chauncey hare (25 risultati)

Hardcover. Condizione: Very Good. First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condizione: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. Rosalind Solomon, Bruce Horowitz, Nicholas Nixon, Jerry Thompson, Mark Goodman, Diane Arbus, Chauncey Hare, Emmet Gowin, Yasuhiro Ishimoto, Son Wight, Larry Fink, Ken Heyman, George Krause, Ken Josephson, Dave Heath, Wynn Bullock, Roy DeCarava, Harry Call (illustratore). 1st Edition. Includes photography by Rosalind Solomon, Bruce Horowitz, Nicholas Nixon, Jerry Thompson, Mark Goodman, Diane Arbus, Chauncey Hare, Emmet Gowin, Yasuhiro Ishimoto, Son Wight, Larry Fink, Ken Heyman, George Krause, Ken Josephson, Dave Heath, Wynn Bullock, Roy DeCarava, Harry Callahan, Jerome Liebling, Esther Bubley, Robert Frank, William Klein, Louis Faurer, Helen Levitt, Dorothea Lange, Sid Grossman, Russell Lee, Ben Shahn, Walker Evans, John Gutman, Eugene Buechel, Edward Weston, Doris Ulmann, Clarence White, Gertrude Kasebier, Jacob Riis, Frances Benjamin Johnston, Arnold Genthe, Eva Watson-Schutze, and John Bullock. Due to the weight, and/or size, and/or rarity of this book, we will request an additional $5(domestic) to $24 (international) for shipping from you the buyer based on actual shipping costs, after your order is placed through this platform. This will not slow down your shipping time. Thank you for understanding.

Hardcover. Condizione: Fine. 1st Edition. No marks. No wear.

Hardcover. Condizione: Fair. No Jacket. Ex-Library copy with typical library marks and stamps. Dust jacket missing. Cover and binding are worn but intact. A reading copy in fair condition. Boards may have fading and nicks and other signs of wear and imperfection commensurate with age. Binding is tight and structurally sound. Interior pages unmarked. Sealed in plastic for shipping. Secure packaging for safe delivery.

Paperback.

paperback. Condizione: Good. Covers show some rubbing, scuffing, light soiling and edge wear. Edges and spine show some sunning, rubbing, scuffing, light soiling and shelf wear.

Soft cover. Condizione: Near Fine. 1st Edition. Near fine oblong wrappers. 8vo. 175 pp. B/w photo plates with memoir-essay by Chauncey Hare. "_Interior America_ represents.a return to documentary photography with a socio-political agenda rather than the internalized "poetic" documentary mode that became the norm in the 1950s and 1960s. The book is also a clear homage to Walker Evans. [but] whereas Evans was ironic and detached, Hare is bleak and bitter" [Parr and Badger, II, 23]. At any rate, Hare's photos of less fortunate citizens in their rooms surrounded by their stuff provides for rich iconograpy for musing on the American Age of Affluence from the other side of the tracks. Ships fast with tracking.

Hardcover. Condizione: Good. 1st Edition. Pages are lightly used, slightly age tanned. Staining on endpapers and title page. Rebound with burgundy cloth cover. Binding and cover are excellent. Embossed previous owner stamp on title page. Approximately 5" X 7 1/2". 539 pages.

Paperback. Condizione: Good.

Hardcover. Condizione: Like New. First Edition. First Edition, First Printing. Published by Steidlkasher, 2009. Folio. Pictorial boards with tan endpapers. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. A fine copy of this collection of photographs by Chauncey Hare. 373 pages. ISBN: 9783865214959. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell!

