Francesco carrion (19 risultati)

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: Very Good. First Edition. Used - Very Good.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condizione: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark Standard-sized.

Paperback. Condizione: New. New copy.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Softcover, 264 pages, good condition; pen writing and scratches to covers; no internal marks. Foreign shipping may be extra.

Paperback. Condizione: Near Fine. 1st. 263 pages, illustrations (some colour); 24 cm. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps. *** The Whitney Museum's Annual/Biennial exhibitions began in 1932; usually selected by a team of staff curators, the current "Whitney Biennial" is a tastemaking blockbuster that usually provides a good barometer of the contemporary art market in America (usually New York-centric). This catalogue has a retrospective, self-referential feel to it, and includes an appendix with an historical survey of the Annual/Biennial shows, with photos of each catalogue and list of participants. *** "Francesco Bonami is Artistic Director of the Fondazione Sandretto Re Rebaudengo and Fondazione Pitti Immagine Discovery and curator of the 2010 Biennial. He served as chief curator of the 50th Venice Biennale. Gary Carrion-Murayari is senior curatorial assistant at the Whitney Museum of American Art and associate curator of the 2010 Biennial." - Publisher. Size: 8vo. Collectible. …

Soft cover. Condizione: Very Good. 1st Edition. Title: 2010: Whitney Biennial Description: New York: Whitney Museum of American Art / Yale University Press, 2010. First edition paperback, 256 pp., extensively illustrated in color. Curated by Francesco Bonami and Gary Carrion-Murayari; key documentation of the 55-artist show surveying contemporary American innovation across painting, sculpture, video, and installation. ISBN 9780300162424. Condition: Very good. Clean bright copy with light shelfwear to wrappers and firm binding.…

Softcover. A glossy illustrated softcover book. The title is printed in black and in white on the front cover. The title is printed in black text down the white spine. The back cover is tinted green. Pages: (5), 6-263, (1). Contains a plethora of images and illustrations, most in color. "Since its inauguration in 1932, the Whitney Biennial has fostered contemporary artistic innovation and diversity, becoming a highly anticipated event in the art world. The 2010 Biennial is curated by Francesco Bonami and Gary Carrion-Murayari and features works by approximately 55 artists working in a variety of media and practices. Uniquely, this catalogue serves as both a handsome accompaniment to the 2010 exhibition and an insightful exploration of the significance of this acclaimed and often controversial event throughout its history. In addition to presenting full-colour reproductions of the selected artists' recent work, the curators have prepared a joint essay on the 2010 exhibition, and a group of writers contributed brief entries on the represented artists' techniques, influences and recent work." VG+: In great condition, with only minor signs of wear showing.…

Softcover (Stiff Card). Condizione: Very Good. No Dust Jacket. First Edition. Size: Quarto. Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. No foxing in this copy. Edges very slightly spotted or marked. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Art & Design; United States; ISBN: . ISBN/EAN: 9780300162424. All our pictures shown here are of the actual item, not stock photos. Inventory No: 25628. For further info on this title, click on the "Contact Seller" button within this listing. We will try to reply within 24 hours. Otherwise you can order right now (inclusive of shipping options) from the "Add to Basket" button to the right. …

Wrappers. Condizione: New. 260 pages. Color illustrations. Still in shrink-wrap though the smallest nick to the bottom edge. Illustrated wraps. Published on the occasion of the exhibition from the Whitney Museum of American Art, New York, NY February 25-May 30, 2010. Book.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condizione: New. Since its inauguration in 1932, the Whitney Biennial has showcased contemporary artistic innovation, becoming a highly anticipated event in the art world. The 2010 Biennial is curated by Francesco Bonami and Gary Carrion-Murayari and features works by approximately 55 artists working in a variety of media and practices.Uniquely, this catalogue serves as both a handsome accompaniment to the 2010 exhibition and an insightful exploration of the significance of this acclaimed and often controversial event throughout its history. In addition to presenting full-color reproductions of the selected artistsâ recent work, the curators have prepared a joint essay on the 2010 exhibition, and a group of writers contributed brief entries on the represented artistsâ techniques, influences, and recent work. A detailed appendix features a short text on the significance of the museumâs annual and biennial exhibitions in the context of the museumâs history and broader collection, as well as photographs of previous installations, facsimiles of historical reviews, and a chronological list of artists included in past annuals and biennials. Thumbnails of all previous catalogue covers are also included, positioning each Biennial as a snapshot of artistic practice at a particular moment. Participating artists:David AdamoRichard AldrichMichael AsherTauba AuerbachNina BermanHuma BhabhaJosh BrandThe Bruce High Quality FoundationJames CasebereEdgar Cleijne and Ellen GallagherDawn ClementsGeorge CondoSarah Crowner Verne DawsonJulia FishRoland FlexnerSuzan FreconMaureen GallaceTheaster GatesKate GilmoreHannah GreelyJesse Aron GreenRobert GrosvenorSharon HayesThomas HouseagoAlex HubbardJessica Jackson HutchinsJeffrey InabaMartin KerselsJim LutesBabette MangolteCurtis MannAri MarcopoulosDaniel McDonaldJosephine MeckseperRashaad NewsomeKelly NipperLorraine OâGradyR.H. QuaytmanCharles RayEmily RoysdonAki SasamotoAurel SchmidtScott ShortStephanie SinclairAnia SolimanStorm TharpTam TranKerry TribePiotr UklanskiLesley VanceMarianne VitaleErika VogtPae WhiteRobert Williams.…

Condizione: leido. 1ª ed. edición. piel. Buen estado. Ilustrado. 394.

