paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Soft cover. Condizione: Fine. clean, unmarked copy.
Lingua: Inglese
Editore: British Film Institute, London, England, 1999
ISBN 10: 0851707246 ISBN 13: 9780851707242
Da: Aladdin Books, Fullerton, CA, U.S.A.
Prima edizione
Soft cover. Condizione: Very Good+. 1st Edition. Near fine but with slight overall bend. No creasing. No markings. Suitable for gift-giving.
Condizione: good. Book is considered to be in good or better condition. The actual cover image may not match the stock photo. Hard cover books may show signs of wear on the spine, cover or dust jacket. Paperback book may show signs of wear on spine or cover as well as having a slight bend, curve or creasing to it. Book should have minimal to no writing inside and no highlighting. Pages should be free of tears or creasing. Stickers should not be present on cover or elsewhere, and any CD or DVD expected with the book is included. Book is not a former library copy.
EUR 9,78
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Very Good. "Caravaggio" (BFI Modern Classics) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .
Lingua: Inglese
Editore: Bloomsbury Publishing PLC, GB, 2021
ISBN 10: 1839022566 ISBN 13: 9781839022562
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 17,14
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback. Condizione: New. Caravaggio (1986), Derek Jarman's portrait of the Italian Baroque artist, shows the painter at work with models drawn from Rome's homeless and prostitutes, and his relationship with two very different lovers: Ranuccio, played by Sean Bean, and Lena, played by Tilda Swinton. It is probably the closest Derek Jarman came to a mainstream film. And yet the film is a uniquely complex and lucid treatment of Jarman's major concerns: violence, history, homosexuality, and the relation between film and painting. In particular, according to Leo Bersani and Ulysse Dutoit, Caravaggio is unlike Jarman's other work in avoiding a sentimentalising of gay relationships and in making no neat distinction between the exercise and the suffering of violence.Film-making involves a coercive power which, for Bersani and Dutoit, Jarman may, without admitting it to himself, have found deeply seductive. But in Caravaggio this power is renounced, and the result is Jarman's most profound, unsettling and astonishing reflection on sexuality and identity.
EUR 9,78
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.
Lingua: Inglese
Editore: London: British Film Institute, 2004
ISBN 10: 1844570169 ISBN 13: 9781844570164
Da: Plurabelle Books Ltd, Cambridge, Regno Unito
Membro dell'associazione: GIAQ
EUR 9,52
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Good. 185p paperback, white cover with colour images and black spine, good condition, hardly any wear, firm binding, pages neat and bright, a few light pencil marks, colour and b&w photos throughout, a good copy Language: English Weight (g): 363.
Soft cover. Condizione: As New. 1st Edition. First British printing. Small 8vo. 86 pp. Profusely illustrated in color and in B & W.Original stiff black photographic wrappers. This is a tight, fine book.
EUR 17,13
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New. pp. 104.
paperback. Condizione: Very Good in Wrappers. No Jacket. First Edition. London. 1999. British Film Institute. 1st American Edition. Very Good in Wrappers. 0851707246. BFI Modern Classics. 96 pages. paperback. keywords: Art. DESCRIPTION - Caravaggio (1986) is probably the closest Derek Jarman came to a mainstream film. And yet the film is a uniquely complex and lucid treatment of Jarman's major concerns: violence, history, homosexuality, and the relation between film and painting. However, according to Leo Bersani and Ulysse Dutoit, Caravaggio is unlike Jarman's other work in avoiding a lover-boy sentimentalising of gay relationships and in making no neat distinction between the exercise and the suffering of violence. Film-making involves a coercive power which, for Bersani and Dutoit, Jarman may, without admitting it to himself, have found deeply seductive. But in Caravaggio this power is renounced, and the result is Jarman's most profound, unsettling and astonishing reflection on sexuality and identity. inventory #34783.
Condizione: New. pp. 104.
hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Hardcover. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
EUR 17,00
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. reprint edition. 95 pages. 7.75x5.50x0.25 inches. In Stock.
hardcover. Condizione: Good. Condizione sovraccoperta: NO DUST JACKET. Pages are crisp and clean, no marking. Cover is good. Binding is tight/good. NO DUST JACKET.
Da: Approximations, Ottawa, ON, Canada
Prima edizione
EUR 19,32
Quantità: 1 disponibili
Aggiungi al carrelloSoftcover. Condition: Good. Trade paperback. Crease to spine - binding sturdy. Light wear to few other points of exterior. Personal signature inked to upper right corner of front endpaper half-title page. Signature repeated on upper right corner of title page. Ink passage scoring, underling, circling, sentence bracketing, and occasional notes in the essay on Almodovar's All About My Mother. 185pp. Section of color images. Black and white images throughout. Heavy gloss paper stock. Octavo.
