cunningham merce john cage (37 risultati)

Softcover. Condizione: Very good. No jacket. First Edition. Includes 10 poems by Susan Sontag collectively entitled: In memory of their feelings Catalog of an exhibition held at the Anthony d'Offay Gallery, London, Oct. 31-Dec. 2, 1989, and at the Tate Gallery, Liverpool, Jan. 23-Mar. 25, 1990. Spine is cracked, but binding is tight. Covers have mild shelf wear. Inside is clean.

paperback. Condizione: Very Good. Modest shelfwear to cover, clean pages and sound binding.

paperback. Condizione: Very Good. Very Good paperback with light shelfwear - NICE! Standard-sized.

paperback. Condizione: Very Good.

First Edition. First edition. Softcover. 165 pages. Exhibition catalog for a show that ran October 31 through December 2, 1989 at the Anthony d'Offay Gallery and then traveled to the Tate Gallery for a run of January 23 through March 25, 1990. Attractive collaborative book with reproductions of John's paintings and drawings, a manuscript from Cage and photographs of Cunningham and his dancers. Also included is an essay by Susan Sontag. A clean near fine copy in French style wrappers with some slight creasing to the spine. A pleasing copy of this underrated book.

First Edition. First edition. Softcover. 31 pages. Exhibition catalog for a show that ran October 31 through December 2, 1989 at the Anthony d'Offay Gallery and then January 31 through March 25, 1990 at the Tate Gallery in Liverpool. Features a preface by Nicholas Serota and Richard Francis. Includes color and black and white illustrations, biographical information and a checklist. A clean very near fine copy in wrappers.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Softcover; 166 pages; very good condition; except moderate rubbing to covers; no internal marks. Foreign shipping may be extra.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover with dustjacket; 166 pages; very good condition; light rubbing to dj; no internal marks. Foreign shipping may be extra.

Paperback. Condizione: Fine condition. Cage, John (paintings -- cover art & 8 pages in color) (illustratore). First Edition. Evanston, Illinois: TriQuarterly / Northwestern University, 1982. Fine condition. Bright, clean, square, and tight. No store stamp, owner's name or bookplate. No remainder mark. Flat spine. No creases. Pages are fresh, crisp -- apparently never read. No underlining. No highlighting. No margin notes. 6" wide by 9" tall. An International Journal of Art, Writing and Cultural Inquiry. Includes: A JOHN CAGE READER IN CELEBRATION OF HIS 70TH BIRTHDAY (pp. 68-232), with contributions by Paul Zukofsky; Peter Gena; Marjorie Perloff; Natalie Crohn Schmitt; M. C. Richards; Morton Feldman; Christian Wolff; William Brooks; Merce Cunningham; Kathan Brown; Stephen Addiss; Richard Kostelanetz; et al. Also has an interview with Eugenio Montale; plus fiction and poetry by Ray Reno; Grace Mary Garry; Teresa Cader; Jay Wright; Rush Rankin. . First Edition. Softcover. Fine condition. Illus. by Cage, John (paintings -- cover art & 8 pages in color). 289pp. + ads.

Condizione sovraccoperta: dj. First Edition. First edition and first printing. Hardcover. 166 pages. Attractive collaborative book with reproductions of John's paintings and drawings, a manuscript from Cage and photographs of Cunningham and his dancers. Features texts by Susan Sontag, David Sylvester, Mark Rosenthal and with a conversation between David Vaughan and Jasper Johns. A clean near fine copy in yellow cloth boards and in a near fine dust jacket with some toning to the edges. An underrated book.

First edition, first printing thus (previously published by Anthony d'Offay Gallery in 1989). Near fine large format paperback original.

First Edition. First edition. Oblong softcover. 56 pages. Exhibition catalog for a show that ran September 13 through November 22, 1992. Features a foreword by R. Andrew Maass and an introduction by Irwin Kremen. Includes color and black and white illustrations of works by John Cage, Merce Cunningham, Irwin Kremen, M.C. Richards, chronologies for each artist as well as checklists. A near fine copy in wrappers with some very minor wear and with laid in addendum sheet.

Soft cover. Condizione: Fine. 1st Edition. Qto., 165 pages, illustrated. A Fine, unused copy.

Paperback. Condizione: Fine. First Edition. 54p, oblong quarto. A fine copy in gray wraps.

Soft cover. Condizione: Good. No jacket. Catalog published to accompany an exhibition held at the Tampa Museum of Art from September 13 to November 22, 1992. Good condition. Includes addendum listing Cage's substitutes his original catalog entries. Some wear along cover edges, but binding is secure. Pages are clean and unmarked.

