françoise cartier (38 risultati)

Hardcover with dustjacket, 130 pages; in English, German and French; gallery exhibition dates sticker on title page; otherwise as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover without dustjacket as issued, 84 pages; as new condition, clean and crisp; gallery sticker to first page; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: Bon. Edition 2003. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Edition 2003. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condizione: Bon. Ancien livre de bibliothèque. Légères traces d'usure sur la couverture. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Slight signs of wear on the cover. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condizione: Très bon. Ancien livre de bibliothèque. Salissures sur la tranche. Edition 2008. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Stains on the edge. Edition 2008. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condizione: Très bon. Ancien livre de bibliothèque. Légères traces d'usure sur la couverture. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Slight signs of wear on the cover. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condizione: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Cartoné. Condizione: Normal. 168pp/A-172.

Hardcover. Condizione: Très bon. Ancien livre de bibliothèque avec équipements. Couverture différente. Edition 2008. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Different cover. Edition 2008. Ammareal gives back up to 15% of this item's net price to charity organizations.

hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

hardcover. Condizione: New. **HARDBACK**.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. The Never-Taken Images documents a unique long-term project that Swiss photographers Françoise and Daniel Cartier have been pursuing since 1998. They have put together a vast collection of unfixed photographic papers, glass negatives, and films, mostly dating from 1880 to 1990. Samples of these are mounted and displayed, and, exposed to light over the course of several exhibitions, evolve towards colour saturation. Instead of looking at still images, the Cartiers' installations, titled Wait and See, allow the viewers to perceive a kind of reality for themselves.The book features on around 100 pages the entire test catalogue that the Cartiers have put together to date, showing some 900 different papers and photosensitive supports. These facsimiles offer an almost real impression of their formats, colours, and materiality. Essays by Kathrin Schönegg, photo historian and curator, Thilo Koenig, scholar of art history and critic, and Christophe Brandt, former director of the Institute for the Conservation of Photographs at the University of Neuchâtel, supplement the images and place the Wait and See project in the art historical and technological context of abstract media art.The Never-Taken Images also celebrates the industrially manufactured photo-sensitive support, representing the long central pre-digital period in the history of photography.Text in English, French and German.

Paperback. Condizione: new. Paperback. The Never-Taken Images documents a unique long-term project that Swiss photographers Francoise and Daniel Cartier have been pursuing since 1998. They have put together a vast collection of unfixed photographic papers, glass negatives, and films, mostly dating from 1880 to 1990. Samples of these are mounted and displayed, and, exposed to light over the course of several exhibitions, evolve towards colour saturation. Instead of looking at still images, the Cartiers' installations, titled Wait and See, allow the viewers to perceive a kind of reality for themselves. The book features on around 100 pages the entire test catalogue that the Cartiers have put together to date, showing some 900 different papers and photosensitive supports. These facsimiles offer an almost real impression of their formats, colours, and materiality. Essays by Kathrin Schoenegg, photo historian and curator, Thilo Koenig, scholar of art history and critic, and Christophe Brandt, former director of the Institute for the Conservation of Photographs at the University of Neuchatel, supplement the images and place the Wait and See project in the art historical and technological context of abstract media art. The Never-Taken Images also celebrates the industrially manufactured photo-sensitive support, representing the long central pre-digital period in the history of photography. Text in English, French and German. AUTHORS: Daniel and Francoise Cartier, freelance photographer and visual artist respectively, form the artist duo F+D Cartier, based in Biel/Bienne, Switzerland. Their experimental work has been shown in solo and group exhibitions internationally, including museums and galleries such as Musee de l'Elysee, Lausanne (Switzerland), Musee de la Photographie, Charleroi (Belgium), Museet for Fotokunst, Odense (Denmark), Rencontres Internationales de la Photographie, Arles (France), Kunstbezirk, Stuttgart (Germany), Cinema Avorio, Rome (Italy), Cornerhouse, Manchester (United Kingdom), Yossi Milo Gallery, New York (US), Houston Center for Photography (US), H Gallery, New York (US), and Minnesota Center for Photography, Minneapolis (US). SELLING POINTS: . Documents a unique long-term artistic project using photo-sensitive media . Artists Francoise and Daniel Cartier have put together the world's largest collection of unfixed photographic papers, glass negatives, and films . Essays by distinguished experts of the history and technology of photography supplement beautifully reproduced facsimiles of the test catalogue compiled by Francoise and Daniel Cartier 1000 colour, 60 b/w illustrations A documentation of a unique long-term artistic project using photo-sensitive media, showcasing the worlds largest collection of unfixed photographic papers, glass negatives, and films. Text in English, French and German. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New. In English.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: Brand New. 224 pages. French language. 12.00x9.50x0.98 inches. In Stock.

