Charles lucien leandre (21 risultati)

Soft cover. Condizione: Very Good. Complete 24 Juillet 1897 Le Rire magazine. Cover illustration by Charles Leandre. Bookseller since 1995 (LL-15Drw#12) rareviewbooks.

Soft cover. Condizione: Good. Complete 12 Juin 1897 Le Rire magazine. Cover illustration of Queen Victoria by Charles Leandre. Light browning to edge with small thread notches along spine. Bookseller since 1995 (LL-15Drw#11)rareviewbooks.

No Binding. Condizione: Good. 18 December 1897 Le Rire front cover lithograph - COVER ONLY! Scheurer-Kestner became convinced of Afred Dreyfus innocence and helped reignite the Dreyfusard case. Light foxing/browning at edge with small nick top left edge. Bookseller since 1995 (LL-15Drw#6)rareviewbooks.…

Original Lithographie aus dem Werk "Les Maitres de l'Affiche" von 1900. Blatt-Maße: ca. 39 x 30 cm. gut erhalten. || Original first edition lithograph out of "Les Maitres de l'Affiche" from 1900. With the blind embossed stamp designed by J. Cheret. in good condition. || Lithographie originale en couleurs de l'ouvrage "Les Maîtres de l'Affiche" de 1900. || "Les Maitres de l'Affiche" was published by Imprimerie Chaix, under the direction of Jules Cheret between the years 1896 and 1900, as a monthly subscription. It features designs by artists such as: Alphonse Mucha, Henri de Toulouse-Lautrec, Theophile-Alexandre Steinlen, Bonnard, Forain, Eugene Grasset, Georges Meunier, Louis Rhead, Dudley Hardy, etc. Special issues included plates with original designes by renowed artists. Among the most sought-after posters from the series are "Job" by A. Mucha which helped establish Mucha as a creator of beautiful Art Nouveau popular images, and has been used widely all over the world, in various variants - and "Moulin Rouge" by Toulouse Lautrec. With more than one thousand poster designs, Jules Cheret was considered the father of poster art. Many of the posters from Les Maitres de l'Affiche have been designed by Charet himself. In 1866, he opened his own print shop in Paris and from 1881 on, he operated as part of the Chaix Imprimerie which published "Les Maitres de l'Affiche". This work was created during La Belle Epoque in France, a great time for advertising and part of the French Great Poster Movement which started at the end of the 19th century. At that time, the streets of all large cities in the world were full of large-format, colorful, lively poster images. Advertising posters began to be regarded as works of art, and published as fine prints. Imprimerie Chaix played a great part in popularizing poster designs, as well as in keeping record of the artistic movement as a whole. Original Farblithographie aus dem Werk "Les Maitres de l'Affiche" von ca. 1896. Blatt-Maße: ca. 39 x 30 cm. gut erhalten. || Original first edition lithograph out of "Les Maitres de l'Affiche" from c. 1896. With the blind embossed stamp designed by J. Cheret. in good condition. || Lithographie originale en couleurs de l'ouvrage "Les Maîtres de l'Affiche" de environ 1896. || "Les Maitres de l'Affiche" was published by Imprimerie Chaix, under the direction of Jules Cheret between the years 1896 and 1900, as a monthly subscription. It features designs by artists such as: Alphonse Mucha, Henri de Toulouse-Lautrec, Theophile-Alexandre Steinlen, Bonnard, Forain, Eugene Grasset, Georges Meunier, Louis Rhead, Dudley Hardy, etc. Special issues included plates with original designes by renowed artists. Among the most sought-after posters from the series are "Job" by A. Mucha which helped establish Mucha as a creator of beautiful Art Nouveau popular images, and has been used widely all over the world, in various variants - and "Moulin Rouge" by Toulouse Lautrec. With more than one thousand poster designs, Jules Cheret was considered the father of poster art. Many of the posters from Les Maitres de l'Affiche have been designed by Charet himself. In 1866, he opened his own print shop in Paris and from 1881 on, he operated as part of the Chaix Imprimerie which published "Les Maitres de l'Affiche". This work was created during La Belle Epoque in France, a great time for advertising and part of the French Great Poster Movement which started at the end of the 19th century. At that time, the streets of all large cities in the world were full of large-format, colorful, lively poster images. Advertising posters began to be regarded as works of art, and published as fine prints. Imprimerie Chaix played a great part in popularizing poster designs, as well as in keeping record of the artistic movement as a whole. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 25.…

Photo en français. Caricaturiste né à Champsecret en 1862. Photo Gerschel. Photographie 4 x 7, 5 cm. Notice biographique collée au dos. Photographies Félix Potin. Photo Gerschel. (illustratore). Photo.

