Cornelius galle (52 risultati)

Loose Leaf. Condizione: New. Reproduction. Original title: Godefridus-Henricus German: Godefridus-Henricus French: Godefridus-Henricus Spanish: Godefridus-Henricus High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1632). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condizione: New. Reproduction. Original title: Ferdinandus III German: Ferdinandus III. French: Ferdinandus III Spanish: Ferdinando III High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (1649). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condizione: New. Reproduction. Original title: Artus Wolfart German: Artus Wolfart French: Artus Wolfart Spanish: Artus Wolfart High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 17th century (ca. 1635). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Condizione: New.

Condizione: New.

Condizione: New. In English.

Condizione: New. In English.

Original Kupferstich von Gabriel Perelle von ca. 1700. -- Blatt-Maße: ca. 11 x 20 cm. -- gut erhalten. || Original copper engraving by Gabriel Perelle von c. 1700. -- in good condition. || Gabriel Perelle (1604-1677) und seine Söhne waren Pariser Kupferstecher im 17. Jahrhundert. Sein Hauptwerk konzentriert sich auf Schloss- und Gartenansichten sowie Landschaften. In seinem Atelier arbeiteten zeitweise die Söhne von Jacques Callot. 1665 wurde er von Ludwig XIV zum Directuer des Plans et des Cartes du Cabinet du Roi ernannt. || Gabriel Perelle (1604-1677) and his sons were Parisian engravers in the 17th century. His main work focuses on castle and garden views as well as landscapes. At times Jacques Callot's sons worked in his studio. In 1665 he was appointed Directeur des Plans et des Cartes du Cabinet du Roi by Louis XIV. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 15.…

Original Kupferstich von Gabriel Perelle von ca. 1700. -- Blatt-Maße: ca. 12,5 x 23 cm. -- gut erhalten. || Original copper engraving by Gabriel Perelle von c. 1700. -- in good condition. || Gabriel Perelle (1604-1677) und seine Söhne waren Pariser Kupferstecher im 17. Jahrhundert. Sein Hauptwerk konzentriert sich auf Schloss- und Gartenansichten sowie Landschaften. In seinem Atelier arbeiteten zeitweise die Söhne von Jacques Callot. 1665 wurde er von Ludwig XIV zum Directuer des Plans et des Cartes du Cabinet du Roi ernannt. || Gabriel Perelle (1604-1677) and his sons were Parisian engravers in the 17th century. His main work focuses on castle and garden views as well as landscapes. At times Jacques Callot's sons worked in his studio. In 1665 he was appointed Directeur des Plans et des Cartes du Cabinet du Roi by Louis XIV. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 15.…

Condizione: New.

Gebunden. Condizione: New.

Original Kupferstich-Portrait aus dem 17. Jh. -- Blatt-Maße: ca. 41 x 26 cm. -- gut erhalten. || Original engraved portrait from the 17th century. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 20.…

Hardcover. Condizione: Fair. 4th Revised And Enlarged Edition. small 8vo. 97 mms by 163. pp [12] 288. Defective copy LACKING pp17 to 48 and the last 13 pages but attractive illus complete and bright and clean. Full brown leather lettered gilt at the spine . Very good. Has all 6 engravings ( 2 before the Illustrated title page which shows a saint with a flock of sheep) including 2 portraits of the author by Nicolas Vander Horst and Cornelius Galle. Attractive headpieces to chapters. Full page illus slightly macabre. Dedicated to Marquis de Saint Remy. Reflections on death by Jean Puget de la Serre (1594-1665), French historian and librarian who lived in Brussels between 1628 and 1635 and was a member of the court of the exiled French queen mother Marie de Medici.…

