Jean clair ed (64 risultati)

Soft cover. Condizione: Very Good. Le temps/la mémoire; réalismes.

Soft cover. Condizione: Good/very Good. Spécial Dernière.

Soft cover. Condizione: Very Good. Spécial Italie.

Hard Cover with Jacket. Condizione: Fine (Book Condition). Near Fine ( Jacket Condition). 397pp. Book.

Hard Cover with Jacket. Condizione: Fine (Book Condition). Near Fine ( Jacket Condition). 397pp. Book.

Hardbound. Brick cloth with cream lettering; paprika dj with white lettering and small cover illustration; 368 pp. with 143 bw and 317 color illustrations. Very heavy book. Catalogue from the exhibition organized by the Reunion des Musees Nationaux, Musee National Picasso (Paris), Jeu de Paume (Paris), Montreal Museum of Fine Arts, and Museu Picasso (Barcelona); English version. Picasso's first drawings displayed a precocious interest in the female form, and in the days leading up to his death, he still was working obsessively on sketches depicting sexuality. The works in this ground-breaking book include erotic drawings both formal and informal, many which have never before been published. NF/Good+ with several tiny tears to dj at top and general shelf wear otherwise.…

Cloth. Condizione: Fine. Condizione sovraccoperta: Fine. Slight curl to top and bottom of DJ, as usual, else Fine (as new) in like jacket.

Hard cover. Condizione: Very good. Condizione sovraccoperta: Good. Clean cloth covers, bright and crisp throughout. Jacket worn on edges, lightly chipped and scuffed on rear.

hardcover. Condizione: Fine copy in fine dust jacket. 1st. 4to, 423 pp. Profusely illustrated (illustratore).

Picasso 1st. ed. 550 ills.-367 pages. extra postage. new. d.j. Please email for info concerning any book or dust jacket. If d.j. does not appear in description, it means there is no dust jacket. Photos on request. Some books may have remainder marks. Heavy and/or oversized books require additional postage.…

Condizione: Very Good. *Price HAS BEEN REDUCED by 10% until Monday, Nov. 2 (weekend sale item)* 396 pp., softcover, a hand stamp to the top edge of pages else very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…

Softcover. glossy black illustrated wraps. 768 pp. Profusely illustrated in color and bw. Heavier foxing to opening and closing pages. Text in French. Approximately 9lbs for shipping. Good (scuffs, scratches & scoring to wraps; rubbed edge-wear. spine ends rubbed w/ rubbed spots to edges. corners rubbed. dense speckled foxing to upper & fore-edge of textblock; remnants to pg edgs. back section of spine creased w/ two spine splits; glue & threads intact; pgs & textblock firm).…

Condizione: Sehr gut. 305 S. Einband berieben. - This Biennale Centenary offered me the opportunity to attempt a critique of the system of avant-gardes and of certain idees regues. What has become of the history of modern art which saw Cezanne as the founding father? What has become of the history of modern art which saw the autonomy the self-referentiality-of the work of art as its ultimate-goal? What has become of the idea of art as shaking off the burden of usefulness that it had been carrying for more than a thousand years? What has become of the Clement Greenberg's ideas, which for more than a quarter of a century were the mainstay of art history-and of the art market? Formalism, the modernist litany of A Cube is a Cube is a Cube, the abrupt tautologies of American Art-did all that and the rest of it really amount to the nee plus ultra of artistic creation in the second half of the twentieth century? Pollock as successor to Cezanne and precursor of Robert Morris? A history of triumphs, told in a religious key-with prophets, advents, parousia and rituals? And yet before his death Greenberg himself disowned his own ideas-cruelly, in an article written with lucid despair. Who dares to cite those final words, recall that last pirouette? (Jean Clair). ISBN 8820803917 Sprache: Englisch Gewicht in Gramm: 1550 Mit zahlr. auch farb. Abb. Originalbroschur.…

Soft cover. Condizione: Good. No Jacket. 1st Edition. L'Apocalypse Joyeuse, sous la Direction de Jean Clair. 4to. 794pp. Numerous illus., some in color. Original pictorial wr., rubbed.

