Bryan randolph gilliam (27 risultati)

First Edition. Fine paperback copy. Well-preserved overall. Series; Musical lives. Physical description; viii, 201 pages : illustrations ; 23 cm. Subjects; Strauss, Richard (1864-1949) Biography. Composers Germany Biography. Music Germany 20th century History and criticism. 1 Kg.

First Edition. Fine paperback copy. Well-preserved overall. Series; Musical lives. Physical description; viii, 201 pages : illustrations ; 23 cm. Subjects; Strauss, Richard (1864-1949) Biography. Composers Germany Biography. Music Germany 20th century History and criticism. 1 Kg.

Hardcover. black boards w/ silver spine printing. book xiv, 220 pgs. red dustjacket w/ white printing & illustration; protective plastic. From a college library. Pages appear clean, but, may have instances of marginalia, notations, etc. A nice, bright copy. "Following the collapse of the Wilhelmine Empire in Germany, a new generation of artists found a fresh environment where they might flourish. Their optimism was accompanied by an equally powerful distrust of the immediate past, for post-romanticism, and ultimately expressionism, served as symbols of a bygone era. Composers, performers, and audiences alike sought to negate their recent post in various ways: by affirming modern technology (electronic or mechanical music, sound recordings, radio, and film), exploring music of a more remote past (principally Baroque music), and celebrating popular music (particularly jazz). The essays contained in this volume address these fundamental themes. Examining the way in which German music was performed, staged, programmed, and received in the 1920s not only offers deeper insights into Weimar culture itself but sheds light on our contemporary musical world."--WorldCat. VG (ex-library w/ stamps to textblock edges, internal stamps, usual markings, etc. dustjacket has ID to lower spine, taped to cover edges).…

Hardcover. Condizione: Very Good. VG+ hardcover in a VG+ dust jacket. Minor wear only. NOT ex-library; no interior markings.

OPp., gebundene Ausgabe, SU. Condizione: Gut. 234 S, Ill. SU. leicht berieben, Buch leicht schief, wenige Eintragungen, ansonsten gut erhalten. ISBN: 9783406662461 Sprache: Deutsch Gewicht in Gramm: 460.

Condizione: New.

Condizione: New.

Condizione: New. In English.

Paperback. Condizione: New.

Condizione: New. These essays examine the way in which German music was performed, staged, programmed, and received in the 1920s. Editor(s): Gilliam, Bryan Randolph. Series: Cambridge Studies in Performance Practice. Num Pages: 236 pages, 30 music examples. BIC Classification: 1DFG; 3JJG; AV; HBTB. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 244 x 170 x 13. Weight in Grams: 386. . 2008. paperback. . . . . …

Condizione: New.

Condizione: Good. Volume 3. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:0521420121. …

Condizione: New. pp. 236.

Condizione: New. These essays examine the way in which German music was performed, staged, programmed, and received in the 1920s. Editor(s): Gilliam, Bryan Randolph. Series: Cambridge Studies in Performance Practice. Num Pages: 236 pages, 30 music examples. BIC Classification: 1DFG; 3JJG; AV; HBTB. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 244 x 170 x 13. Weight in Grams: 386. . 2008. paperback. . . . . Books ship from the US and Ireland. …

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Following the collapse of the Wilhelmine Empire in Germany, a new generation of artists found a fresh environment where they might flourish. Their optimism was accompanied by an equally powerful distrust of the immediate past, for post-romanticism - and ultimately expressionism - served as symbols of a bygone era. Composers, performers, and audiences alike sought to negate their recent past in various ways: by affirming modern technology (electronic or mechanical music, sound recordings, radio, and film), exploring music of a more remote past (principally Baroque music), and celebrating popular music (particularly jazz). The essays contained in this volume address these fundamental themes. Examining the way in which German music was performed, staged, programmed, and received in the 1920s, they not only offer deeper insights into Weimar culture itself but shed light on our contemporary musical world.…

