clair jean ed (69 risultati)

Cloth. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. First printing.

Soft cover. Condizione: Very Good. Le temps/la mémoire; réalismes.

Soft cover. Condizione: Good/very Good. Spécial Dernière.

Soft cover. Condizione: Very Good. Spécial Italie.

Hard Cover with Jacket. Condizione: Fine (Book Condition). Condizione sovraccoperta: Near Fine ( Jacket Condition). 397pp. Book.

Hard Cover with Jacket. Condizione: Fine (Book Condition). Condizione sovraccoperta: Near Fine ( Jacket Condition). 397pp. Book.

Hardbound. Brick cloth with cream lettering; paprika dj with white lettering and small cover illustration; 368 pp. with 143 bw and 317 color illustrations. Very heavy book. Catalogue from the exhibition organized by the Reunion des Musees Nationaux, Musee National Picasso (Paris), Jeu de Paume (Paris), Montreal Museum of Fine Arts, and Museu Picasso (Barcelona); English version. Picasso's first drawings displayed a precocious interest in the female form, and in the days leading up to his death, he still was working obsessively on sketches depicting sexuality. The works in this ground-breaking book include erotic drawings both formal and informal, many which have never before been published. NF/Good+ with several tiny tears to dj at top and general shelf wear otherwise;

Hard cover. Condizione: Very good. Condizione sovraccoperta: Good. Clean cloth covers, bright and crisp throughout. Jacket worn on edges, lightly chipped and scuffed on rear.

Hardcover. Condizione: As New. Condizione sovraccoperta: Near Fine. Illustrated by Pablo Picasso (illustratore). First Edition (?); First Printing. The volume is in perfect, pristine condition, unmarked, unread, tight, square, and clean. The unclipped dust jacket is very slightly worn along the edges and has a tiny tear at the head of the spine, else as new. AS NEW/NEAR FINE.; Publisher's full brick-red cloth, white lettering on spine. Profusely illustrated with 317 color and 143 black-and-white illustrations. Includes contributions by Jean Clair, Annie Le Brun, Pascal Quignard, Jean-Jacques Lebel, Patrick Roegiers, Malen Gual, Maria Teresa Ocana, Robert Rosenblum, Brigitte Baer, Marie-Noelle Delorme, Dominique Dupuis-Labbe, and Marilyn McCully. The essays discuss the role of eroticism, desire, and voyeurism in Picasso's work. This is the English translation of the catalogue from the exhibition organized by the Reunion des Musees Nationaux, Musee National Picasso (Paris), Jeu de Paume (Paris), Montreal Museum of Fine Arts, and Museu Picasso (Barcelona).; Color and B&W illustrations; 4to 11" - 13" tall; 368 pages.

hardcover. Condizione: Fine copy in fine dust jacket. Profusely illustrated (illustratore). 1st. 4to, 423 pp.

Picasso 1st. ed. 550 ills.-367 pages. extra postage. new. d.j. Please email for info concerning any book or dust jacket. If d.j. does not appear in description, it means there is no dust jacket. Photos on request. Some books may have remainder marks. Heavy and/or oversized books require additional postage.

Softcover. glossy black illustrated wraps. 768 pp. Profusely illustrated in color and bw. Heavier foxing to opening and closing pages. Text in French. Approximately 9lbs for shipping. Good (scuffs, scratches & scoring to wraps; rubbed edge-wear. spine ends rubbed w/ rubbed spots to edges. corners rubbed. dense speckled foxing to upper & fore-edge of textblock; remnants to pg edgs. back section of spine creased w/ two spine splits; glue & threads intact; pgs & textblock firm).

Softcover/Paperback. Condizione: Gut. 431 S. Good condition. Ex library copy with stamps. Corners mildly bumped. Fore-edges slightly soiled. Inner book clean, with numerous ill. Sprache: Englisch Gewicht in Gramm: 2200.

Condizione: Very Good. 396 pp., softcover, a hand stamp to the top edge of pages else very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. Size: Folio - over 12 - 15" tall. Book.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. With some shelf wear to dust jacket. [Our rating system: 1. Fine; 2. Near Fine; 3. Very Good; 4. Good; 5. Fair.]. Book.

Cloth. Condizione: Fine. Condizione sovraccoperta: Fine. Slight curl to top and bottom of DJ, as usual, else Fine (as new) in like jacket. Book.

Condizione: Sehr gut. 305 S. Einband berieben. - This Biennale Centenary offered me the opportunity to attempt a critique of the system of avant-gardes and of certain idees regues. What has become of the history of modern art which saw Cezanne as the founding father? What has become of the history of modern art which saw the autonomy the self-referentiality-of the work of art as its ultimate-goal? What has become of the idea of art as shaking off the burden of usefulness that it had been carrying for more than a thousand years? What has become of the Clement Greenberg's ideas, which for more than a quarter of a century were the mainstay of art history-and of the art market? Formalism, the modernist litany of A Cube is a Cube is a Cube, the abrupt tautologies of American Art-did all that and the rest of it really amount to the nee plus ultra of artistic creation in the second half of the twentieth century? Pollock as successor to Cezanne and precursor of Robert Morris? A history of triumphs, told in a religious key-with prophets, advents, parousia and rituals? And yet before his death Greenberg himself disowned his own ideas-cruelly, in an article written with lucid despair. Who dares to cite those final words, recall that last pirouette? (Jean Clair). ISBN 8820803917 Sprache: Englisch Gewicht in Gramm: 1550 Mit zahlr. auch farb. Abb. Originalbroschur.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Fine. 4to, cloth, d.j. 638 pp. Profuse b/w and color illustrations. Massive catalog of a major exhibition. Near fine copy: tight, clean and unmarked (with the exception of small ink signature at top of front pastedown). In a fine jacket. A large, heavy book requiring some extra postage.

