dine jim illustrator (12 risultati)

Hardcover. Condizione: Good. Sturdy hardcover w/jacket. Light wear and tear, discoloration on jacket. Light edge-wear. WF.

Hardcover. Condizione: Fine. Dine, Jim - Illustrator (illustratore). First American Edition. translated by Ron Padgett.

Hardcover. Condizione: Sehr gut. 1. ed. 26 x 20,5 cm 121 S. Hardcover. überw. Ill. Zustand: Sehr Gut, eher ungelesen; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.

Broschiert. Condizione: Gut. 30 x 24 cm 67 S. Broschiert. Sprache: Englisch, Zustand: Gut bis Sehr Gut (Innen); Einband Außen hat geringe Gebrauchsspuren; Hinterdeckel ist gering berieben u. lichtrandig; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.

kart. Condizione: Gut. 31 S. : überw. Ill. ; 30 cm Zweisprachig deutsch englisch. gutes Exemplar Aufgrund meiner Knie-OP versende ich vorübergehend nur dienstags & freitags. Danke für eure Verständnis Sprache: Deutsch Gewicht in Gramm: 550.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Flat-signed by Jim Dine and dated 2015 on the title page. The binding is tight and straight with traces of soiling to cloth and top edge of text block. Text and images are unmarked. The dust jacket is lightly shelf worn and toned, a short closed tear and a crease to bottom of rear fold, traces of soiling and wear along top edge, in a mylar cover. 128pp. Signed by Illustrator.

Hardcover. Condizione: vg. First edition. Square quarto. 209, [3]pp. Original color pictorial jacket over paper covered boards, with red lettering on front cover and spine. Title-page signed by Jim Dine. Fascinating catalogue of a traveling exhibition that opened at the Allen Memorial Art Museum, Oberlin College, in 2005. It is profusely illustrated with 85 color plates (mostly full-page). Dustjacket, binding and interior in near to fine condition.

Hardcover. Condizione: Fine. No Jacket. 1st Edition. 6 1/8 inches x 9 7/8 in., half-title, signed by Andrew Hoyem; mounted frontispiece etching, signed by Jim Dine of the mounting page; title-page; contents; introduction: "Why Not", by Andrew Hoyem. 91 pp., with limitation statement on the reverse of p. 91. Orange cloth spine and sides, with printed, yellow paper spine label over the spine & sides, blue cloth over boards. Signed by Illustrator(s).

Hardcover. Condizione: Very Good. Condizione sovraccoperta: No dustjacket as issued. 275 copies printed. Signed by Milosz on the half title page. Signed by Dine on the artist's statement page opposite his dry-point etching of Milosz. Bound in publisher's original handmade paper-covered boards with brown lettering over brown spine cloth with printed paper label. Near fine with some faint tanning on the boards, hinges of the pastedowns lightly tanned. Folio. 57pp. Signed by Author and Illustrator.

