dumas tancrede (7 risultati)

1924. Paris éditions nos Poètes direction ; Maxime Formont n° 6 15 mars 1924 - Broché 14 5 cm x 21 cm XX + 32 pages - Textes et poèmes de Sébastien-Charles Lecomte André Dumas Charles Le Goffic sur Tristan Corbière Auguste Orchain M. Odelin sur Barbey d'Aurevilly Maurice Monda sur Verlaine et Vicaire Leconte de Lisle Tancrède Martel - Bon état. Bon état.

Hardcover. Condizione: Very Good. Oblong folio (38 X 26 cm), 96 albumen prints 27.50 x 21.50 cm approx) & and 40 smaller prints (20 x 15 cm & 10 x 15 cm) including portraits of native types, most captioned and signed in the negative, original vellum gilt, slightly rubbed round the corners, titled "Oriente" on front upper cover, decorated endpapers, light browning to edges, otherwise photos in very good condition, [1890's]. Album of views in Egypt and Palestine, mostly by Zangaki and Arnoux. The majority of images are of Egypt, including Alexandra, Cairo, the Pyramids, the Egyptian museum, Egyptian antiquities, mosques, the Nile, Port Said, Heliopolis, and Suez Canal. In the Holy Land, the photographs taken by Zangaki brothers are rare. It is known that the majority of Zangaki's production was taken in Egypt, however these prints gives a new insight on the Holy Land by the very well known Greek photographers. The views of the Holy Land depict Jaffa, Jerusalem, Bethlehem, Bethany (total images 38). #30327.

[Album of views in Egypt]. 40 lose Orig.-Albumen-Photographien auf Kartons kasch. 21,5 x 27,5 cm. (Plattengr.). Ln.-Flügelmappe d. Zt. m. Deckelgoldprägung. Die Photogr. teilw. in der Platte signiert v. H[yppolite] Arnoux u. [Tancrède] Dumas (1830-1905), in französischer Sprache betitelt. Die Photomotive reichen von Gebäudeaufnahmen (Pyramiden, Baalbektempel, Mausoleum von Hassah) sowie Gruppenphotos (tlw. Studioaufnahmen) bestimmterVolkstypen (ein syrischer Limonadenverkäufer u. sein Kunde, eine Dame aus Galipoli) bis zu Straßenszenen aus Kairo, Suez, Galipoli. Hyppolite Arnoux Photographe de l`Union des Mers. / 40 loose Orig.-Albumen-photographies mounted on cardboards. 21,5 x 27,5 cm. Contemp. cloth folder, gilt stamped. Gewicht in Gramm: 500.

No Binding. Condizione: Very Good. This depicts the Mahmal mounted on a caparisoned camel flanked by Ottoman dignitaries and military figures after leaving Damascus on the Hajj to Mecca. Sheet size 270 x 216mm, with image size 218 x 186mm, captioned in French and Arabic. Very good condition with light handling wear. This may be a copy print, suggested by the caption pasted on to negative and printed out, probably by Dumas himself, as his details have been retained. Dumas (1830-1905) was an Italian photographer of French descent. He trained with Leopoldo Alinari in Florence. Some accounts state that he opened a studio in Beirut in 1860, others that he opened it in Constantinople first in the 1860s before moving to Beirut in 1867, the same year as Felix Bonfils. He was active until 1890.

Albumen print (21 x 28 cm), pasted on original card. Photographer's credit and title in negative; card margins slightly chipped Tancrede Dumas ( 1830-1905), Italian photographer who was mainly active in the Near East. The Church of the Nativity is a basilica in Bethlehem, considered the oldest continuously running church in the world.