Lingua: Inglese
Editore: British Film Institute/BBC 2021-03-25, 2021
ISBN 10: 1839022566 ISBN 13: 9781839022562
Da: Chiron Media, Wallingford, Regno Unito
EUR 13,97
Quantità: 20 disponibili
Aggiungi al carrelloPaperback. Condizione: New.
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Octavo. Hardcover. Bound in blue cloth with grey illustrated jacket. viii, 136 pages : illustrations ; 22 cm. VG. Light touches of shelfwear and some small pencil markings in the margins.
Gently read hardcover, with clean text, light wear to the mylar-covered jacket. Ready to ship.
Lingua: Inglese
Editore: British Film Institute, bfi, 2004
ISBN 10: 1844570169 ISBN 13: 9781844570164
Prima edizione
EUR 29,00
Quantità: 1 disponibili
Aggiungi al carrello21,5 x 13,5 cm. Condizione: Gut. 1. Auflage. 185 Seiten Innen sehr sauberer, guter Zustand. Mit vielen fotografischen Abbildungen, zu Beginn in Farbe. Softcover, Broschur mit den üblichen Bibliotheks-Markierungen, Stempeln und Einträgen, innen wie außen, siehe Bilder. Einband gut. MIG-14-01B|A69 Sprache: Englisch Gewicht in Gramm: 277.
Lingua: Inglese
Editore: Cambridge: Harvard University Press, 1993
ISBN 10: 0674048768 ISBN 13: 9780674048768
Da: Lorrin Wong, Bookseller, Los Angeles, CA, U.S.A.
1st printing of 1st edition. 229 pages, illustrated. Light foxing along the top edge otherwise a very good+ hard cover book in fine dust jacket.
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. hardcover in dust jacket., no flaws or wear, tightly bound, clean, no writing or text markings. no bumps, tears, creases.; english text. an october book.; x-118pp., 18 b/w figures, 8 of which are also reproduced as color plates.; interpreting caravaggio. Size: 8vo - over 7¾" - 9¾" tall.
EUR 41,40
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Lingua: Inglese
Editore: The MIT Press, 1998
Da: HAUNTED BOOKSHOP P.B.F.A., CAMBRIDGE, CAMBS, Regno Unito
Membro dell'associazione: PBFA
EUR 23,80
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. Colour and black & white illustrations. Black cloth boards, gilt titles to spine. Fine book in near fine dustjacket that has some very minor edge wear.
Lingua: Inglese
Editore: Harvard University Press, US, 1993
ISBN 10: 0674048768 ISBN 13: 9780674048768
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 44,32
Quantità: 3 disponibili
Aggiungi al carrelloPaperback. Condizione: New. "How almost true they sometimes almost ring!" Samuel Beckett's character rues his words. "How wanting in inanity!" A person could almost understand them! Why taunt and flout us, as Beckett's writing does? Why discourage us from seeing, as Mark Rothko's paintings often can? Why immobilize and daze us, as Alain Resnais's films sometimes will? Why, Leo Bersani and Ulysse Dutoit ask, would three acknowledged masters of their media make work deliberately opaque and inhospitable to an audience? This book shows us how such crippling moves may signal a profoundly original-and profoundly anti-modernist-renunciation of art's authority.Our culture, while paying little attention to art, puts great faith in its edifying and enlightening value. Yet Beckett's threadbare plays Company and Worstward Ho, so insistent on their poverty of meaning; Rothko's nearly monochromatic paintings in the Houston Chapel; Resnais's intensely self-contained, self-referential films Night and Fog and Muriel all seem to say, "I have little to show you, little to tell you, nothing to teach you." Bersani and Dutoit consider these works as acts of resistance; by inhibiting our movement toward them, they purposely frustrate our faith in art as a way of appropriating and ultimately mastering reality.As this book demonstrates, these artists train us in new modes of mobility, which differ from the moves of an appropriating consciousness. As a form of cultural resistance, a rejection of a view of reality-both objects and human subjects-as simply there for the taking, this training may even give birth to a new kind of political power, one paradoxically consistent with the renunciation of authority. In its movement among these three artists, Arts of Impoverishment traces a new form of movement within art.
EUR 25,32
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Fine. Condizione sovraccoperta: Fine. x, 118pp, colour & b/w illus., notes, index of names. Minor surface wear to back of dust jacket. One small mark to fore edge which has marked several pages internally. Otherwise excellent tight clea copy, GL 01/26.
Softcover. First Edition; First Printing. Very Good+ in wraps. Owner personalization inked on FEP. ; BFI Modern Classics; 96 pages.
EUR 47,61
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.