daniel koep (43 risultati)

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: as new. Wie neu/Like new.

Softcover. Condizione: Très bon. Couverture différente. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Different cover. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Condizione: sehr gutes Exemplar. 1. O.-Karton (24 x 27,7 cm). Katalog zur gleichnamigen Ausstellung im Kunstmuseum Den Haag (29.1. - 29.5.2022) ; im Kunsthaus Dahlem, Berlin (8.7. - 30.10.2022); im Ludwig Museum, Koblenz (13.11.2022 - 29.1.2023; im Ludwig Museum of Contemporary Art, Budapest (März-Juni 2023). Mit durchgehend sehr zahlreichen, oft ganzseitigen Farbabbildungen. Begleittext in Englisch und Deutsch.; Jahr: 2022; Format: Quart; Anzahl der Seiten: 333; Auflage: 1.; Zustand: 1 (sehr gutes Exemplar)Shipping costs displayed on some platforms (mainly AbeBooks/ZVAB) may differ from the actual costs for items over 500 grams or in larger formats. If you are affected by this, we will ask you for your consent. PLEASE NOTE US CUSTOMERS: Due to the US government's customs regulations, goods can currently only be shipped to the US as parcels, which costs at least 30,00 USD. 1635 gr. 333 pages.

Soft Cover. Condizione: Fine. This is a fine softcover copy with no wear at all. Completely clean. Text in German with English translation at the end. Illustrated in color. This catalog was prepared to accompany the exhibition at the Hamburger Kunsthalle in 2009. Nijinsky, famous as a dancer for the Ballets Russes, was also a prolific artist. This publication was timed to appear on the 100th anniversary of the first performance of the Ballets Russes in May 1909. More than 100 works on paper by Nijinsky were assembled for this exhibition, and were shown in context with other abstract artists of the period: Sonia Delaunay, Kupka, etc. 10" high X 7" wide, 362 pages. This book will be securely packed and shipped with tracking.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

24,5 x 17 cm ; kart. ; Condizione: Gut. 362 S. ; Schöne Paperbackausgabe mit textilbezogenen Buchdeckeln, 362 Seiten mit zahlreichen Abbildungen. Gutes Exemplar. hw1646 ISBN: 9783938002292.

Condizione: as new. Berlin : Hatje Cantz, 2022. Paperback. 335 pp. Ills. 28 cm. The art of Boris Lurie (* 1924, Leningrad) and Wolf Vostell (* 1932, Leverkusen) is determined by the break in civilization in Germany in 1933, which made the German genocide of German and European Jews (the Shoah) possible. Both artists make the Shoah the subject of their work in a radical way. They work - initially independently of one another - with the means of painting and during the 1950s they resort to the stylistic devices of the first avant-garde: Cubism, Dadaism, Surrealism. They strategically employ collage and assembly techniques. Vostell later develops the subject further in the media of happening and video art while Lurie takes up writing. In 1964 the artists met in New York and entertained a lifelong friendship. Condition : as new copy. ISBN 9783775752169. Keywords : ART,

Paperback. Condizione: Fine. Qto., 232 pages, colour illustrated. Unused, a Fine copy.

Softcover. 335 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, kaum Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. L07334 9783775752169 Sprache: Englisch Gewicht in Gramm: 1660.

Softcover, 362 pages; in German with English at rear; small bump to top edge of covers and a couple pages; overall clean and crisp; no internal marks.

Paperback. Daniel Koep, Hatje Cantz. The art of Boris Lurie (* 1924, Leningrad) and Wolf Vostell (* 1932, Leverkusen) is determined by the break in civilization in Germany in 1933, which made the German genocide of German and European Jews (the Shoah) possible. Both artists make the Shoah the subject of their work in a radical way. They work - initially independently of one another - with the means of painting and during the 1950s they resort to the stylistic devices of the first avant-garde: Cubism, Dadaism, Surrealism. They strategically employ collage and assembly techniques. Vostell later develops the subject further in the media of happening and video art while Lurie takes up writing. In 1964 the artists met in New York and entertained a lifelong friendship. Paperback.

Hardcover. Condizione: Brand New. Hardcover.Width: 28 cm. Height: 21cm. 240 pages. text.

Condizione: Gut. 362 Seiten Guter Zustand 65 9783938002292 Sprache: Englisch Gewicht in Gramm: 972 0,0 x 0,0 x 0,0 cm, Taschenbuch.

Condizione: New.