Photo en français. Caricaturiste né à Champsecret en 1862. Photo Gerschel. Photographie 4 x 7, 5 cm. Notice biographique collée au dos. Photographies Félix Potin. Photo Gerschel. (illustratore). Photo.

Photo en français. Caricaturiste né à Champsecret en 1862. Photo Gerschel. Photographie 4 x 7, 5 cm. Notice biographique collée au dos. Photographies Félix Potin. Photo Gerschel. (illustratore). Photo.

Condizione: Good. 4to. 25 x 33cm. Original wraps. Tear on cover without loss, stabliized. Hors commerce copy."Lithographies originales de MM. A. Belleroche [and others]."Première édition a? 500 exemplaires: 200 avec remarques et dédicaces, sur papier de luxe, a? la forme numérotés de 1 a? 200; 300 sans remarques avec dédicaces, sur papier du Marais, numérotés de 1 a? 300"--Preliminary page.Lithographies originales de Belleroche, Cahard, Désiré Lucas, Faivre, Léandre, Maurou, Métivet, Mondo, Neumont, Redon, Vallet, Willette P., E. Duchatel, in-4, Broché, couverture défraichie. L'un des meilleurs manuel de lithographie après celui d'Engelmann en 1839. Cette seconde est entièrement revue et augmentée. L'illustration est totalement renouvelée et comporte 24 belles lithographies originales hors texte de Belleroche, Dorville, Faivre, Léandre, Monod, Neumont, Redon, Vallet ou Willette, obtenues chacune par un procédé différent. Pour tous ceux qui souhaite mettre en pratique l'invention d'Aloys Senefelder.…

(um 1970). Maße: ca. 38,1 x 56,5 cm---- gutes Exemplar - 26 Gramm.

Fine Giclee Art Print. Condizione: Very Good. Art Print, this is not a book. Fine Giclee Print. This print delivers a vivid image with maximum color accuracy and exceptional resolution. The standard for museums and galleries around the world. Suitable for Framing. Archival Quality Paper Sze: 11"x17" Untrimmed. Printed area is slightly smaller, leaving a white border. Portable Trunk Publishers, Artists Fine Art Giclée (AFAG series) - Watermark is not on the print, used to protect copyrights. -- Charles Lucien Léandre (1862-1934), French caricaturist and painter, was born at Champsecret (Orne), and studied painting under Émile Bin and Alexandre Cabanel. From 1887 he figured among the exhibitors of the Salon, where he showed numerous portraits and genre pictures, but his popular fame is due to his comic drawings and caricatures. The series of the "Gotha des souverains," published in Le Rire, and Leandre's other work like that seen in L'Assiette au Beurre placed him in the front rank of modern caricaturists. Besides his contributions to Le Rire, Le Figaro and other comic journals, he published a series of albums: Nocturnes, Le Musee des souverains, and Paris el la provénce. In 1904, he created the Société des Peintres Humoristes. Book. …

Sans mention d'éditeur ni de date ( 1902 ). Grand in-4 relié. Superbe et élégante reliure plein bradel toile grise de 16 pages au format 25,5 x 31 cm, réalisée par un relieur. Premier plat et dos avec illustrations contrecollées. Pages de garde en papier marbré. Trois pages de présentation par Lucien Puech, suivies de magnifiques illustrations en noir et blanc et couleurs de Charles Léandre. Illustration contrecollée au recto de la dernière page de garde. Edition originale en état magnifique, proche du parfait. Il s'agit peut-être de l'Album n° 6, publié aux éditions Montgrédien / Jules Tallandier en 1902.…

Ganze Figur im Alter mit Hut und einem Glas Rotwein auf einem Segelboot, eigenhändig seinem Freund Josef Engelhart (1864-1941) gewidmet.

