fenellosa (13 risultati)

Softbound. Condizione: Very Good. While Pound was recognized as a major innovator in modern poetry, his involvement with translations of classical Chinese is less known. In fact, Pound, who did not read Chinese, based his 'translations' on the notes of an earlier scholar, Ernest Fenellosa - the irony of the situation being that Fenellosa also was not fluent in Chinese. The resulting versions of Chinese poetry are often quoted as an example of misguided orientalism. Pound's 'translations' are, nevertheless, an interesting insight into the mind of this brilliant but controversial poet. Staple bound in heavy wraps. Spine tanned, otherwise wraps clean and binding strong. A single interior page bears a few marginal notes; all remaining pages clean and unmarked. 96 pp., 5 b&w 'plates' of Chinese characters. Size: 21 x 14 cm.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: None. No date, circa 1930. 339 pp.197 photogravure in black and white. 16 color plates. Large octavo green cloth hardcover. Lightly bumped and rubbed at corners and spine tips, small tear at head of spine. Interior very nice, clean and tight.Your purchase benefits literacy and summer reading programs in Cincinnati and Hamilton County, Ohio. We ship every business day. All books ship in cardboard bookfolds with delivery confirmation. Sets or unusually heavy items ship in a box.

Softcover. Condizione: Near Fine. Original printed softover. Text in Italian. Slight shelfwear. Tight and square. #777 of 2000 copies. ; 8vo 8" - 9" tall.

Condizione: Good. Gilt cloth, colour and b/w plates.; Library stamp and number on title-page; library stamp on several pages in margin, small red stamp and red round book plate stamp on half tile, book plate on upper pastedown, foxed.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

24mo? pp. 46, [2]; a fine copy, in the publisher's colour-printed wrappers, folded round stiff blanks.Third edition, translations of Pound's 'Introduction' and one play from Certain Noble Plays of Japan by his daughter Mary de Rachewiltz. This third edition added 'Un intervallo di 40 anni' by Pound, dated November 1958. Gallup D73. Language: Italian.

Volume: 1 25x19 cm., XXIII, 336 pp., 197 incisioni in bianco e nero, 16 tavole a colori; all'antiporta tavola a colori con 'Feuille de paravent d'Hikonê, par Matahei', legatura in piena tela, titoli in oro al dorso, rosone inciso in oro al piatto , annotazioni manoscritte alle sguardie, alcune macchie, senza pregiudizio al testo; dorso leggerissimamente usurato , in francese.RARO Bella edizione, con testimoni, di questo testo classico che espone i risultati di venti e più anni di studi e ricerche da parte del Fenellosa, uno dei primi professori occidentali a tenere una cattedra nell'università di Tokyo, dal 1878.

Paris, w.y. xxiii,336 pp. 4to. Cloth. With 197 figures & 16 col. plates.

Hardcover. Condizione: Very Good. 1st Edition. L'art en Chine et au Japon, by Ernest F. Fenellosa, approx 1910, 1st edition. Published by Hachette et Cie. Undated but approx 1910. Foreword by Gaston Migeon. Very good condition 1st edition hardback in green cloth with gold lettering to spine and gold motif to front. Some shelf wear and rubbing. Text gerally very good throughout. Small booksellers label to inside front pastedown. Some cracking to spine endpapers, but binding sound. Some foxing to endpapers. Tex generally clean and birght, with some pencil annotations throughout. A large, high quality volume with xxiii + 336pp + tissue guarded colour frontispiece and 15 additional tissue guarded colour plates + 154 black and white plates. Dimensions: 260mm high x 205mm wide x 63mm deep. Extra postage may be payable.

1 volume in-4, XXIII-336 pp., reliure toilée verte de l'éditeur légèrement défraîchie, tranches poussiéreuses, rousseurs sur les pages de garde (some foxing on endpapers, as usual), intérieur frais et propre. Bon exemplaire. Ouvrage enrichi de 187 gravures en noir et blanc sur 154 planches et de 16 planches en couleurs. Adaptation et Préface par Gaston Migeon.

grand et fort in-8, reliure toile verte éditeur, 336 cav.

Condizione: Fine. First Edition. Manuel Fenellosa and his brother-in-law Manuel Emilio came to the United States from Spain in 1836 aboard the SS United States. They settled in Salem, Massachussetts, first forming a band and then a music school. They were friends of the publisher John P. Jewett, who published their work and let them perform at his home. Jewett was also the publisher of Uncle Tom's Cabin. Both Fenellosa and Emilio composed works inspired by the abolitionist cause. Emilio composed a companion piece for John Greenleaf Whittier's poem "Little Eva: Uncle Tom's Guardian Angel." Manuel's son Luis wrote A Brave Black Regiment, the history of the 54th Massachusetts Volunteer Regiment. Fenellosa composed this piece in 1863, with lyrics written by an unknown "R.T.L." He held a concert in 1864 after emancipation. A fine example, beautifully preserved in self-wraps. OCLC 180868477, locating five copies.