Softcover/Paperback. Condizione: Gut. 431 S. Good condition. Ex library copy with stamps. Corners mildly bumped. Fore-edges slightly soiled. Inner book clean, with numerous ill. Sprache: Englisch Gewicht in Gramm: 2200.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Fine. 4to, cloth, d.j. 638 pp. Profuse b/w and color illustrations. Massive catalog of a major exhibition. Near fine copy: tight, clean and unmarked (with the exception of small ink signature at top of front pastedown). In a fine jacket. A large, heavy book requiring some extra postage.…

Cloth. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 1st Edition. Picasso Érotique - Jean Clair (Ed.). First edition. Condition: Near Fine/VG+ (just short of new - minor shelf presence). The dust jacket grades VG+. Noted flaws, plainly: Light wrinkling/creasing to the glossy dust jacket, especially near head of spine and lower edge (photos 1, 2, 9); Minor edge wear at head of jacket spine (photo 9); Photos show the exact copy you will receive. Printing points, checked on this copy: Prestel hardcover, ISBN 3-7913-2561-2; Copyright dates all © 2001 (Succession Picasso, ADAGP, Estate Brassaï); Library of Congress Card Number 2001086283; Exhibition catalogue tied to the 2001 RMN / Montreal / Barcelona shows; English edition, 368 pages, 317 colour and 143 b&w illustrations; No number line present (normal for Prestel), no later-printing statement seen; Sent tracked. The book is wrapped in archival tissue and bubble wrap inside a rigid box - never a bare mailer. From a smoke-free home. Message me for more photographs of this exact copy.…

Condizione: Very Good.

Hardcover/Pappeinband. Condizione: Gut. 396 pages Good, clean condition. Numerous ill. Sprache: Englisch Gewicht in Gramm: 2750.

Cloth. Condizione: Fine. Condizione sovraccoperta: Fine. Slight curl to top and bottom of DJ, as usual, else Fine (as new) in like jacket. Book.

Hard Cover with Jacket. Condizione: Fine (Book Condition). Near Fine ( Jacket Condition). En tres bon etat. Two very short closed tears to dust jacket at upper corners. Book.

Condizione: Gut. 396 Seiten; sehr zahlr., auch farb. Illustrationen; 30 cm; kart. Gutes Exemplar; der farb. illustr. Einband leicht berieben. - Englisch. - On the heels of the Roaring Twenties, the 1930s, which spanned from the economic crisis of 1929 to the outbreak of the Second World War, was a dark decade. Political regimes - authoritarian or totalitarian - came to power or were consolidated and guided by leaders who often inspired their names Francoism in Spain, Stalinism in the Soviet Union, National Socialism in Germany, and Fascism in Italy. Beyond similar governmental mechanisms, these regimes shared an ideology: the will to create what they called the "New Man." At one extreme, this took the form of social re-education and the elimination of the "bourgeois" classes (USSR); at the other extreme, a racialist policy of elimination of peoples declared "degenerate" as well as those whose lives were deemed "unworthy" (Germany). This ideology, which directly affected the images and portrayals of man, naturally reached into the world of art. The era was represented by a healthy, vigorous, athletic, sporting, "eugenic" man, while the avant-garde currents of expressionism and surrealism were banned. On the one hand, "eternal" examples of "unsurpassable" Greek beauty were evoked; on the other, representations deemed unhealthy or degenerate were denounced. This decade began with a more or less innocent dream of the theme of the original egg, germination, the harmonious growth of a fabric both biological and social, but ended with the nightmarish discovery of the corpses in the concentration camps by the armies of liberation in 1945. (Verlagstext) / INHALT : Lenders to the Exhibition --- Foreword --- Acknowledgements --- Crowds and Power: The Age of Dictatorships --- Jean CLair --- Already There but Yet to Come: The New Man in Germany, 1918-45 --- Eric Michaud --- The "New Man": Degeneracy and Regeneration --- Laura Bossi --- Science and Art in the 1930s - and Beyond --- Sander L. Gilman --- The Body Politic: Reality and Utopia --- Ann Thomas --- Crystal and Mud: Academic Approaches to Figurative Representation of the Body --- Philippe Comar --- Mario Sironi and Fausto Pirandello: Two Interpretations of the Idea of the "New Man" in the 1930s --- Claudia Gian Ferrari --- Life Distortions --- Didier Ottinger --- . Everything We Love Will Die. --- Constance Naubert-Riser --- Notes bibliographiques --- Catalogue --- 1 Genesis --- 2 "Convulsive Beauty" --- 3 "The Will to Power" --- 4 The Making of "The New Man" --- 5 Mother Earth --- 6 The Appeal of Classicism --- 7 "Faces of Our Time" --- 8 "Crowds and Power" --- 9 The Charnel House --- Artists' Biographies --- Bibliography --- List of Works --- Abbreviations. ISBN 9780888848536 Sprache: Englisch Gewicht in Gramm: 2000 Exhibition organized by Pierre Theberge.…