Blattgröße ca. 36 x 44 cm, Bildausschnitt ca. 20 x 26,5 cm (Kräftiger Abzug. Bis an den Rand der Darstellung beschnitten und auf Papier des 18. Jhdts. aufgezogen. Mit schwarzer Tuschlinie umfasst. Papier etw. gebräunt. Außerhalb der Darstellung stellenweise braunfleckig). Cornelius (Kornelius) empfängt in seiner Heimatstadt eine Engelsvision. Ein Engel befiehlt ihm, aus der Stadt Joppe einen Mann namens Simon mit dem Beinamen Petrus holen zu lassen. Dieser habe ihm Wichtiges zu sagen. Gott habe seine, des Cornelius, gottesfürchtige Haltung gegenüber den Juden und ihrem Glauben gnädig angesehen. …

Hardcover. Condizione: Very Good. Hanrott-Beckford-Hamilton copy.4to., pp. 300, [4], A-Z4, Aa-Pp4, collates correctly with plates on the letterpress, engraved Latin additional title-page depicting the church at Liessies and 39 portraits of Saints by Frères Galle. Pencilled notes on front pastedown 'Hanrotts copy at whose Sale it was purchased by Mr. Beckford', note below stating 'Duke of Hamilton's Sale 10/7/82 60/-', below that a printed auction slip for lot 914 describing this copy as 'blue morocco extra, gilt edges, by C. Smith, scarce, 4to, Anvers 1678'. On front free endpaper contemp. ink note 'Rare - very fine impressions of the Portrtaits', with printed Sotheby catalogue slip for 'Lot 2180' (which was the same edition as the present book but a different copy), from the Charles Butler sale of 1912, 'dark green morocco extra, g.e., FINE COPY, sm. 4to. Anvers, 1678,' in ink '£6 + 5%' and '£5'. With the Binder's stamp of C. Smith to head of front free endpaper, neat old paper repair to margin of title page, marbled endpapers, a good wide margin copy. Bound in full blue morocco, gilt extra with raised bands, ornate gilt in compartments, gilt lettered direct with title, author and Anvers 1678 to tail of spine, gilt dentelles and boards with elaborate gilt rule, all edges gilt. A very rare edition of which we can only locate the Trinity College Dublin copy. (Jisc Library Hub). Worldcat. locates no copies of this edition. The engravings are done after the once famous paintings of the Benedictine Abbey of Liessies, of which most were destroyed during the French Revolution. The spiritual writer Étienne Binet (1569-1639), a Jesuit priest from Dijon, has supplied a short biography for each saint as well as a list of central maxims associated with them, in order to encourage contemplation by the reader. Binet played an important part in Jesuit affairs, he is remembered chiefly as an important figure in the renewal of religious life in France in the 17th century. A close friend of St. Francis de Sales and St. Jane Frances de Chantal. On passing through the Benedictine Abbey of Liessies he marvelled at the portraits of saints appearing in the heart of this abbey. He shared his enthusiasm by delivering to the public this work which recounts the life of about forty saints. Alongside the predictable images there are six women saints in nun's habits: Scholastica, Waltrude, Clare of Assisi, Bridget of Sweden, Joan of France, and the canonized Teresa of Avila. The radiant plates designed by Theodoor Galle (1571-1633) and engraved by his equally talented brother Cornelius (1576-1656) (engravers working in Antwerp) promote this same spirit of meditation and communicate the distinct personalities of their subjects. The plates are cleverly designed, full of animated activity and detail, and characterized by a high level of precision, even in the rendering of the smallest figures.…

