Felix kraft (29 risultati)

Hardcover. Condizione: Very Good. Condizione sovraccoperta: no dust jacket present. First Edition. This hardcover edition of "Photostats" by Felix Gonzalez-Torres is in excellent condition. The red cover with gold lettering is well-preserved, showing minimal signs of wear. The binding is intact, and the pages are clean and crisp. There is no dust jacket, and the book does not contain any signatures or inscriptions. Overall, this copy is a pristine example of Siglio Press's high-quality production.…

Hardcover. Condizione: Fine. This book is in excellent, like new condition with crisp, unmarked pages, a tight binding, and a strong, clean cover.

Condizione: New.

Hardback. Condizione: New. Felix Gonzalez-Torres' text reveries on the intersections of the historical and the personal, gathered for the first time in this elegant clothbound volumeFelix Gonzalez-Torres (1957-96) is one of the most significant artists to have emerged in the 1980s. An artist whose beautiful, restrained and often mutable works are abundant in compelling contradictions, Gonzalez-Torres was committed to a democratic form of art informed as much by the aesthetic and conceptual as by politics. His work challenges authority and our obeisance to it, dissolves the delineations between public and private, and creates a rich, open field into which the viewer is invited to complete works with her own inferences, imagination, and actions.The photostats are a series of fixed works with white text on black fields framed behind glass to create a reflective surface bringing the viewers' reflection into the work. Made at the height of the AIDS crisis, these profoundly suggestive lists of political, cultural, and historical references disrupt hierarchies of information and linear chronology, asking how we receive and prioritize information, how we remember and forget, and how we continuously create new meaning. The photostats also recall the screens (the television, and now the computer) which furiously deliver information from which we must parse substance from surface and choose what to assimilate and what to reject.This elegant volume is a discrete space in which to closely read the photostats with sustained attention: it opens from both sides, reproducing the framed photostats as objects on one, and from the other, details of the texts can be read as writing. In between the two, original writings by Mónica de la Torre and Ann Lauterbach, explore adjacent territories, signaling the multiple entry points for understanding the works.…

Hardback. Condizione: New. Felix Gonzalez-Torres' text reveries on the intersections of the historical and the personal, gathered for the first time in this elegant clothbound volumeFelix Gonzalez-Torres (1957-96) is one of the most significant artists to have emerged in the 1980s. An artist whose beautiful, restrained and often mutable works are abundant in compelling contradictions, Gonzalez-Torres was committed to a democratic form of art informed as much by the aesthetic and conceptual as by politics. His work challenges authority and our obeisance to it, dissolves the delineations between public and private, and creates a rich, open field into which the viewer is invited to complete works with her own inferences, imagination, and actions.The photostats are a series of fixed works with white text on black fields framed behind glass to create a reflective surface bringing the viewers' reflection into the work. Made at the height of the AIDS crisis, these profoundly suggestive lists of political, cultural, and historical references disrupt hierarchies of information and linear chronology, asking how we receive and prioritize information, how we remember and forget, and how we continuously create new meaning. The photostats also recall the screens (the television, and now the computer) which furiously deliver information from which we must parse substance from surface and choose what to assimilate and what to reject.This elegant volume is a discrete space in which to closely read the photostats with sustained attention: it opens from both sides, reproducing the framed photostats as objects on one, and from the other, details of the texts can be read as writing. In between the two, original writings by Mónica de la Torre and Ann Lauterbach, explore adjacent territories, signaling the multiple entry points for understanding the works.…

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: As New. Unread book in perfect condition.

Sprache: Deutsch IX, 351 Pp.; 24 cm graph. Darst. Pp., gebunden; Pp.; Büchereiexemplar: gestempelt, mit Rückenschild. Rücken etwas angestoßen, sonst guter Zustand.

Condizione: New.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

1. Auflage. 8°, Interimsbroschur ( Paperback) 300 S., LIEFERUNG ALS DHL-BRIEFSENDUNG/PAKET MIT BEILIEGENDER RECHNUNG - angerändert, unbeschnitten, handschriftliche Nummer auf Titelblatt, sonst gutes Exemplar.

Condizione: As New. Unread book in perfect condition.

VII, 300 SS. Gr. 8°. Obrosch. Unaufgeschnittenes Exemplar. "Enzklopädie der Erdkunde".