Condizione: New. 2022. Paperback. . . . . .

245 mm x 190 mm. 130 S zahlr. Ill. OPp., OU. Deutsch/Englisch.

Condizione: New. 2022. Paperback. . . . . . Books ship from the US and Ireland.

[5818].

Buch. Condizione: Neu. Neuware - The Never Taken Images documents a unique long-term project that Swiss photographers Françoise and Daniel Cartier have been pursuing since 1998. They have put together a vast collection of unfixed photographic papers, glass negatives, and films, mostly dating from 1880 to 1990. Samples of these are mounted and displayed, and, over the course of several exhibitions, exposed to light, causing them to evolve towards color saturation. Instead of looking at still images, the Cartiers' installations, titled Wait and See, allow viewers to perceive a kind of reality for themselves. This book features the entire test catalog that the Cartiers have put together to date, showing some 900 different papers and photosensitive supports. These facsimiles offer an almost real impression of their formats, colors, and materiality. Essays by photo historian and curator Kathrin Schönegg and scholar of art history and critic Thilo Koenig supplement the images and place the Wait and See project in the art historical and technological context of abstract media art. The Never Taken Images also celebrates the industrially manufactured photosensitive support, representing the centrality of the long pre-digital period in the history of photography. ; The Never Taken Images dokumentiert ein einzigartiges Langzeitprojekt, das Françoise und Daniel Cartier seit 1998 verfolgen: Sie haben mehr als 1000 verschiedene unfixierte Fotopapiere, Glasnegative und Filme aus der Zeit von 1880 bis 1990 zusammengetragen. Proben davon sind in Rahmen und Vitrinen montiert und entwickeln sich unter Lichteinwirkung während Ausstellungen über den Zeitverlauf höchst unterschiedliche Farbsättigungen. Die unter dem Titel Wait and See gezeigten Installationen ermöglichen es den Betrachtenden, der Zeit beim Vergehen zuzusehen. Dieses Buch präsentiert den gesamten Testkatalog, den die Cartiers bis heute zusammengetragen haben. Rund 1000 Faksimileabbildungen der verschiedenen Fotopapiere vermitteln einen faszinierend realitätsnahen Eindruck der Farben und Materialitäten. Essays der Fotohistorikerin und Kuratorin Kathrin Schönegg sowie des Kunsthistorikers und Kritikers Thilo Koenig stellen diese künstlerische Forschung in den historischen und technologischen Kontext der Medienkunst. Zugleich ist The Never Taken Images eine Hommage an die industriell hergestellten lichtempfindlichen Bildträger als zentrale Symbole der langen vor-digitalen Periode der Fotogeschichte.

Buch. Condizione: Neu. The Never Taken Images | Photographic Paper Archive 1880-1990 | Françoise Cartier (u. a.) | Buch | 244 S. | Deutsch | 2022 | Scheidegger & Spiess | EAN 9783039420919 | Verantwortliche Person für die EU: GVA Gemeinsame Verlagsauslieferung Göttingen GmbH & Co. KG, Carsten Schlieker, Postfach 20 21, 37010 Göttingen, info[at]gva-verlage[dot]de | Anbieter: preigu.

