erich mendelsohn (196 risultati)

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Good. (Basic Architecture Series). The work of German architect Eric Mendelsohn (1887-1953) is extraordinarily open-minded in its attitude to material and planning, as a result of his completely original form of architectural thinking. The architect's fame rests largely on the Einsteinturm in Potsdam (the supreme masterpiece of architectural expressionism & one of the most heretical and revolutionary works in the history of architecture), the Hat Factory in Luckenwalde, and the Schocken Department Store in Stuttgart. Chronology of Life and Works; Bibliography; Maps Locating Sites of Works. Illustrations include photos, sketches, drawings, and floor plans. 96p.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Trade Paperback. Condizione: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

0. 132 S., 8°, HLn. mit SU, mit Abb. im Text und s/w Fotos auf Tafeln. (HKN3) Band: 0.

Magazine. First edition. Very Good minus magazine with rubbing to the covers and corners. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The March 1977 issue of Camera magazine with portfolios of work by John Gossage, Eva Watson-Schutze, and Erich Mendelsohn. Also includes part three of an interview with Minor White, a short technical section, and photography-related news. Edited by Allan Porter. Perfect-bound with thin card wraps; 48 pages; color and b&w illustrations throughout; 8.75 x 11.5 inches. Text in English.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condizione: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.

Soft cover. Condizione: As New. Condizione sovraccoperta: Near Fine. First Trade Paperback Edition. INVALUABLE: INDISPENSABLE, ENTRALLING, AMBITIOUS: AS-NEW First Trade Paperback Edition (Orig. 1995) Fifth Printing (c. 2010): Volume 3 in the series "Weimar and Now: German Cultural Criticism" edited by Anton Kaes w/ Martin Jay & Edward Dimendberg * 6.48" x 9.74" x 1.86", 1.54 kg, xx+810 (830) pp * ABOUT THE BOOK: A laboratory for competing visions of modernity, the Weimar Republic (1918-1933) continues to haunt the imagination of the 20th century. Its political & cultural lessons retain uncanny relevance for all who seek to understand the tensions & possibilities of our age. "The Weimar Republic Sourcebook" represents the most comprehensive documentation of Weimar culture, history, & politics assembled in any language. It invites a wide community of readers to discover the richness & complexity of the turbulent years in Germany before Hitler's rise to power. Drawing from such primary sources as magazines, newspapers, manifestos, & official documents (many unknown even to specialists & most never before available in English), this book challenges the traditional boundaries between politics, culture, & social life. Its 30 chapters explore Germany's complex relationship to democracy, ideologies of "reactionary modernism," the rise of the "New Woman," Bauhaus architecture, the impact of mass media, the literary life, the tradition of cabaret & urban entertainment, & the situation of Jews, intellectuals, & workers before & during the emergence of fascism. While devoting much attention to the Republic's varied artistic & intellectual achievements (the Frankfurt School, political theater, 12-tone music, cultural criticism, photo-montage, & urban planning), the book is unique for its inclusion of many lesser-known materials on popular culture, consumerism, body culture, drugs, criminality, & sexuality; it also contains a timetable of major political events, an extensive bibliography, & capsule biographies. This will be a major resource & reference work for students & scholars in history; art; architecture; literature; social & political thought; & cultural, film, German, & women's studies. * HIGHEST PRAISE: "'The Weimar Republic Sourcebook' is an INVALUABLE resource for understanding one of the most important & resonant eras of the 20th century. SInce the Weimar debate has continued to repeat itself, albeit w/ less intellectual brilliance, this book is as much about the present as about the past. Here is the Weimar era in all its many-voiced & eloquent complexity: most of these texts, even those by the most famous names of the period, appear for the first time in English. This is an INDISPENSABLE, ENTRALLING, properly AMBITIOUS book." -Susan Sontag * ABOUT THE AUTHORS-EDITORS: ANTON KAES is Professor of German & Director of Film Studies at the University of California, Berkeley. He is author most recently of "From Hitler to Heimat: The Return of History as Film" (1989). MARTIN JAY is Sidney Hellman Ehrman Professor of History at the University of California, Berkeley. His books include "Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought" (California, 1993). EDWARD DIMENBERG is Assistant Professor of German Studies, Film & Video Studies, & Architecture at the University of Michigan.

badly worn and scuffed price-clipped dust-jacket with several tears, very good dark red cloth, light wear. LAID IN: photocopy of substantial newspaper article on Mendelsohn by Wolf von Eckardt (Washington Post, 1 Sept. 1973). MENDELSOHN, ERICH. Eric Mendelsohn: letters of an architect. Edited by Oskar Beyer. Translated by Geoffrey Strachan. With an introduction by Nikolaus Pevsner. London, New York: Abelard-Schuman, 1967, 192pp., . With a foreword by Louise Mendelsohn in which she thanks Oskar Beyer (1882-1964), German art historian who admired Mendelsohn's work as early as 1919 and edited a collection of his letters in German.

