Epley bradford (13 risultati)

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. New York: Neue Galerie, 2006. Condition: As-new copy in black cloth binding with gilt spine and front panel lettering. Edited by Josef Helfenstein. Published on the occasion of the exhibition from The Neue Galerie, New York NY March 10-May 22, 2006, The Phillips Collection, Washington DC June 16-September 10, 2006 and The Menil Collection, Houston TX October 6, 2006-January 14, 2007. This lovely copy explores "the reasons for Paul Klee's enthusiastic reception in the United States, especially during the 1930s and 1940s." (dj) With a variety of thematic essays, a chronology, and an exhibitions history, as well as the many color illustrations.…

Soft cover. Condizione: Fine. 1st Edition. Stiff color illus. wraps. Just a hint of wear to corners, essentially as issued, with square, uncreased binding, clean and unmarked interior. 315 pp., 97 color plates, 107 b&w figures in text. Catalog to accompany traveling 2006-07 exhibition. Size: 4to - over 9¾" - 12" tall. Book. …

Soft cover. Condizione: As New. 1st Edition. Stiff color illus. wraps. As issued, with square, uncreased binding, clean and unmarked interior. 315 pp., 97 color plates, 107 b&w figures in text. Catalog to accompany traveling 2006-07 exhibition. Size: 4to - over 9¾" - 12" tall. Book.

Hardcover. Condizione: Sehr gut. 1. Auflage. Z : 316 pp., 216 ills. hardcover - Klee and America explores the reasons for Paul Klee's enthusiastic reception in the United States, especially during the 1930s and 1940s. While the artist was targeted in Hitler's campaign against "Degenerate Art" and the European market for his work collapsed in 1933, his reputation grew among several key American collectors and museum curators, several of whom laid the groundwork for Klee's later success in the US. These critical early figures included the dealers Galka Scheyer and J.B. Neumann, the collectors Katherine Dreier and Walter and Louise Arensberg, and the founder of the Museum of Modern Art, Alfred Barr. Jr. The publication presents an impressive selection of Klee's finest "American" works from that period, including both paintings and drawings.…

Presumed first edition (no direct statement provided). 167 pages. Hardcover: H 29.75cm x L 25cm. Dust jacket rubbed with light bumping at edges. Black boards. Text block's top edge foxed. Interior leaves are clean. Binding is firm. Uncommon monograph prepared as the accompanying catalog for an exhibition at The Menil Collection in Houston, Texas from October, 12, 2001 to January 6, 2002. Preface by Ned Rifkin; Introduction: "Vivifying Presence" by Susan Davidson; Foreword by Parker Tyler; three essays - "Victor Brauner and the Surrealist Movement" by Didier Semin; "The Myth of the Double" by Margaret Montagne; "Victor Brauner's Use of Wax" by Bradford Epley; Plates; Chronology compiled by Susan Davidson; Selected Bibliography; Index. Please note that this book has an approximate shipping weight of 4 pounds (1.81 kg) and may require additional postage for any postal class other than domestic Media Mail. ISBN 3775710884.…

Hardcover. Condizione: Used - Very Good. The work of Barnett Newman (1905-1970) has come to define the spiritual aspirations and material innovations of American painting in the mid-20th century. Best known for his zip paintings--in which thin vertical lines rise through large, bold planes of color--Newman's work was an abrupt departure from his contemporaries' gestural abstraction, yet anticipated Color Field painting. During the last five years of his life, Newman worked primarily in acrylic rather than oil paint, used increasingly vibrant colors, and experimented with shaped canvases. When he died at the age of 65, he left a group of works hanging in his studio, some deemed unfinished. Centered on three of these works, this book builds upon ten years of exhaustive technical research to provide a rare glimpse of Newman's relatively mysterious artistic process. The first scholarly publication devoted to the last years of Newman's oeuvre, it features more than 20 paintings from this period and earlier. The authors present eye-opening analysis of these unfinished works as well as rich insight into Newman's full body of work. This striking volume also includes photographic close-ups and scientific imaging that reveal previously unknown aspects of Newman's mediums and techniques. An enlightening study of Barnett Newman's last works, based on a decade of exhaustive research Very nice clean, tight copy free of any marks.…