First edition. Two 11 x 8 1/2 inch sheets, stapled upper left. Fine. Press release for this television event, debuting a new composition by Cage, "T-Gateway-V," under his direction. Cunningham, with his partner Carolyn Brown, will perform three dances from one of Cage's compositions, "Suite for Five.".

[2] pp.; 22.8 x 10.2 cm.; loose leaves; duotone; edition size unknown; unsigned and unnumbered; offset-printed; Two sided postcard / calendar published in conjunction with two panel discussions held as part of The New School's eightieth anniversary celebrations held October 5 and 6, [1999]. Panel discussion topics included "Global Architecture : Homogeneity or Diversity in Century XXI," moderated by Carlos Brillembourg with panelists Kenneth Frampton, Mario Gandelsonas, Diane Lewis and José Antonio Aldrete-Haas and "Considering the Avant-Garde: John Cage," moderated by Bruce Altshuler and Susan Hapgood, with panelists Merce Cunningham, Alison Knowles and others. Good. Mailed copy with 12 cm. area of light yellowing and faded markings along recto and verso edge.

grauer kart. Condizione: Gut. 56 S., m. Abb. Sprache: Englisch. Einband leichte Gebrauchsspuren, sonst gutes Exemplar Aufgrund meiner Knie-OP versende ich vorübergehend nur dienstags & freitags. Danke für eure Verständnis Sprache: Englisch Gewicht in Gramm: 855.

30x24cm. Soft cover. First edition thus. Published on occasion of exhibition of works of the three friends at the Anthony d'Offay Gallery, London and Tate Gallery, Liverpool. pp165(3) with essays, monochrome photo and colour illustrations, reproduction of musical score, list of works exhibited, and artist chronologies. Card wrappers with wide flaps, front illustrated in colour. Near FINE copy. (Heavy item, overseas shipping at cost.).

Couverture souple. Condizione: Bon. In-4 broché, 571 pp. avec une abondante iconographie. Exemplaire peu courant.

hardcover. Condizione: Like New. Condizione sovraccoperta: Like New. First Edition. Publisher: Anthony d'Offay Gallery, London, 1989.Limited Edition SIGNED by John Cage, Merce Cunningham, and Jasper Johns. FINE hardcover book in grey cloth covered boards, with gilt titles on spine, resting inside a fine grey cloth covered slipcase. First Edition. First Printing. This is Number 194 of 200 copies. Pristine. As new.

329 S. Hardcover. 4°. Sauberes Exemplar ohne Stempel oder Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. Sprache: deu.

Londres. Anthony d'Offay Gallery. 1989. In-4° broché. Couverture illustrée. 165 pages. Nombreuses illustrations. E.O. Bon état.

[2] pp.; 61 x 10.2 cm.; loose leaves; duotone; edition size unknown; unsigned and unnumbered; offset-printed Two sided oversized folded flyer / announcement published in conjunction with the opening of the John Cage Trust of New York City in [1993]. Executive director: Laura Kuhn. Board of Trustees: Merce Cunningham, Anne D'Harnoncourt, Laura Kuhn and David Vaughan. Very Good. Folded in three as issued. Light handling wear including light creases measuring 3.5 cm. (x3) and 1 cm. (x2). Otherwise clean and unmarked.