Paperback. Condizione: new. Paperback. The Never-Taken Images documents a unique long-term project that Swiss photographers Francoise and Daniel Cartier have been pursuing since 1998. They have put together a vast collection of unfixed photographic papers, glass negatives, and films, mostly dating from 1880 to 1990. Samples of these are mounted and displayed, and, exposed to light over the course of several exhibitions, evolve towards colour saturation. Instead of looking at still images, the Cartiers' installations, titled Wait and See, allow the viewers to perceive a kind of reality for themselves. The book features on around 100 pages the entire test catalogue that the Cartiers have put together to date, showing some 900 different papers and photosensitive supports. These facsimiles offer an almost real impression of their formats, colours, and materiality. Essays by Kathrin Schoenegg, photo historian and curator, Thilo Koenig, scholar of art history and critic, and Christophe Brandt, former director of the Institute for the Conservation of Photographs at the University of Neuchatel, supplement the images and place the Wait and See project in the art historical and technological context of abstract media art. The Never-Taken Images also celebrates the industrially manufactured photo-sensitive support, representing the long central pre-digital period in the history of photography. Text in English, French and German. AUTHORS: Daniel and Francoise Cartier, freelance photographer and visual artist respectively, form the artist duo F+D Cartier, based in Biel/Bienne, Switzerland. Their experimental work has been shown in solo and group exhibitions internationally, including museums and galleries such as Musee de l'Elysee, Lausanne (Switzerland), Musee de la Photographie, Charleroi (Belgium), Museet for Fotokunst, Odense (Denmark), Rencontres Internationales de la Photographie, Arles (France), Kunstbezirk, Stuttgart (Germany), Cinema Avorio, Rome (Italy), Cornerhouse, Manchester (United Kingdom), Yossi Milo Gallery, New York (US), Houston Center for Photography (US), H Gallery, New York (US), and Minnesota Center for Photography, Minneapolis (US). SELLING POINTS: . Documents a unique long-term artistic project using photo-sensitive media . Artists Francoise and Daniel Cartier have put together the world's largest collection of unfixed photographic papers, glass negatives, and films . Essays by distinguished experts of the history and technology of photography supplement beautifully reproduced facsimiles of the test catalogue compiled by Francoise and Daniel Cartier 1000 colour, 60 b/w illustrations A documentation of a unique long-term artistic project using photo-sensitive media, showcasing the worlds largest collection of unfixed photographic papers, glass negatives, and films. Text in English, French and German. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: New. The Never-Taken Images documents a unique long-term project that Swiss photographers Françoise and Daniel Cartier have been pursuing since 1998. They have put together a vast collection of unfixed photographic papers, glass negatives, and films, mostly dating from 1880 to 1990. Samples of these are mounted and displayed, and, exposed to light over the course of several exhibitions, evolve towards colour saturation. Instead of looking at still images, the Cartiers' installations, titled Wait and See, allow the viewers to perceive a kind of reality for themselves.The book features on around 100 pages the entire test catalogue that the Cartiers have put together to date, showing some 900 different papers and photosensitive supports. These facsimiles offer an almost real impression of their formats, colours, and materiality. Essays by Kathrin Schönegg, photo historian and curator, Thilo Koenig, scholar of art history and critic, and Christophe Brandt, former director of the Institute for the Conservation of Photographs at the University of Neuchâtel, supplement the images and place the Wait and See project in the art historical and technological context of abstract media art.The Never-Taken Images also celebrates the industrially manufactured photo-sensitive support, representing the long central pre-digital period in the history of photography.Text in English, French and German.

(Rennes, 1971) stralcio con copertina posticcia muta, pp. 71/103 con 21 tavole. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : ?estratto? or ?stralcio? means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from? ?to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.