4to. (6) ff, 323 [i.e. 327] pp, (1), including additional engraved title signed C. Galle after N. van der Horst, vignette on title-page, frontispiece portrait of the dedicatee (Mademoiselle D'Arschot) and 6 full-page plates by Galle after A. Sallaert. Contemporary velum. Old ex-libris markings of various religious libraries on pastedown and title-page only; tiny areas of loss to uppermost margin of added engr. title; very occasional light dampstaining; with engravings in excellent, dark impression. Rare sole edition of this Flemish devotional work on the Passion, curiously dedicated to a princess' lady-in-waiting. It is illustrated with seven full-page engravings by Cornelius Galle, son of Philip, after the painter and draughtsman Antoine Sallaert. Although they cannot be considered proper emblems with mottoes, Praz mentions de la Serre and his devotional books passim in Studies in Seventeenth-Century Imagery (Vol II, p. 133). - The present work bears a curious dedication to the lady-in-waiting of the daughter of Holy Roman Emperor Philip IV. 'Demoiselle' d'Arschot, as she is called, is pictured in the engraved frontispiece as an adolescent girl, already exemplifying the virtues of a pious noblewoman. She clutches in one hand a string of prayer beads, while in front of her is her own personal altarpiece with a candle and crucifix, and a cloth-covered lectern for reading her devotions while kneeling. - The text itself is divided into six chapters, each of which is headed by an engraving incorporating its relevant themes. The text is intended to impress upon the reader the manifestations of God's love, as observed in the story of the Passion. As Van der Vennet notes, the Brussels painter Antoine Sallaert's rich designs are especially suited to Puget de la Serre's Merveilles: "the subjects of [Sallaert's] compositions display on the one hand an attachment to the tradition but at the same time an openness to the new developments which were taking place during the 17th century. While his saints conserve their legendary attributes, certain forms of symbolism, popular during the Middle Ages, disappear. However, neither the Counter-Reformation, nor the doctrines of the Council [of Trent] managed to wipe out the taste for the marvelous; which was fed during the 17th century by religious ecstasies and visions. The great devotional images which Sallaert composed for the graver are full of such raptures." ("Le Peintre bruxellois", p. 85-7). - Van der Vennet also speaks highly of the present work in particular: "In Les Merveilles de l'Amour Divin, which appeared in 1633, the master illustrates six episodes of the Passion. The elegance and precision of the designs tends towards a beautiful reservedness in evoking these dramatic subjects. As to the composition of these pages, the images appear so large than one almost forgets their small format. The admirable 'Christ of the Pieta' (fig II) and the persons surrounding him, would have their place on a great altarpiece." (p. 93). - The engraver Cornelius Galle (1576-1650) represented the second generation of the great Galle dynasty. From 1596-1610 Cornelius lived and worked in Rome, before returning to Antwerp where he collaborated with his father as well as preparing his own plates. - OCLC shows a single US copy, at Harvard. - Old Hollstein Vol 7, #418; cf also Le Livre, l'estampe, l'édition en Brabant du XVe au XIXe siècle (1935), p. 99; and M. Van der Vennet, "Le Peintre bruxellois Antoine Sallaert, Un choix de gravures," in Bulletin Musées royaux des beaux-arts de Belgique, Volumes 30-33, 1981-1984, 1-3, pp. 81-122.…

Hardcover. Condizione: Very Good. No Jacket. 1st Edition. Very Good hard cover. Contemporary vellum over boards with vellum and metal clasps at fore edge; hand written title of first work on front cover; all edges red sprinkled. Two series of fine copperplate engravings, 57 in all. Frontis/title page and 39 full page plates in first work; frontis/title page and 16 full page plates in second work. All leaves are printed recto only, engravings with limited engraved text in cartouche - no printed text pages. Sancti has 38 portraits and 1 plate showing St. Peter surrounded by angels, popes, prelates. Apostolorum has 16 portraits of 20 - lacking Jesus, Mary, Joseph and John the Evangelist. Covers and spine are in very good condition with some age darkening and light soiling; vellum remains supple; tightly bound; former bookseller's description on paper pasted to front pastedown; 3 small stamps on 2 leaves; all engravings are strong, clear impressions; Sancti generally bright and clean interior but for some age darkening at gutter; Apostolorum has some foxing on frontis/title page and limited damp staining at fore edge of few leaves light yellow water coloring on title page garland (see photo). 19 x 14 cm. For Sancti, see OCLC #976489532 (but our plate order slightly different and with 1 additional plate. For Apostolorum, see OCLC #79605339.…

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1613 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 63 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 63.…

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1680 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 19 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 19.…

