Ulysse dutoit (93 risultati)

Condizione: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.…

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

hardcover. Condizione: Very Good. Copyright 1998. Used - Very Good.

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: New.

Paperback. Condizione: New. Caravaggio (1986), Derek Jarman's portrait of the Italian Baroque artist, shows the painter at work with models drawn from Rome's homeless and prostitutes, and his relationship with two very different lovers: Ranuccio, played by Sean Bean, and Lena, played by Tilda Swinton. It is probably the closest Derek Jarman came to a mainstream film. And yet the film is a uniquely complex and lucid treatment of Jarman's major concerns: violence, history, homosexuality, and the relation between film and painting. In particular, according to Leo Bersani and Ulysse Dutoit, Caravaggio is unlike Jarman's other work in avoiding a sentimentalising of gay relationships and in making no neat distinction between the exercise and the suffering of violence.Film-making involves a coercive power which, for Bersani and Dutoit, Jarman may, without admitting it to himself, have found deeply seductive. But in Caravaggio this power is renounced, and the result is Jarman's most profound, unsettling and astonishing reflection on sexuality and identity.…

paperback. Condizione: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Soft cover. Condizione: As New. 1st Edition. First British printing. Small 8vo. 86 pp. Profusely illustrated in color and in B & W.Original stiff black photographic wrappers. This is a tight, fine book.

Paperback. Condizione: Good. 185p paperback, white cover with colour images and black spine, good condition, hardly any wear, firm binding, pages neat and bright, a few light pencil marks, colour and b&w photos throughout, a good copy Language: English Weight (g): 363.

Condizione: New. pp. 104.

paperback. Condizione: Very Good in Wrappers. No Jacket. First Edition. London. 1999. British Film Institute. 1st American Edition. Very Good in Wrappers. 0851707246. BFI Modern Classics. 96 pages. paperback. keywords: Art. DESCRIPTION - Caravaggio (1986) is probably the closest Derek Jarman came to a mainstream film. And yet the film is a uniquely complex and lucid treatment of Jarman's major concerns: violence, history, homosexuality, and the relation between film and painting. However, according to Leo Bersani and Ulysse Dutoit, Caravaggio is unlike Jarman's other work in avoiding a lover-boy sentimentalising of gay relationships and in making no neat distinction between the exercise and the suffering of violence. Film-making involves a coercive power which, for Bersani and Dutoit, Jarman may, without admitting it to himself, have found deeply seductive. But in Caravaggio this power is renounced, and the result is Jarman's most profound, unsettling and astonishing reflection on sexuality and identity. inventory #34783.…

Condizione: New. pp. 104.

Paperback. Condizione: Brand New. reprint edition. 95 pages. 7.75x5.50x0.25 inches. In Stock.

hardcover. Condizione: Good. NO DUST JACKET. Pages are crisp and clean, no marking. Cover is good. Binding is tight/good. NO DUST JACKET.

Hardcover. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condizione: Good. 1st Edition. Softcover. Condition: Good. Trade paperback. Crease to spine - binding sturdy. Light wear to few other points of exterior. Personal signature inked to upper right corner of front endpaper half-title page. Signature repeated on upper right corner of title page. Ink passage scoring, underling, circling, sentence bracketing, and occasional notes in the essay on Almodovar's All About My Mother. 185pp. Section of color images. Black and white images throughout. Heavy gloss paper stock. Octavo.…

Paperback. Condizione: New.

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Softcover. Condizione: Very Good. Many critics have explored the homoerotic message in the early portraits of the Baroque painter Michelangelo Caravaggio (1573-1610). In Caravaggio's Secrets….

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Gently read hardcover, with clean text, light wear to the mylar-covered jacket. Ready to ship.

21,5 x 13,5 cm. Condizione: Gut. 1. Auflage. 185 Seiten Innen sehr sauberer, guter Zustand. Mit vielen fotografischen Abbildungen, zu Beginn in Farbe. Softcover, Broschur mit den üblichen Bibliotheks-Markierungen, Stempeln und Einträgen, innen wie außen, siehe Bilder. Einband gut. MIG-14-01B|A69 Sprache: Englisch Gewicht in Gramm: 277.…

1st printing of 1st edition. 229 pages, illustrated. Light foxing along the top edge otherwise a very good+ hard cover book in fine dust jacket.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. hardcover in dust jacket., no flaws or wear, tightly bound, clean, no writing or text markings. no bumps, tears, creases.; english text. an october book.; x-118pp., 18 b/w figures, 8 of which are also reproduced as color plates.; interpreting caravaggio. Size: 8vo - over 7¾" - 9¾" tall.…

Condizione: New.

Paperback. Condizione: New. "How almost true they sometimes almost ring!" Samuel Beckett's character rues his words. "How wanting in inanity!" A person could almost understand them! Why taunt and flout us, as Beckett's writing does? Why discourage us from seeing, as Mark Rothko's paintings often can? Why immobilize and daze us, as Alain Resnais's films sometimes will? Why, Leo Bersani and Ulysse Dutoit ask, would three acknowledged masters of their media make work deliberately opaque and inhospitable to an audience? This book shows us how such crippling moves may signal a profoundly original-and profoundly anti-modernist-renunciation of art's authority.Our culture, while paying little attention to art, puts great faith in its edifying and enlightening value. Yet Beckett's threadbare plays Company and Worstward Ho, so insistent on their poverty of meaning; Rothko's nearly monochromatic paintings in the Houston Chapel; Resnais's intensely self-contained, self-referential films Night and Fog and Muriel all seem to say, "I have little to show you, little to tell you, nothing to teach you." Bersani and Dutoit consider these works as acts of resistance; by inhibiting our movement toward them, they purposely frustrate our faith in art as a way of appropriating and ultimately mastering reality.As this book demonstrates, these artists train us in new modes of mobility, which differ from the moves of an appropriating consciousness. As a form of cultural resistance, a rejection of a view of reality-both objects and human subjects-as simply there for the taking, this training may even give birth to a new kind of political power, one paradoxically consistent with the renunciation of authority. In its movement among these three artists, Arts of Impoverishment traces a new form of movement within art.…

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.