1. ed., 4° (30x21), 367 p., with numerous illustrations, publisher's pictorial softcover, tight and clean, well cared, [= Art of the 20e Century], * * * EU-AUSLAND: Wir versenden nach Österreich und nach Frankreich - kein Versand in die restlichen EU-Länder möglich ** due to EPR-Restrictions NO SHIPPING within the EU except to France and to Austria * * * BTC on-chain & lightning accepted * * *.…

Softcover with dust jacker. Condizione: Gut. 208 p., ill. Good. Cover shows mild wear. Clean pages. In French. Sprache: Französisch Gewicht in Gramm: 920.

1. Auflage. 496 Seiten. OBr., Quart 29,5 cm x 21 cm, 495 (1) S.; linke untere Ecke gestaucht, sonst gut erhaltenes Exemplar.

Paperback. Condizione: Very good. Paperback Quarto. illustrated wraps, 429 pp cover are lightly worn Standard shipping (no tracking) / Priority (with tracking) / Custom quote for large or heavy orders.

Paris, GALLIMARD, 2018. 335 pp. Illustrt. As new. Hardcover (halfcloth). French text. A travers une iconographie exceptionnelle étayée par des essais d'historiens des sciences, de l'art et des religions, cet ouvrage propose un regard renouvelé sur le cheminement scientifique et intellectuel de Sigmund Freud. Mettant en lumière l'importance de ses recherches dans le domaine de la neurologie, Freud, du regard à l'écoute s'attache à faire redécouvrir l'invention de la psychanalyse et son développement au-delà du cercle viennois, puis son impact sur le surréalisme alors même qu'elle se construit dans le refus de l'image, s'épanouissant dans les associations de mots et l'écoute en l'absence de toute représentation visuelle : le lisible contre le visible, le mot contre l'image. Au fil de la carrière du médecin viennois, l'ouvrage met aussi en évidence sa dette à l'égard du judaïsme, car si Freud lui-même se définit comme un juif tout à fait sans Dieu et souhaite défendre le caractère universel de la psychanalyse, sa pensée demeure profondément redevable à la tradition interprétative propre au judaïsme. Judaism. Vienna.…

Hard Cover with Jacket. Condizione: Fine (Book Condition). Near Fine ( Jacket Condition). En tres bon etat. Two very short closed tears to dust jacket at upper corners. Book.

Condizione: Sehr gut. Erstausgabe. 495 pp., 4°, brochure, with b/w and colour ill. Sprache(n)/language(s): enVery good condition.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. Slight lean to spine. Intact DJ curling slightly top and bottom, else an excellent copy.