Reliure demi basane. Condizione: Bon. Edition Originale. Avec une page de titre gravée par Cornelius Galle l'Ancien. Avec à l'intérieur du premier plat un ex-libris manuscrit au nom de Louis Delnatte auquel on a rajouté les dates de naissance et de décès (1789-1862). Reliure demi basane à petits coins semblant dater de la première moitié du 19ème siècle, dos lisse, titre doré, décoloration du papier des plats, bords un peu frotté. Intérieur en bonne condition, quielques lettrines et culs de lampe, 22 p. + 439 p. + index. Cornelius Galle l'Ancien (illustratore).…

Hardcover. Condizione: Very Good. EIUSDEM ORDINIS HISTORIOGRAPHO ET DIFFINITORE GENERALI. 1 vol . 4to frontispice engraved by Galle after design by Rubens xxii nn 288 pp. with 30 engraved portraits by Cornelis Galle after drawings by Jacques Francquart. 3 engraved portraits supplementary. Curtius was historiographer and diffinitor generalis . VERY FINE COPY. CORNELIUS GALLE after JACQUES FRANQUART (illustratore).…

Leather Bound. Condizione: New. Language: Latin. Language: Latin. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1610. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Latin, Pages: - 76, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 76 76.…

Incisione su rame, mm. 203x271, rifilata al margine (angolo sup. destro restaurato in modo conservativo), al marg. inf. didascalia in latino e tedesco. Rara inc. allegorica in cui sono raffigurati i pesonaggi "Meum - Tuum", "Opinio mala", "Lis", "Testamentum", "Cupido caeca". Sull'inutilità dei desideri e dell'avidità, che portano l'uomo alla contesa e alla perdizione.…

1. Original-Kupferstich von Cornelius Galle (in der Platte signiert) auf rückseitig unbedrucktem Büttenblatt, Plattenrand ca. 30 x 19 cm, von alter Hand bis an den Plattenrand beschnitten, ansonsten sauber und sehr gut erhalten, selten 2100 gr.

Incisione in rame su pergamena, mm. 65x90 alla battuta + ampi marg. bianchi. Rara incisione in perfetto stato di conservazione.

Condizione: Very Good. Edition anversoise. Commentaria in Acta Apostolorum, Epistolas Canonicas et Apocalypsin. Cornelius A Lapide. Anvers, chez Martinum Nutium, 1627. In-folio, 6 ff.n.ch. +392 pp. + 16 ff.n.ch + 2 ff.n.ch. + 604 pp. + 16 ff.n.ch + 2 ff.n.ch. + 374 pp. + 21 ff.n.ch., peau de truie sur ais de bois de l'époque, dos à cinq nerfs, pièce de titre en veau brun (galerie de vers à la pièce de titre), plats biseautés décorés de filets, rinceaux et roulettes estampés à froid, tranches ciselées (fermoirs absents, reliure un peu frotté, mors du plat supérieur fendu sur 10 cm, et du plat inférieur sur 2 cm.) Intérieur frais malgré quelques traces d'humidité et oxydation de certains feuillets). Édition ancienne des commentaires bibliques du célèbre exégète jésuite flamand Cornelius a Lapide (Cornelius Cornelissen van den Steen, 1567-1637). Exemplaire provenant de L'abbaye de Göttweig (monastère Gottwicensis), comme en attestent les mentions manuscrites au début de chacun des livres du volume. Ce grand monastère bénédictin fût fondé en 1083 en Basse-Autriche. Cet important ouvrage rassemble les commentaires consacrés aux Actes des Apôtres, aux Épîtres canoniques et à l?Apocalypse de saint Jean. Rédigés en latin, ces commentaires connurent une large diffusion dans l?Europe catholique des XVIIe et XVIIIe siècles. Bel ensemble complet de ses trois parties, en un volume. Un exemplaire est conservé à la Bibliothèque de Munich. GALLE (Cornelius) (illustratore).…