Hardcover. Condizione: Very good to fine condition. First edition. Large Quarto. 139 (5)pp. Original off-white cloth with b/w horizontal square design and black lettering on cover, black lettering on spine. Title page printed in red and gray across two pages. "Newman's desire for his work to have a palpable and emotive presence is aligned with the philosophy espoused by the de Menils: that art is living and breathing and should not be relegated to a historical past or neutralized by too much didactic material. This spirit is particularly embodied in Newman's "Broken Obelisk," 1963/67, acquired by John and Dominique de Menil in 1969 and installed in front of the Rothko Chapel. Dedicated to the memory of Dr. Martin Luther King Jr., the sculpture has come to stand for visionary thought, which for Newman was at the heart of all his endeavors." (Foreword). Profusely illustrated with color reproductions of Newman's art, and color and b/w photographs of Newman at work or in social environments. Binding with very light smudging.…

Hardcover without dustjacket as issued, 144 pages; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Condizione: Very Good. Condizione sovraccoperta: No dustjacket, as published. 4to pp. 144, "An enlightening study of Barnett Newmanâs last works, based on a decade of exhaustive research The work of Barnett Newman (1905â"1970) has come to define the spiritual aspirations and material innovations of American painting in the mid-20th century. Best known for his zip paintingsâ"in which thin vertical lines rise through large, bold planes. book.…

hardbound. Condizione: Very Good. Illustrated study of the late work of Barnett Newman, covering a period from 1965-1970; published on the occasion of the exhibition 'Barnett Newman The Late Work 1965-1970', The Menil Collection Houston March 27 - August 2 2015; texts by Bradford A. Epley and Michelle White, with a contribution by Sarah K. Rich; illustrated throughout with full-page colour plates (including some gate-fold) and colour and b&w text illustrations; handsome publication with white cloth boards and Newman black and white painting inset to front board, black titling to front and spine; includes Chronology; mild toning to edges of some pages, and to folds of gatefolds plates, boards lightly rubbed, o.w. Very Good; no dustwrapper (as issued). no dustwrapper. 141pp. 4to. Very Good. profusely illustrated (illustratore).…

Quarto hardcover; black boards with yellow titling along front board edge and spine; blue endpapers; 167pp., photographic frontispiece and colour & b&w illustrations. Minor wear only; fine in like dustwrapper now professionally protected by superior non-adhesive polypropylene film. Postage quoted is for a standard format octavo book. Final charges may vary depending on size and weight. Born in 1903 in Romania, Victor Brauner was an active member of the first wave of Romanian avant-garde artists whose concerns anticipated those of Western European Surrealism by 20 years. As such, his paintings are distinguished by their wealth of occult notations and an eclectic use of diverse religious symbolism. Brauner's work attests to a unique integration of his Eastern European roots into more flamboyant Western modernism. Despite his many years living in Paris he retained his Romanian identity as evidenced in his choice of titles, his palette, and primarily his choice of imagery, reverting over and over again to his childhood memories and anxieties, to the Balkan landscape, and to the magic and spiritual symbols of his upbringing. This book demonstrates how Brauner's work differs from that of his famous Surrealist counterparts, de Chirico, Ernst, and Tanguy for example, extending our idea of Surrealism itself through his use of poetry, both direct and analogical, his highly narrative depictions of personal and social relations, and his extraordinarily colourful palette.…

fester Einband. 141 S., zahlr. farb. Abb. 4° Ln. *gutes Expl. jedoch mit einigen knappen Bleistift-Anstreichungen und Markierungen*, Sprache: Deutsch.