Forest eugène hippolyte (10 risultati)

Loose Leaf. Condizione: New. Reproduction. Original title: Two men for a bookstore in the Rue des Grès in Paris German: Zwei Männer für eine Buchhandlung in der Rue des Grès in Paris French: Deux hommes pour une librairie dans la rue des Grès à Paris Spanish: Dos hombres para una librería en la Rue des Grès de París High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1830). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condizione: New. Reproduction. Original title: Soldier watches prints with his wife and children German: Soldat Uhren Drucke mit seiner Frau und Kindern French: Le soldat regarde des empreintes avec sa femme et ses enfants Spanish: Soldado relojes huellas con su esposa y sus hijos High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1818). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condizione: New. Reproduction. Original title: Print dealer with violin surrounded by four prints German: Druckhändler mit Geige umgeben von vier Drucken French: Détaillant d'impression avec violon entouré de quatre tirages Spanish: Distribuidor de impresión con violín rodeado de cuatro impresiones High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1842). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

No Binding. Condizione: Near Fine. 1st Edition. Original Lithograph. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Eugene Hippolyte Forest (18089-1891) Was A French Painter And Lithographer.…

No Binding. Condizione: Near Fine. 1st Edition. Original Lithograph. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Eugene Hippolyte Forest (18089-1891) Was A French Painter And Lithographer.…

No Binding. Condizione: Near Fine. 1st Edition. Original Lithograph.Browning Alon Top 1" Of Entire Lithograpoh. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Eugene Hippolyte Forest (18089-1891) Was A French Painter And Lithographer.…

No Binding. Condizione: Near Fine. 1st Edition. Original Lithograph. Browning In Entire Top 1 1/2" Of Liothograph. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Eugene Hippolyte Forest (18089-1891) Was A French Painter And Lithographer.…

Couverture rigide. Condizione: Bon. Paris : Hippolyte Souverain (imprimerie Dezauche), 1832. - In-8, 200 x 127 : frontispice, (2 ff.), VII, 360 pp., (1 f.). Demi-veau glacé rouge, dos lisse orné, tranches marbrées (reliure de l'époque). Seconde édition très augmentée de ce recueil de textes littéraires et études critiques extraits de La Caricature, publiée par Auguste Audibert sous le pseudonyme de Jean-Louis. Elle réunit 51 textes répartis dans 9 catégories : Mœurs de convention. - Mœurs politiques. - Battements de cœur. - Fatalités. - Mœurs ecclésiastiques. - Mœurs d'artistes. - Mœurs populaires. - Silhouettes. - Florentine. Les textes sont pour la majorité d'Auguste Audibert, alors rédacteur en chef de La Caricature mais plus de 10 seraient de la main d'Honoré de Balzac qui avait donné sous divers pseudonymes une trentaine d'articles au journal jusqu'en février 1831. L'édition est illustrée d'un frontispice représentant l'auteur caché derrière un journal, gravé sur bois par Cherrier d'après une composition d'Eugène Hippolyte Forest (1808-1891). Il ne figurait pas dans l'édition originale. Bel exemplaire en reliure strictement d'époque, comprenant le frontispice sur chine collé. La pièce liminaire intitulée Complot littéraire et formée de 3 feuillets, a été rapportée. Nous n'avons pas pu comparer notre exemplaire avec un autre de la même édition, mais il est possible que tous contiennent ces 3 feuillets rapportés, pris dans les exemplaires de l'édition originale restants. Cette hypothèse est appuyée par l'absence de mention de ce texte liminaire dans la table. Frottements d'usage au dos et sur les plats, deux coins légèrement émoussés. Fragilité au mors supérieur du second plat. Rousseurs éparses sans gravité, déchirures à quelque pages. Provenances : M. & H. Hocquette, avec ex-libris. Eugène Hippolyte Forest (illustratore).…

