Dickerman leah et al (12 risultati)

Hardcover. Condizione: VG+. Color illustrated boards, half dust jacket. 148 pp. Color and bw plates. A volume to accompany a contemporary exhibition looks at the five "portable murals" created by Mexican artist Diego Rivera in New York City for a major exhibition at the Museum of Modern Art in December 1931.…

Cloth. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st edition. 1st edition. A Near Fine copy in Near Fine dust jacket. Folio, 376 pp., illustrated with numerous b&w and color photographs of art. Bound in pink cloth in multi-colored dust jacket. The dust jacket is now protected in a mylar sleeve.…

Softbound. Illustrated thick glued wraps; French flaps. xv; 519 pp. Profusely illustrated in color and BW. Wow--what a catalogue. The new benchmark on Dada scholarship! Extensive text, well illustrated. VG-. May have soiling to page blocks, minor wear to corners and edges, crease to bottom corner of cover and interior pages on one copy. One copy has owner's writing on front flap.…

Softcover. Condizione: VG+. Thick color illustrated card wraps, glued binding. 412 pp., profusely illustrated in color and bw. The first US artist to win the Golden Lion at the Venice Biennale in 1963, Robert Rauschenberg blazed a new trail for art in the second half of the 20th century. Bringing together a selection of key works from different periods, the book will provide a long overdue opportunity to discover a remarkably consistent artistic trajectory which steadfastly refused to be straight-jacketed by rules and conventions. Each chapter in Rauschenberg's six-decade career will be represented by major works. This book collects 14 essays focusing on key moments in Rauschenberg's oeuvre.…

Binding firm and intact. Condizione: Near Fine. Near Fine. 1st edition. 4to. Hardcover with complete DJ. Includes 407 colour plates, 217 halftones. Used copy. DJ with light edgewear. In clean, unmarked, and square condition.

Hardcover. Condizione: Near Fine. 1st Edition. Cloth bound hardcover with dust jacket, 344 p. : illustrations (chiefly in color), 31 cm. Very good, clean, unmarked. "The Bauhaus, the school of art and design founded in Germany in 1919 and shut down by the Nazis in 1933, brought together artists, architects and designers - among them Anni and Josef Albers, Herbert Bayer, Marcel Breuer, Lyonel Feininger, Walter Gropius, Johannes Itten, Vasily Kandinsky, Paul Klee, Laszlo Moholy-Nagy, Lilly Reich, Oskar Schlemmer, Gunta Stolzl - in an extraordinary conversation on the nature of art in the industrial age. Aiming to rethink the form of modern life, the Bauhaus became the site of a dazzling array of experiments in the visual arts that have profoundly shaped the world today. Bauhaus 1919-1933: Workshops for Modernity, published to accompany a major multimedia exhibition, is The Museum of Modern Art's first comprehensive treatment of the subject since its famous Bauhaus exhibition of 1938, and offers a new generational perspective on the twentieth century's most influential experiment in artistic education. Organized in collaboration with the three major Bauhaus collections in Germany (the Bauhaus-Archiv Berlin, the Stiftung Bauhaus Dessau and the Klassic Stiftung Weimar), Bauhaus 1919-1933 examines the extraordinarily broad spectrum of the school's products, including industrial design, furniture, architecture, graphics, photography, textiles, ceramics, theater and costume design, painting and sculpture. Many of the objects discussed and illustrated here have rarely if ever been seen or published outside Germany. Featuring approximately 400 color plates, richly complemented by documentary images, Bauhaus 1919-1933 includes two overarching essays by the exhibition's curators, Barry Bergdoll and Leah Dickerman, that present new perspectives on the Bauhaus. Shorter essays by more than 20 leading scholars apply contemporary viewpoints to 30 key Bauhaus objects, and an illustrated narrative chronology provides a dynamic glimpse of the Bauhaus' lived history."--Publisher. …

Condizione: Très bon. 125 pages : illustrations, couverture illustrée en couleurs ; 19,0 x 26,0 x 0,7 cm || Texte français || Impression 2004 || Sans aucune inscription.

D.A.P./The National Gallery of Art, Washington, 2005. 31 x 22 cm. Hardcover (clothbound) with dustjacket. Richly illustrated in color and b/w. 519 pages. - AS NEW [Art Art / International general [Algemene Internationale Kunst] Dada ].

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Black hardcover with title in black on front cover and spine. Condition: Fine, binding sound, no inscriptions. Dustjacket condition: Fine. 414pp. Many colour illustrations. This book was published to accompany the exhibition of work by the American artist Robert Rauschenberg (1925-2008) held at the Tate Modern, London from 1 Dec 2016 to 2 April 2017. The exhibition then toured to the Museum of Modern Art in New York and the San Francisco Museum of Modern Art. It was the first full-scale retrospective since the artists death in 2008. Rauschenberg challenged the primacy of painting and invented new forms of art-making that moved freely among media and methods. He refused to accept conventional boundaries, defining the themes of his art as multiplicity, variety and inclusion. This comprehensive book includes sixteen short essays focusing on specific moments in the artist's career, examining his production across and extraordinary range of media.…

Hardcover. Condizione: New.

Hardcover. Condizione: New.

fester Einband. 519 S., zahlr. teilw. farb. Abb. Reg. 4° Ln.mS. *sehr gutes Expl.*. Sprache: Englisch.