Hardback. Condizione: New. Felix Gonzalez-Torres' text reveries on the intersections of the historical and the personal, gathered for the first time in this elegant clothbound volumeFelix Gonzalez-Torres (1957-96) is one of the most significant artists to have emerged in the 1980s. An artist whose beautiful, restrained and often mutable works are abundant in compelling contradictions, Gonzalez-Torres was committed to a democratic form of art informed as much by the aesthetic and conceptual as by politics. His work challenges authority and our obeisance to it, dissolves the delineations between public and private, and creates a rich, open field into which the viewer is invited to complete works with her own inferences, imagination, and actions.The photostats are a series of fixed works with white text on black fields framed behind glass to create a reflective surface bringing the viewers' reflection into the work. Made at the height of the AIDS crisis, these profoundly suggestive lists of political, cultural, and historical references disrupt hierarchies of information and linear chronology, asking how we receive and prioritize information, how we remember and forget, and how we continuously create new meaning. The photostats also recall the screens (the television, and now the computer) which furiously deliver information from which we must parse substance from surface and choose what to assimilate and what to reject.This elegant volume is a discrete space in which to closely read the photostats with sustained attention: it opens from both sides, reproducing the framed photostats as objects on one, and from the other, details of the texts can be read as writing. In between the two, original writings by Mónica de la Torre and Ann Lauterbach, explore adjacent territories, signaling the multiple entry points for understanding the works.…

Condizione: New. KlappentextFelix Gonzalez-Torres text reveries on the intersections of the historical and the personal, gathered for the first time in this elegant clothbound volumeFelix Gonzalez-Torres (1957-96) is one of th.

hardcover. Condizione: Fine. Prima edizione (First Edition). Scritti di Mónica de la Torre e Ann Lauterbach. A cura di Richard Kraft e Lisa Pearson. Tavole in bianco e nero che riproducono da un lato del libro i dettagli delle opere, dall'altro lato le opere complete (Photostats) Libro sfogliabile da entrambi i lati. Copertina e design del libro di Natalie Kraft. Cm 17x21. pp. 88. . Ottimo (Fine). . Prima edizione (First Edition). . Felix Gonzalez-Torres (1957-1996) è impegnato in una forma d'arte democratica, informata tanto da preoccupazioni estetiche e concettuali quanto dalla politica. Il suo lavoro rifugge dalla polemica e dal didascalismo, sfidando l'autorità e la nostra obbedienza ad essa, dissolvendo i confini tra pubblico e privato e invitando lo spettatore a collaborare e completare le opere con le proprie deduzioni, punti di vista, immaginazione e azioni.Realizzati all'apice della crisi dell'AIDS, in un'epoca pre-internet, i photostats - una serie di opere fisse con testo serif bianco su campo nero incorniciato dietro un vetro per creare una superficie riflettente - sono elenchi profondamente suggestivi di riferimenti politici, culturali e storici. Queste opere sconvolgono il tempo lineare, le relazioni apparentemente causali della cronologia e le gerarchie dell'informazione, poiché si chiedono come riceviamo e diamo priorità alle informazioni, come ricordiamo e dimentichiamo e come creiamo continuamente nuovi significati. I fotogrammi hanno una profonda affinità con la poesia nel loro uso della specificità e dell'ambiguità, operando come campi aperti: ogni giustapposizione e il suo attrito obliquo illuminano connessioni e disconnessioni.Nella galleria, la superficie di vetro delle foto incorniciate porta lo spettatore in un rapporto intimo con l'opera, in cui può letteralmente vedere se stesso, riflettendo anche sui propri presupposti."A mio avviso, [le fotostatiche] sono meglio descritte come poesie concrete che parlano dell'etica della memoria in una cultura dell'oblio forzato e incarnato; collage di ricordi, nomi e contese dell'esistenza individuale, in particolare quella degli emarginati e dei diseredati. Vi toglieranno il fiato". Gonzalez-Torres ha preso i costrutti della storia lineare, dell'autorità e dell'autorialità e li ha aperti in campi vivi che spingono lo spettatore a rendersi conto della sua presenza e partecipazione." (Elizabeth Zuba, Hyperallergic). Book.…

Hardback. Condizione: New. Felix Gonzalez-Torres' text reveries on the intersections of the historical and the personal, gathered for the first time in this elegant clothbound volumeFelix Gonzalez-Torres (1957-96) is one of the most significant artists to have emerged in the 1980s. An artist whose beautiful, restrained and often mutable works are abundant in compelling contradictions, Gonzalez-Torres was committed to a democratic form of art informed as much by the aesthetic and conceptual as by politics. His work challenges authority and our obeisance to it, dissolves the delineations between public and private, and creates a rich, open field into which the viewer is invited to complete works with her own inferences, imagination, and actions.The photostats are a series of fixed works with white text on black fields framed behind glass to create a reflective surface bringing the viewers' reflection into the work. Made at the height of the AIDS crisis, these profoundly suggestive lists of political, cultural, and historical references disrupt hierarchies of information and linear chronology, asking how we receive and prioritize information, how we remember and forget, and how we continuously create new meaning. The photostats also recall the screens (the television, and now the computer) which furiously deliver information from which we must parse substance from surface and choose what to assimilate and what to reject.This elegant volume is a discrete space in which to closely read the photostats with sustained attention: it opens from both sides, reproducing the framed photostats as objects on one, and from the other, details of the texts can be read as writing. In between the two, original writings by Mónica de la Torre and Ann Lauterbach, explore adjacent territories, signaling the multiple entry points for understanding the works.…

VII / 300 S. Sprache: Deutsch Gewicht in Gramm: 600 4°. Original-broschiert, Einband etwas bestoßen, Vorderdeckel und einige wenige Blätter am unteren Rand etwas lädiert, unbeschnitten und unaufgeschnitten, sonst gut.

