emigre (28 risultati)

Trade Paperback. Condizione: Used - Very Good.

Softcover. Condizione: Very Good. Octavo. Red wrappers. Program presenting the music of Dessau, Eisler, Hartmann, Helfritz, Erich Itor Kahn, Krenek, Schönberg, and Wölpe in 3 concerts. with autobiographical essays, commentary, etc. Illustrated with portraits and facsimiles of autograph musical manuscripts. Signed.

Paperback. Condizione: Fine. First edition. 12mo. Original card covers. introduction biographies, b/w illusts, 99 item catalogue.

8vo, (210x134mm), 128p. + adverts. A fine copy in original paperback. Essays by Michael Schmidt, Peter Bilak, Katherine McCoy, Randy Nakamura, Dmitri Siegel, Kenneth Fitsgerald, Anthony Keedy, Mr Keedy, David Ciabianca, and Maz Kisman.

Soft cover. Condizione: Fine. Fine softcover magazine inside cardboard case with audio CD. 17 tracks, written and produced by Honey Barbara, 1 - 10 & W. Ave. M01860.

CARTONNÉE PERCALINE. Condizione: BON ÉTAT. Condizione sovraccoperta: SANS JAQUETTE. PREMIÈRE EDITION. RARE. SOLIDE ET TRÈS PROPRE SANS MARQUES. AUCUNE DATE, CIRCA 1900.TRÈS PEU D'USURE SUR LES PLATS & COINS. DOS UN PEU DÉCHIRÉ ILLUSTRATIONS UNIQUES. SCANS SUR DEMANDE, MERCI.

hardcover. Condizione: Very Good. Very mild shelfwear. I note every flaw I find, so buy with confidence.

Russian emigre (1914- ?). ANS, 8vo, to "Miss Bentley", envelope present, postmarked 24 April 1958. He asks her to cash a cheque for him to save him time. Image on application.

Couverture rigide. Condizione: Bon. Rare - Superb French edition signed in Brussels in 2015 : Le goût de l'encre Hazan / Musée d'Ixelles, 2015. Size : 29x25 cm Condition : small scratch in the jacket, please see scans. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.

First Edition. Very good copy, loosely bound pages, edges somewhat dulled and creased. The pages are very clean and bright considering the age of the publication, with only slight yellowing noticeable around the margins. Remains particularly well-preserved overall. ; 8vo 8" - 9" tall; 20 pages; Description: 20p. 28cm. Russian publication of the Emigre Bund committee, which was first published in March 1909, ceasing with this issue in February 1911. This issue includes a report on the 8th conference of the Bund, an obituary to Paul Zinger, founder of the German Social Democratic Party and discussion of Antisemitism in Poland. Notes: "izdaniye Pogranichnogo komiteta Bunda" --front page. Subjects: Communism -- Socialism -- Soviet Union -- Russia -- Poland -- History -- Exile -- Bundism -- Emigre bund -- Russian Jewry -- Russian bundists -- Yiddishism -- Marxism -- Publications -- Periodicals -- Newspapers. 3 Kg.

37, (5)pp. Prof. illus. Lrg. folio. Self-wraps. Emigré, dedicated to visual communication, graphic design, typography, was published in Berkeley from 1984-2005, and known for creating some of the very first digital layouts and type designs. This issue is dedicated to the London graphic designer, Nick Bell.

First Edition. Very good copy, loosely bound pages, edges somewhat dulled and creased. The pages are very clean and bright considering the age of the publication, with only slight yellowing noticeable around the margins. Remains particularly well-preserved overall. ; 8vo 8" - 9" tall; 20 pages; Description: 20p. 28cm. Russian publication of the Emigre Bund committee, which was first published in March 1909, ceasing with this issue in February 1911. This issue includes a report on the 8th conference of the Bund, an obituary to Paul Zinger, founder of the German Social Democratic Party and discussion of Antisemitism in Poland. Notes: "izdaniye Pogranichnogo komiteta Bunda" --front page. Subjects: Communism -- Socialism -- Soviet Union -- Russia -- Poland -- History -- Exile -- Bundism -- Emigre bund -- Russian Jewry -- Russian bundists -- Yiddishism -- Marxism -- Publications -- Periodicals -- Newspapers. 1 Kg.