Condizione: Good. Color lithograph. 31 x 41 cm (sheet). artist's name and date printed in lower right of image 'C. Leandre '97', with the blindstamp of L'Estampe Moderne (Lugt 2790), printed by L'Imprimerie Champenois, edited by Charles Masson and H. Piazza, with the original tissue paper guard. Very Good, sheet lightly toned. …

Original antique lithograph. Original ltihograph, signed in the stone on the lower right, with collections stamp in the lower left corner. Depicted is a partly undressed young woman with a putto like figure above her head. Some sheperd motives under and right next to her. Charles Lucien Léandre (June 22, 1862 in Champsecret, Orne department; May 24, 1934 in Montmartre, Paris) was a French illustrator, caricaturist and painter. At the age of 16, Léandre came to Paris in 1878 and became a student in the studio of the painter Émile Bin. With his support, he was accepted at the École des Beaux-Arts together with his fellow student Maurice Eliot. He was there u. a. taught by Alexandre Cabanel.From 1887 Léandre was able to regularly participate in the annual exhibitions of the Salon de Paris. This drew attention to him and he was invited to participate in the 1889 World's Fair, as well as that of 1900. At that time, Léandre was already considered one of the most important illustrators of his time.In 1904, Léandre was instrumental in founding the Société des Peintres Humoristes Français.Charles Lucien Léandre died four weeks before his 72nd birthday on May 24, 1934 in Paris and found his final resting place in the Cimetière de Montmartre. (Wikipedia) In excellent condition 61 x 45 cm (24 x 17,75 inches).…

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1891 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 388 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 388 Language: French.…

Pariser Künstler stellen sich vor einem süßen Geldsack an, Einladung zur Ausstellung in der rue Tronchet, Nähe Madeleine. Léandre war zeitlebens mit dem Wiener Künstler Josef Engelhart befreundet.

Leather Bound. Condizione: New. Language: French. Language: French. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1891. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages:- 388, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 388 388.…

1e. Exposition de la Societé des Peintres Lithographes du 4 au 15 Novembre 1897. Les Maitres de l'Affiche Plancha 206.Paris, Imprimerie Chaix, 1898, litografía original de 40 x 29 cm. (Impreso entre 1895 y 1900, Les Maitres de l'Affiche fue una serie litografiada de 256 láminas que reproducían los mejores carteles estadounidenses y europeos de la época. Fue pubicada bajo la dirección artística de Jules Cheret ). Grabados varios.…

Softcover. Condizione: New. Reprint. Langue : Français. Environ 360 pages. Impression sur papier premium. Français : Réimpression à la demande. Édition originale : 1891. Recueil d'articles et de souvenirs où Jules Simon observe les hommes, les idées et les m?urs de son temps avec une plume claire et alerte. L'ouvrage intéressera les lecteurs de littérature politique et morale du XIXe siècle, ainsi que les amateurs d'essais et de portraits d'époque. Images du livre non contractuelles English : Print-on-demand reprint. Original edition : 1891. Collection of articles and reminiscences in which Jules Simon examines the people, ideas and customs of his era with a clear, lively style. The book will appeal to readers of nineteenth-century political and moral literature, as well as those interested in essays and period portraits. Book images are non-contractual. Cet article est imprimé à la demande et expédié depuis l'atelier de nos partenaires d'impression le plus proche de la destination. Ces ateliers se trouvent principalement aux États-Unis, au Royaume-Uni et au Canada.…

Condizione: guter Zustand. Lithographie 1896. 51:39 cm.- Abdruck auf Japan-Bütten. Papier mit wenigen Quetschfalten.- Gustave Bourcard: un des plus geaux morceaux de noir et blanc de notre époque.

N° 1, juin 1901-n° 19, s.d. [1903]. Paris, Librairie Illustrée, Jules Tallandier Éditeur, Directeur : Lucien Puech. In-4 relié (32 x 25,5 cm), cartonnage éditeur illustré, premier plat de couverture illustré d'une plaque polychrome par Lucien Métivet représentant les masques des visages de la plupart des illustrateurs de l'ouvrage, tête dorée. L'ouvrage comprend 18 numéros en 18 livraisons, couverture illustrée pour chaque monographie, richement illustré de dessins et d'aquarelles. On joint en sus 1 vol. in-4 broché consacré à Louis Vallet (cette revue est toujours considérée comme complète avec 18 numéros). Textes de Maxime Formont, Auguste Germain, Lucien Puech. Préface de Léon Roger-Milès. Illustrations de Ferdinand Bac, Paul Balluriau, Caran d'Ache, Abel Faivre, Jean-Louis Forain, Henry Gerbault, J. Grün, Albert Guillaume, Hermann-Paul, Charles Huard, Job, Charles Léandre, Lucien Métivet, Benjamin Rabier, Albert Robida, Steinlen, A. Willette. Superbe exemplaire, cartonnage très frais, pas de rousseurs ; enrichi d'une lettre manuscrite de Ferdinand Bac (1898).…