (one is reading a paper), whilst another man seems to be powdering the customer's six wigs on a shelf above their heads by firing smoke out of a gun. To the left foreground sits a young boy 'employed in the ordinary and tedious mode of dressing a Wig'. As the machine passes along the track, 'the brush, followed by the razor, performs on the right cheek. The faces, the brush, & the razor, being then reversed, a contrary motion of the Wheel does the left cheek. And the faces being again turned to the front, the fore-beard is done by the instrument at I'. Whilst commonly ascribed anonymously, in the upper right hand corner of the image can be seen the portrait of a grinning 'Tim Bobbin' clearly based upon the self-portrait of the noted Lancashire 'Hogarth', John Collier (1708-1786), best remembered for his savage satirical work 'Human Passions Delineated' (1773). Whether by his hand, or done in tribute to him, we have been unable to verify, and it appears not to be mentioned in related bibliographies - but the vanity of the situation seems ripe for the his attention, and that of hisCollier's attention. As the Wellcome suggest, it is most likely that the image is a parody of the onset of industrialisation, the portrait of Bobbin, a Rochdale man, suggesting a Lancashire setting perhaps at the time the heart of the Industrial Revolution. A a wild flight of fancy rather than a serious conjecture, perhaps, but should the illusions to the guillotine be more than just be a figment of an active booksellers' imagination, the true veiled meaning could be the developing situation in France, though this would place publication to after Collier's death, Guillotin having first proposed his new machine in 1789 and which was first used in 1792. It is interesting though, that Guillotin originally put forward six proposals to the Legislative Assembly (we have six customers here), and that he apparently presented an etching that illustrated an ornate device, operated by a rather effete looking executioner (a.k.a our Master Barber?). The machine was hidden from the view of large crowds (as here inside the shop), according with Guillotine's view that execution should be private and dignified. The idea and image was revised and adapted in around 1825, by the British illustrator and caricaturist Robert Seymour, who signed his caricatures "Shortshanks" in parody of caricaturist George Cruikshank, in his print Shaving by Steam. Copies located at Princeton, the Lewis Walpole Library at Yale, the British Museum and the Wellcome and all ascribed anonymously; see BM Satires, Vol II, 15654 also citing Caricatures VI p. 204.…

Condizione: New. Print on Demand.

Condizione: New. Print on Demand.

Condizione: New. PRINT ON DEMAND.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have. …