Non-Book. Condizione: Fine. Illustrated by Jim Dine (illustratore). Limited/Numbered Signed Edition. The clamshell portfolio has faint, small waterspots to the front. The front board has a very slight concave dish.; A prominent player in the New York School of poetry, Biotherm is Frank O'Hara's (1926-1966) jagged, free verse, "last long poem" written before his death. Begun in August 1961, said it started only as a small birthday poem to fellow poet Bill Berkson, but he simply wrote until he decided to stop. The poem expanded to expound on other friends, love, the jaggedness of life in New York, art, food, and myriad topics, finally concluding in January 1962. Artist Jim Dine was an acquaintance of O'Hara, a frequent collaborator with Arion Press, and suggested publishing Biotherm to Andrew Hoyem, press founder. Dine painted 42 monochrome illustrations as loose and unbounded as O'Hara's poem. Designing and setting Biotherm were typographic challenges, as much of the poem is structureless, with text 'exploded' into groups and lines. Jim Dine painted over the text sheet proofs to incorporate his art with the text on the page. This 32nd book from Arion Press consists of unbound 22" H. x 15" W. sheets laid loose in a 22 5/8" H. x 15 5/8" W. clamshell portfolio of thin red cloth over boards. Has all 42 required sheets of poetry and illustrations, plus a half-title sheet. Copy 102 of a limited edition of 150 standard copies numbered and signed by Jim Dine. Although the standard edition is comprised of 42 sheets in monochrome, one sheet hand colored by the artist and protected by a tissue guard. In Arion Press catalogs, the full description does not mention this hand colored sheet, but the concise line item in 1990s catalogs contains "42 lithographs by Jim Dine, one hand-colored." The "hand-colored" mention disappears from later catalogs. All sheets are English T. H. Saunders mouldmade, watermarked Waterford paper, images lithographed by Phelps-Schaefer, then text overprinted letterpress in Spectrum types by Arion Press. A recessed pocket in the clamshell portfolio houses the accompanying volume Companion To Biotherm (for Bill Berkson) : The Last Long Poem of the Late Frank O'Hara (1926-1966). 'Companion' contains Bill Berkson's essay Air and Such, explaining Biotherm and O'Hara's writing. Also included is Berksons quite useful Glossary of Notes on Incidental References, Quotations, and Allusions in Order of Appearance in the Poem. Andrew Hoyem contributed a Publisher's Note detailing the motivations for publishing Biotherm, incorporating Dine's illustrations, and detail about the production of the edition. This large 8vo book is 11" x 7 1/2", saddle stiched into stiff wraps, umpaginated, and 24 pp. Arion Press' meeting the typographic and artistic challenges produced what may be the best exposition of a Frank O'Hara poem. The lithographed, printed sheets and accompanying book are clean and in Fine condition, in a clamshell portfolio that's about Near Fine.; Lithograph; 8vo 8" - 9" tall; Artist Signed by Artist.

LIMITED DELUXE EDITION, of 250 hand-numbered copies SIGNED by both the translator and artist and with Dine's eight original glossy Pochoir plates signed by the artist and hand-numbered and laid in. Printed on Euroset offset paper. Illustrated throughout with black and white photographs and photo-collages plus the eight original numbered colour pochoir plates by Jime Dine with all tissue guards intact. 4to, loose in printed chemise as issued within the publisher's wrap of stiff paper covered in glassine and printed in black. In the original cloth covered slipcase with photographic image printed in hot pink. 128 pp. plus the eight additional plates. A very fine copy, internally as new, the glassine wrapper also fine and just a tad mellowed at the spine, the slipcase very fresh and clean with very minor mellowing to the pink at the rear panel. SCARCE LIMITED EDITION OF ONLY 250 COPIES. This English edition of Apollinaire's "Le Poète Assassiné" is one of the great works of the "Pop Art" movement created around one of the foundational works of surrealist literature. This edition is signed by both Ron Padgett and Jim Dine and includes eight original pochoir plates which are also hand-numbered and signed by the artist. Padgett studied 20th-century French literature in Paris during 1965 and 1966. In 1962 Dine's work was included, along with Roy Lichtenstein, Andy Warhol, Robert Dowd, Phillip Hefferton, Joe Goode, Edward Ruscha, and Wayne Thiebaud, in the historically important and groundbreaking "New Painting of Common Objects", curated by Walter Hopps at the Norton Simon Museum. This exhibition is considered historically as one of the first "Pop Art" exhibitions in America. At a time of major social unrest and socio-political change, the painters included began a great new movement, shocking America and the art world in general and changing modern art for all time.

Condizione: Near Fine. Limited Edition. Limited edition. From an edition of 165, this is one of 15 hors de commerce copies, signed by Jim Dine on the title page and Andrew Hoyem at the colophon. Bound in publisher's quarter-inch laminated oak boards, stained with a lightning-bolt over white pigskin with spine lettered in blind; prospectus laid-in. Near Fine with tanning and light rubbing to spine, light offsetting from plates. A striking production that marked the beginning of Dine's numerous books with this fine press publisher.