Taschenbuch. Condizione: Neu. Neu -The art of Boris Lurie (\*1924, Leningrad) and Wolf Vostell (\*1932, Leverkusen) is determined by the breach of civilization in Germany in 1933, which made the German genocide of German and European Jews possible. Both artists make the Shoah the subject of their work in a radical way. Initially working-independently of one another-with the means of painting, they turned during the 1950s to exploring the stylistic devices of the first avant-garde, including techniques of collage and montage. Vostell later develops the subject further in his happenings and video art while Lurie takes up writing. In 1964 the artists met in New York and began a lifelong friendship-this is the first exhibition to present their works together.After surviving several labor and concentration camps, the Jewish artist BORIS LURIE (1924-2008) emigrated to New York in 1946, where he established the NO!art movement in 1959. Often through direct references to the Shoah, Lurie commented on the society and consumer culture of his time.The German artist WOLF VOSTELL (1932-1998) was a protagonist of the Fluxus movement and a pioneer of happening- and video art. Vostell confronted post-war European audiences with its recent past in a variety of ways. 336 pp. Deutsch, Englisch.

Taschenbuch. Condizione: Neu. Neuware -The art of Boris Lurie (\*1924, Leningrad) and Wolf Vostell (\*1932, Leverkusen) is determined by the breach of civilization in Germany in 1933, which made the German genocide of German and European Jews possible. Both artists make the Shoah the subject of their work in a radical way. Initially working-independently of one another-with the means of painting, they turned during the 1950s to exploring the stylistic devices of the first avant-garde, including techniques of collage and montage. Vostell later develops the subject further in his happenings and video art while Lurie takes up writing. In 1964 the artists met in New York and began a lifelong friendship-this is the first exhibition to present their works together.After surviving several labor and concentration camps, the Jewish artist BORIS LURIE (1924-2008) emigrated to New York in 1946, where he established the NO!art movement in 1959. Often through direct references to the Shoah, Lurie commented on the society and consumer culture of his time.The German artist WOLF VOSTELL (1932-1998) was a protagonist of the Fluxus movement and a pioneer of happening- and video art. Vostell confronted post-war European audiences with its recent past in a variety of ways. 336 pp. Deutsch, Englisch.

Taschenbuch. Condizione: Neu. Neuware -The art of Boris Lurie (\*1924, Leningrad) and Wolf Vostell (\*1932, Leverkusen) is determined by the breach of civilization in Germany in 1933, which made the German genocide of German and European Jews possible. Both artists make the Shoah the subject of their work in a radical way. Initially working-independently of one another-with the means of painting, they turned during the 1950s to exploring the stylistic devices of the first avant-garde, including techniques of collage and montage. Vostell later develops the subject further in his happenings and video art while Lurie takes up writing. In 1964 the artists met in New York and began a lifelong friendship-this is the first exhibition to present their works together.After surviving several labor and concentration camps, the Jewish artist BORIS LURIE (1924-2008) emigrated to New York in 1946, where he established the NO!art movement in 1959. Often through direct references to the Shoah, Lurie commented on the society and consumer culture of his time.The German artist WOLF VOSTELL (1932-1998) was a protagonist of the Fluxus movement and a pioneer of happening- and video art. Vostell confronted post-war European audiences with its recent past in a variety of ways. 336 pp. Deutsch, Englisch.

Condizione: Sehr gut. 1.,. 250 S. Innerhalb Deutschlands Versand je nach Größe/Gewicht als Großbrief bzw. Bücher- und Warensendung mit der Post oder per DHL. Rechnung mit MwSt.-Ausweis liegt jeder Lieferung bei. Sprache: Deutsch Gewicht in Gramm: 595 Gebundene Ausgabe, Maße: 15.6 cm x 2.7 cm x 21.6 cm.

Kartoniert / Broschiert. Condizione: New. - Rare comparison- Art and the Shoah- Inspiring artist friendship- Rare comparison- Art and the Shoah- Inspiring artist friendshipThe art of Boris Lurie (*1924, Leningrad) and Wolf Vostell (*1932, Leverkusen) is determined by the breach of civiliza.

Taschenbuch. Condizione: Neu. Neuware -The art of Boris Lurie (\*1924, Leningrad) and Wolf Vostell (\*1932, Leverkusen) is determined by the breach of civilization in Germany in 1933, which made the German genocide of German and European Jews possible. Both artists make the Shoah the subject of their work in a radical way. Initially working-independently of one another-with the means of painting, they turned during the 1950s to exploring the stylistic devices of the first avant-garde, including techniques of collage and montage. Vostell later develops the subject further in his happenings and video art while Lurie takes up writing. In 1964 the artists met in New York and began a lifelong friendship-this is the first exhibition to present their works together.Hatje Cantz Verlag GmbH, Mommsenstraße 27, 10629 Berlin Deutsch.