48 pp.; 21 x 15.3 cm.; staple bound; black-and-white; edition size 800; unsigned and unnumbered; offset-printed Exhibition catalogue for show of artists' books held September 20 - October 14, 1972. Text by Germano Celant. Exhibition checklist organized chronologically by Celant and Linda Morris. Show included books by Dick Higgins, Claes Oldenburg, Dieter Rot [aka Dieter Roth], Ben, Daniel Spoerri, George Brecht, Yoko Ono, Claus Bremer, John Cage, La Monte Young, Jackson MacLow, Nam June Paik, Emmett Williams, Walter de Maria, Malka Safro, Simone Forti, Richard Maxfield, Christian Wolff, Stanley Brouwn, Piero Manzoni, Edward Ruscha, Robert Filliou, Ray Johnson, Allan Kaprow, Alison Knowles, Joseph Kosuth, Eduardo Paolozzi, Gianfranco Baruchello, Mel Bochner, Terry Atkinson, Michael Baldwin, Ay-o, Oyvind Fahlstrom, John Giorno, Jerome Rothenberg, Wolf Vostell, Robert Watts, Philip Corner, Juan Hidalgo, Mel Ramsden, Carl Andre, Robert Barry, Sol LeWitt, Robert Morris, Lawrence Weiner, Ian Burn, Merce Cunningham, Terry Riley, Ben Vautier, Stephen Kaltenbach, Walter Marchetti, N.E. Thing Co. LTD., Giulio Paolini, Bernard Venet, Franz Erhard Walther, Andy Warhol, Vito Acconci, Stig Brogger, José Luis de Castillejo, Roger Cutforth, Hanne Darboven, Jan Dibbets, Dan Graham, James Lee Byars, Maloney, Bruce Nauman, Michelangelo Pisteletto, Emilio Prini, Allen Ruppersberg, Richard Tuttle, Harold Hurrell, Bernd & Hilla Becher, Christo, Dennis Oppenheim, Mark Boyle, Daniel Buren, Donald Burgy, Gerald Ferguson, Dorothy Iannone, Bejamin Patterson, Gilbert & George, Kathe Gregory, Marilyn Landis, Russell F. Lewis, David Crane, Scott R. Kahn, Lawrence Alloway, Gerard Hemsworth, David Lamelas, Mario Merz, Tom Phillips, Peter Roehr, Klaus Staeck, Art & Language, Derek Boshier, Marcel Broodthaers, Alessandro Carlini, James Collins, Giancarlo Croce, Giorgio Fabbris, Giorgio Spiller, Sandro Greco, Hamish Fulton, Bob Law, Richard Long, Philip Pilkington, David Rushton, Kevin Lole, Peter Smith, Giuseppe Penone, John Stezaker, Athena Tacha, Gérard Titus-Carmel, Vincenzo Agnetti, Giovanni Anselmo, John Baldessari, John Blake, Victor Burgin, Ger van Elk, Richard Hamilton, and Bruce McClean Reference : No. 3 and No. 135 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 15, 74. Very Good. Very light wear to covers. Name of previous owner in ink on first inside page, and small ink dash next to the names of Alison Knowles, Hanne Darboven, and Athena Tacha in the checklist. Otherwise Fine.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. SIGNED multiple times on copyright page by John Cage--visible in photo. Jacket has a 1/2 inch crease on bottom edge of back cover--visible in photo. Book has a trace of fade to topstain near spine--visible in photo. Fine content. Receipt for purchase from the Cunningham Dance Foundation loosely inserted in book. Signed by Author(s).

16 x 16cm. Paperback, unpaginated [32pp]. A detailed illustrated overview of the dance company's work up to 1963, designed by Marc Ratliff and edited by David Vaughan, published by the newly-founded Foundation for Contemporary Performance Arts set up to support works by avant-garde artists and composers. The year of publication also marked Cunningham's groundbreaking site-specific Walker Art Center New York performances. Foreword by John Cage, who was the musical director for the most of the company's 1963 season (with David Tudor on piano), and Robert Rauschenberg designing the costumes and lighting arrangements. John Wulp supplied some of the photography, including the cover. A series of dances conceived by Cunningham are showcased. From Cage's foreword: "It is assumed that the dance supports itself and does not need support from the music. The two arts take place in a common place and time, but each art expresses this Space-Time in its own way. The result is an activity of interpenetrations in time and space, not counterpoints, nor controlled relationships, but flexibilities as are known from the mobiles of Alexander Calder." A rare and early Merce Cunningham Studio item, with OCLC locating only one copy at New York Public Library. Slightly sunned covers with small areas of abrasion, otherwise very good condition.

7 vol. : 1 vol. [4] pp. : 4 vol. [1] pp. : 1 vol. [3] pp. : 1 vol. [8] pp; 7 vol. : 1 vol. 28.3 x 10.6 cm. (closed) : 1 vol. 13.9 x 10.2 cm. : 3 vol. 21.5 x 9 cm. : 2 vol. 27.8 x 10.1 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Program folder for performances held at BAM Opera House, March 22 - 25, 1973. Dancers include Merce Cunningham, Douglas Dunn, Meg Harper, Susana Hayman-Chaffey, Chris Komar, Robert Kovich, Barbara Lias, Brynar Mehl, Sandra Neels, Valda Setterfield, and Julie Sukenick. Choreographed by Merce Cunningham. Musicians include David Behrman, John Cage, Gordon Mumma, and David Tudor. Lighting designed by Richard Nelson. Artistic advisor is Jasper Johns. Includes an invitation for a reception following the performance, a schedule of future BAM presents programs, a list of past events by Merce Cunningham and Dance Company, and a biography of participants. Very Good / Fine. Folder : Yellowing at bottom edge. Events and biographies : Staple on top left corner. Invitation and BAM presents: Clean and unmarked.