Fredrika h jacobs (47 risultati)

paperback. Condizione: Good. The cover shows normal wear. Fast shipping and order satisfaction guaranteed. A portion of your purchase benefits Non-Profit Organizations, First Aid and Fire Stations.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. 1. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Paperback.

Condizione: New.

Paperback. Fredrika H. Jacobs (Virginia Commonwealth University), Cambridge University Press. Defining the Renaissance "Virtuosa" considers the language of art in relationship to the issues of gender difference through an examination of art criticism written between 1550 and 1800 on approximately forty women artists who were active in Renaissance Italy. Fredrika Jacobs demonstrates how these theoretical writings defined women artists, by linking artistic creation and biological procreation. Jacobs' study shows how deeply the biases of these early critics have inflected both subsequent reception of these Renaissance virtuose, as well as modern scholarship. Paperback.…

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Like New. First Edition. A firm and square hardback with sharp corners and strong joints, just showing a few minor cosmetic rubs. Hence a non-text page has a small 'damaged' stamp. Despite such this book is actually in nearly new condition and appears unread. Thus the contents are crisp, fresh and tight; no pen-marks. Now offered for sale at a very sensible price.…

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:0521572703. …

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Text clean and unmarked. Binding tight. Boards have very light wear. Edges of pages have very light wear. Dust jacket has very light wear.

Hard cover. Condizione: Very good. Condizione sovraccoperta: Very good. Jacket is rubbed, with light creasing along upper edge of jacket spine. Book itself is in excellent condition with no visible flaws apart from some light handling wear. Binding is tight and inside is clean and unmarked.

Condizione: New.

Condizione: New.

hardcover. Condizione: Sehr gut. Auflage: Illustrated. 254 Seiten Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Tadelloses Exemplar. Leonardo, Raphael and Michelangelo are familiar names that are often closely associated with the concepts of genius and masterpiece. But what about Sofonisba Anguissola, Lavinia Fontana, and Irene di Spilimbengo? Their names are unfamiliar and their works are literally unknown. Why? Defining the Renaissance 'Virtuosa' considers the language of art in relationship to the issues of gender difference through an examination of art criticism written between 1550 and 1800 on approximately forty women artists who were active in Renaissance Italy. Fredrika Jacobs demonstrates how these theoretical writings defined women artists, by linking artistic creation and biological procreation. She also examines the ambiguity of these women as both beautiful object and creator of beautiful object. Jacobs' study shows how deeply the biases of these early critics have inflected both subsequent reception of these Renaissance virtuose, as well as modern scholarship. ISBN 9780521572705 Sprache: Englisch Gewicht in Gramm: 536.…

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good+.

Condizione: New.

Condizione: New. Jacobs examines art criticism on women artists who were active in Renaissance Italy. Num Pages: 246 pages, 32 b/w illus. BIC Classification: 1DST; 3JB; 3JD; 3JF; ACND. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 228 x 152 x 13. Weight in Grams: 485. . 1999. Illustrated. paperback. . . . .…

paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Condizione: New. In English.

Condizione: As New. Unread book in perfect condition.

Condizione: New. pp. 244.

Condizione: New. Jacobs examines art criticism on women artists who were active in Renaissance Italy. Num Pages: 246 pages, 32 b/w illus. BIC Classification: 1DST; 3JB; 3JD; 3JF; ACND. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 228 x 152 x 13. Weight in Grams: 485. . 1999. Illustrated. paperback. . . . . Books ship from the US and Ireland.…

Paperback. Condizione: Brand New. 1st edition. 244 pages. 8.75x5.75x0.50 inches. In Stock.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Leonardo, Raphael and Michelangelo are familiar names that are often closely associated with the concepts of genius and masterpiece. But what about Sofonisba Anguissola, Lavinia Fontana, and Irene di Spilimbengo Their names are unfamiliar and their works are literally unknown. Why Defining the Renaissance 'Virtuosa' considers the language of art in relationship to the issues of gender difference through an examination of art criticism written between 1550 and 1800 on approximately forty women artists who were active in Renaissance Italy. Fredrika Jacobs demonstrates how these theoretical writings defined women artists, by linking artistic creation and biological procreation. She also examines the ambiguity of these women as both beautiful object and creator of beautiful object. Jacobs' study shows how deeply the biases of these early critics have inflected both subsequent reception of these Renaissance virtuose, as well as modern scholarship.…

Condizione: New.

Condizione: New. In English.

Paperback. Condizione: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.