Hardcover. First edition, first printing. Fine/As New linen-bound hardcover in a Near Fine dust jacket with a touch of fading to the spine, tiny spots of soiling in places, one small closed tear, and a touch of rubbing at the folds. A very nice copy. All dust jackets are protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Photographs and introduction by Chauncey Hare. 174 pages; 76 full-page b&w plates; 11.25 x 9.25 inches. LAID IN is a 2-page review of the book by Vicki Goldberg, from American Photo. A photo-essay on the insides of the homes of Americans, examining the rooms they inhabit and the objects they choose to live with. Hare, a one-time corporate engineer who took up the camera as a release from the tedium of his work and then gave up the engineering, was looking to "convey images of an America he believes is scarred by alienation." The photographer's first book. See: Parr & Badger, Photobook Vol. 2, p23; Roth, Open Book, p316-17.

Paperback. Condizione: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

hardcover. Condizione: As New. Prima edizione (First Edition). A cura di Steven Kasher e Jack von Euw. Testi di Judy Wyatt e Jack von Euw. Fotografie in bianco e nero di Chauncey Hare . Cm 24,5x30. pp. 374. . Perfetto (Mint). . Prima edizione (First Edition). . Chauncey Hare ha fatto fotografie molto dettagliate degli interni delle case e dei luoghi di lavoro della classe operaia in tutta l'America fra la fine degli anni '60 e l'inizio degli anni '70. Questo nuovo libro contiene il doppio delle fotografie commoventi, inquietanti e spesso sorprendenti che sono apparse nei suoi due libri precedenti, Interior America (1977) e This Was Corporate America (1984).Il libro evidenzia la vita di protesta di Hare, una vita piena di incredibili coincidenze, apprendimento e dolore. Descrive la sua forte identificazione con le persone di cui fotografa le case e la sua irremovibile riluttanza a tradirle vendendo le loro fotografie. Racconta le sue lotte per far accettare le fotografie, accompagnate da un testo esplicativo, dal mondo dell'arte. Racconta le situazioni di abuso che ha sopportato nella sua infanzia, e nella vita lavorativa come ingegnere presso una grande compagnia petrolifera e presso l'Agenzia per la Protezione dell'Ambiente degli Stati Uniti.Chauncey Hare non si definisce un fotografo, ma piuttosto un ingegnere, un terapeuta familiare e, soprattutto, un attivista. Finanziato da tre borse di studio Guggenheim e tre borse di studio National Endowment, ha dedicato solo un breve periodo della sua vita alla fotografia. Frustrato dal mondo dell'arte, ha scattato foto solo sporadicamente fino al 1985, quando ha smesso completamente di fotografare. Nel 2000, diffidando dei musei d'arte, Hare ha donato tutte le sue fotografie e i suoi negativi alla Bancroft Library dell'Università della California a Berkeley. Ha conseguito una laurea in ingegneria alla Columbia University, un master in belle arti al San Francisco Art Institute, un master in sviluppo organizzativo alla Pepperdine University e un master in psicologia clinica alla Sierra University. Insieme alla moglie Judith Wyatt è coautore del manuale clinico Work Abuse: How to Recognize and Survive It (1997), che rompe il tabù dell'abuso sui luoghi di lavoro. In qualità di terapeuta familiare abilitato, Hare aiuta ora i lavoratori - di persona, al telefono e su Internet - a ridurre al minimo gli abusi che subiscono come dipendenti di aziende e enti pubblici. Book.

Chauncey Hare documents the ordinary and claustrophobic reality of suburban America in the early 1970s and its inhabitants, victims of the unexpected and disconcerting implications of the American Dream. The beautifully printed photographs take up the legacy of authors such as Walker Evans and Dorothea Lange, who were active in the field of social photography, and undoubtedly belong to the so-called Social Landscape of the 1960s; Hare's research also parallels that of Robert Adams, who published his famous 'The New West' in 1974. " [Hare's America] is an America where the cracks in the plaster, the piles of dirty dishes in the sink and the stains on the linoleum make up a hieroglyphic of despair. ? After reading Hare's introduction, I can say that these are not simply photographs of interiors of American houses, but images of the author's interiority. He himself experienced the alienation and despair of these images" - Theodore Roszak Hare gave up photography altogether in 1985 to devote himself, with a degree in psychology, to helping workers - the same ones he had portrayed in their empty, desolate homes a decade earlier - to combat abuses of power in the workplace.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: No Dust Jacket. Attractive olive half calf, edges lightly rubbed, rubbed through at rear hinge, green marbled boards, gilt titles and decoration, small repair to the edge of the endpaper. A very scarce tome. ; 12mo 7" - 7½" tall; 228. pages.