Condizione: Bon. Ancien livre de bibliothèque. Edition 1995. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 1995. Ammareal gives back up to 15% of this item's net price to charity organizations.

132 S. mit Abbildungen. Orig.-Pappbd. (gut erhalten).

Paperback. Condizione: Fine. Paperback. Quarto.112pp. Text in German. Drawings and renderings by Mendelsohn.

Condizione: Sehr gut. Erstausgabe. 132 (2) Seiten mit vielen Abbildungen im Text und 16 Blatt mit 32 schwarzweiß Photographien auf Fotopapier. 20,2 cm. Sehr guter Zustand. Aus der Bibliothek von Herbert Post. - Herbert Max Otto Post (* 13. Januar 1903 in Mannheim; 9. Juli 1978 in Bayersoien) war ein deutscher Schriftkünstler, Typograf und Buchgestalter. . . . Aus: wikipedia-Herbert_Post. -- Erich Mendelsohn (* 21. März 1887 in Allenstein (Ostpreußen); 15. September 1953 in San Francisco, Kalifornien) war ein bedeutender Architekt des 20. Jahrhunderts. Am bekanntesten sind seine Werke der 1920er Jahre, die sich der expressionistischen und organischen Architektur zuordnen lassen. Mit vielen seiner Skizzen und realisierten Bauvorhaben gilt er auch als einer der Pioniere der Stromlinien-Moderne. Zu Klassikern dieser Strömung der Moderne zählen der Einsteinturm in Potsdam und das Mossehaus in Berlin. . Emigration 1933: Als Jude sah er sich im Frühjahr 1933 nach der nationalsozialistischen Machtergreifung zur Emigration nach England gezwungen. Sein nicht unbeträchtliches Vermögen wurde später von den Nationalsozialisten beschlagnahmt, am 30. September 1933 sah er sich aus dem Deutschen Werkbund ausgeschlossen und am 11. Dezember aus der Preußischen Akademie der Künste[3]. In England begann er eine Büropartnerschaft mit Serge Chermayeff, die bis Ende 1936 währte. Dabei entstand u. a. der De La Warr Pavilion in Bexhill-on-Sea. Ab 1934 plante er für das Ehepaar Weizmann und begann eine Reihe von Projekten in Palästina. Seit langem schon kannte Mendelsohn Chaim Weizmann, den späteren ersten Staatspräsidenten Israels. 1935 eröffnete er ein Büro in Jerusalem. In dieser Zeit entstanden Ikonen des internationalen Stils in Palästina, vor allem in der sich Richtung Westen entwickelnden Stadtlandschaft Jerusalems: Die Villa Schocken (für den Kaufhausbesitzer und Verleger Salman Schocken, für den er bereits in Deutschland eine Reihe von Kaufhäusern projektiert hatte), die Schocken-Bibliothek, sein Atelier in einer umgebauten Windmühle, alle drei in Rechavia. Weiterhin entwarf er das Hadassah-Krankenhaus auf dem Berge Skopus im Osten der damals ungeteilten Stadt und andere Gebäude. Nachdem er sein Londoner Büro bereits aufgelöst hatte, nahm er 1938 die britische Staatsbürgerschaft an und änderte seinen Vornamen in Eric. Von 1941 bis 1953 lebte Mendelsohn in den USA. Bis zum Ende des Zweiten Weltkriegs musste er sich dort auf Vorträge und Publikationen beschränken, da er nicht über die US-amerikanische Staatsbürgerschaft verfügte. Dennoch war er in dieser Zeit beratend für die US-Regierung tätig. Unter seiner Anleitung entstand 1943 auf dem Testgelände Dugway Proving Ground in Utah das sog. Deutsche Dorf, ein realistischer Nachbau Berliner Mietskasernen. Hier wurden verschiedene Spreng- und Brandbomben in ihrer Wirkung auf die besondere Bauform getestet. 1945 ließ er sich in San Francisco nieder. Danach wurden von ihm noch einige Projekte realisiert, im Wesentlichen für verschiedene jüdische Gemeinden. 1953 starb Mendelsohn an Krebs. . . . Aus: wikipedia-Erich_Mendelsohn. Sprache: Deutsch Gewicht in Gramm: 330 Illustrierter Halbleinenband mit geometrischen Motiven auf dem Deckel, rotgeprägten Rückentiteln und Schutzumschlag.