Taschenbuch. Condizione: Neu. Neuware - The art of Boris Lurie (\*1924, Leningrad) and Wolf Vostell (\*1932, Leverkusen) is determined by the breach of civilization in Germany in 1933, which made the German genocide of German and European Jews possible. Both artists make the Shoah the subject of their work in a radical way. Initially working-independently of one another-with the means of painting, they turned during the 1950s to exploring the stylistic devices of the first avant-garde, including techniques of collage and montage. Vostell later develops the subject further in his happenings and video art while Lurie takes up writing. In 1964 the artists met in New York and began a lifelong friendship-this is the first exhibition to present their works together.After surviving several labor and concentration camps, the Jewish artist BORIS LURIE (1924-2008) emigrated to New York in 1946, where he established the NO!art movement in 1959. Often through direct references to the Shoah, Lurie commented on the society and consumer culture of his time.The German artist WOLF VOSTELL (1932-1998) was a protagonist of the Fluxus movement and a pioneer of happening- and video art. Vostell confronted post-war European audiences with its recent past in a variety of ways.; Zweisprachige Ausgabe.

Taschenbuch. Condizione: Neu. Boris Lurie and / und Wolf Vostell | Art after the Shoah / Kunst nach der Shoah | Eckhart Gillen (u. a.) | Taschenbuch | Großformatiges Paperback. Klappenbroschur | 336 S. | Deutsch | 2022 | Hatje Cantz Verlag | EAN 9783775752169 | Verantwortliche Person für die EU: HATJE CANTZ VERLAG GmbH, Mommsenstr. 27, 10629 Berlin, contact[at]hatjecantz[dot]de | Anbieter: preigu.

Gewebe. Condizione: Gut. 1. Aufl. 246 S. : Ill. ; 22 cm Neuwertig erhalten. 9 Vorwort Bilder beschreiben, Einsichten gewinnen 14 Über >Das Porträt des SergeantenKompositionBauerngehöftStudie zu einem BildnisCaspar David Friedrich in seinem AtelierWaldesdickicht nach einem SturmAuroraFrühstücksstillebenMädchen auf der BrückeVor dem SpiegelZwei Mädchen im GrünenGlaubenstrostLandschaft mit Hütte unter BäumenEin PhilosophBlick über die Dächer eines Vororts von DresdenStudie zu einem BildnisAlte MoorbäuerinWiesen bei Greifswald Caspar David Friedrich Judith Schalansky 226 >Der Liebesbote< Pieter de Hooch Willi Winkler 243 Dank 244 Die Autorinnen und Autoren 247 Bildnachweis ISBN 9783529028663 Sprache: Deutsch Gewicht in Gramm: 595.

Condizione: sehr gut. 22,5-25 cm (gr. 8° - groß Oktav) Stabiler Einband zu ca. dreivierteln mit farbig bedruckter Rohseide bezogen. Mit titelbedrucktem Papprücken, 362 Seiten. Innen, teils mehrfach gefaltete, Grafikdarstellungen in Farbe. Texte im Anhang auf Englsch. Schöne Erhaltung; Anlässlich der Ausstellung Tanz der Farben, Nijinskys Auge und die Abstraktion, Hamburger Kunsthalle. Geleitwort: Hubertus Gaßner und John Neumeier; Sachgebiet: Kunst; Schlagworte: Taunz, Grafik, Fotografie, Nijinsky.

Soft cover. Condizione: New. 1st Edition. In Original Publisher's Shrinkwrap. This is the English language edition. Title and text in English.

Pappband mit Wildseidenbezug, gr-8°, 362 S., zahlreiche Illustrationen, 1 mehrfach gefaltete Tafel; -sehr gutes Exemplar. Vaslav Nijinsky geboren 1889 in Kiew, war einer der bedeutenden Tänzer des Ballets Russes. Dargestellt sind Werke von Nijinsky selbst sowie von Leopold Survage, Sonia Delaunay-Terk, Frantisek Kupka, Vladimir Baranov-Rossine. isbn 9783938002292.

Halbleinen. Condizione: Sehr gut. 28,5x24cm; 275; Halbleinen. Zustand: Sehr Gut, eher ungelesen; Schutzumschlag fehlt, oder es gibt keinen; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.