Hardcover. Condizione: Very Good. Small Folio album (ca. 32x25 cm). 39 card stock leaves. With 39 original albumen photographs including 37 larger photos from ca. 22x28 cm (8 ¾ x 11 cm) to ca. 16,5x22 cm (6 ½ x 8 ½ in); the two smaller photos are ca. 11x21 cm (4 ¼ x 8 ¼ in) and ca. 12,5x19,5 cm (4 ¾ x 7 ½ in). All but seven photos signed and captioned in negative; three photos with period manuscript ink captions in the right lower corners. Two photos of a monolith block in Baalbek are the same. Period maroon full cloth album with gilt and blind stamped ornaments on the spine. Paper label of "Papeterie de la Rue de la Barre, P. Dellevaux á Lyon" on the front pastedown endpaper. Mounts waved, a few images mildly faded, front board slightly detaching at the inner hinge, several images with tears or minor losses at the corners, but overall a very good album of interesting photos. An attractive collection of large albumen photos, mostly of Lebanon, with a dozen views of Damascus, Jerusalem and Istanbul. The majority of photos (twenty-seven) belong to the "Maison Bonfils" studio, four photos are signed by the Beirut studio of Tancrède Dumas, and one view of Istanbul bears the signature of the local studio of Guillaume Berggren. Twenty-three photos depict the sites of the Baalbek temple complex - the Acropolis, the Temple of Jupiter, courtyard chambers, and the Stone of the Pregnant Woman monolith (the latter one presents in two copies). Three photos show Beirut's famous pine forest and Lebanese cedars. There are also five views of Damascus (the Great Mosque, the tomb of John the Baptist located inside the Great Mosque, general view of the city, the Barrada River), three views of Jerusalem (Damascus Gate, the Dome of the Rock, Akeldama field), and three views of Istanbul (general view of the Galata Tower, Fountain of Ahmed III, the fountain on the Bosphorus near the Sweet Waters of Asia). Overall a nice collection of large albumen studio photos of Baalbec, Beirut and other Middle-Eastern locations. A list of photos: 1) Balbek. Pierre du Midi. [Signed] "Bonfils"; 2) 2015. Damas. Chameliers. [Signed] "Dumas Pht."; 3) 825. Détails intérieurs du temple de Jupiter. [Signed] "Bonfils"; 4) 281. Balbek. Temple de Jupiter, Syrie. [Signed] "Bonfils 170"; 5) 318. Champ de Haceldama. [Signed] "Bonfils"; 6) 407. Jérusalem. Porte de Damas (Palestine). [Signed] "Bonfils"; 7) 462. Balbek. Vue générale des chambres carrées. [Signed] "Bonfils"; 8) 439. Balbek. Vue générale de l'Acropole. [Signed] "Bonfils"; 9) 451. Balbek. Plafond du pérystile du temple de Jupiter. [Signed] "Bonfils"; 10) Balbek. Porte du temple de Jupiter, Syrie. [Signed] "Bonfils 11"; 11) Tombe Ste. Giovani a Damas. [Signed] "Dumas Photo"; 12) 302. Balbek. Chambres carrées. [Signed] "Bonfils 24"; 13) Baalbek, grand temple. [Signed] "Dumas e fils phie. á Beyrouth, Syrie"; 14) 821. Balbek. Détail de la porte du temple de Jupiter. [Signed] "Bonfils"; 15) Ruines de Baalbek (Syrie), fondations cyclopéennes. [Unsigned, handwritten caption]; 16) Baalbek (Syrie), vue générale. [Unsigned, handwritten caption]; 17) 43. Beyrouth - Bois des pins. [Signed] "1889 Dumas Pht."; 18) [A general view of a Middle-Eastern city, unsigned and uncaptioned]; 19) [A view of the Dome of the Rock, Jerusalem, unsigned and uncaptioned]; 20) 439. Vue générale de l'Acropole de Balbek. [Signed] "Bonfils"; 21) 442. Balbek. Temple de Jupiter, côté ouest, Syrie. [Signed] "Bonfils"; 22) ?des Eaux douces d'Asie (unsigned); 23) Fontaine d'Achmed. No. 12. [Signed] "G. Berggren"; 24) 19) [A general view of an acropolis, unsigned and uncaptioned]; 25) [A general view of Istanbul with the Golden Horn and the Galata Tower, unsigned]; 26) 295. Balbek. Intérieur du temple de Jupiter, Syrie. [Signed] "Bonfils"; 27) 282. Temple de Jupiter pris du nord-est, Syrie. [Signed] "Bonfils"; 28) 292. Balbek. Plafond du pérystile du temple de Jupiter. [Unsigned, but Bonfils]; 29) 455. Balbek. Pierre sculptée de la voile du pérystile du temple. [Signed] "Bonfils"; 30) 1258.

DUMAS, Tancrede. No. 2 Jerusalem Panorama. Beyreuth [Beirut]: Tancrede Dumas, 1889. Three albumen prints mounted and joined on patterned paper with slits (likely to hold photographs); entire piece measures 37-3/4 by 9-1/2 inches unfolded. $4800.Beautiful large three-part panorama of late 19th-century Jerusalem, with labels for the Al-Aqsa Mosque, the Hurva Synagogue, the Tomb of David, the Holy Sepulchre, the Garden of Gethsemane, and more.This striking panorama depicts the view looking into Jerusalem from the Mount of Olives just outside the city walls, including many major historical and biblical sights from the Church of the Holy Sepulchre, to the Al-Aqsa Mosque, to the tombs of David and Absalom. The photographer, Tancrede Dumasalthough born and trained in Florenceis today best known for his work in the Middle East. In 1860, he opened a studio in Beirut and specialized in albumen print portraits of local characters as well as images of interest to religious pilgrims such as this one. According to information from University of Pennsylvania's Lenkin Family Collection of Photography, this panorama was likely first published between 1880 and 1882. Slightest rubbing to edges, a few very faint spots to images, paper backing beginning to separate from photographs, reinforcement to joints. A lovely and desirable item.