Stapled Tabloid Wrappers. Condizione: Good +. First Edition. 32pp, profusely illustrated in monochrome. This ninth installment of Rudy Vanderlans' highly influential quarterly contemporary graphic design and typography survey "Emigre" is devoted to output of London-based record label 4AD, and its graphic designers 23 Envelope collaborators Vaughan Oliver and Ralph Grierson (soon to become v23 with Grierson's departure). It features interviews with label founder Ivo Watts-Russell, Oliver and Grierson, along with articles on The Cocteau Twins and Throwing Muses, quotes from numerous 4AD artists, and most significantly an eight page design insert produced by 23 Envelope especially for this issue. An internally bright,handsome example of this most uncommon, highly prized v23 / 4AD document showing some mild dampstaining and insect damage to its bright orange covers along with some creasing through the heel of the spine. It has been priced accordingly. Graphic Design Periodical.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1792 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 38 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 38 Français émigré.,Franc?ais e?migre?

Condizione: 1850-1900. Le Montagnard Émigré Souvenir de Chateaubriand Fantaisie pour Piano par Alexandre Croisez op 145 à Mademoiselle Marie Garnier Paris, Jules Heinz, Éditeur, J. H. 528. XIXème siècle 7 pages 34.3 x 26 cm Très bon état, annotations au crayon de papier 043579 Nouveau.

Condizione: 1800-1830. Le Montagnard Émigré Romance Pour Chant et Piano ou Harpe Paroles de Mr de Chateaubriant Par Henry KARR Paris, chez J. Meissonnier Editeur, 52 ca1820 2 pages 33.5 x 25.5 cm Très bon état 038598 Nouveau.

Condizione: 1850-1900. Le Montagnard Emigré Souvenir de Chateaubriand Pour Chant et Piano et Piano Solo Par Alexandre CROISEZ op 145 A Mademoiselle Marie Garnier Paris chez Jules Heinz, Editeur J H 528 XIXe siècle 8 pages 33.5 x 26 cm Très bon état 026687 Chant et Piano.

Scarce Russian émigré publication documenting the atrocities committed by the Austro-Hungarian (Habsburg) authorities against the Galician population during World War I. The first volume, titled Galician Golgotha, presents documentary evidence, eyewitness testimonies, and reports describing the persecution, mass arrests, and internment of Rusyns and Ukrainians in Austrian concentration camps such as Thalerhof and Terezin between 1914 and 1917. Published in the United States by Peter S. Hardy for the Russian émigré community, this edition had a very limited print run (reportedly under 500 copies). Copies are held by only a few major research institutions (Harvard, Yale, Hoover Institution). Black cloth binding with gilt title on cover and spine; original green illustrated dust jacket depicting a barbed chain and scenes of deportation. Clean inte firm binding, minor shelf wear and light ru J to jacket edges. An important and extremely rare documentary source on the wartime repressions of Eastern Slavs under the Habsburg Monarchy.

Condizione: en trés bon état. nantes 1799 un document, de 2 pages, préimprimé en noir et manuscrit à l'encre brune d'une grande feuille sur papier vergé bleuté ligné et filigrané, format 22 centimètres de large par 34 centimètres de haut, en-tête "révolutionnaire" gravé en noir, en haut et au centre, timbre fiscal "Rep. Fra. Loire-Inférieure 1 F" en haut à droite en noir, fait à Nantes, le 10 septembre 1799, en trés bon état Vieux Papier ORIGINAL d'époque .En 1776, vente des forges de la Hunaudière et de leurs dépendances, au Prince de Condé. A compter de 1788, reconduction du bail de la forge avec ses dépendances (dont les marais de Queneux) et ses affouages. C'est toujours Louis Gérard Malherbe le principal bailleur et maître des forges. Survient la Révolution. Louis Malherbe sollicite du Comité de Salut public une prolongation de six ans du bail des forges de la Hunaudière devenues bien national mais cette proposition n'est pas acceptée. Plus de maître des Forges mais un régisseur de biens de la nation qui jouera son rôle jusqu'à la vente aux enchères en septembre 1799? .TRES RARE .en bon état (good condition).

Poster with text on rear, measuring 32 x 23 inches; very good condition; folded 4 times into 8 sections; a mailed copy with address on rear. Will be mailed folded.