Pas de couverture. S. n. | s. l. fin XVIe début XVIIe | 34 x 25.50 cm | une feuille | Authentique gravure originale réalisée au burin d'après un dessin du XVIe siècle de Johannes Stradanus. Epreuve sur papier vergé filigrané, travail de la fin du XVIe ou du tout début du XVIIe siècle. Signatures des artistes dans la planche. Légende en latin dans la partie inférieure de la gravure. Traduction manuscrite d'une écriture ancienne sous la cuvette : "En Italie les vipères se plaisent à se cacher dans les marais. Quand elles entendent un chien aboyer, elles sortent des buissons. On les saisit alors avec une fourche et on les met dans un sac avec une pince. Elles sont préparées comme remède pharmaceutique". Filigrane visible par transparence. Les marges de la gravure ont été doublées à l'aide de petits morceaux de papier vergé ancien encollés sur les bords au dos de celles-ci, sinon bel état de conservation pour cette gravure très rare. Johannes Stradanus, dit Giovanni Stradano ou Jan van der Straet est un peintre et graveur flamand, né à Bruges en 1523 et mort à Florence le 11 février 1605. Après avoir commencé à apprendre la peinture auprès de son père, et suite au décès de ce dernier, il poursuit sa formation dans l'atelier de Maximiliaan Frank (de 1535 à 1537), puis dans celui de Pieter Aertsen à Anvers (de 1537 à 1540). En 1545, il est reçu franc-maître à la guilde des peintres anversois. Il commence alors un voyage à travers l'Europe : en France, puis en Italie, où il séjourne d'abord à Venise, avant de s'installer à Florence. Il y travaille pour Cosme Ier de Médicis et collabore avec Giorgio Vasari pour la décoration du Studiolo de François Ier de Médicis, et pour celle de la salle de Clément VII du Palazzo Vecchio. En 1565, il fait partie des équipes de peintres et de sculpteurs chargés, sous la direction de Giorgio Vasari, de réaliser le gigantesque décor prévu pour l'entrée dans Florence de Jeanne d'Autriche, à l'occasion de son mariage avec François Ier de Médicis. Grandement influencé par les maniéristes, dont Michel-Ange, Johannes Stradanus contribue au développement de la grande peinture d'histoire à l'italienne. Il peint plusieurs retables pour des églises florentines. Il séjourne aussi à Rome de 1550 à 1553 et à Naples en 1576. Après un séjour à Anvers en 1578, il consacre une grande partie de son activité à la gravure. Philippe Galle, né à Haarlem en 1537 et mort à Anvers en mars 1612, est un graveur flamand, membre d'une célèbre famille de graveurs. Il a pratiqué la gravure sur cuivre, le dessin, le commerce de gavures, l'édition et l'écriture. Il se forme auprès de Jérôme Cock, à Anvers, où il grave des dessins de Pieter Bruegel l'Ancien, notamment la série des Sept péchés capitaux. Il devient ensuite le graveur de Maarten van Heemskerck. À partir de 1557, il possède son propre atelier, qui sera fréquenté par ses fils, Théodore et Cornelius, ainsi que par son beau-fils, Adriaen Collaert, les frères Wierix, Hendrick Goltzius, Crispin de Passe l'Ancien et d'autres membres de la famille Collaert. Son atelier est au centre de la production de gravures anversoise. Philippe Galle a réalisé quelques-unes de ses uvres les plus admirables sur des projets de Pieter Bruegel l'Ancien (L'Alchimiste, 1558), de Jan van der Straet, de Franz Floris (Les Filles de Loth) et de Gillis Congnet (Aenevm Saecvlvm et les quatre ages de l'humanité, 1575). | [ENGLISH DESCRIPTION FOLLOWS] Authentic original engraving executed with burin after a 16th-century drawing by Johannes Stradanus. Proof on watermarked laid paper, work from the late 16th or early 17th century. Artists' signatures in the plate. Latin legend in the lower portion of the engraving. Manuscript translation in old handwriting below the plate mark: "En Italie les vipères se plaisent à se cacher dans les marais. Quand elles entendent un chien aboyer, elles sortent des buissons. On les saisit alors avec une fourche et on les met dans un sac avec une pince. Elles sont préparées comme remède pharmac.…

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1603 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 100 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 100.…

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1610 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 79 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 79 Language: Latin.…