Boris arvatov (33 risultati)

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condizione: As New. Unread book in perfect condition.

Wraps. Condizione: Good. Wide 8vo, 128 pp., illus. Includes the feature Reconsidering John Cage, Part I. Spine sunned, wrappers handled, creased and edgeworn, corners bumped.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Paperback. Condizione: New. Boris Arvatov's Art and Production is a classic of the early Soviet avant-garde. Now nearing a century since its first publication, it is a crucial intervention for those seeking to understand the social dynamic of art and revolution during the period.Derived from the internal struggles of Soviet Constructivism, as it confronted the massive problems of cultural transformation after 'War Communism', Arvatov's writing is a major force in the split that occurred in the revolutionary horizons of Constructivism in the early 1920s. Critical of early Constructivism's social-aesthetic process of art's transformation of daily life - epitomised in studio-based painting, photography and object making - Arvatov polemicises for the devolution of artistic skills directly into the relations of production and the factory.Whilst acknowledging the problems of a pure factory-based Productivism, Arvatov remains overwhelmingly committed to a new role and function for art outside the conventional studio and traditional gallery. Addressing issues such as artistic labour and productive labour, the artist as technician, art and multidisciplinarity and a life for art beyond 'art' - finding new relevance amidst the extensive social turn of contemporary participatory art - Art and Production offers a timely and compelling manifesto.…

Condizione: new.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: New. pp. 192.

Condizione: New. 2017. Paperback. . . . . .

kart., broschiert. Condizione: Befriedigend. 137 S. Einbd. etwas berieben/ angeschmutzt/ gebräunt, Rücken etwas rund/ Leseknick, Seiten altersbedingt etwas gebräunt, ansonsten ordentliches Exemplar. ISBN: 9783446115576 Sprache: Englisch Gewicht in Gramm: 180.

Condizione: New. 2017. Paperback. . . . . . Books ship from the US and Ireland.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New.

Condizione: New. In English.

Condizione: As New. Unread book in perfect condition.

, Softcover/Paperback. Condizione: Sehr gut. 144 Seiten Frisches und sauberes Exemplar in gutem Zustand. Einige Markierungen mit Kugelschreiber. Inhalt: Thesen zur bürgerlichen Kunst und proletarischen Produktionskunst - Die Kunst im System der proletarischen Kultur - Kunst und Produktion in der Geschichte der Arbeiterbewegung - Kunst und Organisation der Umwelt - Utopie oder Wissenschaft - Antwort an den Genossen Kacman - Revolutionäre Maskerade - Die Demokratisierer - Widerspiegeln, nachahmen oder gestalten? - Theater als Produktion - Von der Theaterregie zur Montage des Lebens - Theater und Leben - Der Futurismus als soziales Phänomen - Ein Packen von Ordern von A. Gastev - Es lebe die Spaltung! Kriminalität und Erotismus in der linken Kunst - Arbeiterkorrespondenten, Folklore, schöne Literatur und anderes mehr - Hans Günther u. Karla Hielscher: Zur proletarischen Produktionskunst Boris I. Arvatovs - Erläuterungen ISBN 9783446115576 Sprache: Englisch Gewicht in Gramm: 179.…

Encuadernación de tapa blanda. Condizione: Bien. Madrid, Alberto Corazón, Colecc. Comunicación, Serie B, nº 25, 1973. Traducc. José Fernández Sánchez. 123 p. Rústica, solapas. Buen estado. Primera edición.

Wrappers. Condizione: Bueno. 1st ed. 18.5x23.5. 128pp. Wrappers. Good. English.

In-16° gr. pp. 144, bross. edit. ill. Ottimo stato salvo firma interna.

Paperback. Condizione: New. Boris Arvatov's Art and Production is a classic of the early Soviet avant-garde. Now nearing a century since its first publication, it is a crucial intervention for those seeking to understand the social dynamic of art and revolution during the period.Derived from the internal struggles of Soviet Constructivism, as it confronted the massive problems of cultural transformation after 'War Communism', Arvatov's writing is a major force in the split that occurred in the revolutionary horizons of Constructivism in the early 1920s. Critical of early Constructivism's social-aesthetic process of art's transformation of daily life - epitomised in studio-based painting, photography and object making - Arvatov polemicises for the devolution of artistic skills directly into the relations of production and the factory.Whilst acknowledging the problems of a pure factory-based Productivism, Arvatov remains overwhelmingly committed to a new role and function for art outside the conventional studio and traditional gallery. Addressing issues such as artistic labour and productive labour, the artist as technician, art and multidisciplinarity and a life for art beyond 'art' - finding new relevance amidst the extensive social turn of contemporary participatory art - Art and Production offers a timely and compelling manifesto.…

DEA, 137 S., OKart., Name auf Vorsatz, gut erhalten, Reihe Hanser 87 Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

Condizione: New. Print on Demand pp. 192.

