Ellen widmer david der wei wang (26 risultati)

Paperback. Condizione: Good. What does the Chinese literature and film of the Cultural Revolution (1966-1976) have in common with that of the May Fourth movement (1918-1930)? Widemar argues that the two periods share several aims: to liberate narrative arts from aesthetic orthodoxies, to draw on foreign sources for inspiration, and to free individuals from social conformity.…

Soft cover. Condizione: Very Good. Text clean and unmarked. Binding tight. Covers have light wear. Edges of pages have light wear. Fore-edge of pages has small shadowy spot.

Paperback. Condizione: Good. What does the Chinese literature and film of the Cultural Revolution (1966-1976) have in common with that of the May Fourth movement (1918-1930)? Widemar argues that the two periods share several aims: to liberate narrative arts from aesthetic orthodoxies, to draw on foreign sources for inspiration, and to free individuals from social conformity.…

Condizione: New.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780674325029.

Condizione: As New. Unread book in perfect condition.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780674325029.

8vo. pp xviii, 435. Printed paperback. ISBN: 0674325028 Fine.

Condizione: near fine. pbk 435pp some slight shelfwear to covers otherwise an unread copy excellent clean unmarked as new this is an original printing and is in stock for immediate dispatch.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: Very Good. 435 pages. clean tidy copyWhat do the Chinese literature and film inspired by the Cultural Revolution ( 1966?1976) have in common with the Chinese literature and film of the May Four th movement (1918?1930)? This new book demonstrates that these two periods of the highest literary and cinematic creativity in twentieth-century China share s everal aims: to liberate these narrative arts from previous aesthetic orthodoxie s, to draw on foreign sources for inspiration, and to free individuals from soci al conformity.Although these consistencies seem readily apparent, with a sharper focus the distinguished contributors to this volume reveal that in many ways discontinuity, not continuity, prevails. Their analysis illuminates the po werful meeting place of language, imagery, and narrative with politics, history, and ideology in twentieth-century China.Drawing on a wide range of meth odologies, from formal analysis to feminist criticism, from deconstruction to cu ltural critique, the authors demonstrate that the scholarship of modern Chinese literature and film has become integral to contemporary critical discourse. They respond to Eurocentric theories, but their ultimate concern is literature and f ilm in China?s unique historical context. The volume illustrates three general issues preoccupying this century?s scholars: the conflict of the rural search for roots and the native soil movement versus the new strains of urban exoticis m; the diacritics of voice, narrative mode, and intertextuality; and the reintro duction of issues surrounding gender and subjectivity.…

Black and white photographic illustrations, xviii + 435pp, notes, edges little foxed, covers slightly shelf worn, a good paperback copy. "Drawing on a wide range of methodologies, from formal analysis to feminist criticism, from deconstruction to cultural critique, the authors demonstrate that the scholarship of modern Chinese literature and film has become integral to contemporary critical discourse. They respond to Eurocentric theories, but their ultimate concern is literature and film in China's unique historical context. The volume illustrates three general issues preoccupying this century's scholars: the conflict of the rural search for roots and the native soil movement versus the new strains of urban exoticism; the diacritics of voice, narrative mode and intertextuality; and the reintroduction of issues surrounding gender and subjectivity." (Publisher's description).…

Condizione: New.

Condizione: New. Satisfaction Guaranteed or your money back.

Paperback. Condizione: Brand New. 215 pages. 8.50x5.50x0.75 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: Brand New. 464 pages. 9.25x6.25x1.25 inches. In Stock.

Condizione: New. pp. 464.

Condizione: New. What do Chinese literature and film inspired by the Cultural Revolution (1966-1976) have in common with media of the May Fourth movement (1918-1930)? This book demonstrates several shared aims: to liberate narrative arts from aesthetic orthodoxies, to draw .

Condizione: New. pp. 464.

hardcover. Condizione: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Paperback. Condizione: Brand New. 215 pages. 8.50x5.50x0.75 inches. In Stock. This item is printed on demand.

Paperback. Condizione: new. Paperback. What do the Chinese literature and film inspired by the Cultural Revolution (19661976) have in common with the Chinese literature and film of the May Fourth movement (19181930)? This new book demonstrates that these two periods of the highest literary and cinematic creativity in twentieth-century China share several aims: to liberate these narrative arts from previous aesthetic orthodoxies, to draw on foreign sources for inspiration, and to free individuals from social conformity.Although these consistencies seem readily apparent, with a sharper focus the distinguished contributors to this volume reveal that in many ways discontinuity, not continuity, prevails. Their analysis illuminates the powerful meeting place of language, imagery, and narrative with politics, history, and ideology in twentieth-century China.Drawing on a wide range of methodologies, from formal analysis to feminist criticism, from deconstruction to cultural critique, the authors demonstrate that the scholarship of modern Chinese literature and film has become integral to contemporary critical discourse. They respond to Eurocentric theories, but their ultimate concern is literature and film in China's unique historical context. The volume illustrates three general issues preoccupying this century's scholars: the conflict of the rural search for roots and the native soil movement versus the new strains of urban exoticism; the diacritics of voice, narrative mode, and intertextuality; and the reintroduction of issues surrounding gender and subjectivity. This volume seeks to demonstrate that two periods - 1918-30 and 1966-76 - of the highest literary and cinematic creativity in 20th-century China, aimed to liberate these arts from previous orthodoxies, to draw on foreign sources for inspiration and to free individuals from social conformity. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…