Condizione: sehr guter Zustand. Pinsel in Braun, über Bleistift, auf chamoisfarbenem Velin, verso bezeichnet par Eug. Forest". 22,9:19,4 cm. Verso zur Übertragung auf einen anderen Bildträger gerötelt sowie Reste einer alten Verklebung am linken Rand., mit vertikaler Knickfalte. Der als Maler und Lithograph tätige Künstler war Schüler von C. Roqueplan (1800 od. 1803-1855) und beschickte 1847-66 den Salon in Paris mit Landschaften. Er war Mitarbeiter von J.J. Grandville (d.i. J.I.I. Gérard, 1803-1847) an den Zeitschriften La Caricature", La Silhouette" und L'Illustration". Er illustrierte verschiedene literarische Werke.…

First Edition. A Parisian Theater of Illusion - Six Transforming Lithographs from the Aubert Circle A Rare Complete Suite of Hand-Colored "Images à Système," Satirizing Marriage, Money, and the Myth of Paris [FOREST, Eugène-Hippolyte]. Musée Populaire. Paris: Chez Aubert, rue du Croissant; lithographed by V.-H. Delaporte, after designs attributed to Eugène Forest, [ca. 1835-1845]. Folio (10 1/2 x 14 inches; 267 x 356 mm.). A complete suite of six hand-colored lithographs with movable flaps, each revealing a second, contrasting scene beneath. Each plate with printed captions and mounted on stubs. An excellent and unusually well-preserved set with the hand-coloring fresh and attractive. All of the flaps are present and functional. Some scattered marginal foxing, but not affecting the colored images. Mid-20th century red cloth over boards, front cover with black morocco label lettered in gilt: "Musée Populaire." An Exceptionally Rare Survival of Early Interactive Print Culture. A remarkably scarce and visually striking survival from the great age of Parisian caricature: a complete set of six "images à transformation" - mechanical lithographs in which a lifted flap reveals a second, often ironic or subversive scene. Issued by the celebrated publisher Aubert, at the center of the Philipon/Daumier/Grandville milieu (La Caricature, Le Charivari), these prints belong to a short-lived but highly inventive genre that combined: social satire; theatrical staging, and a proto-interactive mechanism. Long before the illustrated book embraced novelty and movement, these sheets invited the viewer to participate in the joke - to uncover, quite literally, the truth beneath appearances. The Plates: 1. Père avare / Enfant prodigue Miserly restraint contrasted with reckless excess - an archetypal moral inversion. 2. Avant le mariage / Après le mariage Courtship idealism gives way to domestic reality; one of the most biting commentaries in the series. 3. Le matin / Le soir The transformation of daily life - freshness into fatigue, illusion into routine. 4. Tout ce qui reluit n'est pas or A visual proverb: glittering appearances dissolve into disappointment. 5. La mariée de ville / La mariée de village Urban sophistication versus rustic innocence - an elegant satire on fashion, class, and expectation. 6. Un an à Paris / Un jour à Paris Perhaps the sharpest plate: the promise of Parisian life set against its immediate disillusionment. Artistic & Historical Context. The designs are attributed to Eugène Forest, a contributor to the Aubert circle, and a frequent co-artist of Grandville. They were lithographed by Victor-Hippolyte Delaporte, whose workshop was closely associated with the production of caricature prints for the Parisian press. The series stands at the intersection of Grandville's transformation imagery and the moralizing tradition of French popular prints and early forms of optical and mechanical amusement prints. Yet unlike purely decorative or juvenile works, these are unmistakably aimed at an adult, bourgeois audience, engaging directly with the anxieties of Marriage; Money, Social Mobility and the seductive myth of Paris itself. Complete sets are decidedly rare: we can find no complete examples in libraries & institutions worlwide. A few institutions (e.g., Carnavalet) have single sheets only. A complete suite of six, intact and functional, is a great rarity on the market. These are not merely prints - they are performances. Each sheet stages a small drama of expectation and revelation, inviting the viewer to lift the curtain and confront the truth beneath polite society. In their wit, construction, and survival, they represent one of the most engaging - and elusive - forms of early 19th-century visual culture. …