dohmen leo (11 risultati)

Softcover. Condizione: Gut. 79 p., ill. Good. Cover shows mild wear. Clean pages. In French. Sprache: Französisch Gewicht in Gramm: 260.

paperback. Condizione: Perfetto (Mint). Foto's, Assemblages en Collages. Photos, Assemblages et Collages. Photographs, Assemblages and Collages. Volume pubblicato in occasione della mostra tenutasi presso la  galleria Ronny Van De Velde, Anversa 16 ottobre - 11 dicembre 1999. Un testo di Jan Ceuleers. Fotografie in bianco e nero. Edizione in inglese, francese e olandese . Cm 25,5x21. pp. 150 ca. . Perfetto (Mint). . . . Leo Dohmen was with Raoul Ubac and Marcel Lefrancq one of the few representatives of the surrealist photography in Belgium. He was a legendary figure in the post-war Antwerp artistic circle. Because of his tumultuous and flamboyant lifestyle he was his friends gave him the nickname ?the Pirate'. Dohmen was a man of seven crafts: chemist and engineer at Agfa Gevaert and Esso, a bartender from an illegal nightclub, an art dealer and a gallery owner and - especially - photographer. In his surrealist photographs, collages and assemblages he was always looking for a shock effect that he reached through the combination of strange elements. Leo Dohmen è stato, con Raoul Ubac e Marcel Lefrancq, uno dei pochi rappresentanti della fotografia surrealista in Belgio. Era una figura leggendaria nel circolo artistico di Anversa del dopoguerra. A causa del suo stile di vita tumultuoso e sgargiante, i suoi amici gli diedero il soprannome di "Pirata". Dohmen era un uomo dai sette mestieri: chimico e ingegnere presso Agfa Gevaert ed Esso, barista in un nightclub illegale, mercante d'arte e gallerista e, soprattutto, fotografo. Nelle sue fotografie surrealiste, nei collage e negli assemblaggi era sempre alla ricerca di un effetto shock che raggiungeva attraverso la combinazione di elementi strani. Book.

Condizione: Fair. Oorspronkelijk geniet omslag, softcover, (paginagrote) illustraties in kleur en z/w, ongepagineerd, 4to.; Serieuze foxing op voor en achterplat, gebruikssporen langs hoeken en randen.

paperback. Condizione: As New. Testi di Jan Ceuleers, Xavier Canonne, Mireille Sprengers-Dohmen. Fotografie in bianco e nero. Edizione in inglese e francese . Cm 25,5x21. pp. 152. . Perfetto (Mint). . . . Leo Dohmen è stato, con Raoul Ubac e Marcel Lefrancq, uno dei pochi rappresentanti della fotografia surrealista in Belgio. Era una figura leggendaria nel circolo artistico di Anversa del dopoguerra. A causa del suo stile di vita tumultuoso e sgargiante, i suoi amici gli diedero il soprannome di "Pirata". Dohmen era un uomo dai sette mestieri: chimico e ingegnere presso Agfa Gevaert ed Esso, barista in un nightclub illegale, mercante d'arte e gallerista e, soprattutto, fotografo. Nelle sue fotografie surrealiste, nei collage e negli assemblaggi era sempre alla ricerca di un effetto shock che raggiungeva attraverso la combinazione di elementi strani. Book.

Executed in 1958, inscribed 1963. A 5 3/8" x 3 5/8" original platinum print photograph of a woman and collage of red tinted lips pasted on top of the subject's lips, with a steel safety pin pierced through the photo. Mounted on green paper with an ink inscription to Dohmen's friend and artistic collaborator, Georges Hugnet. The inscription reads: "Pour mon ami, Georges, ce discours sur l'amour absolu. Leo[.] Anvers lez Trémbaumec le 10 Février 1963." ("For my friend, Georges, a discourse on absolute love. Leo[.] Antwerp lez Trémbaumec February 10, 1963." Photo with some waviness, three spots of old tape residue along the right margin of the inscription card, not touching the text, else near fine. Dohmen was one of only a few surrealist photographers from Belgium. He was born in 1929, at the onset of Surrealism, and his artistic sense and personality was clearly influenced by the art and the culture of the movement. Inspired by Man Ray and George Hugnet, Dohmen became interested in photography at a young age. His first period primarily consisted of straightforward posed studio subjects, but transitioned to a more surrealistic photocollage approach when he opened his own gallery. Dohmen collaborated regularly with fellow Belgian artists Marcel Mariën and Georges Hugnet on film, books and essays. Particularly relevant is the development of Hugnet's satirical, surrealist travel guide that Hugnet and Dohmen had been developing for 22 years before publication, "Huit jours à Trébaumec" (1969), about a fictional city in Birttany (referenced at the end of the inscription). Ex Bonhams, Paris 27/3/24.

3. Antwerpen, Ronny van de Velde, 1999, in-4°, ca 120 nn pp, numerous (mostly) b/w plates, sewn, orig. stiff wrapper, text in Dutch, French and English. Monograph on the Antwerp surrealist artist and photographer Leo Dohmen. Boek in het Nederlands.

Antwerpen, Ronny van de Velde, 1999, in-4°, ca 120 nn pp, numerous (mostly) b/w plates, sewn, orig. stiff wrapper, text in Dutch, French and English. Monograph on the Antwerp surrealist artist and photographer Leo Dohmen. Boek in het Nederlands. Loosely inserted is the announcement of the publication of the book, simultaniously with an exhibition of the artist in Antiquariaat Rossaert.

4. Antwerpen, Ronny van de Velde, 1999, in-4°, ca 120 nn pp, numerous (mostly) b/w plates, sewn, orig. stiff wrapper, text in Dutch, French and English. Monograph on the Antwerp surrealist artist and photographer Leo Dohmen. Boek in het Nederlands. Loosely inserted is the announcement of the publication of the book, simultaniously with an exhibition of the artist in Antiquariaat Rossaert.

3. Antwerpen, Ronny van de Velde, 1999, in-4°, ca 120 nn pp, numerous (mostly) b/w plates, sewn, orig. stiff wrapper, text in Dutch, French and English. Monograph on the Antwerp surrealist artist and photographer Leo Dohmen. Boek in het Nederlands.

Antwerpen, Galerij Ronny van de Velde, s.d. (ca. 1980 - 1990), printed paper portfolio (postcard format) containing 13 postcards after designs of Leo Dohmen, with printed captions on the verso side. Complete and in fine condition.

(1956), 17,3 x 19,6. Très beau tirage d'époque. Avec le tampon au dos : copyright Léo Dohmen et titré de la main du photographe et un envoi autographe signé à Louis Scutenaire, "avec mes regrets". Ceuleers, *Leo Dohmen. Kijken! Denken! Winnen! Regardez! Réfléchissez! Gagnez! Look! Think! Win!* Antwerpen, Ronny van de Velde, 1999, p. 125.