Taschenbuch. Condizione: Neu. Neuware.

Gr.8°, Softcover/Paperback. 1. Aufl. 300 Seiten mit einige Abbildungen, Einband leicht berieben, unbeschnitten, ansonst guter und sauberer Zustand Sprache: Deutsch Gewicht in Gramm: 630.

Condizione: Sehr gut. Erstaufl... 95 S. : zahlr. Ill. ; mit zahlr. farbigen Abbildungen, (Mit SIGNATUR u. Widmung von Peter Kraft) , Zustand: geringe Lagerspuren, sehr gutes Exemplar. Peter Kraft. Zu Holzschnitten von Felix Dieckmann, K 023 ISBN 9783852527802 Aufgrund der EU-Verpackungsverordnung (PPWR) erfolgt der Versand nur nach Deutschland und ins Nicht-EU-Ausland. Für einen Versand in alle NICHT-EU-Länder nutzen Sie bitte Paketweiterleitungsdienste und hinterlegen bei der Bestellung eine deutsche Versandadresse. Due to the EU Packaging Regulation (PPWR), we ship only to Germany, non-EU countries. For shipping to all other non-EU-countries, please use a package forwarding service and provide a German shipping address when placing your order. Sprache: Deutsch Gewicht in Gramm: 450 Pp. 18 cm, gebundene Ausgabe, Hardcover/Pappeinband. Dieckmann, Felix (illustratore).…

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. In einer faecheruebergreifenden Perspektive nimmt der Sammelband das herrscherliche Entscheiden im oestlichen Mittelmeerraum, in der arabischen Welt und im fernostlichen China in den Blick und thematisiert dabei vor allem die Rolle von Ratgebern sowie deren vi.…

Buch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Keine ausführliche Beschreibung für 'Mitarbeiterbeteiligung und Mitbestimmung im Unternehmen' verfügbar. 364 pp. Deutsch.

Hardcover. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Frontmatter -- Inhaltsverzeichnis -- Einleitung -- Teil I. Begruendung und Auswirkung der Mitarbeiterbeteiligung -- Teil I. Begruendung und Auswirkung der Mitarbeiterbeteiligung -- II. Materielle und immaterielle Mitarbeiterbeteiligung in der Bundesrepublik D.…

Buch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Frontmatter -- Inhaltsverzeichnis -- Einleitung -- Teil I. Begründung und Auswirkung der Mitarbeiterbeteiligung -- Teil I. Begründung und Auswirkung der Mitarbeiterbeteiligung -- II. Materielle und immaterielle Mitarbeiterbeteiligung in der Bundesrepublik Deutschland -- III. Mitarbeiterbeteiligung vor dem Durchbruch Anmerkungen zur voraussichtlichen Entwicklung der Kooperationsbeziehungen in der Wirtschaft -- IV. Zur ökonomischen Analyse von Mitarbeiterbeteiligungsrechten -- Teil II. Empirische Analyse -- V. Betriebliche Strategien der Befriedigung von Arbeitnehmerbedürfnissen - Voraussetzungen und Konsequenzen -- VI. Trennung von Eigentum und Verfügungsgewalt und Mitbestimmung. Empirische Befunde zum Mitbestimmungspotential in eigentümer- und managerkontrollierten Unternehmen -- VII. Formen der Arbeitnehmer- Arbeitgeberkooperation und ihre Auswirkungen auf die Unternehmensleistung und Entlohnung -- VIII. Mitbestimmung in zeitlicher Perspektive Ergebnisse einer Fallstudie in einem Großbetrieb der Automobilindustrie -- IX. Betriebliche Auswirkungen und wirtschaftspolitische Aussichten -- Teil III. Beispiele aus der Praxis -- X. Das PSI-Modell: Konturen, Erfahrungen und der Versuch einer Beurteilung -- XI. Das Strukturprofil - eine Diskussionsgrundlage für die Auswirkungen von Modellen der Mitarbeiter- Beteiligung -- Teil IV. Theoretische Untersuchungen -- XII. Individueller Arbeitseinsatz in Selbstverwaltungs-, Gewinnbeteiligungs- und kapitalistischen Unternehmen -- XIII. Die Evolution kapitalistischer und laboristischer Unternehmungen als Prozeß der Selbstorganisation -- XIV. Kommentar zu T. Eger und P. Weise: 'Die Evolution kapitalistischer und laboristischer Unternehmungen als Prozesse der Selbstorganisation.' -- XV. Kritik und Neubegründung der Mitbestimmung -- Biographische Notizen -- BackmatterDe Gruyter Mouton, Genthiner Straße 13, 10785 Berlin 364 pp. Deutsch.…