2pp., 4to. Aged and worn, but legible. A splendid effervescent letter, highly characteristic, written in demotic English in a close unruly hand. Tchelitchew was a close friend (lover?) of Edith Sitwell, and in addition to her brother Osbert, the letter contains references to Lincoln Kirstein (1907-1996), influential figure in New York culture, founder with George Balanchine of the New York City Ballet and the School of American Ballet, and the book he was writing on Tchelitchew, as well as to Tchelitchew's partner the writer Charles Henry Ford (1908-2002). (Kirstein had published a book on Tchelitchew's drawings in 1947, and would exhibition on him, with catalogue, in 1964, but the book discussed in the letter was not published.) The letter begins: 'My dear, dear Sweet Stephen, | We arrived here few days ago from Rome had most apauling [sic] weather on the way. After 2 montsh of heavenly, hot divine italian weather in the middst [sic] of the sublime landscape of "Castelli Romani" [] We lived in mddst of most lovely Corot [?] I love italy I think I am in love with Italy whatever she is!!! It is my real true love . . . . Dear Dear Stephen'. He would love him to visit, 'but helas, we have no more a house there we have only very vague planes [sic] about how and where to spend our Winter as I don't think I will be able to spend it in Paris: the weather is too awful here in winter and it is all so grey: and people are so [?]'. He returns to his love of 'italian beauty, loveliness, gayety "and forgetfullness". They are like the Cats: they attach themselves to you and - - - forget you as quick!' He thanks heavens that there are 'english people in the World they are the best friends one can have faithful loyal even when one doesnt see each other for years as you and geoffrey'. He compliments his appearance in 'your photos you are looking very well and I think it is better to gain some weight (as I try to do myself when one is too thin one has no physical resistance at all and all life is such terrible physical struggle'. He himself has 'no physical force at all onely my poor nerves as you know - - - - -'. The second page begins: 'Paris put on for us her most lovely april weather! - simply amazing divine faces are more smiling. Senses more elegant, boys have sensitife [aphroddisiacly?] hunted Faces so like so to [?] the "Animal beauty2 of Italy, so refined so sensitif too.' Regarding Stephen's 'drawings to exhibit in N. Y.' he suggests he write to 'Edwin Hewitt gallery (friend of Lincoln Kirstein and Osbert Sitwell) [] If Osbert could write about you to him you'll be sure to have a show there. Galleries are very difficult to obtain, especially for drawings'. He bemoans the 'Abstract Fashion', and complains that Kirstein is 'too busy being the director of City Center Opera and Ballet etc etc he is very important big figure "now I am awaiting for the book on me" - he is writing to appear sometimes during next year! He writes it all ready for two years but being all time distracted, he is too busy he probably will succede this year! I wouldn't bother about him, nor can you expect any commission in the Theater in U.S.A. as for that you have to belong to a Scenic Designers Union pay $500 initial fee' $10 a month % on all commissions, but before all you have to succede in passing a very complicated examination, full of mathematical perspectives etc. which I am afraid you are not too well acquainted with and it would be a terrible task to learn it all'. Tchelitchew 'left this wretched Union myself, as the theater in U.S.A. does not interest me at all it is all so commercial not like Europe.' He continues: 'Stephen dear what are your planes about this Spring and Summer. I am trying to show my new work. Paris as far as people and their work goes is not more the City we knew it is like a city filled with flys in September'. The letter concludes, with text upside-down, at the head of the first page: 'I suppose it was really allways that way, onely we were different now we see it, as it is . . . so let me know all about you and please send all you can photograph of my work in your possession here it will be wonderful and Linc. Kirstein will be very pleased too. | love from Charles and from me as ever | Pavel'. See "Edith Sitwell: Avant garde poet, English genius" By Richard Greene for background (and foreground).

Two pages, cr. 8vo, bifolium, segment cut from bifoliate leaf, no obvious loss, fair condition, text clear and complete. "I called to enquire after the notice & took the liberty of sending you {last phrase insert] about the lectures I am now giving at the London Institution - & was surprised to hear that the Editor of the literary Gazette considers the subject perfectly exhausted - For I have the honour to tell you the view I now take of the origin of polytheism-worship- of animals - Mythology & Idolatry is quite new - for it traces the whole to the original coptic words or names by which the hieroglyphics ["were" excised] exhibiting the different applications of the power of the Supreme Being were termed - as far as I know no one ever went as far- tho' perhaps from Bacon to our time may authors have surmised that this might [underlined] be the case, but never any one has shown that this was [underlined] the case.-I hope therefore that the Editor will have the goodness to look over my paper once more - & favour me with inserting it in the next number. Note: Spineto's "Elements of Hieroglyphics and Egyptian Antiquities in a Course of Lectures delivered at the Royal Institution . . ." was published in 1829 by Colburn.

Twelve TLSs, 1-3pp. each, total 27pp., 4to. His subjects are predictable: his plays, his portraits, the contemporary theatre, performances (Brigadoon etc), actors, films, art exhibition, personal matters (eg his wife's ill heath, children), his writing activities,Popie's works (showing enthusiasm), drawing and writing activities, visitors to Glasgow (Hannan Swaffer writing articles on Scotland), portrait he did of Popie, the life of Novello (ghost-written then done in earnest by Popie), Edinburgh Festival, anecdotes, suggestions for theatrical books, insider gossip, anecdotes, etc etc. WITH one Copy TKLS, Popie to Millar. Note: Robins Millar (1889-1968) was a Canadian journalist, playwright, poet and writer. His plays were performed by theatres such as the Curtain Theatre, Glasgow, Scotland. He wrote short stories, many of which were published in the Glasgow Evening News. He was drama critic for the Daily Express. The University of Glasgow has a substantial archive of his Personal and Professional Papers.