Paperback. Condizione: Brand New. 146 pages. 8.00x5.00x0.50 inches. In Stock. This item is printed on demand.

Condizione: Used: Like New. LIVRE A L?ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782957950027.

Condizione: New. PRINT ON DEMAND pp. 192.

Condizione: new. Pages: 876 Language: Russian. Sobranie sochinenij odnogo iz glavnykh teoretikov proizvodstvennogo iskusstva epokhi russkogo avangarda V chetyrekhtomnoe sobranie sochinenij Borisa Arvatova (1986-1940) voshli prakticheski vse ego teksty, napisannye s 1923 po 1931 god. Radikalnaja ideja Arvatova zakljuchalas v ponimanii iskusstva kak prakticheskogo instrumenta, s pomoschju kotorogo khudozhnik dolzhen organizovyvat byt i proizvodstvo, a ne izobrazhat ikh. Stremjas porvat s traditsiej burzhuaznogo iskusstva, osnovannoj na ukhode ot dejstvitelnosti, Arvatov zajavljal: khudozhnik - ne izbrannyj prorok, risujuschij natjurmorty, portrety ili pejzazhi, a "kvalifitsirovannyj" inzhener-remeslennik, kotoryj truditsja v masterskoj i pomogaet reshat zadachi, stojaschie pered obschestvom. V pervyj tom voshli sborniki statej Borisa Arvatova "Iskusstvo i klassy" (1923 g.) i "Ob agit- i proz-iskusstve" (1930 g.); vo vtoroj - kniga "Iskusstvo i proizvodstvo" (1926 g.) i sbornik "Sotsiologicheskaja poetika" s tekstami 1923-1927 godov. Tretij tom vkljuchaet issledovanija, posvjaschennye khudozhniku Natanu Altmanu (1924 g.) i poetu Vladimiru Majakovskomu (1931 g.); v chetvertom tome predstavleny prizhiznennye publikatsii Arvatova, sobrannye po razlichnym periodicheskim izdanijam, a takzhe arkhivnye materialy, sredi kotorykh osobyj interes predstavljajut pisma Borisa Arvatova, a takzhe ego ottsa, Ignatija Arvatova, prolivajuschie svet na poslednie gody zhizni kritika. Boris Arvatov (1896-1940) - iskusstvoved, khudozhestvennyj i literaturnyj kritik, teoretik proizvodstvennogo iskusstva i odin iz osnovatelej tvorcheskogo obedinenija LEF. 9785907183407.…

Soft cover. Condizione: Good. 1st Edition. Russian language. Octavo 16 x 24 cm. Weight 120 g. Wrappers, 87 [1] pp. Print run 7000 copies. The book is in Good condition without any visible defects, losses, remarks. Cover edges show some fraying and darkening, tears (about 3 cm length) on the bottom of front and back cover along the spine fold repaired with paper tape from the inner side, restored spine ends; Internally light damp stains on the title and last page, darkened edges of the pages. Book's cover design in red & black by artist Leonid Nikitin (1896-1942) is considered on of the best examples of Russian Constructivism. A classic of Russian avant-garde writing, collection of four theoretical articles written by Boris Arvatov between 1921 and 1923 focusing on the aims of Proletkult and the need to develop a proletarian point of view on contemporary art trends. Here Arvatov elucidates the difference between early avant-garde movements, including Futurism, and productivist Constructivism. He challenges the validity of easel art and proclaims the "productivist" view that artists should enter directly into industry to produce formally expedient and socially useful objects. In this case an aesthetic goal of art shifts to a factory noise and eliminates the opposition of art and life. The idea of "Productive Art" was developed by Arvatov also in his later works. Boris Arvatov (1896-1940) is best known as an art historian and critic, active theorist and ideologist of Proletkult, major proponent of "Productive Art", and a prominent contributor to LEF (the journal of the Soviet Union's avant-garde movement 'Left Front of the Arts'). Throughout the 1920s, he published extensively on art history, Constructivism, production art, proletarian culture, gaining a reputation as an uncompromising hard-line productivist who subordinated artistic creativity to the needs of production.…