collinot beaumont (18 risultati)

Condizione: New. In.

Condizione: Neuf. COLLINOT, Eugène; DE BEAUMONT, Adalbert (illustratore).

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condizione: Good. First Edition. [2 pp, preface by Victor Champier] + [2, Table des Ornements] + 30 chromolithograph plates, all numbered with captions, title printed in red & black, slightly rubbed & soiled cover, small library stamp verso front & lower cover, otherwise copy in very good condition. Limited edition to 500 copies of which this copy is numbered 220. In mid 19th century, Europe's artistic and fashionable circles were enthralled by a vogue for all that was Oriental. Visitors to London Galleries and Paris salon exhibitions became familiar with Middle Eastern desert and village life, with Arab, Persian and Turkish costume and decorative arts as they were recorded - or sometimes imagined - on canvas or in water- colours by European artist travellers. The French ceramicist Joseph-Théodore Deck was the first to explore and revive Middle Eastern ceramic techniques in the creation of his own unique art. Ceramicist Eugène-Victor Collinot and his collaborator Adalbert de Beaumont, who had first encouraged Deck to look to Islamic prototypes, joined Deck in his early exploration of Islamic ceramics. In 1859, Collinot and Beaumont, themselves collectors of Islamic artefacts, published "Recueil de dessins pour l'art et l'industrie" (A Collection of Designs for Art and Industry), which contained detailed illustrations of Islamic ceramics and glass seen in their travels. This influential design book revealed the arts of the Islamic world as a new source of inspiration to a receptive and enthusiastic audience of French artists and craftsmen. In its pages Deck found a 13th century enamel and gilt glass mosque lamp from Cairo - part of the Rothschild collection - lavishly decorated with ornament and calligraphy. Deck translated the bulbous lamp with its wide-flaring neck into a pair of ceramic vases, replacing its calligraphy with more floral ornament. Likewise, he converted a medieval Syrian glass vase illustrated in the Recueil into a ceramic vase alive with flora and fauna of Persian inspiration. Glazed in white, black, red and cobalt, the vase's swelling, attenuated form is enlivened with acanthus, tiny gazelles and bold interlaced arabesque patterns. In 1863, Collinot and Beaumont founded their own faïence factory specialising in Islamic- inspired wares. Located in the Bois de Boulogne, the factory caused a sensation with its decoration of blue and white Islamic dishes. The competition with Deck was truly on. Collinot and Beaumont both published two other works "Ornements Arabes" (1883). and "Ornements de la Perse" (1880). Bibliographic reference: Creswell 451. #33535.

Chromolithograph highlighted with hand colour and gilt, 29 x 35 cms; 45.4 x 63.7 cms (sheet), the generous margins a trifle soiled with scant spotting and minor edgewear, the images in very good condition. Richly coloured illuminated plate, from the French portfolio "Ornements de la Chine Recueil de Dessins Pour l'Art et l'Industrie" [A Collection of Designs for Art and Industry], one of the most attractive 19th century books of design, of which only 500 copies were issued. This work was a seminal influence on the introduction of Chinoiserie and Islamic decorative art to French artists and craftsmen. In 1863 the authors Eugène Collinot and Adalbert de Beaumont founded their own faience factory in the Bois de Boulogne, specializing in wares inspired by Persian and Iznik pottery. [see "Grove Dictionary of Art"].

Chromolithograph highlighted with hand colour and gilt, 26 x 29.5 cms; 63.7 x 45 cms (sheet), the generous margins a trifle soiled with scant spotting and minor edgewear, the image in very good condition. Richly coloured illuminated plate, from the French portfolio "Ornements de la Chine Recueil de Dessins Pour l'Art et l'Industrie" [A Collection of Designs for Art and Industry], one of the most attractive 19th century books of design, of which only 500 copies were issued. This work was a seminal influence on the introduction of Chinoiserie and Islamic decorative art to French artists and craftsmen. In 1863 the authors Eugène Collinot and Adalbert de Beaumont founded their own faience factory in the Bois de Boulogne, specializing in wares inspired by Persian and Iznik pottery. [see "Grove Dictionary of Art"].