In 8? (mm 160x110); pagg. 159; marca editoriale in silografia al frontespizio della compagnia di Ges?, testo corsivo, marca d'acqua, capolettera istoriati e finalini in legno. Pergamena floscia coeva, tracce di bindelle. Bell'esemplare, lieve alone saltuario marginale all'angolo inf. tracce d'uso alla pergamena.Prima edizione rara. Questa prima edizione fu editata contemporaneamente a Milano, Brescia, Roma e Napoli; dell'edizione di Roma esistono due varianti pubblicate nello stesso anno con frontespizio diverso; la seconda presenta correzioni e 158 pagine invece delle 159 di questa nostra prima edizione, che Ë decisamente pi? rara. Queste lettere forniscono un grande numero di informazioni di prima mano sul Giappone e rappresentano in generale una delle primissime documentazioni dell'attivit? gesuitica nell'est asiatico e della loro importanza sotto il profilo della conoscenza di queste zone nel mondo occidentale. Il lavoro Ë molto importante per la storia della presenza portoghese dei gesuiti in Giappone ed Ë costituito da lettere e estratti di lettere di arditi sacerdoti e missionari gesuiti: Francesco Carrion, Gregorio Cespedes, LourenÁo Mexia, e i portoghesi Luigi Froes e Francisco Cabral. Queste lettere sono le prime notizie di autori occidentali della storia del Giappone e dell' Estremo Oriente delle grandi modifiche avvenute in queste regioni verso la fine del regno dell'imperatore Nobunaga. Si raccontano fatti vissuti dai Padri Gesuiti, sempre in continua peregrinazione e sotto continua minaccia di persecuzioni e morte; la facilit? di incontrare a volte, persone gentili, come principi o aristocratici convertiti o ancora Bonzi che li aiutavano in luoghi tanto ostili dove regnava la confusione e la guerra, considerando l'ardire dei giapponesi nel ferire di spada gli uomini di qualsivoglia stato, senza farsi troppi scrupoli.La prima lettera di Carrion, del 1579, al generale della Compagnia, traccia una descrizione dettagliata di alcune regioni del Giappone e narra i fatti avvenuti a Figen, Fingo, Chicussem, Chicungo, Bungo, Meaco, e Amangucci. Segue un estratto del Padre Gregorio de Cespedes per l'anno 1579; Una lettera del padre Lorenzo Mexia al padre generale della Compagnia di Ges? l'anno 1580. La lettera di Luigi Froes, datata 19 Maggio 1581, racconta del viaggio ad Anacasama e delle esperienze di accoglienza da parte della popolazione, di Chitanocchia, la visita a Xibatadono, personaggio considerato quasi un re, che fece un convitto splendido ai missionari e delle considerazioni benevole dei principi ed aristocratici nei loro confronti. Segue una lettera del padre Froes datata il 14 Aprile 1581 scritta in Meaco in cui descrive il rapporto con i patrizi che giunsero alla festa al cospetto di Nobunaga. Infine copia di una lettera del Padre Francesco Cabral. Laures: "In 1580 a total of 59 Jesuits (28 Fathers and 31 Brothers) were active in Japan. The times were characterised by a great deal of political uncertainty. Fr. Cespedes talks about the possibility of converting Oda Nobunaga, one of the main leaders in the power-struggle that had enveloped the whole country. Fr. FrÛis accompanied the Italian Visitor Valignano on his first travels from Funai to Sakai. They were collecting information on the various provinces and discussed the coming of the other Orders, for example, Franciscans and Dominicans to Japan, as well as the question of appointing a bishop for the whole of the country" BM STC It., p. 349. Streit, v. IV, p. 437. Cordier, 74. Manca ad Adams, Nipponalia e a Sommervogel.…

Rome : Francesco Zannetti, 1584. Octavo, recent morocco in period style; edges stained red; pp. 159, [1 errata]; title with woodcut Jesuit device, and with an early ownership inscription; marginal damp stain to top outer corners (not affecting text), a few short passages with early underlining, otherwise clean throughout, a good copy. The first printing of the first edition (with the uncorrected title and with the errata on the verso of the last leaf) of a very early collection of seven reports and letters written by Jesuit missionaries during the final period of the rule of Oda Nobunaga (1534-1582), the first Great Unifier of Japan. The authors include Francesco Carrion (annual report for 1579), Lorenze Mexia (annual report for 1580), Luís Fróis (three letters),Francesco Cabral (one letter), andGregorio de Céspedes (one letter). Cordier, BJ, 74 (noting only the second printing, with Scritte da' Reverendi Padri della Compagnia di Iesuin the second part of the title;Streit IV, 1607; Laures, 150. …