Soft cover. Condizione: Very Good. No Jacket. Photo - Illustrated (illustratore). Reprint. Large softcover with pictorial and white print front cover. Very light chipping along black edges. Has a glurd spine. Some light shelf wear and soiling on rear cover. Tight, sound and unmarked. 95 pqages. Price ($ 11.95) on rear cover. Reprint of original 1926 photo volume by noted German architect Erich Mendelsohn.

Taschenbuch. Condizione: Gut. 1st Edition. B3589-169 Sprache: Deutsch Gewicht in Gramm: 500.

Condizione: COMO NUEVO- Muy Bien. ERICH MENDELSOHN - (Estudio paperback).

Condizione: Very Good. Very good condition. Light wear. Binding tight, pages clean. Pictures available upon request.? AP.

22 x 11 cm. 119 S. ISBN: Keine. Kartoniert / Soft cover. No jacket. Guter Zustand / Good condition. 1. Auflage. Sprache: de. * Versandfertig innerhalb von 20 Stunden! Nk21. (Va). Jpg.

Paperback. Condizione: Very Good. Card covers clean but age-toned and a little rubbed from shelving, corners bumped, spine sunned; internally clean with some age-toning, no ownership marks or annotations; binding tight. Overall a very nice, sturdy copy with some shelfwear and age-toning.; 7 x 8 x 0.2 inches; 78 pages.

Paperback. Condizione: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Hardcover. Condizione: Gut. 132 S. Zahlr. Textabb. u. Tafeln. OHalbleinen. Gutes Exemplar. BK Sprache: Deutsch Gewicht in Gramm: 300.

Softcover. 27 x 23,8 cm. Silbernes Original-Paperback mit bebildertem Vorderdeckel. 343 Seiten mit Beiträgen verschiedener Verfasserinnen und zahlreichen Abbildungen, auch farbig (Fotos, Zeichnungen). Beilage: Das bauliche Erbe Mendelssohns - Erhaltung und Instandsetzung am Beispiel Einsteinturm (Broschur, farbig mit 6 Seiten). Sehr sauberes, wirklich gutes Exemplar. Begleitend zur Ausstellung des Instituts für Auslandsbeziehungen e.V. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Lesen Sie etwas Schönes auf einer Bank in der Frühlingssonne! Wir haben die passende Lektüre. -- Wir kaufen Ihre werthaltigen Bücher! Archi.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Soft cover. Condizione: Good. No Jacket. First Printing. A slight spine shift with a mild center crack and light cover edge wear. Mass market paperback (A SIGNET BOOK) with 128 pages. Color illustrated. First printing, October, 1968. Scarce. Size: 12mo - over 6¾ - 7¾" tall. Book.

Soft cover. Condizione: Near Fine. Edelmann, Heinz (designer) (illustratore). 1st Edition. Mass Market Paperback. Illustrated glossy wrappers. Glued binding. 126 pages, illustrated with color artwork from the film, with 4 "Footnotes" at end, and including an essay "The Origin of the Yellow Submarine, with notes and references. Stated 1st edition, 1st printing (October 1968, no remainder mark). Published by The New American Library. CONDITION: NEAR FINE, binding square and tight, pages crisp and unmarked; light soiling and edge wear to wrappers, former owner's name in ink on title page. CONTENT: The Beatles in Yellow Submarine - "A Smash Motion Picture -- A New Dimension; 128 Glorious Full-Color Pages, starring Sgt. Pepper's Lonely Hearts Club Band (Based on a Song by John Lennon and Paul McCartney "Yellow Submarine"). "Yellow Submarine: this voyage chartered by Max Wilk." Scarce in this condition. >Guaranteed secure packaging, free tracking, and no-hassle return policy.

Perfect Paperback. Condizione: As New. Ars Nicolai, 1995. Clean, unmarked copy. Binding tight. German text. From the library of Prof. Roger Stuewer, historian of physics, UMN. Due to size or weight, this item may require additional postage for international or priority shipping.

München: Prestel-Verlag, 1961. Illustr. OHardc. 132 Seiten mit zahlr. Fotos auf Tafeln, Textillustrationen u. Zeittafel. - 20 x 13. * Gut erhaltene Erstausgabe !

Condizione: Good. Gut, Halbleinenband mit Schutzumschlag, 132 pp., ill. (Zeichnungen, Bilder [Schwarz/Weiss]) Wird als Briefkastenpaket verschickt.