LIMITED EDITION 335/500. Folio (50 x 38 cm). Half-title+title+pp.[iv]+40 plts. Original half black morocco over marbled boards, marbled endpapers. 40 plates by Lemercier of which 24 are in chromolithography and 16 monochrome. Approximately half of the illustrations relate to Venice/Italy. The complete "Encyclopedie des Arts Decoratifs de l'Orient" ran to 6 volumes comprising Persian Ornament, Arabian, Turkish, Chinese, Japanese and Venetian. The volume offered here is complete in itself. Eugène-Victor Collinot (d. 1882) was a French potter and designer. His books had a seminal influence on the introduction of Islamic decorative art to French artists and Craftsmen, notably Joseph-Théodore Deck. In 1863, Collinot and Adalbert de Beaumont founded their own faïence factory in the Bois de Boulogne, specializing in wares inspired by Persian and Iznik pottery (The Grove Encyclopedia of Decorative Arts).

Couverture rigide. Condizione: Très bon. grand in-folio (60 x 44 cm), 4 feuillets (dont titre, préface et table), 40 planches en chromolithographie, chemise à lacets demi-toile. Tirage à 500 exemplaire numérotés. Préface G. Frantz, qui nous apprend que c'est en Chine que l'artiste-voyageur Adalbert de Beaumont est allé chercher les modèles qui lui ont permis de former cette collection d'aquarelles. "Aucun autre peuple n'a su réunir dans une aussi admirable harmonie, pour le plaisir des yeux, tous les objets dont se compose le luxueux décor des plus riches appartement." Chemise légèrement défraîchie, des lacets rompus, petites déchirures sans manque en marge de plusieurs planches (loin des illustrations), planche 25 empoussièrée et défraîchie dans les marges. Ensemble très grand et lourd. Very large book: extra-postage will be required.

FIRST EDITION. LIMITED EDITION 64/500. Folio (50 x 38 cm). Half-title+title+pp.[iv]+40 plts. Original half black morocco over marbled boards, marbled endpapers. 40 plates by Lemercier of which 37 in rich chromolithography and 3 monochrome. The complete "Encyclopedie des Arts Decoratifs de l'Orient" ran to 6 volumes comprising Persian Ornament, Arabian, Turkish, Chinese, Japanese and Venetian. The volume offered here is complete in itself. Eugène-Victor Collinot (d. 1882) was a French potter and designer. His books had a seminal influence on the introduction of Islamic decorative art to French artists and Craftsmen, notably Joseph-Théodore Deck. In 1863, Collinot and Adalbert de Beaumont founded their own faïence factory in the Bois de Boulogne, specializing in wares inspired by Persian and Iznik pottery (The Grove Encyclopedia of Decorative Arts).

65 : 46 cm. 8 pages With 40 coloured, lithographed plates, partly hightened in gold. Original half-cloth portfolio. The very decorative plates show entrences and villas in Venice, byzantine ornaments, Russian jewellery, wappons and handycraft, flowers and other decorative objects. One of only 500 numbered copies. - Encyclopedia des arts decoratives de l'orient. - Each plate with a small stamp in the white margine. - Binding a bit dusty and worn, spine a bit faded and partly demaged. - Very rare.