Hardcover/Pappeinband. Condizione: Gut. 396 pages Good, clean condition. Numerous ill. Sprache: Englisch Gewicht in Gramm: 2750.

Softcover with dust jacker. Condizione: Gut. 208 p., ill. Good. Cover shows mild wear. Clean pages. In French. Sprache: Französisch Gewicht in Gramm: 920.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. Size: Folio - over 12 - 15" tall. Book.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. With some shelf wear to dust jacket. [Our rating system: 1. Fine; 2. Near Fine; 3. Very Good; 4. Good; 5. Fair.]. Book.

Cloth. Condizione: Fine. Condizione sovraccoperta: Fine. Slight curl to top and bottom of DJ, as usual, else Fine (as new) in like jacket. Book.

Paperback. Condizione: Used-Very Good. Pap. Minor edge wear to wraps, a touch heavier at spine ends and corners; approx. half-inch chip along top edge of rear wrap. Faint crease to spine. Internals clean and bright.

Hardcover. First American edition. Illustrated in black, white and color. Important reference work. Very scarce in this condition. Fine copy in fine dust jacket (in mylar).

Hard Cover with Jacket. Condizione: Fine (Book Condition). Condizione sovraccoperta: Near Fine ( Jacket Condition). En tres bon etat. Two very short closed tears to dust jacket at upper corners. Book.

1. ed., 4° (30x21), 367 p., with numerous illustrations, publisher's pictorial softcover, tight and clean, well cared, [= Art of the 20e Century], * * * BTC on-chain & lightning accepted * * * due to EPR-Restrictions NO SHIPPING to Bulgaria, Danmark, Greece, Luxembourg, Poland, Portugal, Romania, Sweden, Slovakia and Spain * * *.

Condizione: Gut. 396 Seiten; sehr zahlr., auch farb. Illustrationen; 30 cm; kart. Gutes Exemplar; der farb. illustr. Einband leicht berieben. - Englisch. - On the heels of the Roaring Twenties, the 1930s, which spanned from the economic crisis of 1929 to the outbreak of the Second World War, was a dark decade. Political regimes - authoritarian or totalitarian - came to power or were consolidated and guided by leaders who often inspired their names Francoism in Spain, Stalinism in the Soviet Union, National Socialism in Germany, and Fascism in Italy. Beyond similar governmental mechanisms, these regimes shared an ideology: the will to create what they called the "New Man." At one extreme, this took the form of social re-education and the elimination of the "bourgeois" classes (USSR); at the other extreme, a racialist policy of elimination of peoples declared "degenerate" as well as those whose lives were deemed "unworthy" (Germany). This ideology, which directly affected the images and portrayals of man, naturally reached into the world of art. The era was represented by a healthy, vigorous, athletic, sporting, "eugenic" man, while the avant-garde currents of expressionism and surrealism were banned. On the one hand, "eternal" examples of "unsurpassable" Greek beauty were evoked; on the other, representations deemed unhealthy or degenerate were denounced. This decade began with a more or less innocent dream of the theme of the original egg, germination, the harmonious growth of a fabric both biological and social, but ended with the nightmarish discovery of the corpses in the concentration camps by the armies of liberation in 1945. (Verlagstext) / INHALT : Lenders to the Exhibition --- Foreword --- Acknowledgements --- Crowds and Power: The Age of Dictatorships --- Jean CLair --- Already There but Yet to Come: The New Man in Germany, 1918-45 --- Eric Michaud --- The "New Man": Degeneracy and Regeneration --- Laura Bossi --- Science and Art in the 1930s - and Beyond --- Sander L. Gilman --- The Body Politic: Reality and Utopia --- Ann Thomas --- Crystal and Mud: Academic Approaches to Figurative Representation of the Body --- Philippe Comar --- Mario Sironi and Fausto Pirandello: Two Interpretations of the Idea of the "New Man" in the 1930s --- Claudia Gian Ferrari --- Life Distortions --- Didier Ottinger --- . Everything We Love Will Die. --- Constance Naubert-Riser --- Notes bibliographiques --- Catalogue --- 1 Genesis --- 2 "Convulsive Beauty" --- 3 "The Will to Power" --- 4 The Making of "The New Man" --- 5 Mother Earth --- 6 The Appeal of Classicism --- 7 "Faces of Our Time" --- 8 "Crowds and Power" --- 9 The Charnel House --- Artists' Biographies --- Bibliography --- List of Works --- Abbreviations. ISBN 9780888848536 Sprache: Englisch Gewicht in Gramm: 2000 Exhibition organized by Pierre Theberge.

Hard Cover with Jacket. Condizione: Fine (Book Condition). Condizione sovraccoperta: Near Fine ( Jacket Condition). En tres bon etat. Two very short closed tears to dust jacket at upper corners. Book.