Hardcover. Pale yellow cloth boards with black lettering; yellow and black illustrated dj, mylar cover; x, 289 pp; bw illustrations and music. "This first English-language volume of musicological essays on Richard Strauss places the German composer in the musical mainstream and situates him among the most influential composers of the late-nineteenth and early-twentieth centuries. Comprehensive and interdisciplinary in approach, this volume examines Strauss's life and work from a number of approaches and during various periods of his eighty-five-year creative life, a career that spanned one of the most remarkable stretches of modern German cultural and political history. The contributors discuss Strauss as a young composer steeped in a conservative instrumental tradition; as a brash young modernist tone poet of the 1890s; as an important composer of twentieth-century German opera; and as a cultural icon manipulated by the national socialists during the 1930s and early 1940s. Other essays compare Strauss and such contemporaries as Mahler and discuss recently discovered sources that shed important light on Strauss's late period of composition. Using Strauss's creative works as a framework for posing larger musicological questions, various themes recur throughout these essays: the tension between narrative and structure in program music and how that problem is reflected in musical analysis; the problem of extended tonality at the turn of the century; the issue of stylistic choice versus stylistic obligation; and new perspectives on progressive versus conservative from the standpoint of postmodernism."-dust jacket. Contents include: Strauss before Liszt and Wagner : some observations / R. Larry Todd -- Miners digging from opposite sides : Mahler, Strauss, and the problem of program music / Stephen E. Hefling -- Extended tonality in Mahler and Strauss / Kofi Agawu -- Ironic allusions to Italian opera in the musical comedies of Richard Strauss / Reinhold Schlötterer -- Strauss and the National Socialists : the debate and its relevance / Pamela M. Potter -- Die Händler und die Kunst : Richard Strauss as composers' advocate / Barbara A. Petersen -- Fiery-pulsed libertine or domestic hero? : Strauss's Don Juan reinvestigated / James Hepokoski -- The concerto for oboe and small orchestra (1945) : remarks about the origin of the work based on a newly discovered source / Günter Brosche -- The metamorphosis of the Metamorphosen : new analytical and source-critical discoveries / Timothy L. Jackson -- The element of time in Der Rosenkavalier / Lewis Lockwood.; Strauss's Intermezzo : innovation and tradition / Bryan Gilliam. VG-/VG- (Ex-library with stamps and labels on spine, inside front and rear covers, ffep and block.).…

paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Condizione: As New. Unread book in perfect condition.

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Unbekannter Einband. Condizione: Sehr gut. Gebraucht - Sehr gut Literaturangaben.

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condizione: New. Print on Demand pp. 236 67:B&W 6.69 x 9.61 in or 244 x 170 mm (Pinched Crown) Perfect Bound on White w/Gloss Lam.

Condizione: New. PRINT ON DEMAND pp. 236.

Paperback. Condizione: new. Paperback. Following the collapse of the Wilhelmine Empire in Germany, a new generation of artists found a fresh environment where they might flourish. Their optimism was accompanied by an equally powerful distrust of the immediate past, for post-romanticism - and ultimately expressionism - served as symbols of a bygone era. Composers, performers, and audiences alike sought to negate their recent past in various ways: by affirming modern technology (electronic or mechanical music, sound recordings, radio, and film), exploring music of a more remote past (principally Baroque music), and celebrating popular music (particularly jazz). The essays contained in this volume address these fundamental themes. Examining the way in which German music was performed, staged, programmed, and received in the 1920s, they not only offer deeper insights into Weimar culture itself but shed light on our contemporary musical world. These essays examine the way in which German music was performed, staged, programmed, and received in the 1920s, offering insight into Weimar culture itself and shedding light on our contemporary musical world. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. These essays examine the way in which German music was performed, staged, programmed, and received in the 1920s, offering insight into Weimar culture itself and shedding light on our contemporary musical world.Inhaltsverzeichnis1. St.…