Hardcover. Condizione: Very Good. London: Hippolyte Bailliere, 1844. Second edition, revised and enlarged. 8vo. 390pp. Original cloth, with small circular chip out of spine. Lemon endpapers. Clean and crisp within. Overall very good. Townshend made friends with some of the key literary and cultural figures of his day. He hosted musical soirées at his London home which were attended by the poet Robert Southey and sensationalist novelist Wilkie Collins amongst others. He was a close friend of Charles Dickens, who dedicated the first edition of Great Expectations to him. Townshend and fellow mesmerists, including Dickens, thought that physical ailments could be cured through the manipulation of animal spirits in the patient. Townshend believed that the natural properties of gemstones could affect the animal magnetism of his subjects.

Hardcover. 1st. With an appendix containing the report of the Boston Committee on Animal Magnetism. Bound in publisher's original brown cloth with spine stamped in gilt. A nice tight and bright copy with only minimal rubbing to extremities. minor foxing to fore edge and easily removable pencil notes throughout. An important book.

3 volumes ([4], 300; [4], 311, [1 (blank)]; [2], 288 pp). 12mo. 7-5/8" x 4-5/8" Author's first book, and apparently only published novel, issued anonymously. Maurice named the villian of his novel, "Captain Marryatt", which was, as Sadleir termed it, "an error of judgement which brought Maurice a challenge to a duel." Uncommon on the commercial market. Joints professionally strengthened. Bookplate. Townshend's signature at base of t.p. in each volume. A VG+ set. 19th C. maroon morocco-style half-leather binding (by Budden), with marbled paper boards. Elaborate gilt-decorated spines. Marbled paper eps. AEG 1st edition (NCBEL III, 1392; Sadleir 1672). Not in Wolff.

First edition of this classic work. Oblong quarto, original cloth, illustrated throughout. Boldly signed by the author on the title page, "Very best wishes Chauncey Hare." Near fine in a very good dust jacket. Rare and desirable signed. As a noted historian and social observer Theodore Roszak wrote "these images chronicle not just the spiritual desolation at the heart of an industrial society, but also reflect Hare's own despair. Prior to taking up photography he worked as an oil industry engineer for over 20 years, becoming increasingly alienated from his work and the attitudes it forced him to take. A chilling body of work that is a harsh indictment of the consequences of industrial production and the alienation it produces in the lives of individuals." "An interesting figure who deserves a renewed focus of critical attention" (Parr & Badger).

First edition of this classic work. Oblong quarto, original cloth, illustrated throughout. Lengthily inscribed by Chauncey Hare on the title page. Near fine in a very good dust jacket. As noted historian and social observer Theodore Roszak wrote "these images chronicle not just the spiritual desolation at the heart of an industrial society, but also reflect Hare's own despair. Prior to taking up photography he worked as an oil industry engineer for over 20 years, becoming increasingly alienated from his work and the attitudes it forced him to take. A chilling body of work that is a harsh indictment of the consequences of industrial production and the alienation it produces in the lives of individuals." "An interesting figure who deserves a renewed focus of critical attention" (Parr & Badger).

First edition, first printing. Nearly imperceptible binder's error resulting in shallow wrinkling to front joint and small bubble front pastedown, else fine in near fine faintly rubbed and spine-sunned dust jacket, in mylar cover.

SteidlKasher, New York 2009. Oblong 4to. 373 pages. Profusely illustrated in b/w. Orig. boards. Spine discreetly and evenly sunned. Very good.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1905 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 166 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 166 Language: English.

Leather Bound. Condizione: new. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1905. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages:- 166, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 166 166.