Leather Bound. Condizione: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1866. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: - 54, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 54 54.

Pas de couverture. Condizione: Bon. Rare - Art greeting card signed in May 2000. Size : 11.5x17 cm Condition : please see scans. Provenance : Gérard Leman collection. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.

A paris de l'Imprimerie de Poulet 1818. In-8 6pp Xpp 2 feuillets non chiffrés 57pp. Dérelié. L'auteur de ce témoignage était directeur des Douanes de Toulon. Fervent royaliste, il se montra partisan de livrer la ville aux Anglais. Il dut ensuite prendre la route de l'Emigration.

None. Condizione: None. 136, 132 pp. 21x16 cm. Original illustrated wrappers. Wrapper design by Andrei Teviashev. Paper labels on the spines, spines are slightly chipped and with tears. Stamps of the Russian church library in Los Angeles in both volumes. Complete with subscription leaf, pasted inside vol. 2. First and only edition. Important almanac of the Russian diaspora, compiled by the prominent San Francisco-based Russian author Pyotr Balakshin (1898-1990). Balakshin arrived in California in 1925 and pursued his studies at the University of California, Berkeley. He is widely recognized for his definitive historical work, Final in China, which documents the collapse of the White Army in the Far East and its subsequent retreat across the Chinese border. The periodical brings together works by local writers and poets (including T. Bazhenova and B. Volkov) alongside distinguished literary figures from abroad. Among the important contributors is Tamara Andreeva, who immigrated to the United States from Harbin, where she had previously published in the journal Rubezh. She later served on the editorial staff of Columbus's Land and published extensively in both Russian-language periodicals and American publications like Blue Book and California Anthology. The inaugural issue of Columbus's Land features a short essay titled "Let's Rejoice!" by Nikolai Roerich (with whom Balakshin maintained a brief correspondence), as well as one of Balakshin's own most accomplished stories, "Spring over Fillmore." Through this publication, Balakshin intentionally created a platform for authors of the Russian diaspora from China, facilitating the first American appearance of poems by Lev Grosse, Natalia Reznikova, Lydia Khaindrova, and Arseny Nesmelov (writers with whom he corresponded for many years.) While preparing the third issue, Balakshin entered into correspondence with Marina Tsvetaeva, who agreed in principle to contribute her poetry. However, the project was discontinued due to financial difficulties before this collaboration could be realized. Both volumes contain substantial advertising sections listing businesses owned by the Russian diaspora in San Francisco, including tea rooms, beauty salons, hat shops, music studios, the Novinka bookshop, and the Siberian Market. Worldcat locates a copy at the following institutional libraries: NYPL, Stanford, Harvard, Amherst College, Yale, Princeton, Cornell, Library of Congress, Toronto, University of North Carolina. .

No Binding. Condizione: Fair. In Russian. Format: Quarto pamphlet / brochure. Extent: 16 numbered pages. Blank pages: Pages 2 and 16. Printed text: pp. 1, 3-15. Complete. Paper: Cheap émigré newsprint stock. Condition: Worn but sound; edge losses consistent with age; no textual loss. This is complete as issued. Blank pages are intentional and typical for brochures set from serialized essays. The work consists of two interrelated essays: 1. Zapiski pisatelia. Da ne svershitsia! ""Notes of a Writer. May It Not Come to Pass!" This occupies pp. 1-9 and is a direct response to letters and polemics triggered by Artsybashev's earlier article "The Sick Question". 2. (Bol'noi vopros) "The Sick Question" Printed pp. 10-15, introduced editorially and reproduced nearly in full to contextualize the controversy. Rare Russian émigré polemical pamphlet by the prominent novelist and public intellectual Mikhail Artsybashev (1878-1927), addressing the explosive relationship between Bolshevism, antisemitism, and Jewish participation in early Soviet institutions. Written in response to intense public controversy, the work explicitly rejects antisemitism, affirms the historic persecution of Jews under Tsarism, and categorically denies collective Jewish guilt for Bolshevik crimes. At the same time, Artsybashev controversially acknowledges the disproportionate presence of Jews in Soviet administrative structures, arguing that honest recognition of this reality is necessary to prevent, rather than fuel, pogrom violence. Of particular Jewish-historical interest is Artsybashev's early psychological definition of antisemitism as a distorted mental disposition arising from fear, hunger, and political collapse, as well as his explicit warnings that denial and inflammatory rhetoric would lead to mass violence against Jews. The pamphlet is notable for its prescient engagement with pogrom dynamics in post-Revolutionary Russia.