Reliure de l?époque en demi-ch. Condizione: Anciennes traces de crayon sur. Sans lieu (Paris), sans mention d'éditeur (maison Collinot et Cie, Imprimerie Auguste Delâtre), sans date (1859-1861). In-plano ? 47 x 62,5 cm. 1 Tome seul, 100 planches. Reliure de l'époque en demi-chagrin noir, dos lisse orné de filets à froid, doubles filets à froid en encadrement des plats. Rare tête de collection en édition originale. Exemplaire composé de 100 planches gravées à l'eau-forte, toutes numérotées. Absence de page de titre. Anciennes traces de crayon sur quelques planches, quelques rares taches et rousseurs, une déchirure marginale en pied de la planche 52, défauts mineurs sur les plats, mors du premier plat fendu en pied sur 9 cm, sinon rare et bel exemplaire. Bien avant la publication entre 1880 et 1882, chez Canson, de leur Encyclopédie des Arts décoratifs de l'Orient, Recueil de dessins pour l'art et l'industrie, Eugène Collinot et Adalbert de Beaumont font paraître, en livraisons, à partir de 1859 une première version en noir de leur ouvrage alors simplement intitulé Recueil de dessins pour l'Art et l'Industrie. Cette publication témoigne de l'éclectisme des deux auteurs qui produisent tous deux des gravures en s'inspirant de sources très variées, notamment du Proche-Orient, de la Chine et du Japon. Imprimeur de cette édition originale, Auguste Delâtre (1822-1907) a fortement ?uvré à la promotion de l'eau-forte originale, qui connaît un renouveau dans la seconde moitié du XIXe siècle. Son imprimerie devient un point névralgique du monde de l'estampe artistique. Son engagement pour l'eau-forte originale s'est également exprimé à travers la Société des aquafortistes, dont il est l'un des fondateurs avec l'imprimeur Alfred Cadart, en 1862.

Chromolithograph highlighted with hand colour, 26 x 29.5 cms; 63.7 x 45 cms (sheet), the generous margins a trifle toned and spotted, but the image in very good condition. Delicately coloured plate with detailed line work, from the French portfolio "Ornements de la Chine Recueil de Dessins Pour l'Art et l'Industrie" [A Collection of Designs for Art and Industry], one of the most attractive 19th century books of design, of which only 500 copies were issued.

Chromolithograph highlighted with hand colour, 26 x 29.5 cms; 63.7 x 45 cms (sheet), the generous margins a trifle soiled with scant spotting, but the image in very good condition. Richly coloured plate with attractive botanicals, from the French portfolio "Ornements de la Chine Recueil de Dessins Pour l'Art et l'Industrie" [A Collection of Designs for Art and Industry], one of the most attractive 19th century books of design, of which only 500 copies were issued.

Chromolithograph highlighted with hand colour, 29.3 x 24 cms;63.5 x 45 cms (sheet), the large margins a little toned, upper corner a little creased and spotted, but in very good condition. A charming landscape delicately coloured, from the influential French work "Ornements de la Chine Recueil de Dessins Pour l'Art et l'Industrie" [A Collection of Designs for Art and Industry], one of the most attractive 19th century books of design, of which only 500 copies were issued. .

Chromolithograph, highlighted with hand colour, 64 x 47.3 cms; 90.5 x 65.6 cms (sheet), original fold, small chip and fold split at the outer margin and slight toning at the fold, but in very good condition. Richly coloured and beautiful large plate with flowers and birds, from "Ornements de la Chine: Recueil de Dessins Pour l'Art et l'Industrie" [A Collection of Designs for Art and Industry], one of the most attractive 19th century books of design, of which only 500 copies were issued. This work was a seminal influence on the introduction of Chinoiserie and Islamic decorative art to French artists and craftsmen. In 1863 the authors Eugène Collinot and Adalbert de Beaumont founded their own faience factory in the Bois de Boulogne, specializing in wares inspired by Persian and Iznik pottery. [see "Grove Dictionary of Art"].

COLLINOT, E., and A. De Beaumont. ORNAMENTS VENITES, HINDOUS, RUSSES, ETC. Paris: Canson, 1883. Portfolio (24 1/2 x 17 3/4 inches). (8) pages, 40 plate many colored. First edition. A part of the Encyclopedie des Arts Decoratifs de l'Orient series. The plate mostly chromolithographs, show architectural details, metal work, ceramics, a ornaments. The plates were printed by Lemercier. With minor edgewear on a f leaves, else fine in a later protective portfolio.

Leather Bound. Condizione: New. Language: French. Language: French. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1883. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages:- 97, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 97 97.